Have Western Puritanical Beliefs Infected Transpersonal Psychology? “Crazy” and Transcendent Are Not Opposite as Ego Psychologists Conveniently Proclaim

The Linear Fallacy and Ken Wilber’s Fall from Grace: Spiritual Growth Is Hardly Linear … You Can’t Put “Enlightenment” on Your To-Do List

The Linear Fallacy

Cybernetic Dreaming

Even in the field of transpersonal psychology, for example, there seems an inability to accept such a visceral, energetic, cathartic, “Dionysian,” spiritual path—a “surrendered” one … a shamanistic one. Instead we see a tendency to opt for “Appollonian” head trips, mere relaxation and visualizations, cybernetic ego programming and affirmations, and rational-intellectual metaphoristics—a “controlling” path (cf., Berman, 1986, “Cybernetic Dream”).

We hear that one must have an ego before one can lose one … as if we all, from birth, don’t have some kind of ego! We hear that there are “healthy” ego defenses to have … as if all defenses are not in some way the avoidance or distortion of truth.

Ken Wilber’s Mistake

Interestingly, Ken Wilber—who, along with Stanislav Grof, is considered a fountainhead of modern transpersonal psychology—has been, at different times, on both sides of this development. His change of position from The Spectrum of Consciousness (1977) to The Atman Project (1980) is, in my opinion, regrettable. Obviously, from the analysis presented in this book, Falls from Grace, it is clear that I believe that his stance at the outset, in The Spectrum of Consciousness, is closer to the truth.

The Prepersonal and the Transpersonal Are Not Separate

Further, I agree with Washburn (1990) that Wilber’s espousal of a prepersonal/transpersonal distinction (Wilber, 1982)—which predicates his change of position—”assumes a major point at issue,” specifically, that “‘pre’ and ‘trans’ states are totally unrelated, and are in fact opposites,” and that Wilber does not establish this position empirically (p. 94). Similarly, while I regret the use to which Schneider (1987) puts this information, I concur with him that “a careful reading of the case evidence does not—as Wilber . . . would have it—clearly differentiate (prepersonal) psychotics from truly (transpersonal) visionaries” (p. 202).

Ken Wilber’s Pre/Trans Distinction—Does Not Fit with the Evidence

In sum, the operative factor in Wilber’s change of position, which is also a basic building block of all of his later theory—that is to say, the pre/trans distinction—does not fit with the evidence from the spiritual or psychiatric literatures. It certainly does not fit with the evidence of experiential psychotherapy and pre- and perinatal psychology. Finally, as Epstein and Leiff (1981, p. 140) pointed out, neither does his hypothesis appear to fit with the evidence of meditation research.

One Returns to the Beginning, Again and Again

As Grof (1985) said concerning Wilber’s pre/trans distinction:

My own observations suggest that, as consciousness evolution proceeds from the centauric to the subtle realms and beyond, it does not follow a linear trajectory, but in a sense enfolds into itself.

In this process, the individual returns to earlier stages of development, but evaluates them from the point of view of a mature adult. At the same time, he or she becomes consciously aware of certain aspects and qualities of these stages that were implicit, but unrecognized when confronted in the context of linear evolution.

Thus, the distinction between pre- and trans- has a paradoxical nature; they are neither identical, nor are they completely different from each other. (p. 137)

Ken Wilber’s Fall from Grace

Indeed why Wilber, while acknowledging Grof at least, would choose not to incorporate the findings of prenatal and perinatal psychology and would opt instead for a Piaget-based theory of development that begins (1) at birth (1980, p. 6) and (2) with the self identified with matter that is defined as lowest consciousness (1980, p. x and p. 7)—a Piaget-based theory that is radically altered by prenatal and perinatal psychology and consciousness research in general (see Grof; Pearce, 1980)—is a mystery in itself. The Alpha and the Omega Meet By that I mean that (1) Wilber ignores the first nine months of an individual’s life, as if those experiences—which others, and myself in this book, have shown to be all-important—are not only not influential but non-existent!

By that I also mean that (2) Wilber (1980) claims that at birth the self is identified with matter (p. x and p. 7), which he calls the pleroma and which he states is a gnostic term for the virgo mater or materia prima (p. 20). First of all, my reading of gnosticism does not tell me that the pleroma is a primal matter but rather a primal spiritual source from which all else—specifically, matter—devolves.

Gnostic writings tell that, in fact, the creation of matter and the world occurs later, much later in the course of devolution than the “spiritual” pleroma. They tell also that the material universe comes in only with the creation of the inferior god, the Demiurge (the ego); and that it is a flawed creation—one might say it is one that no longer adequately reflects spirit and that it has fallen from grace. (See Robinson, 1988, The Nag Hammadi Library in English)

“God Is All There Is.”

This may seem a minor point; however, its implications are huge for Wilber’s theory and it indicates exactly where we differ. What I am saying is that, from a particular perspective—one might say a gnostic one—matter is from spirit (or Consciousness), is of the same stuff as spirit (except that it is flawed). That really and truly what we see “out there” is spirit and is no different from what we experience “in here” save that our sensory experience is an imperfect—one might say, reflected or indirect—experience . . . but of the same thing! This is indeed the implication of the new physics and the new psychology. As one song sums it up: “God is all. God is all there is.”

Now, Wilber knew this in The Spectrum of Consciousness; he espoused this perspective in that book. That he later turned from this radical spiritual perspective on matter; this mystical, Eastern, “new physics,” psychedelic, and Platonic perspective on the material world and sensory experience . . . well, one might say he “fell from grace.” The Stormy Path to Self As Grof (1985) has exclaimed concerning Wilber:

It is . . . somewhat surprising that he has not taken into consideration a vast amount of data from both ancient and modern sources—data suggesting the paramount psychological significance of prenatal experiences and the trauma of birth. (pp. 135-136)

Further, concerning Wilber’s theoretical system:

The complexity of embryonic development and of the consecutive stages of biological birth receives no attention in this sophisticated system, which is elaborated in meticulous detail in all other areas. (p. 136)

You Can’t “Program” Your Way Into Transcendence

It seems that Wilber (1980, 1982), however—as one of the chief proponents of the ego-quest-as-precondition-to-spiritual-quest school of transpersonal thought—has made the mistake of constructing his transpersonal argument within the gravitational field of the Western ego psychologists. Thus it ends up helplessly skewed in that direction. He completely ignores the evidence cross-culturally for the ego weakness that most often characterizes mystical adherents and religious practitioners.

Ken Wilber’s Cop-Out

Hence, Wilber’s overall position is muddied in contradiction. See, for example, A Sociable God. Here Wilber says adolescence includes previous structures:

As the adolescent mind emerges, it destroys the exclusive identity with the body but does not destroy the body itself; it subsumes the body in its own larger mental identity. (1983, p. 104)

Now, compare that with The Spectrum of Consciousness (1977) in which he contends that each stage splits off from and represses previously “owned” realities making them unconscious. There are no two ways to interpret this: In the earlier work, he saw a reduction, or devolution, in consciousness with each subsequent stage in consciousness—exactly the position I espouse in this book. Whereas by the latter work, A Sociable God, he himself has become more conforming with societal beliefs, more “sociable,” and becomes an apologist for the status quo. He begins rationalizing—as people tend to do as they get older and more split off from their real feelings—that it was not “all that” repressed after all when one went from one stage to the other of the spectrum. This is the transpersonal psychology equivalent of the older person, tired of the emotional baggage carried from a traumatic childhood, resigning herself to saying that, well, Daddy (or Mommy) actually did love her “in his own way.” The point is this is not about truth anymore. It is about giving up the struggle for truth and conforming to whatever beliefs make life easier … or in Wilber’s case, facilitate one on the career “ladder.”

Transcendent States Require Pre-Egoic Integration

At any rate, I think the integration of Wilber’s work with that of Grof, primal psychology, Masters and Houston, and the new prenatal and perinatal information from various sources helps to clarify some of the confusion resulting from his change of position. [Note 1] My hope also is that my work in this book in integrating all of the above, including Wilber’s schema, goes at least some part of the way toward correcting the misunderstanding that arises from his omissions.

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Note

1. The new prenatal and perinatal information is referenced many times in this book—see especially Chapter One—as well as in publications and conferences of the Association for Pre- and Perinatal Psychology and Health (APPPAH); the writings of Thomas Verny (1981, 1987); the evidence from primal therapy, rebirthing, holotropic breathwork, and psychedelic research—published in places too numerous to mention; and so on.

Continue with Ego Weak Mystics and Shamans: A Supremely Defended Ego Is the Aim of Modern “Sanitized” Spirituality … the “Holy Fools” of Mystical History Would Be Medicated Today

Return to Is the Supernatural Terrifying? The Idea of a Shamanistic, Stormy Spiritual Path Is Too at Odds with Our Religious Anti-Body Culture to Be Easily Accepted

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Becoming “Adult,” Rites of Passage: Resistance Is Futile … One Doesn’t Have One’s Own Mind … One Takes Up the “Mind” of the “Collective” — The Fourth Fall From Grace

Whence Kitty-Drowners and Butterfly-Mashers: How We Lose Our Selves at Adolescence and Why Conformers and Conservatives in Every Society Hate and Suppress the Rebellious

Resistance Is Futile — The Fourth Fall From Grace

Wilber (1977) relates the fourth duality to the rise of the philosophic bands: “[I]n many cases the philosophic bands are instrumental in the generation of the quaternary dualism-repression-projection, and in all cases they are instrumental in its maintenance” (p. 150). Concerning these bands, he quotes Erich Fromm (1970):

[I]n addition to the social taboos there are individual elaborations of these taboos which differ from family to family; a child, afraid of being “abandoned” by his parents because he is aware of experiences which to them individually are taboo, will, in addition to the socially normal repression [of the Biosocial Band], also repress those feelings which are prevented from coming to awareness by the individual aspect of the filter. (Wilber, 1977, p. 150)

Rites of Passage, Becoming “Adult”

The end-result of this fear of parental abandonment that pushes the philosophic bands is what Freud calls the resolution of the oedipal conflict. This splitting and consequent repression/projection corresponds to the rites of passage of puberty and adolescence.

How We Lose Our Souls

At this point, the child no longer identifies with God (pre-conception), with mother (pre-birth), with body (pre- primal scene), or even with his or her best idea (one’s philosophic ideal); but identifies instead with the same-sex parent, the representative of the social order. Thus he or she becomes totally Other: totally separated from his or her own mind (pre- puberty rite); from his or her body (pre- primal scene); from his or her destiny, karma, dharma, duty, and purposiveness (pre-birth); and from God (pre-conception).

Every Parent’s “Atman Project”

This pattern—this doomed and illusory “atman project” wherein the parent seeks to immortalize him- or herself and to redeem his or her life—is of course obvious in the situation of the son “following in his father’s footsteps” in taking over the family business and in the daughter’s emulation of her mother, traditionally, in the role of wife and mother. But there are many subtler versions of this “identification,” and it happens even in situations where it seems it most definitely does not.

For example, Keniston’s (1968) study of young radicals of the sixties—the epitome of rebellious youth, you say—were found to be very much in agreement with their parents’ values. In fact, their rebellion was essentially in seeking to put into practice and actually live out what they saw as unlived values and philosophies (hence the charge of “hypocrite”) in compromised and compromising parents. Note again the theme of living out the unlived dreams of the previous generation—here, even in spite of the conscious stance of those youth.

Little of Self in the Decision of Who to Be

Cross-culturally and traditionally, however, we see this pattern in perhaps its most rudimentary and clearest form. In a great many cultures, the rites of passage into adulthood embrace the function of bestowing upon and initiating the recipient into the social roles and functions as decided by the tribe and family. For most, then, there is little of self in the decision of who to be; it is decided outside of oneself. Corresponding with this, in relation to the marital role, in many cultures the choice of spouse is also decided by others.

One Continues “Their” Dream … One’s Divine Uniqueness Fades

One doesn’t have one’s own mind. One takes up the “mind” of the parents, and of society. One continues their dream, society’s dream. One’s divine uniqueness fades into insignificance in the pattern of the social consensual reality.

Self Is Split Again … Becoming “Borg” … Serving the Collective

At any rate, the upshot of all this is that at the quaternary dualism, the self is split again. It is required to give up even “its own mind,” its own concept of itself. Originally one’s divinity was given up; then one’s deepest transpersonal directives and organismic unitary awareness; then one’s biological rhythms, one’s sense of flowingness and inner-directed purposiveness; then one’s feelings about self and other; and finally one is required even to give up the best possible ideas one can have about oneself and one’s relationship to and actions in the world. One represses one’s own decisions, initiatives, evaluations, and self-images in conformance to other-directed wants and needs, the result of others’ unfulfilled ambitions—which are presented to one by one’s parents but represent by extension the other-directed wants and needs of the collective, of the prevailing fear-pushed and desire-pulled economic constraints . . . of the socially-constructed reality in general.

A “Darkness” Develops

Raheem (1991) describes the result:

When the soul becomes so covered over by conditioning that it cannot shine through, when personality completely dominates, a “darkness” develops within the person, characterized by mental or emotional dullness, physical deterioration, accidents, depression, or “bad luck.” Such a person seems asleep or unconscious while walking around; she has gotten off her own soul path. (p. 31)

Kitty-Drowners and Butterfly-Mashers

And what happens to these repressed dreams, aspirations, initiatives, and values is that, as at previous levels, they are repressed, then projected outside of oneself. Thenceforth they are seen in the world as the “Shadow.” Unfortunately, to the extent that we disown and fight these potentials in ourselves, we fight and hate them when we see them outside ourselves.

Every Society’s Culture War

This accounts for the fury with which people will attack and seek to suppress certain individuals and groups who may represent, for example, disowned artistic or creative potentials, disowned aliveness and “charisma,” disowned sexuality, disowned intellectual or bohemian dreams, simple disowned “feeling” in general, and anything that smacks of an idealism or freedom or joie de vivre that needed especially to be slain in the self in order to make the identification with another’s dreams.

Creating in this way the kitty-drowners and butterfly-mashers of the world, the quaternary dualism is complete and, with it, a fourth fall from grace.

Selling One’s Soul

At this point, then, there is very little Self left. In discharging the life that remains—so totally other-directed and other-programmed—one may as well have commissioned an android. Thus we have the endpoint of the spectrum’s “evolution”—from divinity to machinery, from pure-Bliss-Consciousness to cybernetic control.

Continue with Civilization, Culture, and the History of Our Falls from Grace in Nature … Primal Peoples Had a Nobleness We Don’t Know: Return to Grace, Part One — Can It Be Otherwise?

Return to Having Become “Them,” We Are Left Forever Asking “Who Am I?” The Third Fall From Grace, The Primal Scene, Part Two — The Philosophic Bands

Continue with Civilization, Culture, and the History of Our Falls from Grace in Nature … Primal Peoples Had a Nobleness We Don’t Know: Return to Grace, Part One — Can It Be Otherwise?

Return to Having Become “Them,” We Are Left Forever Asking “Who Am I?” The Third Fall From Grace, The Primal Scene, Part Two — The Philosophic Bands

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The Child Is Tasked with Cleansing the World of a Taint Passed Down from the Beginnings of Time: The First Fall From Grace, Sperm/Egg and Conception, Part Five — “Mending the Catastrophe”

Collective and Ancestral Memory … “Original Sin”: From the Perspective of Cells, Parents are “Blemished Gods” … For Parents, Children Are Their Immortality and Atman Projects

Mending the Catastrophe

To continue, Shoham writes that God needs man to mend this catastrophe of the vessels, and that this is part of the symbiosis, that this is part of what we’re doing in our dialogue with the divine.

Considering my interpretation of the breaking of the vessels as the creation and release of the sperm and egg, we might say that the mending, then, of that breaking would be the sperm meeting the egg and the formation of a new union.

Blemished Gods

But Shoham also talks about the God that is represented in these myths as being an imperfect God, a “blemished God.” I will not go into his reasons for such an understanding. But consider that from the vantage point of the events surrounding conception this understanding of a “blemished God” fits as well: For when we are inside of our fathers and mothers and we are cells—either a sperm cell or an egg cell, either way—we are part of a being who’s damn sure imperfect, acknowledged to be imperfect at that time. Partaking of our parents’ beingness at that time, which both biologically and experientially is the case, we are identified with someone who is analogically Divine yet in their humanness is indisputably less than perfect—”blemished Gods.”

Children Are Parents’ Immortality and Atman Projects

Furthermore, this ties in to what has been observed to be a primary and pervasive reason for parents having children. That is, parents want children in order to have a continuation of their selves. Essentially the child becomes the parent’s “atman project”—that is, the continuation of the parent’s attempt at perfection or of reuniting with or creating the lost and unconsciously yearned for state of divinity. A similar way of saying this is that children are parents’ “immortality projects.”

So basically children are released from parents, they “emanate” from parents, in order to try to mend what the parents feel themselves to have broken. The child represents the hope of the parent to be vindicated, completed; the chance for the adult to get it right, if not in his or her own lifetime, then at a time after one’s death, through the actions of the biological being emanated from oneself.

Thus, in such mythology, God is very often accurately interpreted as the parent. What we have is a situation where children come out from the father and mother to try to mend their lives; so children are a continuation of the parents’ [life] “project.”

Collective and Ancestral Memory

Shoham (1990) says further:

[T]his cosmic catastrophe gives Divinity a chance to cleanse him- or herself of his or her polluted components and allows man to save himself while mending the blemished divinity” (p. 36).

Thus, a new conception, the creation of a new human life is felt to allow the parent to cleanse him- or herself of his or her polluted components.

But from the perspective of the newly created individual, this world scheme gives to humankind a chance to do better next time, to do better than the parent did, to overcome the “bad karma” of the parent that was put into the universe through that particular new form, that newly created being, and which originally is recorded in the sperm and in the egg. We therefore have here an indication of collective memories and pain as well as the hope of resolution of one’s ancestral memories. This is to say that the child carries those things of its parents with it; and this world scheme gives the child a chance to cleanse the Divinity (the parent who by proxy represents the entire species and all progenitors) of its polluted components.

“Original Sin”

This, then, is the child’s chance to save itself; but the child is also coming into the world to help to cleanse the world of a taint that is passed down. It is an “Original Sin,” so to speak, because its origins extend back through the generations in an infinite regress. Why the taint is there is a whole other question, however: It happens to be the focus of an entire other work of mine, The Great Reveal by the Planetmates.

Duality and the Creation of Death

Nevertheless:

According to the myth, the outcome of the breaking of the vessels was that particles of Divinity were imbedded in all objects and life-forms of creation, serving as divine cores within profane temporal casings. Furthermore, the breaking of the vessels introduced evil to the world; before, only good emanated from the great light of infinity. (Shoham, 1990, p. 36)

In essence, then, as stated above, with the creation of sperm and egg we have the beginnings of form out of no-thing-ness. And with this creation, this first separation, evil has been created, darkness and confusion arise. For that separation is duality; and that duality is evil—the opposite of real life (God), live spelled backwards, and the beginning of the possibility of death.

Continue with Womb Existence Is a Separate But Connected State, of Space But Not Time, an Eternal Now: The First Fall From Grace, Part Six — Womb with a View, the Transpersonal Bands of Consciousness

Return to Mythology Supports What We Have Learned Experientially — The Release of Sperm and Egg Is the First Removal from Divinity: The Breaking of the Vessels and the First Separation

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Continue with Womb Existence Is a Separate But Connected State, of Space But Not Time, an Eternal Now: The First Fall From Grace, Part Six — Womb with a View, the Transpersonal Bands of Consciousness

Return to Mythology Supports What We Have Learned Experientially — The Release of Sperm and Egg Is the First Removal from Divinity: The Breaking of the Vessels and the First Separation

To Read the Entire Book … on-line, free at this time … of which this is an excerpt, Go to Falls from Grace

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When Everything Appears to Be Conspiring Against You, You Might Want to Stop Fighting Rebirth: Atman Projects Versus Surrender Solutions and a Different Hero’s Journey

How Can You Be Borne Up, If You Won’t Let Go? Spiritual Experience Is Distorted by One’s Birth Trauma … The Necessary Hero Descends Into the Perinatal Below

Apocalypse – No! Chapter Twelve: Atman Projects vs. Surrender Solutions

The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

A Different Kind of Hero’s Journey for Our Times Is Depicted in the Cult Classic, “Nothing But Trouble”

A Perinatal Flick

A film of postmodern times that is bold with revelation for us is the cult classic, “Nothing but Trouble,” which was released in 1991. It is an especially potent example of the rising pre- and perinatal influence in the media we’ve been discussing as well as the different heroic response required in these strangest of days because of it. It is all this, plus a twist: As a comedy it represents an unlikely approach to such material and themes. More about that later.

It was produced and written by Peter and Dan Aykroyd and stars Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy.Its reception by modern audiences mirrors exactly the perception in general, to date, that has been had of the perinatal material it depicts so well. For despite the movie’s star power and the popularity of its co-creator, Dan Aykroyd, it was met with overwhelmingly negative reviews and received six Razzie nominations, garnering one. I fully expect that until we know better I can expect much the same kind of reaction to this book, because of the perinatal perspective it is revealing of the dark underside of everyday pleasantries and sugar-coated media realities. Yet there is hope for all that we will integrate this hard-to-face yet redemptive material in the fact that the movie does have a strong following among some in our population, just as at present there are some who are not in denial of the bittersweet perinatal vision being revealed.

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The Lure Into the Underworld and Call to Adventure

The perinatal adventure of “Nothing but Trouble” begins innocuously with the main characters “leaving the beaten path” on a rather ordinary trip out of the city. Interestingly, the Brazilian couple who have forced themselves on the main characters of Chevy Chase and Demi Moore in making the trip act as impish other-worldly instruments in the change of route.

Joseph Campbell pointed out that the “call to adventure,” which marks the beginning of the descent into the transformative nether regions, may be instigated by the merest chance or blunder. [Footnote 1]

Campbell also writes that the heralds of such a rite of spiritual passage are often loathly and underestimated characters. The Brazilian couple—as gaudy, overbearing, quirky, and from “down under”—perform just this function of luring into the underworld. Thus, they remind us that it is the quirky yet underestimated element in our familiar daily experience that opens us up to the process whose ramifications are huge by comparison.

The Merest Blunder, The Adventure Begins

Sure enough, this innocent-appearing outing is soon disturbed. The merest blunder of map reading results in an ominous tour of an eerie town and its somber and menacing-looking inhabitants. This is followed by a high-speed car chase as the police attempt to pull the innocents over for a bogus traffic violation.

In the tour of the town, it is as if the ego is shown getting a preview or having a precognition of what lies ahead and attempts to flee back into its safe familiar environs. But of course, this emerging piece of unconscious material will not be denied and is able to capture the fleeing ego that we see safely ensconced in its trappings of status and power—symbolized by the BMW with car phone. At this point the main characters, representing the ego, are led, under guard, into the bizarre town of Valkenvania—the encounter with unconscious perinatal begins.

Perinatal Elements

The Junkyard of the Psyche

Campbell says that in the unconscious deep, to which one is beckoned, “are hoarded all the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence.” [Footnote 2]

Likewise, the set in “Nothing But Trouble” is replete with refuse. Bits of history—of rusted and broken refrigerators, automobiles, kitchen appliances, assorted junk, and pieces and parts of all the preceding…the wreckage of the past—are strewn about as well as heaped in clusters to construct the architecture and delineate the outlines of the drama. The correlation with subconscious remnants of forgotten memories and past emotional experiences is obvious.

Thus the drama evolves in the dumping ground and junkyard of the psyche—where all the rejected tidbits of experience have been relegated.

Stripped of Ego, Perinatal Begins

After being separated from the automobile—that is to say, the ego stripped of defensive trappings of status and worldly position—the characters are rather quickly shuttled into encounters with a myriad of perinatal elements. A few of the obvious ones are as follows:

• Mr. Bonestripper, which is a roller-coaster type ride whose entrance is a large vagina dentate mouth that swallows, chews up, and kills. Notice the roller-coaster ride aspect of Mr. Bonestripper, which reflects the emotional extremes and changingness of perinatal, specifically Basic Perinatal Matrix III (BPM III), events. [Footnote 3]
  
  
• The chutes inside the house and of Mr. Bonestripper indicate birth canal symbolism.
• Sexual elements, indicating BPM III influence, are manifest in the scantily clad heroine and the penis-nose of the judge.
• The dark foundry symbolizes the foundation work of the psyche as well as the ominous and eerie aspects of perinatal experience.
• The slave labor surroundings represent similar feelings in the enforced and helpless character of doings just prior to and at the time of birth.
  
  
• Notice that the body—the car, the “Beamer”—gets trimmed down, the excess removed, symbolic of the cutting away of past attachments and concerns of a worldly nature, one’s “status” reduced.
  
• Chevy Chase as the main character is at one point forced into a marriage with a huge woman, who is tellingly androgynous in that she is played by John Candy. In her threatening and suffocating embraces we see symbolism of the crushing womb.
  
  
• The entire site of these doings is surrounded by a watery trench. This obviously reflects the amniotic surround in the womb.
  
  
• Police and guns point to the authoritative character of perinatal doings—in other words, do, or else!
  
  
• Death/rebirth symbolism of the perinatal exists in the form of skeletons and huge piles of skulls and bones.
  
  
• Scatological, that is to say, fecal symbolism is seen in the “bat-room,” which contains an enormous pile of wet bat-shit…excuse the wording, but it really is shit and not feces.
  
• The arbitrary nature of justice in the courtroom speaks to that perinatal feeling that one tiny thing, event, or action, has huge and horrifying ramifications.

Big Babies

The most obviously perinatal element, however, is the gargantuan and grotesquely flabby infant twins in diapers. Perinatal feelings are indicated in their extreme crying neediness. Their freshly newborn quality is evident in their fleshiness, which reminds one of the overweight appearance of some newborns, which is usually lost a little later on in infancy. The glossy, waxy sheen on their bodies is reminiscent of the skin of a newborn, which, fresh out of the womb, is wet and slippery, covered in amniotic fluid and cervical mucosa.

A Spiritual Interface

An interesting aspect that indicates the transpersonal, or spiritual, interface with the perinatal is an attic room—a higher mind of memory, kind of like an Akashic record—where all past IDs—identifications—and reports of them—newspaper clippings—are displayed.

Though, interestingly enough, in true perinatal fashion, a macabre lens is used to view these lives—only the reports of their tragic disappearances are seen. I believe that this is a wonderful depiction of how transpersonal information is distorted by perinatal material—the implications of which are far reaching for the pronouncements of so-called spiritual, or psychological, authorities who have not dealt with their perinatal undersides.

Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

When It Appears the Whole World Has Been Conspiring Against You, You Might Want to Let Yourself Be Blessed

Multilevel Feelings

Just When You Thought….

However an important element in this movie, “Nothing But Trouble,” which is different from artistic representations that deal with only the personal or psychodynamic, is the way the ending opens up under it to a new level, a whole new arena, of issues. Those of us in experiential therapies or breathwork are only too aware of how the perinatal opens up to one, revealing a greater expanse and pervasiveness of dis-ease, at a certain point after dealing with the personal and the psychodynamic.

This layered, or multilevel quality of the movie is shown when the main characters, having heroically escaped through personal effort, find themselves returning to the perinatal realm. Thinking that they have the forces of authority and light on their side, they expect this time to be able to put the evil away once and for all.

But When All Seems Lost….

To their immense surprise, it appears that the whole world has been conspiring against them—a telling perinatal feeling. The evil is discovered to be pervasive, as if infiltrating every corner of the universe—another perinatal feeling. Even the thoroughly trusted elements of light turn out to be on the side of the darker forces—a vantage point that is part of the hopelessness that characterizes the classic no-exit BPM II scenario. And just like in the womb, then, when all seems lost, something new happens, an explosion or eruption of sorts, which brings down the old world and its structures in a violent conflagration.

Atman Projects Versus Surrender Solutions

This hopeless and futile aspect of the perinatal realms — as opposed to the merely personal or psychodynamic ones—lends itself to its distinctive response—which is surrender, not resistance. Unlike the hero of Campbell’s hero’s cycle whose task is to slay the dragon using the sword of analytical or cognitive powers, the correct solution here at the perinatal is to let go of all designs, manipulations, and attempts at control and to put oneself into the hands of the seemingly irrational and chaotic Universe, come what may.

How Can You Be Borne Up, If You Won’t Let Go?

The Universe’s response in the movie — the upsurge of fire from below the earth that brings down the evil structures—demonstrates the theme of being saved by higher forces when one finally is able to surrender. In the same way, in our perinatal experiences, we find ourselves “borne up” and elevated when we once are able to submit to the upsurge of fear-evoking perinatal emotion.

Indeed, when Chevy Chase is seen rolling and setting fire to barrels of oil in a superhuman nick-of-time rescue attempt—in typical “hero’s journey” style—I had an odd disjointed sense that we had switched modes. The element seemed incongruous.

Say “Good Night,” John Wayne

But, then again, not so. For the movie shows that the successful escape performed through one’s own effort is, in actuality, futile. In perinatal terms, such heroics are illusory “atman projects” that ultimately fail against the onslaught of perinatal material, which must be surrendered to, not heroically resisted or conquered.

Interestingly, the eventual surrender solution is echoed earlier on when Chevy Chase is about to go through the chomping jaws of Mr. Bonestripper, the devouring womb. His response, at the prospect of his imminent failure, is to pray—to call on higher forces.

Trusting in Higher Forces

Amazingly, the machine breaks at that moment, signaling the response of such “external” or higher forces. He alone, of all the others who have faced that fate, goes through the machine unscathed. Notice also that he says “Thank you, Lord” afterwards.

Thus it is not on one’s own powers that one makes it through perinatal material, rather it is by the relinquishing of such attempts at control and the relying and trusting in higher forces. We are reminded that Dante required the angelic Beatrice to show the way through purgatorio and inferno to paradisio.

The Message

In the next chapter, we will use another postmodern film to expand on these themes. This will allow us to fill out an emerging pattern, as we then compare it with “Nothing But Trouble” and other perinatal evidence.

So let us watch, now, as the pattern, like a photo emerging in solution, reveals to us its features, thus delivering to us the message it has come to bring.

Footnotes

1. Joseph Campbell, The Hero With a Thousand Faces. Princeton, NJ: Princeton University Press, 1968, p. 51.

2. Ibid., p. 52.

3. As a reminder, BPM III events (Basic Perinatal Matrix III events), using the typology set forth by Stanislav Grof in his many works, are the events surrounding the actual birth struggle of the infant during delivery. These parts on the perinatal in film make mention also of BPM II, which is related to the time of severe compression and constriction of the fetus in the latter stages of pregnancy and prior to the actual onset of delivery—which are characterized by feelings of “no-exit”; of BPM IV, which is concerned with the feelings of release, triumph, being saved, and whatever else occurs immediately after delivery; and of BPM I, which is related to the state of the fetus earlier in pregnancy—prior to compression—which is often conceived to have “oceanic” and “blissful” qualities, though not always.

Continue with You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You

Return to Apocalypse – No! Chapter Eleven: Control Versus Surrender … Heaven Leads Through Hell

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We’ve Fallen and We Can’t Get Up: Like Chiron, We Need to Take Inside Us the “Sins” of Promethean Fathers to Stop Millennial Cycles of Suffering

We Are the Centaurs, My Friends: We Are the Necessary Heroes for Deluded Promethean “Fathers,” Open the Jar, Pandora, and Why the Gods Are LOL

Wounded Deer and Centaurs, Chapter Seven: Return of the Centaur and How We Look to the Gods

Enter the Centaur: Wherein Lies Real Hope – Sixties and Millennial Generations Are Shamans for Deluded Promethean “Fathers” 

Blind Hope vs. Real Hope … Chiron Is Martyr for The Sins of the Fathers

Prometheus Brought Us Blind Hopes

Another aspect of this is that Prometheus is said to have “caused blind hopes to live in the hearts of men.” Indeed, we are also now seeing how blind was our reliance on technology and the vaunted but vain “rational mind”—which has now been seen to be a rationalizing mind.

For we realize this self-congratulatory thinking has been keeping out uncomfortable truths and building illusory, manic Atman projects of escape from the consequences of our actions. None of which, we are now finding out, are capable of working.

Enter the Centaur: Real Hopes – Chiron

But to jump ahead. There is hope in the Prometheus myth as well. There is shown a way forward for humanity, which at this particular time in history appears to have been prophetic. For Prometheus is saved from his sufferings by the Centaur, Chiron. Chiron sacrifices himself—Christ-like—taking on Prometheus’s suffering and dying in his stead.

Return to The Centaur

Earthy, Sensual, Noble

The Centaur — half human, half animal — does not, like Icarus, paste on wings and try to separate from groundedness in the Earth. No. Centaur qualities are earthy, sensual, sexual. They embrace the noble qualities of the horse … reminding us that as primal beings, early humans, we were noble humans … as they say, a bit ethnocentrically, “noble savages.” We once stood, sure-footed and tall, and we walked confidently upon the Earth, knowing we belonged here.

Wounded Healers, Shamans, Gardeners of Consciousness, Poets … Brave and Foolhardy Journeyers Into the Unapproved and Hidden

Traditionally associated with intoxicants and with the bacchanalian, centaurs can see into other realities, nonordinary ones. They are open to altered states of consciousness. They are not averse to looking into their deeper natures, their “undersides,” their unconscious; that is how they came to be one with Nature in the first place.

Indeed, Chiron is also known as the wounded healer and is associated with the shamanic. Being, like Chiron, healers, centaurs are skilled in both physical and mental health. Thus they are wholistic and psychotherapeutical. They are philosophical. Plato was one. Walt Whitman was one. They are poetic.

Mystics, Scapegoats, Natural … A-mused and A-musing Not Deluded and A-mazed

They are scapegoated, like Chiron was, for the sins of society, and in modern times they have scornfully been referred to as “hippies” and “beatniks” — but they include the bohemian types of all times. Being rooted in a more fundamental nature or reality they are mystic. Jesus was one. Following a “different drummer,” as it were, they are the Wayseers.

Connected to the real source of truth in Nature and the Divine, they are in touch with their muse … and are both a-mused and a-musing…but they are not into the maze of culture, the matrix, they are not fooled or a-mazed.

The Centaur is completely in tune with her and his planetmate-nature, the Divine and Natural order—as in the Jungian and mystic understandings of individuation as being a re-uniting with a fundamental and earlier reality — returning home, humble and prodigal-son like.

The Opposite of Ordinary Folks…Who Build Stairways to Heaven and Towers to Their Vanity

This is the opposite of most folks who spend their lives seeking to vainly build stairways to heaven, Towers of Babel to the divine, to be muscular Nietzchian supermen, or to struggle up Wilberian ladder-style paths for imaginary achievements and to an understandably elusive “enlightenment.”

We Are the Centaurs, My Friends

This self-sacrificing tendency in humans I will be talking about at length at the end of this book where I point out how we need to stop acting out and begin taking back the projections we make onto the Unknown and thereby stop the Promethean cycles of suffering going on for millennia.  We need to, like Chiron, take upon ourselves the “sins of the fathers.” As Tom Waits sang it, “I’m gonna take the sins of my father (mother, brother, sister), down to the pond…I’m gonna wash them.”

Exactly that. We must make the heroic sacrifice of taking inside ourselves those perennial urges to act out on others what was done to us. In environmental terms we must make the sacrifices of lowering our standard of living and cutting back on the lavish appetites and lazy indulgences fed by excessive technology, cultural trinkets, and superfluous commercialism, which other generations were allowed to take to the limits of their times. For if we do not, then there will be very little left for future generations—assuming there’ll be any.

These cultural “achievements” — wrought of burning of fossil fuels, release of fiery energy from the atom, and despoiling of natural resources — all of them in some way rooted in the theft of fire long ago, which started it all, must be let go of. We must refrain from being driven by these addictions and substitutes for actual felt experience, take the “fire” within instead of burning it up without. So in physical terms we must bring those excessive urges home within ourselves and ground them in Nature, bring them back into our physical bodies, we must be Centaurs. And within our bodies experience the discomfort of such a monumental millennial turnabout.

So, no. This is not easy or comfortable.

No. Not easy or comfortable.

Real Hope Lies in Pandora’s Jar and Return of the Centaur … Since the Last Time Was 1961, It’s None Too Soon 

Open the Jar, Pandora, and Return of The Centaur … Wherein Lies Real Hope

Open the Jar, Pandora

In psychological terms, real change lies in peering deep into the Pandora’s jar of the unconscious to recover the real hope that is there. Remember, Zeus punished humanity for Prometheus’s theft by sending Pandora. Pandora opened the jar she was told never to look into—another broken law of the Divine, like that of Eve and Prometheus—and out came all the ailments that now plague humankind. It is said Pandora tried to close it but “it was too late.” Still, the legend tells us what was left inside was hope.

I don’t think you have a better description of the way most folks, including most psychologists, handle the discomfort of early pain: They can’t help but be affected by it…some of it does “leak out.” But they expend all kinds of efforts toward bottling it up as much as possible, suppressing, repressing, using all kinds of defenses—including what mainstream psychotherapists call “healthy” ones.

Well, There’s No Sense Going Half Way!

Yet I can tell you as a primal therapist, breathworker, and primal person that is the exact wrong thing to do. From the perspective of deep experiential psychotherapy and Holotropic Breathwork  one must open the “jar” all the way up. One must surrender to the discomfort within—not acting it out but acting it in…or rather, surrendering to the feelings that come up and expressing them (opening the jar wide).

The jar is the personal unconscious, and what we find is that the only answer to all these troubles is to look deeply into them; for when we do we find the real hope that lies beneath the pain. Or as I have phrased it, there comes a time when one feels through the “negative grids” (the “pain grids”) to the “positive grids” (the “joy grids”). Therein is the hope.

What we find is that when one has faced and integrated perinatal pain, then the blissful experiences from earlier in womb time opens up. In Grof’s terms referred to earlier in this book, when one allows oneself to experience the depression of BPM II (constricted womb) and the tribulations of BPM III (birth itself), then one is open to the euphoria of BPM I (early womb experience). Rather than seeing through a veil of perinatal negativity and illusion and acting out from the unreal self or ego, one is getting closer to one’s real self as a positive, truly creative being, .

This is not a fleeting experience, for it allows a completely new perception on one’s life, vastly different from what one normally thinks. One has access to positive patterns laid down at earlier and more fundamental times in one’s life. One can build a life that works, for once. One can make choices that trigger one into happiness, not ones that are self-destructive and conducive to unhappiness.

This is true in therapy and on the spiritual path but also in ordinary life. For any time one confronts or looks deeply into one’s discomforts there is a time when there is release from it, there is a time when one is in a better place for having faced it. As the Tao symbol indicates, there is a seed of light in the depths of darkness.

Additionally I can tell you that opening up even more to the reality of consciousness, as opposed to constructing egoic “castles in the sky,” leads to uncovering the “spiritual grids” beyond even the “positive grids.” That is when we go beyond even hope to actual redemption, re-union with estranged divinity, faith, empathy, love, and finally compassion. And that is when we as Centaurs go from being just wounded and suffering to being, like Chiron, healers…and caring teachers.

So, for centaurs, for those who take this path, it is more depressive than aggressive. And up to the euphoric culmination I described above, it is painful and ongoing as well, just as Chiron’s wound was incurable and tormenting. These become the shamans and wounded healers, like Chiron, throwing themselves into the fire, rather than shooting fire all about themselves at others. Centauric folks take on the suffering lest they end up being like all those before them who sheepishly and selfishly passed the burden down.

Return of the Centaur

In another part of this book I point out how there are, beginning with the Sixties, now generations who are doing just that—working out these pains, not acting them out.

I just recently delineated the way these primal pains are emerging and how they are being worked through, not acted out, in younger generations and in alternative, rock music, and therapeutic cultures for a number of decades now.

Finally, in a related work of mine, Culture War, Class War, I have written how the Sixties Generation is a centaur generation and how the millennial generation is continuing that tradition. I’ve pointed out Sixties folk are centauric in standing upon (sitting upon) the achievements of previous generations but also reversing the perverse Promethean human direction by reuniting with our rootedness in Nature.

Chiron Return…Every Fifty-One Years

This humble and correct primal returning has been done, is continuing to be done, and will keep on being done as the Sixties generation continues working out its power struggle at the top, but now aided by a Millennial generation—comprised mainly of their daughters and sons — who are rather centaur-like themselves … as this book and the related works continue to show.

And who, because of this, following different stars grounded in realities both deeper and higher, they boldly confront their societies, bringing about change, creating rapid evolution, revolution; and in doing this they have already created an Arab Spring and an Occupy Wall Street movement. They will bring about profound change in that they are opposed to the powers that be, just as their parents were opposed to the “establishment” of their day and created a “counter” culture.

The Chiron cycle is fifty-one years, meaning the last time we had energies like we do now in 2012 was in 1961. If you lived through or know about that decade, you know that 1961 through 1971 were among the most transformative, progressive, and revolutionary years in the history of the world…and it indeed was a worldwide phenomenon. Considering the dire developments and challenges being laid at our feet, as this book has been laying them out…and requiring as much social but personal change as well…the centaurs couldn’t have returned any too soon.

How We Look to the Gods and Prometheus Redux … Building More Nukes and Drilling More Holes – Icarus Keeps Flapping and the Gods Can’t Stop Laughing

View From the Heavens and Prometheus Redux … Icarus Is Flapping and the Gods Are Laughing as We Build Nukes and Drill Holes

Prometheus Redux

Before leaving Prometheus for good, let us consider some other interesting aspects of its rendering that provide insight into this book’s exploration of the deepest psychological—perinatal—roots of our apocalypse now:

There are four legends of the Prometheus myth—all of them are reflected, coincidentally, in themes in this and its related books, Culture War, Class War and The Great Reveal. They are

According to the first, he was clamped to a rock in the Caucasus for betraying the secrets of the gods to men, and the gods sent eagles to feed on his liver, which was perpetually renewed.

“Betraying the secrets of gods to men” includes the biggest divine prerogative—dominion over death. Also, this implies that humans were given the forbidden knowledge which humans are incapable of controlling, which I dealt with at length in a previous section, using as modern examples our stirring up the forces of the atom and the secrets of the DNA.

According to the second, Prometheus, goaded by the pain of the tearing beaks, pressed himself deeper and deeper into the rock until he became one with it.

One of the results of Promethean hubris was control of Nature but therein also detachment from Nature. As I have been showing, our birth pain led us to the Promethean mistake of fire and meat. Both of these contribute to what I have called the thingification of humans, especially in modern/postmodern times. By that I mean our extraordinary pain coming into the world and then in general in life causes us to split off from the feelings in our bodies. We objectify all of Nature: We remove all its feeling and spiritual components and leave Things as the only reality, including ourselves and other humans. We “thingify” our babies; and as adults we embrace thingification (repression, detachment, estrangement, suppression, alienation) as a way of defending against this pain.

According to the third, his treachery was forgotten in the course of thousands of years, forgotten by the gods, the eagles, forgotten by himself.

This separation from the pain creates the personal unconscious. But as a species, we have created a collective unconscious—what I have called the Unapproved and Hidden of all cultures. And as I have said, the truth became increasingly invisible over time…our real nature, what we did, and the true cost of our estrangement became ever more buried, obscure…eventually unknowable.

According to the fourth, everyone grew weary of the meaningless affair. The gods grew weary, the eagles grew weary, the wound closed wearily.

This refers to what happens when we face these uncomfortable truths and resolve them. Ultimately we leave behind these dramas when we have dealt with them so much they no longer have any charge for us… in other words, they become boring… we “weary.” The patterns are still there, but they contain no charge for us.

So the first legend asserts that we are damaged and pained as karmic retribution for our defiance of Nature. And in these last three legends we have the ways we have reacted to the Promethean wound within us: ”We become unfeeling, detached, rock-like. We become one with our defenses, thingified.

The second says that we repress this information and it becomes increasingly hidden (“forgotten”) as our species has “evolved,” but also individually, as we get older in life. This is generally what is done with the Promethean wound of birth pain. The third says that some of us face and deal with the wounds. Eventually they are gone beyond, truly gone beyond, as eventually all the charge on them disappears, they have no more control over us or pull on us, as we just naturally weary of them…they dissipate.

There remains the inexplicable mass of rock. The legend tried to explain the inexplicable. As it came out of a substratum of truth it had in turn to end in the inexplicable.^[28]

Finally, inexplicable substratum of truth is a pretty damn good description of the Unapproved and Hidden … also known as the Collective Unconscious… But in my rendering of it—dealing with our species unconscious, not just personal, “racial,” societal, or cultural—it contains much more than Jung imagined and because of that reverses many of the interpretations and meanings arising from it from what the Jungians, Joseph Campbell, or Freud understood.

Finally – Futility… The Gods Are Laughing at Us

One final message can be taken from these ancient minings of unconscious Truth which is also a commentary on our current mainstream reactions to the dire developments which are now reaching an apocalyptic peak:

Icarus Flapping – LOL

In the Icarus myth, “Icarus kept flapping his wings but soon realized that he had no feathers left and that he was only flapping his bare arms.” I don’t think there is a better image for the way we look in our actions in the face of apocalypse. The gods, aliens, Titans, angels, and the planetmates must be laughing their asses off at the sight of humans continued “flapping” about with ever more technology, pushing ever forward into the face of doom and apocalypse—the sun, the fire for Icarus—even as the Earth below us continues to fail, disintegrate, get polluted and poisoned, and no longer support our continued hubris.

We’re Falling and We Can’t Get Up

Oh, yes, we’ve started the Icarus fall…our wings of technology are “melting”—literally in the case of Fukushima—but ever faster we “flap”—seeking to build more nuclear plants, hiding from the populace the extinction level events that are happening RIGHT NOW at Fukushima, seeking to drill ever more even with the BP spill clear as can be in the rear view mirror, lining the Koch Brothers pockets in touting the benefits of coal as an energy source, melting the rocks around natural gas so that our tap water catches fire and poisons folks who drink it, and so much more. So, yes, even more furiously we flap, the harder for every increase in our fall.

We furiously pick up litter as our organs rot from radiation poisoning. Oh, yes, we’ll die. But where we fall it will be tidy. We register voters and sign petitions as our organs rot from radiation poisoning. Oh, yes, we’ll die. But we’ll all be able to vote.  [Footnote 1]

View From the Edge

We’ve had a long journey through the world of ancient myths and prehistory in delving into the way our prenatal state of oxygen insufficiency has pushed us to make fire and polluted environments attractive to us. We’ve seen how these early pushes have set us apart from all other species and placed us on an inexorable slide—which we in good time embraced and claimed as a goal and achievement even—to the edge of an apocalyptic abyss.

Next we look at how this unconscious state of an Oliver Twist style of oxygen deprivation affects us politically and socially…no matter any conscious or moral rearranging of “furniture” on the decks of our individual Titanics.

Continue with Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….

Return to Will “Progress of Man” Be Humanity’s Epitaph? Apocalyptic Foretellings Hidden in Myth and a Re-Visioning of “Civilization” in Light of Impending Ecocide

Footnote

1.  Every time I look at this, It looks worse than I thought. This one makes me think there’s no way any of us will survive this. And if we do, then our children won’t. It’s that bad. And what pisses me off is that progressives want to poo-poo this.

Continue with Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….

Return to Will “Progress of Man” Be Humanity’s Epitaph? Apocalyptic Foretellings Hidden in Myth and a Re-Visioning of “Civilization” in Light of Impending Ecocide

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When It Appears the Whole World Has Been Conspiring Against You, You Might Want to Let Yourself Be Blessed: Atman Projects Vs. Surrender Solutions, Part Two

Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Multilevel Feelings

Just When You Thought….

However an important element in this movie, “Nothing But Trouble,” which is different from artistic representations that deal with only the personal or psychodynamic, is the way the ending opens up under it to a new level, a whole new arena, of issues. Those of us in experiential therapies or breathwork are only too aware of how the perinatal opens up to one, revealing a greater expanse and pervasiveness of dis-ease, at a certain point after dealing with the personal and the psychodynamic.

This layered, or multilevel quality of the movie is shown when the main characters, having heroically escaped through personal effort, find themselves returning to the perinatal realm. Thinking that they have the forces of authority and light on their side, they expect this time to be able to put the evil away once and for all.

But When All Seems Lost….

To their immense surprise, it appears that the whole world has been conspiring against them—a telling perinatal feeling. The evil is discovered to be pervasive, as if infiltrating every corner of the universe—another perinatal feeling. Even the thoroughly trusted elements of light turn out to be on the side of the darker forces—a vantage point that is part of the hopelessness that characterizes the classic no-exit BPM II scenario. And just like in the womb, then, when all seems lost, something new happens, an explosion or eruption of sorts, which brings down the old world and its structures in a violent conflagration.

Atman Projects Versus Surrender Solutions

This hopeless and futile aspect of the perinatal realms — as opposed to the merely personal or psychodynamic ones—lends itself to its distinctive response—which is surrender, not resistance. Unlike the hero of Campbell’s hero’s cycle whose task is to slay the dragon using the sword of analytical or cognitive powers, the correct solution here at the perinatal is to let go of all designs, manipulations, and attempts at control and to put oneself into the hands of the seemingly irrational and chaotic Universe, come what may.

How Can You Be Borne Up, If You Won’t Let Go?

The Universe’s response in the movie — the upsurge of fire from below the earth that brings down the evil structures—demonstrates the theme of being saved by higher forces when one finally is able to surrender. In the same way, in our perinatal experiences, we find ourselves “borne up” and elevated when we once are able to submit to the upsurge of fear-evoking perinatal emotion.

Indeed, when Chevy Chase is seen rolling and setting fire to barrels of oil in a superhuman nick-of-time rescue attempt—in typical “hero’s journey” style—I had an odd disjointed sense that we had switched modes. The element seemed incongruous.

Say “Good Night,” John Wayne

But, then again, not so. For the movie shows that the successful escape performed through one’s own effort is, in actuality, futile. In perinatal terms, such heroics are illusory “atman projects” that ultimately fail against the onslaught of perinatal material, which must be surrendered to, not heroically resisted or conquered.

Interestingly, the eventual surrender solution is echoed earlier on when Chevy Chase is about to go through the chomping jaws of Mr. Bonestripper, the devouring womb. His response, at the prospect of his imminent failure, is to pray—to call on higher forces.

Trusting in Higher Forces

Amazingly, the machine breaks at that moment, signaling the response of such “external” or higher forces. He alone, of all the others who have faced that fate, goes through the machine unscathed. Notice also that he says “Thank you, Lord” afterwards.

Thus it is not on one’s own powers that one makes it through perinatal material, rather it is by the relinquishing of such attempts at control and the relying and trusting in higher forces. We are reminded that Dante required the angelic Beatrice to show the way through purgatorio and inferno to paradisio.

The Message

In the next chapter, we will use another postmodern film to expand on these themes. This will allow us to fill out an emerging pattern, as we then compare it with “Nothing But Trouble” and other perinatal evidence.

So let us watch, now, as the pattern, like a photo emerging in solution, reveals to us its features, thus delivering to us the message it has come to bring.

Continue with You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You

Return to The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

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A Different Kind of Hero’s Journey for Our Times Is Depicted in the Cult Classic, “Nothing But Trouble”: Atman Projects Vs. Surrender Solutions, Part One

The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

A Perinatal Flick

A film of postmodern times that is bold with revelation for us is the cult classic, “Nothing but Trouble,” which was released in 1991. It is an especially potent example of the rising pre- and perinatal influence in the media we’ve been discussing as well as the different heroic response required in these strangest of days because of it. It is all this, plus a twist: As a comedy it represents an unlikely approach to such material and themes. More about that later.

It was produced and written by Peter and Dan Aykroyd and stars Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy.Its reception by modern audiences mirrors exactly the perception in general, to date, that has been had of the perinatal material it depicts so well. For despite the movie’s star power and the popularity of its co-creator, Dan Aykroyd, it was met with overwhelmingly negative reviews and received six Razzie nominations, garnering one. I fully expect that until we know better I can expect the same kind of reaction to this book of mine and the perinatal perspective it is revealing of the dark underside of everyday pleasantries and sugar-coated media realities. Yet there is hope for all that we will integrate this hard-to-face yet redemptive material in the fact that the movie does have a strong following among some in our population, just as at present there are some who are not in denial of the bittersweet perinatal vision being revealed.

The Lure Into the Underworld and Call to Adventure

The perinatal adventure of “Nothing but Trouble” begins innocuously with the main characters “leaving the beaten path” on a rather ordinary trip out of the city. Interestingly, the Brazilian couple who have forced themselves on the main characters of Chevy Chase and Demi Moore in making the trip act as impish other-worldly instruments in the change of route.

Joseph Campbell pointed out that the “call to adventure,” which marks the beginning of the descent into the transformative nether regions, may be instigated by the merest chance or blunder. [Footnote 1]

Campbell also writes that the heralds of such a rite of spiritual passage are often loathly and underestimated characters. The Brazilian couple—as gaudy, overbearing, quirky, and from “down under”—perform just this function of luring into the underworld. Thus, they remind us that it is the quirky yet underestimated element in our familiar daily experience that opens us up to the process whose ramifications are huge by comparison.

The Merest Blunder, The Adventure Begins

Sure enough, this innocent-appearing outing is soon disturbed. The merest blunder of map reading results in an ominous tour of an eerie town and its somber and menacing-looking inhabitants. This is followed by a high-speed car chase as the police attempt to pull the innocents over for a bogus traffic violation.

In the tour of the town, it is as if the ego is shown getting a preview or having a precognition of what lies ahead and attempts to flee back into its safe familiar environs. But of course, this emerging piece of unconscious material will not be denied and is able to capture the fleeing ego that we see safely ensconced in its trappings of status and power—symbolized by the BMW with car phone. At this point the main characters, representing the ego, are led, under guard, into the bizarre town of Valkenvania—the encounter with unconscious perinatal begins.

Perinatal Elements

The Junkyard of the Psyche

Campbell says that in the unconscious deep, to which one is beckoned, “are hoarded all the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence.” [Footnote 2]

Likewise, the set in “Nothing But Trouble” is replete with refuse. Bits of history—of rusted and broken refrigerators, automobiles, kitchen appliances, assorted junk, and pieces and parts of all the preceding…the wreckage of the past—are strewn about as well as heaped in clusters to construct the architecture and delineate the outlines of the drama. The correlation with subconscious remnants of forgotten memories and past emotional experiences is obvious.

Thus the drama evolves in the dumping ground and junkyard of the psyche—where all the rejected tidbits of experience have been relegated.

Stripped of Ego, Perinatal Begins

After being separated from the automobile—i.e., the ego stripped of defensive trappings of status and worldly position—the characters are rather quickly shuttled into encounters with a myriad of perinatal elements. A few of the obvious ones are as follows:

• Mr. Bonestripper, which is a roller-coaster type ride whose entrance is a large vagina dentate mouth that swallows, chews up, and kills. Notice the roller-coaster ride aspect of Mr. Bonestripper, which reflects the emotional extremes and changingness of perinatal, specifically Basic Perinatal Matrix III (BPM III), events. [Footnote 3]
  
  
• The chutes inside the house and of Mr. Bonestripper indicate birth canal symbolism.
• Sexual elements, indicating BPM III influence, are manifest in the scantily clad heroine and the penis-nose of the judge.
• The dark foundry symbolizes the foundation work of the psyche as well as the ominous and eerie aspects of perinatal experience.
• The slave labor surroundings represent similar feelings in the enforced and helpless character of doings just prior to and at the time of birth.
  
  
• Notice that the body—the car, the “Beamer”—gets trimmed down, the excess removed, symbolic of the cutting away of past attachments and concerns of a worldly nature, one’s “status” reduced.
  
• Chevy Chase as the main character is at one point forced into a marriage with a huge woman, who is tellingly androgynous in that she is played by John Candy. In her threatening and suffocating embraces we see symbolism of the crushing womb.
  
  
• The entire site of these doings is surrounded by a watery trench. This obviously reflects the amniotic surround in the womb.
  
  
• Police and guns point to the authoritative character of perinatal doings—i.e., do, or else!
  
  
• Death/rebirth symbolism of the perinatal exists in the form of skeletons and huge piles of skulls and bones.
  
  
• Scatological, that is to say, fecal symbolism is seen in the “bat-room,” which contains an enormous pile of wet bat-shit…excuse the wording, but it really is shit and not feces.
  
• The arbitrary nature of justice in the courtroom speaks to that perinatal feeling that one tiny thing, event, or action, has huge and horrifying ramifications.

Big Babies

The most obviously perinatal element, however, is the gargantuan and grotesquely flabby infant twins in diapers. Perinatal feelings are indicated in their extreme crying neediness. Their freshly newborn quality is evident in their fleshiness, which reminds one of the overweight appearance of some newborns, which is usually lost a little later on in infancy. The glossy, waxy sheen on their bodies is reminiscent of the skin of a newborn, which, fresh out of the womb, is wet and slippery, covered in amniotic fluid and cervical mucosa.

A Transpersonal Interface

An interesting aspect that indicates the transpersonal interface with the perinatal is an attic room—a higher mind of memory, kind of like an Akashic record—where all past IDs—identifications—and reports of them—newspaper clippings—are displayed.

Though, interestingly enough, in true perinatal fashion, a macabre lens is used to view these lives—only the reports of their tragic disappearances are seen. I believe that this is a wonderful depiction of how transpersonal information is distorted by perinatal material—the implications of which are far reaching for the pronouncements of so-called spiritual, or psychological, authorities who have not dealt with their perinatal undersides.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

Footnotes

1. Joseph Campbell, The Hero With a Thousand Faces. Princeton, NJ: Princeton University Press, 1968, p. 51.

2. Ibid., p. 52.

3. As a reminder, BPM III events (Basic Perinatal Matrix III events), using the typology set forth by Stanislav Grof in his many works, are the events surrounding the actual birth struggle of the infant during delivery. These parts on the perinatal in film make mention also of BPM II, which is related to the time of severe compression and constriction of the fetus in the latter stages of pregnancy and prior to the actual onset of delivery—which are characterized by feelings of “no-exit”; of BPM IV, which is concerned with the feelings of release, triumph, being saved, and whatever else occurs immediately after delivery; and of BPM I, which is related to the state of the fetus earlier in pregnancy—prior to compression—which is often conceived to have “oceanic” and “blissful” qualities, though not always.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

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A Different Kind of Hero’s Journey for Our Times Is Depicted in the Cult Classic, “Nothing But Trouble”: Atman Projects Vs. Surrender Solutions, Part One

The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

A Perinatal Flick

A film of postmodern times that is bold with revelation for us is the cult classic, “Nothing but Trouble,” which was released in 1991. It is an especially potent example of the rising pre- and perinatal influence in the media we’ve been discussing as well as the different heroic response required in these strangest of days because of it. It is all this, plus a twist: As a comedy it represents an unlikely approach to such material and themes. More about that later.

It was produced and written by Peter and Dan Aykroyd and stars Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy.Its reception by modern audiences mirrors exactly the perception in general, to date, that has been had of the perinatal material it depicts so well. For despite the movie’s star power and the popularity of its co-creator, Dan Aykroyd, it was met with overwhelmingly negative reviews and received six Razzie nominations, garnering one. I fully expect that until we know better I can expect the same kind of reaction to this book of mine and the perinatal perspective it is revealing of the dark underside of everyday pleasantries and sugar-coated media realities. Yet there is hope for all that we will integrate this hard-to-face yet redemptive material in the fact that the movie does have a strong following among some in our population, just as at present there are some who are not in denial of the bittersweet perinatal vision being revealed.

The Lure Into the Underworld and Call to Adventure

The perinatal adventure of “Nothing but Trouble” begins innocuously with the main characters “leaving the beaten path” on a rather ordinary trip out of the city. Interestingly, the Brazilian couple who have forced themselves on the main characters of Chevy Chase and Demi Moore in making the trip act as impish other-worldly instruments in the change of route.

Joseph Campbell pointed out that the “call to adventure,” which marks the beginning of the descent into the transformative nether regions, may be instigated by the merest chance or blunder. [Footnote 1]

Campbell also writes that the heralds of such a rite of spiritual passage are often loathly and underestimated characters. The Brazilian couple—as gaudy, overbearing, quirky, and from “down under”—perform just this function of luring into the underworld. Thus, they remind us that it is the quirky yet underestimated element in our familiar daily experience that opens us up to the process whose ramifications are huge by comparison.

The Merest Blunder, The Adventure Begins

Sure enough, this innocent-appearing outing is soon disturbed. The merest blunder of map reading results in an ominous tour of an eerie town and its somber and menacing-looking inhabitants. This is followed by a high-speed car chase as the police attempt to pull the innocents over for a bogus traffic violation.

In the tour of the town, it is as if the ego is shown getting a preview or having a precognition of what lies ahead and attempts to flee back into its safe familiar environs. But of course, this emerging piece of unconscious material will not be denied and is able to capture the fleeing ego that we see safely ensconced in its trappings of status and power—symbolized by the BMW with car phone. At this point the main characters, representing the ego, are led, under guard, into the bizarre town of Valkenvania—the encounter with unconscious perinatal begins.

Perinatal Elements

The Junkyard of the Psyche

Campbell says that in the unconscious deep, to which one is beckoned, “are hoarded all the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence.” [Footnote 2]

Likewise, the set in “Nothing But Trouble” is replete with refuse. Bits of history—of rusted and broken refrigerators, automobiles, kitchen appliances, assorted junk, and pieces and parts of all the preceding…the wreckage of the past—are strewn about as well as heaped in clusters to construct the architecture and delineate the outlines of the drama. The correlation with subconscious remnants of forgotten memories and past emotional experiences is obvious.

Thus the drama evolves in the dumping ground and junkyard of the psyche—where all the rejected tidbits of experience have been relegated.

Stripped of Ego, Perinatal Begins

After being separated from the automobile—i.e., the ego stripped of defensive trappings of status and worldly position—the characters are rather quickly shuttled into encounters with a myriad of perinatal elements. A few of the obvious ones are as follows:

• Mr. Bonestripper, which is a roller-coaster type ride whose entrance is a large vagina dentate mouth that swallows, chews up, and kills. Notice the roller-coaster ride aspect of Mr. Bonestripper, which reflects the emotional extremes and changingness of perinatal, specifically Basic Perinatal Matrix III (BPM III), events. [Footnote 3]
  
  
• The chutes inside the house and of Mr. Bonestripper indicate birth canal symbolism.
• Sexual elements, indicating BPM III influence, are manifest in the scantily clad heroine and the penis-nose of the judge.
• The dark foundry symbolizes the foundation work of the psyche as well as the ominous and eerie aspects of perinatal experience.
• The slave labor surroundings represent similar feelings in the enforced and helpless character of doings just prior to and at the time of birth.
  
  
• Notice that the body—the car, the “Beamer”—gets trimmed down, the excess removed, symbolic of the cutting away of past attachments and concerns of a worldly nature, one’s “status” reduced.
  
• Chevy Chase as the main character is at one point forced into a marriage with a huge woman, who is tellingly androgynous in that she is played by John Candy. In her threatening and suffocating embraces we see symbolism of the crushing womb.
  
  
• The entire site of these doings is surrounded by a watery trench. This obviously reflects the amniotic surround in the womb.
  
   
• Police and guns point to the authoritative character of perinatal doings—i.e., do, or else!
  
  
• Death/rebirth symbolism of the perinatal exists in the form of skeletons and huge piles of skulls and bones.
  
  
• Scatological, that is to say, fecal symbolism is seen in the “bat-room,” which contains an enormous pile of wet bat-shit…excuse the wording, but it really is shit and not feces.
  
• The arbitrary nature of justice in the courtroom speaks to that perinatal feeling that one tiny thing, event, or action, has huge and horrifying ramifications.

Big Babies

The most obviously perinatal element, however, is the gargantuan and grotesquely flabby infant twins in diapers. Perinatal feelings are indicated in their extreme crying neediness. Their freshly newborn quality is evident in their fleshiness, which reminds one of the overweight appearance of some newborns, which is usually lost a little later on in infancy. The glossy, waxy sheen on their bodies is reminiscent of the skin of a newborn, which, fresh out of the womb, is wet and slippery, covered in amniotic fluid and cervical mucosa.

A Transpersonal Interface

An interesting aspect that indicates the transpersonal interface with the perinatal is an attic room—a higher mind of memory, kind of like an Akashic record—where all past IDs—identifications—and reports of them—newspaper clippings—are displayed.

Though, interestingly enough, in true perinatal fashion, a macabre lens is used to view these lives—only the reports of their tragic disappearances are seen. I believe that this is a wonderful depiction of how transpersonal information is distorted by perinatal material—the implications of which are far reaching for the pronouncements of so-called spiritual, or psychological, authorities who have not dealt with their perinatal undersides.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

Footnotes

1. Joseph Campbell, The Hero With a Thousand Faces. Princeton, NJ: Princeton University Press, 1968, p. 51.

2. Ibid., p. 52.

3. As a reminder, BPM III events (Basic Perinatal Matrix III events), using the typology set forth by Stanislav Grof in his many works, are the events surrounding the actual birth struggle of the infant during delivery. These parts on the perinatal in film make mention also of BPM II, which is related to the time of severe compression and constriction of the fetus in the latter stages of pregnancy and prior to the actual onset of delivery—which are characterized by feelings of “no-exit”; of BPM IV, which is concerned with the feelings of release, triumph, being saved, and whatever else occurs immediately after delivery; and of BPM I, which is related to the state of the fetus earlier in pregnancy—prior to compression—which is often conceived to have “oceanic” and “blissful” qualities, though not always.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

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Kaleidoscope of Postmodern Life, Part Fourteen: Blind Hope vs. Real Hope … Chiron Is Martyr for The Sins of the Fathers

Enter the Centaur: Wherein Lies Real Hope – Sixties and Millennial Generations Are Shamans for Deluded Promethean “Fathers”: 21st Century and Its Discontents, Part 14

Prometheus Brought Us Blind Hopes

Another aspect of this is that Prometheus is said to have “caused blind hopes to live in the hearts of men.” Indeed, we are also now seeing how blind was our reliance on technology and the vaunted but vain “rational mind”—which has now been seen to be a rationalizing mind.

For we realize this self-congratulatory thinking has been keeping out uncomfortable truths and building illusory, manic Atman projects of escape from the consequences of our actions. None of which, we are now finding out, are capable of working.

Enter the Centaur: Real Hopes – Chiron

But to jump ahead. There is hope in the Prometheus myth as well. There is shown a way forward for humanity, which at this particular time in history appears to have been prophetic. For Prometheus is saved from his sufferings by the Centaur, Chiron. Chiron sacrifices himself—Christ-like—taking on Prometheus’s suffering and dying in his stead.

Return to The Centaur

Earthy, Sensual, Noble

The Centaur — half human, half animal — does not, like Icarus, paste on wings and try to separate from groundedness in the Earth. No. Centaur qualities are earthy, sensual, sexual. They embrace the noble qualities of the horse … reminding us that as primal beings, early humans, we were noble humans … as they say, a bit ethnocentrically, “noble savages.” We once stood, sure-footed and tall, and we walked confidently upon the Earth, knowing we belonged here.

Wounded Healers, Shamans, Gardeners of Consciousness, Poets … Brave and Foolhardy Journeyers Into the Unapproved and Hidden

Traditionally associated with intoxicants and with the bacchanalian, centaurs can see into other realities, nonordinary ones. They are open to altered states of consciousness. They are not averse to looking into their deeper natures, their “undersides,” their unconscious; that is how they came to be one with Nature in the first place.

Indeed, Chiron is also known as the wounded healer and is associated with the shamanic. Being, like Chiron, healers, centaurs are skilled in both physical and mental health. Thus they are wholistic and psychotherapeutical. They are philosophical. Plato was one. Walt Whitman was one. They are poetic.

Mystics, Scapegoats, Natural … A-mused and A-musing Not Deluded and A-mazed

They are scapegoated, like Chiron was, for the sins of society, and in modern times they have scornfully been referred to as “hippies” and “beatniks” — but they include the bohemian types of all times. Being rooted in a more fundamental nature or reality they are mystic. Jesus was one. Following a “different drummer,” as it were, they are the Wayseers.

Connected to the real source of truth in Nature and the Divine, they are in touch with their muse … and are both a-mused and a-musing…but they are not into the maze of culture, the matrix, they are not fooled or a-mazed.

The Centaur is completely in tune with her and his planetmate-nature, the Divine and Natural order—as in the Jungian and mystic understandings of individuation as being a re-uniting with a fundamental and earlier reality — returning home, humble and prodigal-son like.

The Opposite of Ordinary Folks…Who Build Stairways to Heaven and Towers to Their Vanity

This is the opposite of most folks who spend their lives seeking to vainly build stairways to heaven, Towers of Babel to the divine, to be muscular Nietzchian supermen, or to struggle up Wilberian ladder-style paths for imaginary achievements and to an understandably elusive “enlightenment.”

We Are the Centaurs, My Friends

This self-sacrificing tendency in humans I will be talking about at length at the end of this book where I point out how we need to stop acting out and begin taking back the projections we make onto the Unknown and thereby stop the Promethean cycles of suffering going on for millennia. We need to, like Chiron, take upon ourselves the “sins of the fathers.” As Tom Waits sang it, “I’m gonna take the sins of my father (mother, brother, sister), down to the pond…I’m gonna wash them.”

Exactly that. We must make the heroic sacrifice of taking inside ourselves those perennial urges to act out on others what was done to us. In environmental terms we must make the sacrifices of lowering our standard of living and cutting back on the lavish appetites and lazy indulgences fed by excessive technology, cultural trinkets, and superfluous commercialism, which other generations were allowed to take to the limits of their times. For if we do not, then there will be very little left for future generations—assuming there’ll be any.

These cultural “achievements” — wrought of burning of fossil fuels, release of fiery energy from the atom, and despoiling of natural resources — all of them in some way rooted in the theft of fire long ago, which started it all, must be let go of. We must refrain from being driven by these addictions and substitutes for actual felt experience, take the “fire” within instead of burning it up without. So in physical terms we must bring those excessive urges home within ourselves and ground them in Nature, bring them back into our physical bodies, we must be Centaurs. And within our bodies experience the discomfort of such a monumental millennial turnabout.

So, no. This is not easy or comfortable.

Continue with Real Hope Lies in Pandora’s Jar and Return of the Centaur … Since the Last Time Was 1961, It’s None Too Soon: 21st Century and Its Discontents, Part 15

Return to A Re-Visioning of “Civilization” in Light of Impending Apocalypse … Prometheus Made us “Civilized” … And Doomed: 21st Century and Its Discontents, Part 13

No. Not easy or comfortable.

Continue with Real Hope Lies in Pandora’s Jar and Return of the Centaur…Since the Last Time Was 1961, It’s None Too Soon: 21st Century and Its Discontents, Part 15

Return to A Re-Visioning of “Civilization” in Light of Impending Apocalypse … Prometheus Made us “Civilized” … And Doomed: 21st Century and Its Discontents, Part 13

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