A Smaller Number of Us Can Make All the Difference in the World, Literally, by Tipping Our Course One Way as Opposed to Another: Moving the World – A Race Against Time
Apocalypse? Or Earth Rebirth? A Smaller Number of Us — Standing in the Right Place and With a Lever Big Enough — Might Be All That Is Needed to Move the World
Apocalypse – No! Chapter Fourteen:
To Move the World – A Race Against Time
Apocalypse? Or Earth Rebirth?
The Evidence for Change Occurring
Finally it is time to answer the question posed by this book: Apocalypse? Or Earth rebirth? Knowing apocalypse, we can now declare a hearty No! to apocalypse.
Our answer begins by pointing out that we have discovered, in this book, that there are things that can be done to prevent our extinction and, on the contrary, bring in a new dawn of harmonious cooperation with the forces of Nature. In the last five chapters we have seen that there is evidence of a collective change in consciousness occurring. A radical change in our attitudes to war, racism, the environment, and even spirituality—and thus to the very way we live our lives—is manifesting in our culture, the youth of the world, our children, and is even popping up in our collective dreams.
In addition we are aided by some fundamental processes of natural and cosmic law. In preceding chapters I have pointed out how both our nature inside and Nature outside seem to be conspiring to force us into the changes necessary. From this perspective we are in the hands of natural law, and its homeostatic mechanisms may bring us into line in ways unimaginable, beyond even the speculations I put forth in our attempt to see “through Gaia’s’ eyes” in Chapter Seven.
Visible and Invisible Allies
Furthermore we may be aided by unseen forces and entities of which we know not and may be incapable of knowing. Though I think it foolhardy to sit on our hands and hope that some intergalactic or spiritual cavalry will arrive to save the day at the last moment. Still it is eminently reasonable, considering the minuscule knowledge we have in relation to the immensity of All That Is, to put aside our familiar hubris and at least consider the possibility of aid from higher forces or entities.
Perhaps it is because our interconnectedness with Everything requires that we not fail, for it would have detrimental effects on things of which we do not know. I must confess that I myself have received knowledge of such help being given us. [Footnote 1]
Similarly there are others who believe that God will not allow His/Her creation to be destroyed and did indeed come in the flesh to ensure its success. [Footnote 2]
And there may even be cosmic laws at work. “Truth has its own momentum,” said one of our workshop participants. My wife and I conducted workshops in what we call primal breathwork, which is based on the Holotropic Breathwork™ of Stanislav Grof. In these workshops, which involve access to all aspects of the unconscious, including the spiritual/transpersonal, the biographical-psychodynamic, and the sensory, as well as the perinatal, it is not unusual for us to witness people being motivated, because of their profound transformative experiences, to commit themselves with all their being, talents, and resources, to aid in the processes of renewal on this planet.
But Is It Enough?
Don’t Expect to See It on Cable News
But some might argue that there are not enough people changing. You might easily get that impression if your prime source of information is the mainstream media of the cultures of the world. For it is in the interest of the dominant media of all lands to support the status quo—for economic, as well as political reasons. They are not likely to report the new and controversial.
In fact, the proof of this is that when truth is truly democratized and shared freely, as on the Internet, the information that comes out is drastically different from the sanctioned news sources. Indeed, we have seen the social media and the Internet leading in many areas, from Wikileaks to Mideast revolt, everywhere and anywhere. Like a tail wagging a dog, the Internet has been the first to expose information that the controlled media, who knew of it but repressed the information, only afterwards were forced to present.
So don’t expect the paid-for media to give you an accurate portrayal of what is truly new and breaking or for them to accurately reflect cultural changes as they occur. And don’t either expect for them to present the news of positive developments occurring—especially when those positive developments threaten an entrenched status quo. No, the official information sources of the status quo are the last to report such changes, and they do so only when they absolutely have to.
The Peace Symbol—Moratorium—Reversed
Meanwhile, from my vantage point, I would answer the query that there are not enough people changing by reiterating that, in fact, there are many of us who are integrating this emergent material, who are regaining our truth and the truths of this Earth and the Universe, who are expanding our consciousness to include this information, and who are carrying that information forward into positive action to heal ourselves, the people around us, humanity at large, and the planet.
This response of constructive action is exquisitely expressed when the peace symbol is reversed and symbolizes a human figure with arms upstretched—meaning the expression into the external world of what was discovered within.
Putting Out Our Hand By Creating Healthy Alternatives
An answer to the question of what will happen is that we can hope that the forces of integration are more successful than those of disintegration and reaction in the face of this influx of material, for one thing. In addition, those of us who are dealing positively with these emergent truths can help to build societal structures and processes that make it easier for others less fortunate to face and deal positively with their environmentally enforced psychological transitions.
Those of us who can should put out our hand to our struggling sisters and brothers. If we can set up and provide accessible alternatives to the ones of reaction and acting out that now exist, we’re going to make it more likely that those more prone to reaction and avoidance will instead also grow in response to these eco-apocalyptic, bio-noetic changes.
Facing the Monster Is Always Better, Often Beautiful
For, contrary to what many believe, the evidence from the experiential modalities involving the perinatal, and my own experience, concludes that the dangers of not accessing the perinatal unconscious are much greater than the ones of attempting to access them. For our residual birth issues influence us one way or the other. If we deny them, we can be deluded into acting them out, completely unconsciously, without an insight or a clue, in a “fetal trance state,” in the form of war, social violence, spouse abuse, sexual promiscuity resulting in the contraction of AIDS, and a myriad of other destructive and self-destructive ways.
Whereas if we turn to face this supposed “monster,” with only a tad of insight into these forces that direct our life, we are at least able to avoid the most horrific of the destructive acts that keeping it unconscious can cause us to participate in.
And then, on the more positive side, fully working through these seemingly hellish inner traumas can result in a transformation of the person and a lightness, peace, beauty, and fulfillment of life unlike anything that can be imagined beforehand.
A Race Against Time
Regardless of whether we succeed, we must try. As Stanislav Grof put it in his conclusion to an article on this global crisis: For our very survival,
We seem to be involved in a race for time that has no precedent in the entire history of humanity. What is at stake is nothing less than the future of life on this planet. If we continue the old strategies, which in their consequences are extremely destructive and self-destructive, it is unlikely that the human species will survive. However if a sufficient number of people undergoes a process of deep inner transformation; we might reach a level of consciousness evolution that will bring us to the point of deserving the name given to our species, Home sapiens, i.e., wise humans.
“The Leaven In the Dough”
Of course, I do not expect that the sort of application of experiential techniques Grof hopes for above can occur on the massive scale that would seem to be necessary to avoid apocalypse in the short period of time that we have left. Yet it might be that we would be lucky enough for that not to be necessary.
It is possible that simply a significant fraction of the world’s population—like the “leaven in the dough”—can make all the difference in the world, literally, by tipping our course one way as opposed to another, especially if these people—because of their healing and their awareness of the crisis—are motivated to place themselves in positions of influence and education, or to put their efforts toward healing, on individual and collective levels, in larger numbers than the average populace would. In other words, not just the leaven in the dough but as persons, standing in the right place and with the lever big enough, who can move the world.
Continue with Apocalypse–No! Afterword: Centaurs, Shamans, Sacrificial Lambs, and Scapegoats: Reflections on a Collective Shadow and Experience as Primary
1. See “Some Cosmic Encouragement: I Was Told “Once There Lived ‘Noble’ Beings” and Now Is the Time for a Regeneration of Peoples to Regain What We Lost,” which is the prologue of the book that follows in line from this one. Wounded Deer and Centaurs expands and elaborates on some of the central concepts introduced here.
3. Stanislav Grof, “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed.” Primal Renaissance: The Journal of Primal Psychology 2(1): 3-26, p. 25. Article reprinted, with permission, on Primal Spirit site.
Continue with Apocalypse–No! Afterword: Centaurs, Shamans, Sacrificial Lambs, and Scapegoats: Reflections on a Collective Shadow and Experience as Primary
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Play Cards with Your Dragons: The New Hero’s Cycle Involves Surrender Not Struggle, Sacrifice Not Slaying, Compassion Not “Toughness,” and Silliness Not Stoicism
Loving Warriors and Silly Heroes: The Necessary Hero Dances Above Dissonance, Lightens Up in the Face of Stress, and Sees Divinity Not Demons Behind It All
Apocalypse – No! Chapter Thirteen: Peaceful Warriors and Silly Heroes
You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You
We Need Compassionate Warriors, Not Fighters: It’s Not Enough Just to Slay Dragons, We Need to Jump Into Volcanoes
Volcano-Jumping: A Different Heroic Response
This different kind of heroic response—which characterizes the perinatal arena and is sorely needed at this time in history—is exemplified in another contemporary movie of cult status. We will deal with it in some detail to bring out the elements of the kind of hero that is now required to stop the cycles of destruction that have currently driven us to the abyss…to the very edge of a “volcano.”
In “Joe Versus the Volcano,” the main character, played by Tom Hanks, is given a heroic task. But unlike a typical hero’s cycle task which stereotypically involves the slaying of a fire-spewing dragon, Joe is asked to give up his life by jumping into a fire-erupting volcano.
The connection between volcano and dragon is that at the second-line or psychodynamic level the fire-spewing aspects of the perinatal, which might be compared to a volcano, can be seen as “embodied” or reduced in the form of a dragon. In the same way, the volcanic energy of perinatal feelings is initially embodied in easier-to-face and “dragonized” psychodynamic, second-line, or childhood traumas and feelings.
You Just Can’t Slay a Volcano
But what may seem to work at the second-line or psychodynamic level—the conquering or slaying of negative feelings…and notice that I said “seem”—has no place at all at the perinatal. For here the pain energy is overwhelming and pervasive. Thus the difference is analogous to that between facing the energy of a dragon and facing that of a volcano.
The Heroes We Need – The New Hero’s Cycle
First Anima, Then Community
Keep in mind that this movie shows Joe, earlier on, going through all the major stages of the hero’s cycle—the retreat from mundane reality, the sailing off into a new and exotic realm of existence and adventure.
It even depicts a typical “dragon slaying”—the hero’s conquering of inner fears and risking of one’s life for another that results in the uniting with anima energy–the saving of the damsel. So earlier on there is a dealing with psychodynamic energy, just as in “Nothing but Trouble” Chevy Chase deals with psychodynamic material and enacts a dragon slaying by risking his life to rescue Demi Moore from a giant chopping machine. But, also similarly, this results in the opening up of another level, requiring a completely different—indeed, opposite—response. Thus, in “Joe Vs. the Volcano,” Joe is asked to give up his life to save an entire community, not merely to risk his life to rescue his anima, his feeling self.
Risking It All
The ensuing plot has interesting elements as it shows Joe having to decide whether to sacrifice his newly won relationship with his anima ally for the benefit of an entire—but anonymous—community. This demonstrates that at a progressed level of the spiritual process—that having to do with one’s inter-connection with the larger community of living things, not just one’s personal unconscious—one must risk even one’s newly regained creativity, inner child playfulness, and personal feelings, i.e., one’s anima.
But in telling fashion, in order to make the higher “community” sacrifice the anima elements that have been let go of, symbolized by Meg Ryan as the anima damsel, end up going with Joe to his chosen fate and are borne up, renewed, along with him.
Borne Up by a Beneficent Universe
On Joe’s part, the climax shows the same quality of a beneficent Universe aiding a true and dharmic heart. Joe (with his anima) face what they think is death. Instead they find themselves “borne up” by the volcano, not consumed; and they are deposited (reborn) in a typical perinatal watery surround—the ocean, symbolizing therefore a spiritual birth. This is a perfect depiction of how surrender, not “heroic” resistance, is done and why it needs to be done currently, as I have been pointing out.
“Away From the Things of Man”
In the end, the main characters are floating in the middle of a wide open sea—signifying the immensity of potentiality that is now open, and facing a gigantic moon on the horizon—symbolizing the beneficent nature of the Universe to which they are opening, that is, it is beautiful and lit with possibilities.
They are seen sitting on only their luggage—symbolizing the “stripped down” nature of the self, that is, stripped of ego trappings of status, vainglory, defenses, and so on. Their final comment at the very end of the film is that they do not know where they’ll end up but only that it will be “away from the things of man”—indicating their desire to never go back to the drama of ego and its puerile catacomb pathways of darkened experience.
The Universe Is You
We see then that in this movie, like “Nothing but Trouble,” the heroic response required is surrender, not resistance or control, and that the response from the Universe is cooperative and helpful, and hardly antagonistic as was feared, especially at earlier levels.
This is in keeping with the discovery at the perinatal, which borders it on the transpersonal, that in fact the Universe, not only is not antagonistic, not only is beneficent and helpful, but in fact is no different from oneself, indeed is oneself…and one begins to wonder why one would ever expect not to be borne up by a Universe that is now seen as inextricably united with one’s Self.
While the interpretation of Joe Versus the Volcano presented in the video below – Joe vs. the Volcano: Losing my Soul, Part One – is annoyingly suffused with theological terminology – hell, devil – and suffers from the paranoia that happens lacking a perinatal or even a Jungian understanding, it does succeed on a more superficial level of basic insight. It does get the highly metaphorical and philosophical import of the film and picks up on major themes of the movie. It strikes me as having the problem of just understanding religion while knowing nothing about psychology. And it suffers, as I’ve put it elsewhere, from the problem of projecting one’s perinatal underbelly onto the Universe or of funneling revelation through the filter of personal pain.
Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere
What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered
Responses to the Perinatal
Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.
Jiving With Your Monsters
The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.
Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.
Beware the Tar Baby
Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.
But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.
Standing within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.
If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.
Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile air—indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.
The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.
But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.
Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.
However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.
Evolution In Attitudes to the Perinatal?
However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.
Dancing Above the Dissonance
Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.
Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.
The Universality of Divinity Remembered
The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.
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When Everything Appears to Be Conspiring Against You, You Might Want to Stop Fighting Rebirth: Atman Projects Versus Surrender Solutions and a Different Hero’s Journey
How Can You Be Borne Up, If You Won’t Let Go? Spiritual Experience Is Distorted by One’s Birth Trauma … The Necessary Hero Descends Into the Perinatal Below
Apocalypse – No! Chapter Twelve: Atman Projects vs. Surrender Solutions
The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below
A Different Kind of Hero’s Journey for Our Times Is Depicted in the Cult Classic, “Nothing But Trouble”
A Perinatal Flick
A film of postmodern times that is bold with revelation for us is the cult classic, “Nothing but Trouble,” which was released in 1991. It is an especially potent example of the rising pre- and perinatal influence in the media we’ve been discussing as well as the different heroic response required in these strangest of days because of it. It is all this, plus a twist: As a comedy it represents an unlikely approach to such material and themes. More about that later.
It was produced and written by Peter and Dan Aykroyd and stars Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy.Its reception by modern audiences mirrors exactly the perception in general, to date, that has been had of the perinatal material it depicts so well. For despite the movie’s star power and the popularity of its co-creator, Dan Aykroyd, it was met with overwhelmingly negative reviews and received six Razzie nominations, garnering one. I fully expect that until we know better I can expect much the same kind of reaction to this book, because of the perinatal perspective it is revealing of the dark underside of everyday pleasantries and sugar-coated media realities. Yet there is hope for all that we will integrate this hard-to-face yet redemptive material in the fact that the movie does have a strong following among some in our population, just as at present there are some who are not in denial of the bittersweet perinatal vision being revealed.
The Lure Into the Underworld and Call to Adventure
The perinatal adventure of “Nothing but Trouble” begins innocuously with the main characters “leaving the beaten path” on a rather ordinary trip out of the city. Interestingly, the Brazilian couple who have forced themselves on the main characters of Chevy Chase and Demi Moore in making the trip act as impish other-worldly instruments in the change of route.
Joseph Campbell pointed out that the “call to adventure,” which marks the beginning of the descent into the transformative nether regions, may be instigated by the merest chance or blunder. [Footnote 1]
Campbell also writes that the heralds of such a rite of spiritual passage are often loathly and underestimated characters. The Brazilian couple—as gaudy, overbearing, quirky, and from “down under”—perform just this function of luring into the underworld. Thus, they remind us that it is the quirky yet underestimated element in our familiar daily experience that opens us up to the process whose ramifications are huge by comparison.
The Merest Blunder, The Adventure Begins
Sure enough, this innocent-appearing outing is soon disturbed. The merest blunder of map reading results in an ominous tour of an eerie town and its somber and menacing-looking inhabitants. This is followed by a high-speed car chase as the police attempt to pull the innocents over for a bogus traffic violation.
In the tour of the town, it is as if the ego is shown getting a preview or having a precognition of what lies ahead and attempts to flee back into its safe familiar environs. But of course, this emerging piece of unconscious material will not be denied and is able to capture the fleeing ego that we see safely ensconced in its trappings of status and power—symbolized by the BMW with car phone. At this point the main characters, representing the ego, are led, under guard, into the bizarre town of Valkenvania—the encounter with unconscious perinatal begins.
The Junkyard of the Psyche
Campbell says that in the unconscious deep, to which one is beckoned, “are hoarded all the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence.” [Footnote 2]
Likewise, the set in “Nothing But Trouble” is replete with refuse. Bits of history—of rusted and broken refrigerators, automobiles, kitchen appliances, assorted junk, and pieces and parts of all the preceding…the wreckage of the past—are strewn about as well as heaped in clusters to construct the architecture and delineate the outlines of the drama. The correlation with subconscious remnants of forgotten memories and past emotional experiences is obvious.
Thus the drama evolves in the dumping ground and junkyard of the psyche—where all the rejected tidbits of experience have been relegated.
Stripped of Ego, Perinatal Begins
After being separated from the automobile—that is to say, the ego stripped of defensive trappings of status and worldly position—the characters are rather quickly shuttled into encounters with a myriad of perinatal elements. A few of the obvious ones are as follows:
- Mr. Bonestripper, which is a roller-coaster type ride whose entrance is a large vagina dentate mouth that swallows, chews up, and kills. Notice the roller-coaster ride aspect of Mr. Bonestripper, which reflects the emotional extremes and changingness of perinatal, specifically Basic Perinatal Matrix III (BPM III), events. [Footnote 3]
- The chutes inside the house and of Mr. Bonestripper indicate birth canal symbolism.
- Sexual elements, indicating BPM III influence, are manifest in the scantily clad heroine and the penis-nose of the judge.
- The dark foundry symbolizes the foundation work of the psyche as well as the ominous and eerie aspects of perinatal experience.
- The slave labor surroundings represent similar feelings in the enforced and helpless character of doings just prior to and at the time of birth.
- Notice that the body—the car, the “Beamer”—gets trimmed down, the excess removed, symbolic of the cutting away of past attachments and concerns of a worldly nature, one’s “status” reduced.
- Chevy Chase as the main character is at one point forced into a marriage with a huge woman, who is tellingly androgynous in that she is played by John Candy. In her threatening and suffocating embraces we see symbolism of the crushing womb.
- The entire site of these doings is surrounded by a watery trench. This obviously reflects the amniotic surround in the womb.
- Police and guns point to the authoritative character of perinatal doings—in other words, do, or else!
- Death/rebirth symbolism of the perinatal exists in the form of skeletons and huge piles of skulls and bones.
- Scatological, that is to say, fecal symbolism is seen in the “bat-room,” which contains an enormous pile of wet bat-shit…excuse the wording, but it really is shit and not feces.
- The arbitrary nature of justice in the courtroom speaks to that perinatal feeling that one tiny thing, event, or action, has huge and horrifying ramifications.
The most obviously perinatal element, however, is the gargantuan and grotesquely flabby infant twins in diapers. Perinatal feelings are indicated in their extreme crying neediness. Their freshly newborn quality is evident in their fleshiness, which reminds one of the overweight appearance of some newborns, which is usually lost a little later on in infancy. The glossy, waxy sheen on their bodies is reminiscent of the skin of a newborn, which, fresh out of the womb, is wet and slippery, covered in amniotic fluid and cervical mucosa.
A Spiritual Interface
An interesting aspect that indicates the transpersonal, or spiritual, interface with the perinatal is an attic room—a higher mind of memory, kind of like an Akashic record—where all past IDs—identifications—and reports of them—newspaper clippings—are displayed.
Though, interestingly enough, in true perinatal fashion, a macabre lens is used to view these lives—only the reports of their tragic disappearances are seen. I believe that this is a wonderful depiction of how transpersonal information is distorted by perinatal material—the implications of which are far reaching for the pronouncements of so-called spiritual, or psychological, authorities who have not dealt with their perinatal undersides.
Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth
When It Appears the Whole World Has Been Conspiring Against You, You Might Want to Let Yourself Be Blessed
Just When You Thought….
However an important element in this movie, “Nothing But Trouble,” which is different from artistic representations that deal with only the personal or psychodynamic, is the way the ending opens up under it to a new level, a whole new arena, of issues. Those of us in experiential therapies or breathwork are only too aware of how the perinatal opens up to one, revealing a greater expanse and pervasiveness of dis-ease, at a certain point after dealing with the personal and the psychodynamic.
This layered, or multilevel quality of the movie is shown when the main characters, having heroically escaped through personal effort, find themselves returning to the perinatal realm. Thinking that they have the forces of authority and light on their side, they expect this time to be able to put the evil away once and for all.
But When All Seems Lost….
To their immense surprise, it appears that the whole world has been conspiring against them—a telling perinatal feeling. The evil is discovered to be pervasive, as if infiltrating every corner of the universe—another perinatal feeling. Even the thoroughly trusted elements of light turn out to be on the side of the darker forces—a vantage point that is part of the hopelessness that characterizes the classic no-exit BPM II scenario. And just like in the womb, then, when all seems lost, something new happens, an explosion or eruption of sorts, which brings down the old world and its structures in a violent conflagration.
Atman Projects Versus Surrender Solutions
This hopeless and futile aspect of the perinatal realms — as opposed to the merely personal or psychodynamic ones—lends itself to its distinctive response—which is surrender, not resistance. Unlike the hero of Campbell’s hero’s cycle whose task is to slay the dragon using the sword of analytical or cognitive powers, the correct solution here at the perinatal is to let go of all designs, manipulations, and attempts at control and to put oneself into the hands of the seemingly irrational and chaotic Universe, come what may.
How Can You Be Borne Up, If You Won’t Let Go?
The Universe’s response in the movie — the upsurge of fire from below the earth that brings down the evil structures—demonstrates the theme of being saved by higher forces when one finally is able to surrender. In the same way, in our perinatal experiences, we find ourselves “borne up” and elevated when we once are able to submit to the upsurge of fear-evoking perinatal emotion.
Indeed, when Chevy Chase is seen rolling and setting fire to barrels of oil in a superhuman nick-of-time rescue attempt—in typical “hero’s journey” style—I had an odd disjointed sense that we had switched modes. The element seemed incongruous.
Say “Good Night,” John Wayne
But, then again, not so. For the movie shows that the successful escape performed through one’s own effort is, in actuality, futile. In perinatal terms, such heroics are illusory “atman projects” that ultimately fail against the onslaught of perinatal material, which must be surrendered to, not heroically resisted or conquered.
Interestingly, the eventual surrender solution is echoed earlier on when Chevy Chase is about to go through the chomping jaws of Mr. Bonestripper, the devouring womb. His response, at the prospect of his imminent failure, is to pray—to call on higher forces.
Trusting in Higher Forces
Amazingly, the machine breaks at that moment, signaling the response of such “external” or higher forces. He alone, of all the others who have faced that fate, goes through the machine unscathed. Notice also that he says “Thank you, Lord” afterwards.
Thus it is not on one’s own powers that one makes it through perinatal material, rather it is by the relinquishing of such attempts at control and the relying and trusting in higher forces. We are reminded that Dante required the angelic Beatrice to show the way through purgatorio and inferno to paradisio.
In the next chapter, we will use another postmodern film to expand on these themes. This will allow us to fill out an emerging pattern, as we then compare it with “Nothing But Trouble” and other perinatal evidence.
So let us watch, now, as the pattern, like a photo emerging in solution, reveals to us its features, thus delivering to us the message it has come to bring.
3. As a reminder, BPM III events (Basic Perinatal Matrix III events), using the typology set forth by Stanislav Grof in his many works, are the events surrounding the actual birth struggle of the infant during delivery. These parts on the perinatal in film make mention also of BPM II, which is related to the time of severe compression and constriction of the fetus in the latter stages of pregnancy and prior to the actual onset of delivery—which are characterized by feelings of “no-exit”; of BPM IV, which is concerned with the feelings of release, triumph, being saved, and whatever else occurs immediately after delivery; and of BPM I, which is related to the state of the fetus earlier in pregnancy—prior to compression—which is often conceived to have “oceanic” and “blissful” qualities, though not always.
Continue with You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You
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Will We Survive? Putting Our Society “On the Couch”: Control vs. Surrender, Death vs. Life … The Path to Heaven Leads Through Hell
The Journey to Light Leads Through Perinatal Darkness: Correcting the Arrogant Modern Ego … Religions Are About Control … Spirituality, Surrender
Apocalypse – No! Chapter Eleven: Control Versus Surrender … Heaven Leads Through Hell
Does It Look Like We’ll Duck Armageddon? The Information Tsunami, Ego Erosion, and Movies Are Collective Dreaming
Are the Changes Needed to Avoid Apocalypse Occurring? The “Royal Road” to Our Collective Mind, Putting Our Society “on the Couch”
Is there any evidence that the changes that need to happen for us to stave off apocalypse and save our world are actually occurring?
The “Royal Road” to Our Collective Mind
I have mentioned there are studies of the psychology of generations, beginning with the Baby-Boomers or Sixties Generation, that show both an increased access to the perinatal as well as a tendency to act out perinatal influences in less harmful…though more blatant…ways than generations prior. We have seen that this tendency goes hand in hand with actual engagement in activities to counter the negative perinatal act-outs that exist in our environment, for example, campaigning against war, pollution, racism, violence, and so on.
But in “Chapter Three: The Perinatal Media,” I introduced the common anthropological tenet that the projective systems of a culture—that is, its art and artifacts—can be analyzed to get a glimpse into the worldview of a particular society. For our purposes, I pointed out how our movies are especially potent glimpses into our collective consciousness as well as our collective unconscious. You might say that our cinema is the “royal road” to our collective unconscious.
Movies As Collective Dreaming
Our flicks perform admirably well as collective dreams in that, unlike the other products of our collective consciousness such as other art and artifacts, they are multimedia stories, much like dreams are. But more than that, they are shared by more of the populace than any other art form. I am not including TV separately as an art form, since I put it in the same category as films, especially when many films are broadcast on TV and much else on TV also has the same character of being multimedia stories.
Finally, the strength of a particular element of the collective consciousness can be easily determined by the popularity of a particular movie that represents it or by that element’s increasing inclusion in a number of films. For example, in “The Perinatal Media,” I discussed the emerging new elements of faces coming out of walls and forceful oral insertion.
Putting Our Society “on the Couch”
All together, these mean that, just as a psychotherapist might analyze a client’s dreams to get an idea of his or her unconscious workings and contents, one can interpret mainstream movies to get an idea of the workings and contents of our society’s “collective mind”—both conscious and unconscious.
This is no more complex than saying that when we see things in movies that people rush to see, they are drawn to it because those things are also in their own minds. And the more they flock—the greater the success of a movie—the more pervasive in a society are those themes, elements, and contents. Certain aspects—themes or elements in films—are said to really “resonate” with people and therefore people make the movies that contain them popular and successful.
When this is said, it only means that people are consciously or unconsciously drawn to things that exist within themselves. Conversely, no existence inside? No interest.
So in this and upcoming chapters I will use films as the dreaming out loud of our collective mind. Put less esoterically, I will be analyzing a few examples of mainstream movies for their content, and I will be assuming the content I find there exists as well in the society that has watched it…has dreamt it.
I will also be assuming that movies that are mainstream, by which I mean can be found readily for sale as DVDs on-line or in retail stores and have become part of the popular conversation are indicative of pervasive elements in our collective consciousness and unconscious. They can be looked at for the unacknowledged workings of our society as a whole.
I will not deal with the actual numbers of people who have attended particular movies. For I will assume out of the tens of thousands of movies that are produced each year—by small and large producers—those that have made it into the theaters of virtually all the communities of our society, and from there onto the DVD lists and the shelves of stores of all those communities, have by those facts alone demonstrated their resonance with the collective social mind. Otherwise, we would get into the maelstrom of analyzing critic’s opinions of these movies; and with that, to modify a saying, opinions are like asses: everyone has a different one.
Something’s Happening Here … Again
One final point about the heuristic value of the analysis of films for the workings of the collective mind: Elements and themes in movies change over time. I have shown how new elements may be evidence of new elements of our collective unconscious minds coming into consciousness in detailing how the faces-in-the-wall element has developed. (See “All in All It’s Just Another Face in the Wall.”)
But when old, familiar plots have different outcomes, this is important as well. When elements change or evolve over time, this speaks of something going on. This points to changes or evolutions in our collective consciousness. And when elements and themes and plots change or evolve rapidly, we can accurately say that the changes in consciousness are equally swift.
These are some of the tools we will be using in this and upcoming chapters as we take a look at a few examples of mainstream films and what they might be reflecting back to us about our own society’s changes in consciousness. But first let me say something about what may turn out to be the most important of the thematic evolutions or changes in film elements that we have been seeing.
Information Avalanche and Pre- and Perinatal Themes
In the last half century we have been hearing a great deal about the need to expand consciousness to balance the negative effects of the extremes of technological advance. Fortunately this change of consciousness is to some extent inevitable—or at least greatly aided—by certain side effects of the technological explosion…specifically in the area of telecommunications.
Ego-Eroding Information Deluge
As cultural boundaries are eroded by a multicultural information avalanche, people are forced to lower their inner defenses and ego boundaries. Confronted by such incoming information people will either take some of it in, learn, and thereby grow beyond their former selves or they will need to expend themselves in an all-out effort to shore them up.
A potent example of the first, currently, is the way people worldwide are opening to and learning from each other using social media via the internet; the revolutionary potential of this creation of an open global consciousness is already showing itself in uprising for democracies and economic justice virtually everywhere on Earth. A clear example of the second—where folks are putting everything into blocking out information and beating back the personal growth that would result—is in the backlashes to these liberal forces, which are also occurring throughout the world—as a Tea Party in the United States and as the fortification of authoritarian regimes from China to Syria and Turkey, from Iran to Israel.
We have seen that the first response—where folks allow the discomfort inherent in personal growth—is typical of a more advanced form of child-caring that is centered on the needs of the child. We know also that the latter reaction goes with child-caring centered on the needs of the care-givers, or parents…and not the child. In this latter instance of parenting, it is understandably called child-rearing or raising a child as opposed to child-caring. We have noticed that the first response goes along with increased self-analysis and introspection and the latter one with acting out, aggression, and culture war.
Information Tsunami Pushes Consciousness Revolution
So, this tsunami of information in all areas, where previously we could smugly hold forth ego-satisfying views, pushes both toward an overthrow of those narrower perspectives and the establishment of broader, more encompassing ones as well as toward an ever increasing irrationality in fending off this information, at any and all costs.
“Consciousness Raising” As “Shoveling It”
For the most part, this growth or expansion of consciousness, when it happens, is seen as a linear increase and correspondingly is labeled a “raising” of consciousness. This is true whether we are talking about societal or individual progress.
Ken Wilber’s transpersonal theory is the most popular version of such a ladder-style path. In it the process of growth is analogous to that of climbing a mountain or shoveling compost into a pickup truck—one simply moves upward or piles it on. [Footnote 1]
But there are those who think otherwise.
Yes, Tina Turner, We Do Need Another Hero … a Different Kind: The Path to Heaven Leads Through Hell
Religions Are About Control; Spirituality, Surrender. Let Go, Let God to Correct an Arrogant Modern Ego
The Path to Heaven Leads Through Hell
Those in the know about the pervasive pre- and perinatal influence on personality and behavior, and especially those of us actively engaged in working through the effects of such early traumas, are fully aware, like Dante, that the path to heaven leads through hell. We have found that the path to the transpersonal light leads through the psychodynamic and perinatal darkness, that the path up and the path down are parts of the same path outward. [Footnote 2]
A Dark and Hideous Shadow World
Our experience has been that the information avalanche and multicultural onslaught have eroded our personal boundaries to an influx, not only of transpersonal bliss-love-compassion, but equally—and very often, initially—to a dark and hideous shadow world, a backwards bizarro world, of pernicious and insidious disorganized feelings comprised of elements ancient, infantile, pathological, biological, scatological, and perinatal. These are some of the forms spiritual emergence can take, especially initially. And they are the ones most likely to be seen as spiritual emergencies.
Pre- and Perinatal Themes in Cinema
Therefore, it is interesting to see these views confirmed by the bubbling up of psychodynamic and perinatal themes in our collective consciousness as evidenced by current films, books, and music. I have mentioned the pre- and perinatal themes and symbolism in films and explained why, along with other elements of postmodern times, they are evidence of something significant occurring in the consciousness of our age—an emerging perinatal unconscious.
But there is another element evolving in current films which has to do with a changing or evolving collective attitude toward these perinatal elements. And along with a changing attitude, there is evidence pointing to an evolving collective response to it.
Control vs. Surrender, Death vs. Life
“Control Spiritualities” and Patriarchal Cultures
Specifically, a different kind of heroic response, which characterizes the perinatal arena, can be said to characterize the postmodern movies replete with perinatal symbolism. Most striking of all, this different kind of heroic response corresponds to a different kind of spirituality than what is commonly portrayed in this society, or at least has been the norm up until now.
For basically there are “control” spiritualities and “surrender” spiritualities, with rarely the twain meeting. “Control spiritualities” are adapted to patriarchal cultures and involve the use of the ego to “control” and be in charge of even the realms of the supernatural. This is so because an ultimate evil—a devil or Satan—is postulated, which is given equal weight along with God in determining one’s ultimate fate. This type of spirituality is normally what is called religion.
“Surrender Spiritualities” and God As Being Good
But there is another brand of spirituality that is based on a belief in the ultimate goodness and rightness of All That Is. God’s goodness being essentially the dominant force in the Universe, herein it is considered safe to “surrender” in one’s relation to Reality, to expect that one will be guided correctly, in fact perfectly, in the act of letting go. Thus letting go is not to be feared—as in the control spirituality—but is to be practiced and fostered. In this perspective, which we might call surrender spirituality, control is seen as the problem, not the solution.
“Control” and “Surrender” Psychotherapies
Of course these two approaches to spirituality represent two approaches to psychotherapy as well. The control attitude is the dominant mode of psychoanalytically-based approaches—those in which the “demon” of the id is postulated.
The attitude of “letting go” and “surrender,” on the other hand, is the dominant mode of the experiential psychotherapies, which are themselves rooted in the tradition of humanistic psychology with its belief in the ultimate goodness of the human organism and which thus allows a faith in the ultimate rightness of human processes.
“Hero’s Journey” As “Control” Psychotherapy
Since the control attitude, in any of its manifestations, requires the postulation of an ultimate evil against which one must remain vigilant and must fight, the common “hero’s journey” myth—with its typical fighting and slaying of supposedly evil parts of the personality and reality symbolized as dragons and other monsters—is a prevalent focal myth to this attitude. Corresponding to this myth are the emphasis on disciplines and practices seeking to develop the ego and the will…over against the dangers that are postulated to exist in the Universe requiring these disciplines and, so-called, ego developments.
A Different Heroic Response in “Surrender” Paths
Since the “feeling” therapies and the other spiritual and experiential psychotherapeutic modalities with which they are allied are so different in attitude to the traditional “control” attitude, should there not be corresponding differences in myths to exemplify them? Indeed, there are.
In history, the surrender spiritualities have had correspondences in myth in which the dragon is not fought, conquered, and slain, but rather is either tamed and becomes one’s ally or pet—Saint Margaret is the prime example in the West, but this is a depiction prevalent in the East—or else one is swallowed by the “dragon” or monster and, after a while, is reborn.
Jonah is the prime example in the West for this latter depiction. But again this reaction to the fearful dissociated aspects of the personality, or the Shadow, is not a common one in the Western patriarchy, and it is much more common in traditional cultures and in the East.
A Shift to “Surrender” As a Corrective to a Western Overweening Ego?
All of this may be changing in recent times in the West, as once again the humanistic attitude and the new spiritual perspectives, as well as the experiential psychotherapies such as primal therapy, make us increasingly aware of the ultimate beneficence of the body, and of the Universe beyond even that, and of the importance of surrender and letting go as a corrective to the overweening control and defensiveness of the diminutive Western ego.
1. See especially Ken Wilber, The Atman Project. Wheaton, IL: Theosophical Publishing House, 1980.
2. See, for example, Michael Adzema, “A Primal Perspective on Spirituality,” Journal of Humanistic Psychology, 25(3), 83-116. Reprinted online at the Primal Spirit site at “A Primal Perspective on Spirituality.”
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The Cycle of All Events, the Evolution of Parenting, and Auspicious Collective Regressions: Being Crazy in an Insane World Might Mean You’re the Sane One
What’s Involved in Stopping War and Ecocide and the Necessary Mess of Transformation: Hard to Believe, But We’re Getting Saner
Chapter Nine: Regressions in the Service of Society — Messy Healing
There Is a Cycle to All Events … The Spiral Dance, Why We Can’t Get No Satisfaction, and Where There Is Real Hope
The Spiral Dance – The Cycle of All Events: Wedded to Rebirthing Rituals, the Inevitability of Disappointment, and Where There is Real Hope
Wedded to Rebirthing Rituals
In turning toward these feelings we embrace, feel, and if we go deeply enough into that, we relive the roots of them and resolve them finally.
If we face these inner forces—we call that feeling them…in this instance, feeling through or reliving one’s birth—we integrate them and heal the underlying trauma, the perinatal trauma.
Or the individual and society can avoid this going within—as depicted in the peace symbol—and can choose instead to act them out, which is the peace symbol upside down—the Satan symbol, the pentagram.
In acting them out, one distracts oneself from the uncomfortable feelings, which though not focused on, are still there. One tries to be “strong” in the face of feelings but one is actually driven and directed by them—they “take over one’s mind.” This is the source of the idea of spirit possession and in general of the idea that a devil or Satan can take over one’s soul.
So in running from our feelings we are captured and enslaved by them, we are forced to act them out in ways we would not otherwise choose which are negative to horrible but in all cases self-sabotaging. Of course war is the most horrible, most self-sabotaging, greatest, and most all-consuming form of such acting-out…the greatest struggle.
Humans are characterized by a particular kind of birth process. It is a coming into being that is traumatic and which is related to our distinction of standing upright and thereby decreasing the pelvic opening as well as suffocating the fetus prior to birth. The fact is that because of this “distinction” we are destined to go through periods of rebirthing purificatory rituals, whether for good or ill. [Footnote 1]
For we are psychologically wedded to reliving that which we could not fully experience at the time because of the overwhelming quality of pain associated with it.
A “Spiral Dance”
These rebirthing rituals we are doomed to repeat, one way or the other. We are going to act out this primal pain—this birth trauma—in an unending cycle of feelings having these components
- Periods of feelings of expansion
- Closedness or entrapment, guilt, and depression
In winning the “war” or having the success or achievement, there begins the same cycle of expansion followed by entrapment. Losing the war…the struggle, the battle…is akin to death, even if there is no death. There is numbness and repression…akin to a kind of “limbo”…before life can begin anew. A reconception is necessary.
The Pattern of Our First Nine Months Imprints Us For Our Entire Human Lives
The reemergence of hope in individuals and societies is biologically equivalent to conception. And following this reconceiving, there is a similar cycle of reemerging strength—akin to the expansion that follows winning. Then there is continuing depression or overarching gloom and helplessness feelings coupled with revenge feelings and blame as individuals and societies stew in the vessel of indecision, inaction, and doubt. This is quite like the closedness and guilt which follows achievement-success-victory. Note, however, that the revenge and blame feelings here are aspects of the BPM II matrix, just as is closedness and guilt.
Can’t Get No Satisfaction
And then the cycle is the same again. Specifically, there is aggression against the oppressor (War and revolution both see the foe as an oppressor, even if one is actually the one who is the aggressor.) What follows upon fighting is release or “death”; and so on around. The “happily ever after” that inspires such battle truly only exists in fantasies and fairy tales. Prosperity and feelings of success are unfortunately doomed, on this physical plane of existence, to be short-lived.
Where There Is Real Hope
It would seem we are fated to never be happy, for long. But progress is possible; herein lies our only real choice in the entire scenario. For we either work through these cycles in some deep psychologically transformative way that helps us deal with and pass beyond the difficult and painful parts of the cycle as well as helps to fade the imprints’ potency in determining our behavior or we are doomed to act them out in the external world in ways that we are blindly unaware are not congruent with the actual facts of our circumstances and are harmful to ourselves and others around us.
We are fated to experience these cycles of birth, and we will either act them out disastrously or we find ways of dealing with them inside of ourselves in some way—and some ways are better than others for doing this—so that we can have some inner distance from these patterns and therefore some conscious ability or choice around our actions when these pushes and pulls arise.
Railing Against the Darkness: The Vanity of Will, The Impotence of Reason, Progress Requires Regress, and Healing Is Nothing if Not Messy
Railing Against the Darkness, The Vanity of Will, The Impotence of Reason, and Social Progress Requires Regression
The Vanity of Will, The Impotence of “Reason”
What we absolutely don’t have, yet arrogantly think we do, is the ability—through will or reason alone—to choose light over darkness, to replace these inner veils of distortion with clarity of thought and perception and hence of positive behavior and actions while in the midst of them. Trying to reason with and to obtain truly desired outcomes is about as possible as trying to reason with a lizard and convince it to conform to one’s wishes for its behavior. For good reason: Indeed our rational mind is as split off from the “reptilian brain” inside us within which these imprints circulate and from which they arise as are we from the consciousness of a gila monster.
What We Call “Reason” Is Largely Just Rationalization
This impotence of intellectual understanding in the face of these patterns of self-destruction occurs because these schemas are rooted in memories existing in an emotional and entirely dissociated part of the brain, which is hardly touched by neocortical admonishing of any kind. As deMause correctly points out,
[The fetus’s] “early experiences have been found to be recorded in a separate early neural network—a dissociated emotional memory system centering in the amygdala, quite distinct from the declarative memory system centering in the hippocampus that is established in later childhood.” [Footnote 2]
Disclaiming these cycles, which inevitably pass through darkness, and reliance on “will-power” to change one’s patterns, which includes self-sabotage, has been exposed in its impotence in modern times. We see as evidence the growing acknowledgment of the ineffectiveness and, indeed, counter-effectiveness of psychoanalysis. [Footnote 3]
Railing Against the Darkness
So the question begging to be asked is “What do we do about it?” What do we do about these pernicious cycles?
And when these elements erupt in society in harmless, possibly healing ways, how do we view them? Do we, as Mayr and Boelderl do in their article, “The Pacifier Craze: Collective Regression in Europe,” decry the regression…as if by disclaiming it we could somehow keep the cycle from happening? [Footnote 4]
Mayr and Boelderl write, for example, that the situation of collective regression in Europe “strikes us as being high-explosive [sic] and bitter enough.” [Footnote 5]
In another place they exclaim, “What is horrible about this insight [about the increasing collective regression in Europe] is the additional observation that regression is becoming still more radical.” [Footnote 6]
This response of railing against the “Darkness” is a Freudian response. Yet it is not even a neo-Freudian one, since regression in the service of the ego—which began to be seen as ever more important by neo-Freudians—is not acknowledged, let alone considered.
Social Progress Requires Regression
That regression in the service of the ego is not considered is confirmed by Mayr and Boelderl in their statement that “[R]egression by definition is a process of repression and a defense mechanism.” [