The Template for All You Think Was Created at Birth: Overview of the Pre- and Perinatal Psychology Field — Early Theorists, Psychoanalysis, and Birth
We Are a Fever, Part Two — The Evidence That Life’s Blueprint Is Written at Birth: Prenatal and Perinatal Psychology Overview — Early Theorists, Psychoanalysis, and Birth
Overview of the Pre- and Perinatal Psychology Field—Early Theorists: Psychoanalysis and Birth
Sigmund Freud — Birth as Prototype for All Anxiety
While Freud (1927) disregarded major effects of birth on personality, he still saw the birth experience as the prototype of all later anxiety. His overall disregard of birth, however, was largely influenced by the belief—although discredited (see Chamberlain, 1988), still common in mainstream psychology and medicine today—that a newborn does not possess the neurological capacity for consciousness at birth.
Otto Rank — Psychoanalysis, Birth Trauma, Foundations of Personality and Some Myth, Separation Anxiety
Other early psychoanalysts disagreed with Freud on this. Otto Rank is the most notable of these. Following Freud’s basic psychoanalytic reasoning for personality patterns in early infancy, he asserted basic patterns of experience and ideas that are rooted in even earlier experience. Rank (1929) claimed the deepest, most fundamental patterns of these personality constructs originated at the time of birth, which Freud thought was not possible. Based upon the dream, fantasy, and other patterns of associations arising in his patients in psychoanalysis, Rank postulated a birth trauma, which he saw as a critical event in laying down in each of us particular patterns of thinking, motivation, and emotion for the rest of our lives. Notable among these prototypes was a feeling of a paradise once known but somehow lost, a separation anxiety caused by the separation at birth, and a resulting futile and lifelong struggle to re-unite with that golden age and that early beloved because of a desire to return to the womb.
Nandor Fodor — Dreamwork, Birth and Prenatal Processing and Relivings, Prenatal Origins of Consciousness and Trauma
Also a psychoanalyst, Fodor (1949) focused on the reflections of birth and prenatal material in dreams. He also designed interventions in therapy to release the negative effects of birth and to process prenatal memories. He was the first to mention actual relivings of birth, in which veridical memories were recovered. He agreed with Rank on many points, but he stressed the origins of consciousness and of trauma being in the prenatal period.
Donald W. Winnicott — First Primal Therapist? Birth Relivings, Importance of Birth—Negative Imprints but Positive Effects, Too
Another psychoanalyst, and pediatrician as well, Winnicott (1958) also held that birth is remembered and is important. He insisted that the birth trauma is real, but he disagreed with Rank and Fodor that it is always traumatic. He suggested that a normal, nontraumatic, birth has many positive benefits, particularly for ego development. Still, he contended that traumatic birth is permanently etched in memory and leaves a lifetime psychological scar. Winnicott (1958) also suggested the possibility of prenatal trauma.
He has been called the first primal therapist in that he described the first birth primals—actual observable relivings of birth—spontaneously occurring by some of his patients during their sessions with him. Thus he was beginning the trend beyond mere talking association or dream analysis as ways of accessing and integrating this material.
Overview of the Pre- and Perinatal Psychology Field — Later Research and Theorists: Hypnosis, Primal Therapy, and Birth
David Cheek and Leslie LeCron — Hypnosis, Birth Memories and Imprints on Personality and Relation to Psychiatric Disorders
Cheek and LeCron (1968) used hypnosis to retrieve early memories in their patients. They discovered that memories earlier than what they expected, going back to birth, were possible. Importantly, a relief of symptoms seemed to follow from the re-experience of these birth memories. They came to the conclusion that a birth imprint occurs, which is induced by the extreme stress of that time and is resistant to fading from later experience. Further they asserted that this imprint could be the cause of a wide spectrum of psychiatric and psychosomatic disorders.
Leslie Feher — Psychoanalysis, Birth, Cutting of Umbilical Cord, Separation Trauma
Feher (1980) sought to extend the Freudian tradition farther back into areas that, she asserts, were until only recently unknowable. Thus, she describes a natal theory and therapy that includes experiences of cutting the umbilical cord, birth, and even prebirth. In fact, she considers the cutting of the umbilical cord to be central in her theory of trauma, calling it the “crisis umbilicus,” and echoes Fodor in claiming that it is the true origin of the castration fears made so much of in psychoanalysis. This is so because, according to Feher, the cord and placenta is an object of security and is considered by the fetus to be part of him- or herself. Thus, this cutting represents a supreme threat in being a separation from a total life support system, a major organ, a part of oneself. In these ways, she also brings forward for renewed appreciation Rank’s speculations on the element of separation trauma as a crucial element of the birth trauma.
Arthur Janov — Primal Therapy, Traumas of Birth and Early Life and Healing Them, Empirical Foundations and Neurophysiology of Early Events and Healing
Perhaps the major theorist and popularizer of the phenomenon of re-experience (which he termed primaling), Janov was reluctant to acknowledge the pervasiveness of pre- and perinatal re-experience and trauma. Yet when he did, it was in a major work on birth trauma, which remains as a touchstone in the field in its depth and detail. Imprints: The Lifelong Effects of the Birth Experience, published in 1983, among other things places birth as the determining factor in creating basic personality constructs, called sympathetic and parasympathetic, which roughly coincide with the more common terms introversion and extroversion.
This work is more empirical and neurophysiologically rooted than most in the field. While the book is recognized in the field, Janov and his work have not gotten anywhere near the respect and attention that they deserve. He remains the unfortunate kicking-boy of a movement that is itself scapegoated by the academy and the larger scientific community.
Thomas Verny — Primal Therapy, Birth, Especially Womb Life and Relation to Personality … Prenatal Mother-Infant Bonding
The actual stimulus for a new field of pre- and perinatal psychology and the Association for Pre- and Perinatal Psychology and Health—APPPAH was Thomas Verny’s (1981) The Secret Life of the Unborn Child. His work brought together a good deal of the new empirical research that had opened the doors to us on the events in the womb. While himself a practitioner of “holistic primal therapy,” he integrated the accumulating data from the phenomenon of re-experience with the new information from the more traditional, “objective,” scientific research into the prenatal—made possible by the latest advances in technology.
One of his conclusions from this combination of lines of inquiry was that “birth and prenatal experiences form the foundations of human personality” (1981, p. 118). His other conclusions center around the importance of intrauterine bonding in that his research strongly suggests that the prenate, via pathways hormonal and unknown, picks up on the thoughts, feelings, and attitudes of the mother. More importantly, he asserted, the imprint of these factors on the fetus predetermines the later mother-child relationship. He emphasized that positive thoughts and feelings toward the fetus—”maternal love”—acts to cushion the new individual against the normal stresses and unavoidable harshness inherent in birth and early infancy. Yet all of this cannot be completely avoided. “Birth is like death to the newborn,” writes Verny (1984, p. 48).
David Chamberlain — Hypnosis, Confirmed Validity of Birth Memories
David Chamberlain (1988), for many years the president of APPPAH, has further substantiated the claim of consciousness at birth and the accuracy of pre- and perinatal memory in the phenomenon of re-experience. He reported one study he did in which he compared hypnotically retrieved memories of birth from mother and child and found an astonishing degree of conformity in their responses. Of note was the degree of inner consistency and originality in these memories as reported by the former neonate. They often contained technical details of the delivery and labor unlike what would be expected of the medically unsophisticated, a perceptive critique of the way the birth was handled, and other details of the event that could not have been known through normal conscious channels.
Overview of the Pre- and Perinatal Psychology Field — Later Theorists: Societal Implications, Psychohistory, Birth and Prenatal
Lloyd deMause — Psychohistory, Prenatal and Poisonous Placenta, Sociohistorical Implications of Gestational and Birth Events
Lloyd deMause (1982, 1987) was instrumental in establishing the new interdisciplinary field of psychohistory. In his study of historical happenings he discovered that stages in the progression of events related to stages in the progression of gestation and birth … which stages happened to correspond, by the way, remarkably well with Stanislav Grof‘s four stages of birth, his Basic Perinatal Matrices, as we shall see.
He found that natal imagery especially predominates in societies during times of crisis and war, when national purpose and state of affairs are construed as a need to escape or break free from an enclosing and constricting force. He also noted the suffering fetus and the poisonous placenta as sources of these later metaphors and imagery. In fact, in studying the imagery in the national media of various countries he has been able to predict political, social, and economic events such as wars and invasions, recessions, and political downfalls.
His work begins to look at the prenatal influences and imprints and how they related to macrocosmic issues of politics, history, social movements, and issues of war and peace. His work is extremely relevant to the issues of this book and we will be returning to him again and again in this work.
Continue with Everything You “Know” About Religion You Learned as a Fetus: We Are a Fever, Part Three — Later Prenatal Psychology Theorists — Breathwork, Myth, and Consciousness
Return to We Are a Fever, Part One: Perinatal Psychology, the Phenomenon of Re-Experience, and my Personal Involvement with This Research into Our Actual “Human Nature”
Invite you to join me on Twitter:
friend me on Facebook: https://www.facebook.com/sillymickel
What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered
Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere
Responses to the Perinatal
Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.
Jiving With Your Monsters
The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.
Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.
Beware the Tar Baby
Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.
But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.
Standing within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.
If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.
Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile air — indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.
The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.
But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.
Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.
However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.
Evolution In Attitudes to the Perinatal?
However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.
Dancing Above the Dissonance
Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.
Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.
The Universality of Divinity Remembered
The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.
Continue with Apocalypse? Or Earth Rebirth? A Smaller Number of Us — Standing in the Right Place and With a Lever Big Enough — Might Be All That Is Needed to Move the World
Return to You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You
Invite you to join me on Twitter:
friend me on Facebook: https://www.facebook.com/sillymickel