The Cycle of All Events, the Evolution of Parenting, and Auspicious Collective Regressions: Being Crazy in an Insane World Might Mean You’re the Sane One

What’s Involved in Stopping War and Ecocide and the Necessary Mess of Transformation: Hard to Believe, But We’re Getting Saner

Chapter Nine: Regressions in the Service of Society — Messy Healing

There Is a Cycle to All Events … The Spiral Dance, Why We Can’t Get No Satisfaction, and Where There Is Real Hope

The Spiral Dance – The Cycle of All Events: Wedded to Rebirthing Rituals, the Inevitability of Disappointment, and Where There is Real Hope

Wedded to Rebirthing Rituals

At the point when the perinatal unconscious arises, individuals — and collectively, society — have the choice to turn toward the emergence of these feelings or to turn away from them.

In turning toward these feelings we embrace, feel, and if we go deeply enough into that, we relive the roots of them and resolve them finally.

In turning away from them we shun them, act them out, and are enslaved by them…thus we act unconsciously, trance-like, zombie-like.

If we face these inner forces—we call that feeling them…in this instance, feeling through or reliving one’s birth—we integrate them and heal the underlying trauma, the perinatal trauma.

Or the individual and society can avoid this going within—as depicted in the peace symbol—and can choose instead to act them out, which is the peace symbol upside down—the Satan symbol, the pentagram.

In acting them out, one distracts oneself from the uncomfortable feelings, which though not focused on, are still there. One tries to be “strong” in the face of feelings but one is actually driven and directed by them—they “take over one’s mind.” This is the source of the idea of spirit possession and in general of the idea that a devil or Satan can take over one’s soul.

So in running from our feelings we are captured and enslaved by them, we are forced to act them out in ways we would not otherwise choose which are negative to horrible but in all cases self-sabotaging. Of course war is the most horrible, most self-sabotaging, greatest, and most all-consuming form of such acting-out…the greatest struggle.

Humans are characterized by a particular kind of birth process. It is a coming into being that is traumatic and which is related to our distinction of standing upright and thereby decreasing the pelvic opening as well as suffocating the fetus prior to birth. The fact is that because of this “distinction” we are destined to go through periods of rebirthing purificatory rituals, whether for good or ill. [Footnote 1]

For we are psychologically wedded to reliving that which we could not fully experience at the time because of the overwhelming quality of pain associated with it.

A “Spiral Dance”

These rebirthing rituals we are doomed to repeat, one way or the other. We are going to act out this primal pain—this birth trauma—in an unending cycle of feelings having these components

• Periods of feelings of expansion
• Closedness or entrapment, guilt, and depression
• Aggression
• Release

Then back around again.

In winning the “war” or having the success or achievement, there begins the same cycle of expansion followed by entrapment. Losing the war…the struggle, the battle…is akin to death, even if there is no death. There is numbness and repression…akin to a kind of “limbo”…before life can begin anew. A reconception is necessary.

The Pattern of Our First Nine Months Imprints Us For Our Entire Human Lives

The reemergence of hope in individuals and societies is biologically equivalent to conception. And following this reconceiving, there is a similar cycle of reemerging strength—akin to the expansion that follows winning. Then there is continuing depression or overarching gloom and helplessness feelings coupled with revenge feelings and blame as individuals and societies stew in the vessel of indecision, inaction, and doubt. This is quite like the closedness and guilt which follows achievement-success-victory. Note, however, that the revenge and blame feelings here are aspects of the BPM II matrix, just as is closedness and guilt.

Can’t Get No Satisfaction

And then the cycle is the same again. Specifically, there is aggression against the oppressor (War and revolution both see the foe as an oppressor, even if one is actually the one who is the aggressor.) What follows upon fighting is release or “death”; and so on around. The “happily ever after” that inspires such battle truly only exists in fantasies and fairy tales. Prosperity and feelings of success are unfortunately doomed, on this physical plane of existence, to be short-lived.

Where There Is Real Hope

It would seem we are fated to never be happy, for long. But progress is possible; herein lies our only real choice in the entire scenario. For we either work through these cycles in some deep psychologically transformative way that helps us deal with and pass beyond the difficult and painful parts of the cycle as well as helps to fade the imprints’ potency in determining our behavior or we are doomed to act them out in the external world in ways that we are blindly unaware are not congruent with the actual facts of our circumstances and are harmful to ourselves and others around us.

We are fated to experience these cycles of birth, and we will either act them out disastrously or we find ways of dealing with them inside of ourselves in some way—and some ways are better than others for doing this—so that we can have some inner distance from these patterns and therefore some conscious ability or choice around our actions when these pushes and pulls arise.

Railing Against the Darkness: The Vanity of Will, The Impotence of Reason, Progress Requires Regress, and Healing Is Nothing if Not Messy

Railing Against the Darkness, The Vanity of Will, The Impotence of Reason, and Social Progress Requires Regression

The Vanity of Will, The Impotence of “Reason”

What we absolutely don’t have, yet arrogantly think we do, is the ability—through will or reason alone—to choose light over darkness, to replace these inner veils of distortion with clarity of thought and perception and hence of positive behavior and actions while in the midst of them. Trying to reason with and to obtain truly desired outcomes is about as possible as trying to reason with a lizard and convince it to conform to one’s wishes for its behavior. For good reason: Indeed our rational mind is as split off from the “reptilian brain” inside us within which these imprints circulate and from which they arise as are we from the consciousness of a gila monster.

What We Call “Reason” Is Largely Just Rationalization

This impotence of intellectual understanding in the face of these patterns of self-destruction occurs because these schemas are rooted in memories existing in an emotional and entirely dissociated part of the brain, which is hardly touched by neocortical admonishing of any kind. As deMause correctly points out,

[The fetus’s] “early experiences have been found to be recorded in a separate early neural network—a dissociated emotional memory system centering in the amygdala, quite distinct from the declarative memory system centering in the hippocampus that is established in later childhood.” [Footnote 2]

Disclaiming these cycles, which inevitably pass through darkness, and reliance on “will-power” to change one’s patterns, which includes self-sabotage, has been exposed in its impotence in modern times. We see as evidence the growing acknowledgment of the ineffectiveness and, indeed, counter-effectiveness of psychoanalysis. [Footnote 3]

Railing Against the Darkness

So the question begging to be asked is “What do we do about it?” What do we do about these pernicious cycles?

And when these elements erupt in society in harmless, possibly healing ways, how do we view them? Do we, as Mayr and Boelderl do in their article, “The Pacifier Craze: Collective Regression in Europe,” decry the regression…as if by disclaiming it we could somehow keep the cycle from happening? [Footnote 4]

Mayr and Boelderl write, for example, that the situation of collective regression in Europe “strikes us as being high-explosive [sic] and bitter enough.” [Footnote 5]

In another place they exclaim, “What is horrible about this insight [about the increasing collective regression in Europe] is the additional observation that regression is becoming still more radical.” [Footnote 6]

This response of railing against the “Darkness” is a Freudian response. Yet it is not even a neo-Freudian one, since regression in the service of the ego—which began to be seen as ever more important by neo-Freudians—is not acknowledged, let alone considered.

Social Progress Requires Regression

That regression in the service of the ego is not considered is confirmed by Mayr and Boelderl in their statement that “[R]egression by definition is a process of repression and a defense mechanism.” [Footnote 7]

These are surprising words, in light of the concept of regression in the service of the ego and awareness of the clinically based evolution of psychotherapeutic theory since Freud’s original postulations, over a half-century ago.

They are even more awry if one considers the universal, cross-cultural, implementation by societies of rebirthing rituals to handle the same kinds of forces we are confronted with. The anthropological literature is rife with these accounts.

Further, Grof has meticulously shown that regularly going into altered states of consciousness where one confronts this material is a prime function of cultures, and it occurs nearly universally although it is woefully lacking in Western culture for the most part.

Moreover, these words by Mayr and Boelderl indicate a conflict with or ignorance of the fact that deMause’s theory of evolution of historical change requires regression on the part of parents, while parenting their children, as the primary “engine” of sociopsychological progress.

For deMause writes,

“[T]he ultimate source of all historical change is psychogenesis, the lawful change in childrearing modes occurring through generational pressure…. Psychogenesis depends upon the ability of parents and surrogates to regress to the psychic age of their children and work through the anxieties of that age better the second time than in their own childhood.” (op. cit., 1982, p. 135, emphasis mine.)

But this mistake by these two social scientists would not be all that important if it was not the perfect example of the kind of uninformed attitude we have, generally speaking, in Western societies about these forces. This attitude is reinforced by a Judeo-Christian tradition of specialness and scapegoating in the West. It is a pervasive feeling about these things; specifically it, itself, is the actual defense. While this is a widespread reaction to our inner realities it is far from science, and even further from the truth or reality about these things.

“Stop It!” … Yeah, That’s Gonna Work

At any rate, if we adopt this Western, Judeo-Christian, Freudian tactic of decrying the darkness, we are as effective in derailing the cycle of violence and war as Freudians are in what amounts to admonishing their clients to “stop it!” when it comes to their neurotic self-sabotaging.

For people cannot will themselves to merely stop their cycles of neurotic self-sabotage and self-destruction, which are the individual manifestations/ acting out of their birth traumas. As mentioned these directors of action operate out of a different part of the psyche, and brain, than one’s conscious willing part. They are simply not accessible, so hardly amenable, to rational or willful input. And changing one’s thoughts to affect them is about as helpful as rearranging the furniture on the deck of the Titanic.

Being Crazy in an Insane World Might Mean You’re the Sane One: Auspicious Collective Regressions

People Who Have It All Figured Out Are the Ones to Watch Out For … Emotional “Sickness” Might Indicate More “Wellness”

Regression in the Service of the Ego

With the exposure of the ineffectiveness of the Freudian tactic of intellectual understanding has come the Freudian movement’s disintegration into schools advocating various other strategies for change.

These schools/strategies include the psychiatric—the use of drugs; the neo-Freudians who acknowledge and use regression in the service of the ego and abreaction; the humanistic-existential approaches, stressing the “experiential”; and the Jungians and neo-Jungians, who would seek the resolution of these cycles in their inner archetypal acting out, resulting in an eventual rootedness of the ego in a higher Self (a spiritual center) beyond or transcending the cycles. [Footnote 8]

Other approaches include the bulk of the spiritual, new-age, or transpersonal means that are flourishing these days. These alternative paths basically differ from all others in their belief that one can simply bypass these perinatal pulls and pushes and go directly to the Light or the Self by dismissing the birth cycles, or the Darkness or Shadow, through affirming the Light, meditating the Darkness out or the Light in, changing one’s thoughts, creating one’s reality, and various combinations of these.

Finally, these newer schools and strategies for healing include those of what might be called experiential psychotherapy, which includes primal therapy, holotropic breathwork, some forms of (experiential) meditation (Vipassana meditation, for example), Reichian and bioenergetic approaches, some forms of hypnotherapy—experiential ones—ones that involve reliving traumas—and virtually all the techniques, treatments, and correctives that are espoused in the field of pre- and perinatal psychology.

The point is that from a good number of these other-than-Freudian perspectives—and all of those that acknowledge the importance of regression in the service of the ego—and from the perspective of the entire field of experiential psychotherapy, the answer to the cycles of violence, war, and death-rebirth is to stop the acting out, not by simply intellectually decrying it—as if one can actually talk oneself out of one’s inner fears and one’s Darkness/Shadow—but by reliving those cycles of violence at their origins…their primal roots. In the case of perinatal forces, those forces from “the dark side,” this is accomplished by reliving the violence of birth, a perinatal trauma that is thoroughly and masterfully delineated by Grof and deMause. [Footnote 9]

Auspicious Collective Regressions

But from this perspective of experiential psychotherapy—one completely congruent with and grateful of deMause’s contributions in psychohistory as well—regression, in Europe, or elsewhere, is not seen as something to decry, disclaim, be horrified of, or be seen as dangerous but is seen as an opportunity. Regression is certainly not seen as a form of defense but as the opposite of that. Regression is part of a process of diminishing one’s defenses against one’s internal reality of pain and trauma.

Thus, examples of blatant collective regression as in Europe—more so to the extent they are relived, released, and integrated—are entirely auspicious for the eventual elimination of war as a collective device of acting out—defending against—the painful feelings coming from one’s personal history which one carries around, all unknowingly, and which pervade, in one way or another, in forms subtle and not so subtle, every moment of one’s consciousness in the present.

From this experiential psychotherapeutic perspective, we have a different feeling about developments like those that Mayr and Boelderl describe as collective regression in Europe and Lawson describes as occurring at rock concerts. [Footnote 10]

From a more enlightened viewpoint these cultural phenomena should have us, if not dancing in the streets, at least hopeful of a gradual decrease in the use of war and violence. Why? It is because the youth who display this “regression” so blatantly were brought up by an “advanced” form of child-rearing than that of previous generations, that they have fewer defenses, fewer layers of obfuscation covering up their unconscious psychodynamics; consequently the regression is seen more clearly in their behavior. [Footnote 11]

Unflinching Belief Related to Total Dissociation

Why is this important? DeMause points out that people do go to war, and that prior to it their perinatal dynamics come to the fore, as evidenced by perinatal-laden words and images in the media and in leaders’ speeches used to describe the situation and its dynamics. Thus, our leaders take us into war, they act out their perinatal dynamics…and we in following them act out ours…in such gruesomely overt ways because these dynamics are so hidden, repressed, and overlaid with defenses that the conscious mind has absolutely no access to, and hence insight into, them as being part of one’s unconscious dynamics.

Consequently the conscious mind is completely able to convince itself that those dynamics are actual, real, and doubtless parts of the situation and therefore require an actual, real, and extreme response. The amount of resolve required to act out war can only be wrought of an unflinching belief in the rightness, the absolute correctness of one’s perspective of the situation and therefore of that extreme course of response. And that can only be brought about by a total dissociation from one’s perinatal traumas, and a complete and utter projection of it on the outside—the enemy, to be specific.

Blatant “Sickness” Related to Being Real

The contrary is also true: When there does not exist that total and complete dissociation of the perinatal trauma—when it is, as in Europe and rock concerts currently, closer to the surface, less defended against, less repressed and, hence, more blatant—it is more accessible to consciousness and less likely to be acted out in the extreme as in war. Instead it is more likely to be acted out in less extreme forms, such as jumping into mosh pits, carrying pacifiers, listening to baby tunes about the, very real, difficulties of being a baby, and so on.

Finally, it is more likely to be actually allowed to emerge in consciousness and be relived, and thereby “healed”…and gone beyond, to be replaced by something more benign and more socially constructive, and thus to be removed forever as a motivation to war or violence. This is the auspicious view of the developments described by Mayr and Boelderl. [Footnote 12]

Janov was the first to point out that a permanent resolution of underlying trauma initially entailed an aggravation of symptoms and symbolic acting out. That is to say, the underlying dynamics become more blatant and apparent in behavior. [Footnote 13]

Janov was also the first to note that the acting-out and overt neurotic was closer to being “real,” and therefore really sane, than his or her highly functioning and “normal,” but repressed, rigidly defended, and unfeeling neighbor. [Footnote 14]

The Most Evolved Parenting … Boomers and Millennials … and The Cyclical Nature of History: I Know It’s Hard to Believe But We’ve Been Getting Saner

Thanks to You We’re Getting Saner: The Most Evolved Parenting … Boomers and Millennials … and The Cyclical Nature of History

Evolution of Parenting – We’ve Been Getting Saner

Finally, the correctness of the view that being “crazy” in an insane world might be more sane has been borne out in recent history. DeMause describes an evolution of parenting from ancient times to the present which involved ever decreasing psychosis and violence and increasing caring and consciousness of the needs of children. He connects this decrease in violent child caring to ever decreasing violence and psychotic acting out in societies.

DeMause labels the most common modern parenting mode the socializing mode. Short of the quite recent helping mode—which only really rose to prominence in the last three decades—the socializing mode is the most advanced and most humane.

Lest there be any confusion, I wish to point out that my own theoretical understanding differs from deMause’s in one important respect. While I agree with his evolution of child-rearing over the course of civilization and within recorded time, I believe he is wrong about prehistory and what primal peoples were like and the kind of child-caring they engaged in. He depicts prehistoric societies as psychotically oblivious of the needs of children, engaging in, first, infanticidal; then, second, abandoning; then, third, ambivalent modes of child-rearing. Whereas it seems to me the overwhelming evidence and increasing numbers of anthropologists point to a natural “organic” child-caring being employed in the the mists of the past quite a bit more “advanced” than even many modes employed today.

I believe the change from the loving parenting we see in many primal peoples and in Nature among many of our planetmates to the infanticidal, abandoning, and ambivalent modes he has described for early historic cultures is a product of that ever increasing control of Nature that went into full gear with the agrarian revolution, some ten to twenty-five thousand years ago. So, I am saying that brutal parenting was a consequence of “civilization” and was at its worst at the beginnings of recorded time.

But I agree we have been gradually evolving to better modes of child-caring over the history of civilization to the most sane and psychologically beneficial modes employed in recent decades, which, you might want to note, are very much like the modes of the earliest humans. I describe why and how we lost our connection with Nature and loving ways of parenting—how we left “Eden”—in my book and blog “The Great Reveal.”

The Cycles of Time

I believe my understanding shows once again how much of what modern folks thought of “development”—including it being linear and increasing from “darkness” to “light” with ourselves always at the top (conveniently)—is wrong and merely part of an anthropocentric bias and an ethnocentric heritage. For more and more, as we lay down those blinders to reality, we notice the evidence of the cyclical nature of everything—from our lives (ashes to ashes) to the physical Universe’s expansion and contraction, to the vibrations at the subatomic level, the waves in the sea, the turning of the Earth and the revolutions of the solar systems, and I contend now also, the so-called “history” of our species on Earth. This is the thoroughly postmodern idea that human time is also cyclical, with over and again peoples returning to earlier halcyon times only to “fall” away from them.

The Worst of Times Quality of Current Events

This idea of time as cyclical not linear is in keeping with Eastern philosophies, as well as indigenous ones. Hindu thinking currently has us at the depths of the Kali Yuga, the worst part of the cycle right now, with matters to be reversed very soon and the best of times just ahead. And, as I have been describing in my books Falls from Grace and Primal Renaissance and will be directly pointing out in my upcoming book, Primal Return, we are currently seeing a most necessary return to a more harmonious way of being and a more natural self. And with it, requiring it, to some extent preceding it, we are evolving to the most advanced mode of loving parenting.

The “Best of Times” Nature of Our Parenting

Psychohistorian Glenn Davis, following deMause, analyzed the most advanced form of child-caring short of the most recent helping mode—the psychogenic parenting mode deMause termed socializing—and found that it comprised four submodes. In order, beginning in the mid-nineteenth century to the mid-twentieth century and each one a more “evolved” and humane one than the previous one, they are the submodes of psychic control, aggressive training, vigorous guidance, and delegated release. [Footnote 15]

Oh, Be-HAVE. WWII Generation … Received Aggressive-Training and Vigorous-Guidance Parenting

Davis concluded that in America the Vietnam War was perpetrated by individuals belonging almost entirely to the aggressive-training and vigorous-guidance psychoclasses. [Footnote 16]

Questioning Authority and Oneself Is Good. Boomers … Received Delegated Release Parenting

Yet the Vietnam War was brought to an end largely as a result of the efforts of an antiwar movement whose largest component was a Sixties youth brought up under a more advanced delegated-release child-caring mode. [Footnote 17]

The delegated release mode, which resulted in the phenomenon of Sixties youth and the counterculture, is the most “advanced” mode short of the helping mode.

“Let’s Collaborate” – Millennials. Received the Most Advanced Parenting – Helping … “We Just Want You to Be Happy.”

The helping mode is the child-caring mode employed widely by the Sixties generation for their children, the Millennial Generation, also known as Generation Y. So, a helping mode of parenting was enjoyed by the children of a delegated-release psychoclass, the Boomers. Sixties youth are seen, psychologically, to have the most the most “advanced” ego structures short of their children taught within a helping mode. [Footnote 18]

What’s Involved in Stopping War and Ecocide – Peace Is Painful: But Better Psychotic Than Warring

Ending War and Humanicide—Peace Is Worth its Price of Suffering: Better “Emotionally Disturbed” Than “Healthily” Fighting in War

Walking In Another’s Moccasins

It is obvious that these Sixties youth did not have the same unflinching and unqualified belief in the absolute rightness of their country’s position in Vietnam as did many of their parents. This is obviously the case in a psychoclass of youth chanting a generational mantra, “Question authority!” and whose more extreme members would at times even go over to the perspective of seeing the war from the eyes of the “enemy,” the Other.

As I mentioned earlier, among the Sixties Generation we saw Jane Fonda’s journey to Hanoi, the waving of North Vietnamese flags by protesters, and the carrying of little red books on the sayings of Chairman Mao. These are obvious indicators that the generation as a whole was open to seeing the war from the North Vietnamese perspective: That is, as a conflict perpetrated by a foreign nation that was hypocritical in its espousal of democracy in that it prevented democratic elections that would have without doubt elected Ho Chi Minh and instead it installed a puppet-ruler in the South, making Vietnam a virtual colony of the United States. From this perspective, the Vietnam War was for the Vietnamese as much a war for independence as the American Revolution was for the U.S.

This is just an example of how there are two sides to every issue and how an attempt at empathy or “walking in The Other’s moccasins”—made possible by a closeness to a perinatal unconscious that is also an opposite perspective than that of the conscious mind—can lead, at the minimum, to the reluctance necessary to prevent engaging in at least the most blatant and horrific forms of violence…against others, but consider also, against Nature.

The Perinatal Generation

At any rate, is there evidence that this undermining of the self-righteous position necessary for the instigation and carrying out of war and ecocide—this ability to see at least somewhat from The Other’s perspective and not just one’s own—is in truth correlated with a closeness to perinatal dynamics, a closeness to the unconscious for that generation of youth, those of the Sixties? The answer: Absolutely yes!

As mentioned in a previous part, sociologist Kenneth Keniston did psychological studies of members of the Sixties Generation.

He was inspired to do so through his noticing that he was seeing something really unusual and radically different in these youth than what he had ever seen. This led to his fascination with discovering what made them so different. And he documented his findings in two books—The Uncommitted: Alienated Youth in American Society and Young Radicals: Notes on Committed Youth. Roughly speaking he chose to study the unconscious dynamics of both the “alienated-hippie” and the “activist” sectors, respectively, of that generation. [Footnote 19]

Blushing Troll-Handlers

At the risk of repeating myself, I wish to remind the reader that a reading of his books—keeping in mind that Keniston knew nothing of perinatal dynamics at that time, and few people did, for that matter—reveals a degree of perinatal imagery, fantasy, and acting out—especially among “the uncommitted”—enough to make a troll-handling, pacifier-wearing, mosh-pit jumping youth of today to blush! [Footnote 20]

Self-Analysis and Psychological-Mindedness

Because of this peculiar perinatal access, I don’t believe it is any coincidence that Keniston also found an unusual amount of inner reflection—questioning oneself—alongside the more well known questioning authority. This he labeled “overexamined life” for the alienated sector and “psychological mindedness” for the activists.

Better Emotionally Disturbed Than “Healthily” Engaging in War

So, being close to one’s perinatal imprints, being less defended against one’s inner unconscious painful memories, leads to one being able to question not just oneself—and therefore to be a catalyst to personal growth and a quest for truth—but also the actions of one’s society. It is a counterbalance to our tendency to act out in violence to others as in war and to Nature as in ecocide. It means people will suffer more inner turmoil and pain, will feel more psychologically “disturbed,” and will be less likely to take it out on others, will be less likely to make others or the environment “pay” for what happened to them.

Let us contrast that with its opposite. DeMause writes,

Hitler’s projection of his fears…into Jews and foreigners helped him avoid a psychotic breakdown and enabled him to function during his later life, as long as others shared his delusion of poisonous enemies.

Therefore acting out collectively, as in war, can prevent a psychotic breakdown in certain individuals.

Better Psychotic Than Waging War

But when the consequences of acting out one’s birth trauma, collectively, is millions of people—including oneself—dead, not to mention the uncountably large loss of material and personal resources, it is clear that by comparison a psychotic breakdown is a more benign alternative for either the individual or the society in which that or those individuals act.

Similarly, not providing the outlet of war as a collective birth ritual…oftentimes, for the soldier involved, euphemistically called a “rite of passage”…would allow the genuine neurotic breakdowns, the collapse of people’s defenses, and their opening up to their underlying perinatal dynamics. Thus accessed, they can be healed, or in the least they would prevent the kind of unflinching belief or self-righteousness required for war and violence.

Some folks might even be motivationally paralyzed—receiving information from the unconscious that contradicts and undermines the stance and beliefs of their conscious ego. But when that egoistic stance is slanted, commonly, towards war, violence, selfishness and greed and corresponding environmental apathy, then better one would be indecisive, overwhelmed, and doing nothing.

The Price of Emotional Pain Is Minuscule Compared to That of War

Yet it is true that this neurotic breakdown, of at least a small amount, on the scale of society would result in the kind of collective regressions that Mayr and Boelderl, and Lawson describe. That is, the cause of peace, of the saving of human lives, requires that people pay the price of encountering their primal pain.

By all measures, this peace price is minuscule. It is even more worth it when you take into account the fact that many people, after initially “breaking down” for lack of a collective…and highly destructive…act-out like war/aggression, will actually succeed in reconstructing a self more in line with reality, through the dynamics and means categorized under the term regression in the service of the ego, desccribed above. Regardless of professional help…which would be nice but is not always available or practical…some people just find a way.

Continue with Chapter Ten: Where There Is Hope, Cultural Rebirthing

Return to Apocalypse No! Chapter Eight:
Derailing the Cycles of War and Violence

Footnotes

1. A. Briend, “Fetal Malnutrition: The Price of Upright Posture?” British Medical Journal 2 (1979): 317-319.

2. DeMause, op. cit., 1995, p. 12, emphasis in original.

3. See, for example, Alice Miller, For Your Own Good: Hidden Cruelty in Child-Rearing and the Roots of Violence, trans. by Hildegarde and Hunter Hannum. New York: Farrar, Straus and Giroux, especially “Vantage Point 1990,” pp. vii-ix.

4. Daniela F. Mayr & Artur R. Boelderl, “The Pacifier Craze: Collective Regression in Europe.” The Journal of Psychohistory 21 (1993): 143-156.

5. Ibid., p. 144.

6. Ibid., p. 148, emphasis mine.

7. Ibid., pp. 149-150.

8. Regarding the “experiential,” I should make clear that this approach is, from the perspective of the experiential psychotherapeutic approach I will be describing shortly, actually the superficial symbolic acting out of these underlying and powerful cycles in a way that is only a little less impotent than the Freudians.

9. DeMause, op. cit., 1995.

10. Alvin H. Lawson, “Placental Guitars, Umbilical Mikes, and the Maternal Rock-Beat: Birth Fantasies and Rock Music Videos.” The Journal of Psychohistory 21 (1994): 335-353.

11. Mayr and Boelderl claim quite wrongly and quite strangely—as if to make the facts not conflict with DeMause’s psychogenic theory, or as if to cover up some hole in their analysis—that those caught up in the pacifier craze were raised under the intrusive and socializing parenting modes (op. cit., 1993, p. 145) and yet, in 1992, were between the ages of 15 and 30 (Ibid., p. 143). This is hard to understand because these youth would have been born between the years 1962 and 1977 in advanced Western countries of mostly Western Europe—Italy, Germany, Austria, all of Europe, and even the U.S. (Ibid.).

However, the intrusive and socializing modes are associated, by DeMause, with the eighteenth century and the nineteenth to mid-twentieth centuries, respectively, in the Western world (DeMause, op. cit., 1982, p. 62). On the other hand, the helping mode begins mid-twentieth century in the Western world (Ibid., p. 63).

The conclusion from this is that these youth, described by Mayr and Boelderl, would have been greatly influenced by the helping mode. They would be expected, at least, to have received the most advanced methods of child-caring overall in the world at this time—considering DeMause’s theory—since they are the most recent progeny of the Western world!

Indeed, if these cannot be considered products of the helping mode, who can be? In order for Mayr and Boelderl to dispute this and claim they were exceptions to the rule and were raised under intrusive and socializing modes, they would have had to do a study demonstrating this, or at least cite one done. And this they do not do.

12. Michael D. Adzema, “Reunion With the Positive (Self), Part 1: The Other Half of ‘The Cure.’” Primal Renaissance: The Journal of Primal Psychology 1(2): 72-85. Reprinted on the Primal Spirit site.

13. Arthur Janov, The Primal Scream: Primal Therapy: The Cure for Neurosis. New York: Dell, 1970.

14. Ibid.

15. Glenn Davis, Childhood and History in America. New York: The Psychohistory Press, 1976.

16. Ibid., especially Ch. 7, “The Great Society and the Youth Revolt,” and p. 240.

17. Ibid.

18.Ibid., p. 241.

19. Kenneth Keniston, The Uncommitted: Alienated Youth in American Society. New York: Dell, 1965; Young Radicals: Notes on Committed Youth. New York: Harcourt, Brace & World, Inc., 1968.

20.While these aspects of youth are laid out by Keniston, a fuller delineation of these dynamics are to be seen in my work-in-progress, tentatively titled The Once and Current Generation: “Regression,” Mysticism, and “My Generation.” [Stay tuned.]

Continue with Chapter Ten: Where There Is Hope, Cultural Rebirthing

Return to Apocalypse No! Chapter Eight:
Derailing the Cycles of War and Violence

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Projecting the Perinatal Zeitgeist: Everything You’ve Managed to Forget About Being Born

Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!

 

Wounded Deer and Centaurs, Chapter Two: Everything You’ve Forgotten About Birth … Projecting the Perinatal Zeitgeist

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize twenty-first century life.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds … And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time — ”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and were overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention. [Footnote 1]

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course, sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

This sequence of pics from an episode of The Outer Limits is a rather good depiction of this. Notice that at the point the object emerging from the mouth is most visible it takes on the form of a vagina dentata. This links the images with birth and indicates the aggressive character of the feelings being depicted, that is, we have repressed anger feelings left over inside us from what was done to us. It is also more than just coincidence that the person to whom this is happening is in a hospital room and is dressed in a hospital gown; the plot is about this woman carrying a baby and this scene happens just after the birth. This is significant for the reason following, which states that this image has its roots in an event that indeed happened right after birth..

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection — the ungentle mouth cleaning of birth fluids — I can personally validate from my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence the popularity of such images in the media of recent decades.

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing.

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carrey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boats, especially submarines; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out above, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles … with mad scientists, no less — obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see subsequent chapters, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

Central to this book is the idea that we need to face the ultimate and horrible truths if we are to save ourselves. Wounded Deer are those people who suffer from closeness to these perinatal truths. Centaurs are those wounded ones who have accepted these facts of life; they have accepted the fact that fundamentally they, as all of us, are wounded. And in embracing it this way they become healers for those who cannot face their truth or who are struggling with doing so.

For not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, whether they will they lead to the armageddon that many are predicting or to a consciousness evolution and a new Earth—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

To Be Continued with Wounded Deer and Centaurs, Chapter Three: The Perinatal Furniture of Everyday Living

Return to Wounded Deer and Centaurs, Chapter One: We Are a Fever

Enjoy your own virtual emergence by following the pics below:

Now add a blissful period and go back around again; that’s the way it works in life.

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

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People Who Have It All Figured Out Are the Ones to Watch Out For … Emotional “Sickness” Might Indicate More “Wellness”: Rebirthing Rituals, Part 3

Being Crazy in an Insane World Might Mean You’re the Sane One: Rebirthing Rituals, Part Three – Auspicious Collective Regressions

Regression in the Service of the Ego

With the exposure of the ineffectiveness of the Freudian tactic of intellectual understanding has come the Freudian movement’s disintegration into schools advocating various other strategies for change.

These schools/strategies include the psychiatric—the use of drugs; the neo-Freudians who acknowledge and use regression in the service of the ego and abreaction; the humanistic-existential approaches, stressing the “experiential”; and the Jungians and neo-Jungians, who would seek the resolution of these cycles in their inner archetypal acting out, resulting in an eventual rootedness of the ego in a higher Self (a spiritual center) beyond or transcending the cycles. [Footnote 9]

Other approaches include the bulk of the spiritual, new-age, or transpersonal means that are flourishing these days. These alternative paths basically differ from all others in their belief that one can simply bypass these perinatal pulls and pushes and go directly to the Light or the Self by dismissing the birth cycles, or the Darkness or Shadow, through affirming the Light, meditating the Darkness out or the Light in, changing one’s thoughts, creating one’s reality, and various combinations of these.

.

Finally, these newer schools and strategies for healing include those of what might be called experiential psychotherapy, which includes primal therapy, holotropic breathwork, some forms of (experiential) meditation (Vipassana meditation, for example), Reichian and bioenergetic approaches, some forms of hypnotherapy—experiential ones—ones that involve reliving traumas—and virtually all the techniques, treatments, and correctives that are espoused in the field of pre- and perinatal psychology.

The point is that from a good number of these other-than-Freudian perspectives—and all of those that acknowledge the importance of regression in the service of the ego—and from the perspective of the entire field of experiential psychotherapy, the answer to the cycles of violence, war, and death-rebirth is to stop the acting out, not by simply intellectually decrying it—as if one can actually talk oneself out of one’s inner fears and one’s Darkness/Shadow—but by reliving those cycles of violence at their origins…their primal roots. In the case of perinatal forces, those forces from “the dark side,” this is accomplished by reliving the violence of birth, a perinatal trauma that is thoroughly and masterfully delineated by Grof and deMause. [Footnote 10]

Auspicious Collective Regressions

But from this perspective of experiential psychotherapy—one completely congruent with and grateful of deMause’s contributions in psychohistory as well—regression, in Europe, or elsewhere, is not seen as something to decry, disclaim, be horrified of, or be seen as dangerous but is seen as an opportunity. Regression is certainly not seen as a form of defense but as the opposite of that. Regression is part of a process of diminishing one’s defenses against one’s internal reality of pain and trauma.

Thus, examples of blatant collective regression as in Europe—more so to the extent they are relived, released, and integrated—are entirely auspicious for the eventual elimination of war as a collective device of acting out—defending against—the painful feelings coming from one’s personal history which one carries around, all unknowingly, and which pervade, in one way or another, in forms subtle and not so subtle, every moment of one’s consciousness in the present.

From this experiential psychotherapeutic perspective, we have a different feeling about developments like those that Mayr and Boelderl describe as collective regression in Europe and Lawson describes as occurring at rock concerts. [Footnote 11]

From a more enlightened viewpoint these cultural phenomena should have us, if not dancing in the streets, at least hopeful of a gradual decrease in the use of war and violence. Why? It is because the youth who display this “regression” so blatantly were brought up by an “advanced” form of child-rearing than that of previous generations, that they have fewer defenses, fewer layers of obfuscation covering up their unconscious psychodynamics; consequently the regression is seen more clearly in their behavior. [Footnote 12]

Unflinching Belief Related to Total Dissociation

Why is this important? DeMause points out that people do go to war, and that prior to it their perinatal dynamics come to the fore, as evidenced by perinatal-laden words and images in the media and in leaders’ speeches used to describe the situation and its dynamics. Thus, our leaders take us into war, they act out their perinatal dynamics…and we in following them act out ours…in such gruesomely overt ways because these dynamics are so hidden, repressed, and overlaid with defenses that the conscious mind has absolutely no access to, and hence insight into, them as being part of one’s unconscious dynamics.

Consequently the conscious mind is completely able to convince itself that those dynamics are actual, real, and doubtless parts of the situation and therefore require an actual, real, and extreme response. The amount of resolve required to act out war can only be wrought of an unflinching belief in the rightness, the absolute correctness of one’s perspective of the situation and therefore of that extreme course of response. And that can only be brought about by a total dissociation from one’s perinatal traumas, and a complete and utter projection of it on the outside—the enemy, to be specific.

Blatant “Sickness” Related to Being Real

The contrary is also true: When there does not exist that total and complete dissociation of the perinatal trauma—when it is, as in Europe and rock concerts currently, closer to the surface, less defended against, less repressed and, hence, more blatant—it is more accessible to consciousness and less likely to be acted out in the extreme as in war. Instead it is more likely to be acted out in less extreme forms, such as jumping into mosh pits, carrying pacifiers, listening to baby tunes about the, very real, difficulties of being a baby, and so on.

Finally, it is more likely to be actually allowed to emerge in consciousness and be relived, and thereby “healed”…and gone beyond, to be replaced by something more benign and more socially constructive, and thus to be removed forever as a motivation to war or violence. This is the auspicious view of the developments described by Mayr and Boelderl. [Footnote 13]

Janov was the first to point out that a permanent resolution of underlying trauma initially entailed an aggravation of symptoms and symbolic acting out. That is to say, the underlying dynamics become more blatant and apparent in behavior. [Footnote 14]

Janov was also the first to note that the acting-out and overt neurotic was closer to being “real,” and therefore really sane, than his or her highly functioning and “normal,” but repressed, rigidly defended, and unfeeling neighbor. [Footnote 15]

Footnotes

9. Regarding the “experiential,” I should make clear that this approach is, from the perspective of the experiential psychotherapeutic approach I will be describing shortly, actually the superficial symbolic acting out of these underlying and powerful cycles in a way that is only a little less impotent than the Freudians.

10. DeMause, op. cit., 1995.

11. Alvin H. Lawson, “Placental Guitars, Umbilical Mikes, and the Maternal Rock-Beat: Birth Fantasies and Rock Music Videos.” The Journal of Psychohistory 21 (1994): 335-353.

12. Mayr and Boelderl claim quite wrongly and quite strangely—as if to make the facts not conflict with DeMause’s psychogenic theory, or as if to cover up some hole in their analysis—that those caught up in the pacifier craze were raised under the intrusive and socializing parenting modes (op. cit., 1993, p. 145) and yet, in 1992, were between the ages of 15 and 30 (Ibid., p. 143). This is hard to understand because these youth would have been born between the years 1962 and 1977 in advanced Western countries of mostly Western Europe—Italy, Germany, Austria, all of Europe, and even the U.S. (Ibid.).

However, the intrusive and socializing modes are associated, by DeMause, with the eighteenth century and the nineteenth to mid-twentieth centuries, respectively, in the Western world (DeMause, op. cit., 1982, p. 62). On the other hand, the helping mode begins mid-twentieth century in the Western world (Ibid., p. 63).

The conclusion from this is that these youth, described by Mayr and Boelderl, would have been greatly influenced by the helping mode. They would be expected, at least, to have received the most advanced methods of child-caring overall in the world at this time—considering DeMause’s theory—since they are the most recent progeny of the Western world!

Indeed, if these cannot be considered products of the helping mode, who can be? In order for Mayr and Boelderl to dispute this and claim they were exceptions to the rule and were raised under intrusive and socializing modes, they would have had to do a study demonstrating this, or at least cite one done. And this they do not do.

13. Michael D. Adzema, “Reunion With the Positive (Self), Part 1: The Other Half of ‘The Cure.’” Primal Renaissance: The Journal of Primal Psychology 1(2): 72-85. Reprinted on the Primal Spirit site.

14. Arthur Janov, The Primal Scream: Primal Therapy: The Cure for Neurosis. New York: Dell, 1970.

15. Ibid.

Continue with The Most Evolved Parenting … Boomers and Millennials … and The Cyclical Nature of History: Rebirthing Rituals, Part Four – I Know It’s Hard to Believe But We’ve Been Getting Saner

Return to Railing Against the Darkness: The Vanity of Will, The Impotence of Reason, Progress Requires Regress, and Healing Is Nothing if Not Messy

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Everything You Always Wanted to Know About Being Born But Were Afraid to Ask: Birthing Into the Media and the Perinatal Veil

Apocalypse No! Chapter Eight: The Perinatal Media

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds…And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable

Newborns and Monsters and Hells, Oh My!–Of Time Travel, Claustrophobia, Cesarean Births, and Death by Vegetable

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.

Becoming Thingified – Modern Birth Tells the Baby, “Welcome to the World, Now Screw You!”

“Welcome to the World, Now Go to Hell!” – A Baby Becomes Thingified Through Modern Birth

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape

All in All, It’s Just Another Face in the Wall – Enclosing, Threatening Things That One Wishes to Push Out or Escape From

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians

Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons … and Their Obstetricians

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Through the Looking Glass Into Parallel Universes … But “There’s No Place Like Home”

Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Aliens, Abductions, Hell … Birth and Death: Freedom Is Just a Membrane Away

Aliens, Abductions, Hell, and Fear: Freedom Is Just a Membrane Away

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see in the next chapter, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

And this book is primarily about that necessity to face the ultimate and horrible truths if we are to save ourselves. Not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, Earth rebirth or apocalypse—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life –
Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Enjoy your own virtual emergence by following the pics below:

Now add a blissful period and go back around again; that’s the way it works in life.

Continue with Apocalypse No! Chapter Nine: Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

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Through the Looking Glass Into Parallel Universes…But “There’s No Place Like Home”: Perinatal Media, Part 6

Perinatal Media, Part Six: Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Continue with Apocalypse – No! Chapter Eight: Perinatal Media

Return to Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians: Perinatal Media, Part 5

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