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Play Cards with Your Dragons: The New Hero’s Cycle Involves Surrender Not Struggle, Sacrifice Not Slaying, Compassion Not “Toughness,” and Silliness Not Stoicism
Posted by sillymickel
Loving Warriors and Silly Heroes: The Necessary Hero Dances Above Dissonance, Lightens Up in the Face of Stress, and Sees Divinity Not Demons Behind It All
Apocalypse – No! Chapter Thirteen: Peaceful Warriors and Silly Heroes
You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You
We Need Compassionate Warriors, Not Fighters: It’s Not Enough Just to Slay Dragons, We Need to Jump Into Volcanoes
Volcano-Jumping: A Different Heroic Response
This different kind of heroic response—which characterizes the perinatal arena and is sorely needed at this time in history—is exemplified in another contemporary movie of cult status. We will deal with it in some detail to bring out the elements of the kind of hero that is now required to stop the cycles of destruction that have currently driven us to the abyss…to the very edge of a “volcano.”
In “Joe Versus the Volcano,” the main character, played by Tom Hanks, is given a heroic task. But unlike a typical hero’s cycle task which stereotypically involves the slaying of a fire-spewing dragon, Joe is asked to give up his life by jumping into a fire-erupting volcano.
The connection between volcano and dragon is that at the second-line or psychodynamic level the fire-spewing aspects of the perinatal, which might be compared to a volcano, can be seen as “embodied” or reduced in the form of a dragon. In the same way, the volcanic energy of perinatal feelings is initially embodied in easier-to-face and “dragonized” psychodynamic, second-line, or childhood traumas and feelings.
You Just Can’t Slay a Volcano
But what may seem to work at the second-line or psychodynamic level—the conquering or slaying of negative feelings…and notice that I said “seem”—has no place at all at the perinatal. For here the pain energy is overwhelming and pervasive. Thus the difference is analogous to that between facing the energy of a dragon and facing that of a volcano.
The Heroes We Need – The New Hero’s Cycle
First Anima, Then Community
Keep in mind that this movie shows Joe, earlier on, going through all the major stages of the hero’s cycle—the retreat from mundane reality, the sailing off into a new and exotic realm of existence and adventure.
It even depicts a typical “dragon slaying”—the hero’s conquering of inner fears and risking of one’s life for another that results in the uniting with anima energy–the saving of the damsel. So earlier on there is a dealing with psychodynamic energy, just as in “Nothing but Trouble” Chevy Chase deals with psychodynamic material and enacts a dragon slaying by risking his life to rescue Demi Moore from a giant chopping machine.
But, also similarly, this results in the opening up of another level, requiring a completely different—indeed, opposite—response. Thus, in “Joe Vs. the Volcano,” Joe is asked to give up his life to save an entire community, not merely to risk his life to rescue his anima, his feeling self.
Risking It All
The ensuing plot has interesting elements as it shows Joe having to decide whether to sacrifice his newly won relationship with his anima ally for the benefit of an entire—but anonymous—community. This demonstrates that at a progressed level of the spiritual process—that having to do with one’s inter-connection with the larger community of living things, not just one’s personal unconscious—one must risk even one’s newly regained creativity, inner child playfulness, and personal feelings, i.e., one’s anima.
But in telling fashion, in order to make the higher “community” sacrifice the anima elements that have been let go of, symbolized by Meg Ryan as the anima damsel, end up going with Joe to his chosen fate and are borne up, renewed, along with him.
Borne Up by a Beneficent Universe
On Joe’s part, the climax shows the same quality of a beneficent Universe aiding a true and dharmic heart. Joe (with his anima) face what they think is death. Instead they find themselves “borne up” by the volcano, not consumed; and they are deposited (reborn) in a typical perinatal watery surround—the ocean, symbolizing therefore a spiritual birth. This is a perfect depiction of how surrender, not “heroic” resistance, is done and why it needs to be done currently, as I have been pointing out.
“Away From the Things of Man”
In the end, the main characters are floating in the middle of a wide open sea—signifying the immensity of potentiality that is now open, and facing a gigantic moon on the horizon—symbolizing the beneficent nature of the Universe to which they are opening, that is, it is beautiful and lit with
possibilities.
They are seen sitting on only their luggage—symbolizing the “stripped down” nature of the self, that is, stripped of ego trappings of status, vainglory, defenses, and so on. Their final comment at the very end of the film is that they do not know where they’ll end up but only that it will be “away from the things of man”—indicating their desire to never go back to the drama of ego and its puerile catacomb pathways of darkened experience.
The Universe Is You
We see then that in this movie, like “Nothing but Trouble,” the heroic response required is surrender, not resistance or control, and that the response from the Universe is cooperative and helpful, and hardly antagonistic as was feared, especially at earlier levels.
This is in keeping with the discovery at the perinatal, which borders it on the transpersonal, that in fact the Universe, not only is not antagonistic, not only is beneficent and helpful, but in fact is no different from oneself, indeed is oneself…and one begins to wonder why one would ever expect not to be borne up by a Universe that is now seen as inextricably united with one’s Self.
Note
While the interpretation of Joe Versus the Volcano presented in the video below – Joe vs. the Volcano: Losing my Soul, Part One – is annoyingly suffused with theological terminology – hell, devil – and suffers from the paranoia that happens lacking a perinatal or even a Jungian understanding, it does succeed on a more superficial level of basic insight. It does get the highly metaphorical and philosophical import of the film and picks up on major themes of the movie. It strikes me as having the problem of just understanding religion while knowing nothing about psychology. And it suffers, as I’ve put it elsewhere, from the problem of projecting one’s perinatal underbelly onto the Universe or of funneling revelation through the filter of personal pain.
Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere
What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered
Responses to the Perinatal
Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.
Jiving With Your Monsters
The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.
Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.
Beware the Tar Baby
On the other hand, the arrogant banker contends with evil, and, like Brer Rabbit with tar baby, gets stuck.
Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.
Lighten Up!
But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach.
Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.
Silly Heroes
Standing within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.
.
.
If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.
Darkening Down
Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile
air—indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.
The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.
But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.
Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.
However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.
Evolution In Attitudes to the Perinatal?
However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.
Dancing Above the Dissonance
Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.
Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.
The Universality of Divinity Remembered
The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.
Continue with Apocalypse – No! Chapter Fourteen: To Move the World – A Race Against Time
Return to Apocalypse – No! Chapter Twelve: Atman Projects Versus Surrender Solutions
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Cycles of War, Cycles of Birth … What Can Be Done: Changing the Patterns of Millennia Requires Learning That Feeling Good Is Not Bad
Posted by sillymickel
Derailing the Cycles of War and Violence: What Say We Leave a Planet For Our Offspring? And Can You Handle Happiness?
Apocalypse No! Chapter Eight:
Derailing the Cycles of War and Violence
Men Would Rather Be Manly Than Alive and What Say We Leave a Planet for Our Offspring?
Why We Invite War, Allow Fascism, and Pollute: Our Coming Into the World Makes Us Want to Leave It
The question posed at the end of the last chapter was whether we had opened the door to an unimaginable armageddon or were experiencing the birth pangs of a massive consciousness transformation and subsequent Earth rebirth. Are we going to self-destruct, bringing death to the entire planet along with us, or will we become good citizens of this planet and our species continue on?
What Say We Leave a Planet For Our Offspring?
Most folks would think there would be only one answer to that question desired by virtually all humans. But in previous chapters, especially Apocalypse Emergency, Chapter Five: Death Wish – Thanatos Walking, I showed how, and why, that common-sense notion would, amazingly, be wrong: We saw how there is a huge percentage of our human Earth citizens, and a part of all of us, that wants to “throw in the towel.” This has always been true of humans, but it is of critical importance only now.
But I will assume anyone reading this will at least consciously be wanting our vital question to be answered in the affirmative. You know as well as I that the folks on the other side of this question are doing vastly different things right now than us and are nowhere to be found around here.
How Do We “Like” Life?
So the next thing to be addressed is how we might change our fortunes and live. Since continuing on is not just of matter of deciding it—voting “like” on it or checking its box—as we saw in Chapter Five: Death Wish, how can we get around this part of ourselves and our population that wants to do us all in? We need to know how to derail our perpetual cycles of war and violence. We need know how to quit bringing pollution and suffering on us. We have to know how we can stop our secret desire to take comfort in failure, how to “unlike” self-sabotage on our inner “profile.”
How Do We “Unlike” Fascism?
I have written a great deal on this question, including an entire book in 2011 on the way we act out this masochistic tendency politically and culturally by taking comfort in totalitarianism and embracing fascism. [Footnote 1]
For our purposes presently I will focus on the element of it all that is critical to answering our question. So we first need to look into the place from which emanates our dilemma. I showed that this bugaboo is our Will to Death.
Our Coming Into This World Makes Us Want to Leave It
Now we need to get more specific on this negative inclination of ours. As we have seen this Will to Death arises from human’s unique-among-all-species primal pain rooted in our singular way of coming into the world, our unique human birth.
We Need Look Deeper
We need to look deeper into the elements of that part of ourselves that would have us take us all down. We need inquire into that tendency of ours to choose pollution over health, tyranny over freedom, war over peace, enslavement over autonomy, violence over pacifism, oppression over liberty, misery over happiness. We must derail the cycles of war, violence, and fascism. We must know how to “like” happiness.
We Need Know Where Exactly to Focus Our Efforts to Be Successful
To do so, we must separate the skeins of this inner entanglement and shed light into this darkness within. We need to know specifically, precisely where to place the lever of effort we will apply to truly move the world, to derail it from its current acceleration into oblivion.
So we look now into the elements of that perinatal unconscious manifesting currently as a will to die on the grandest scale imaginable.
Cycles of War, Cycles of Birth
We find there are two researchers who are particularly relevant to our understanding of the elements of the perinatal unconscious in a way as to avert collective, worldwide disaster. These are Stanislav Grof and Lloyd DeMause. [Footnote 2]
Men Would Rather Be “Manly” Than…Alive…
DeMause writes,
[T]he group-fantasy shared prior to wars expresses the nation’s deep feeling that the increase in pleasure brought about by the prosperity and progress that usually precede wars “pollutes” the national blood-stream with sinful excess, making men “soft” and feminine”—a frightful condition that can only be cleansed by a blood-shedding purification. [Footnote 2]
Men are more terrified of appearing “feminine” than of losing their lives. Why we invite war.
DeMause is saying we go forever into war because after a while peace makes men feel guilty, “sinful.” Men have uncomfortable, even shameful…homophobic…feelings of being “soft” or “feminine” when their lives are good. So men choose the “purifying,” masculinizing ritual of war to fight off these feelings. Nothing distracts one from looking inward better than a “good, old-fashioned” life-or-death struggle, and war is the most all-encompassing of them.
Men are more terrified of appearing “soft” than having the boot of totalitarianism on their neck. Why we allow fascism.
What DeMause says about bringing war upon us can be said also about allowing fascism, inviting totalitarianism. For whether we are fighting enemies of another nation or struggling to survive against oppression at home, we are involved in a daily struggle. Secret to us, we feel better being engaged in a dramatic battle, though it brings us suffering and misery.
We simply can’t hack peace for very long. We feel guilty, for some reason, lolling on the beach. You ever notice how at the end of your vacation time, you are anxious for it to be over and to get back to work? That feeling—that one where we feel…guilty?…uncomfortable…tense?…unfulfilled?…(you tell me)—that’s it. That’s the one I’m talking about.
It happens the same way collectively after we have experienced a “vacation” of national peace—for example, in the Nineties when we were prosperous and mostly peaceful under Clinton. At the end of it, with Bush, we ended up getting the misery and struggle many in America were driven to want, though no one would ever admit that.
A quick aside. The fact that the majority of Americans actually didn’t vote for Bush and so tried to choose happiness over struggle is a source of hope for us in all this. That’s a hint of what’s coming.
Cycles of Birth, Cycles of War … The Four “Colors” of the Perinatal Veils and Why Women Fear Fatness and Men Fear Femininity
Four Kinds of Early Experience Color Our Adult Experience in Four Distinct Ways … Cycles of Birth and War
Four Kinds of Experiences in Our First Nine Months Imprint Us for Four Feeling “Flavors” as Adults
But for now, let us get back to this opening provided us. We can make better use of deMause’s insight on the birth feelings that take us into war using Stanislav Grof’s delineation of this birth unconscious of ours. Let us review as described earlier and further stipulate on them: Grof explains we are moved as adults by four specific kinds of drives emanating from our earliest experiences. These specific tendencies in us relate to four different times in the birth process which involve four radically different kinds of experiences.
Grof uses the term, basic perinatal matrices (BPMs), to refer to these four aspects of our inner urges. I will describe them here and refer to them along with DeMause’s cycles of social-historical violence and war to pull apart the roots of our current apocalyptic dilemma. [Footnote 3]
Our Tendency to Always Screw Up a Good Thing, BPM I
The first of Grof’s aspects of our unconscious he terms Basic Perinatal Matrix I, BPM I for short.
Prosperity and Progress Equal Feeling “Soft” and “Feminine”
Grof’s BPM I is sometimes described as “oceanic bliss” and involves the experiences and feelings related to the relatively undisturbed prenatal period. On the social, macrocosmic level, it is the period described in the quote by deMause above in which there is a period of “prosperity and progress” and feelings of being “soft” and “feminine.”
The strong connection between individual experience (personal psychology) and collective realities (social-historical events and elements) is patent here since in BPM I experience the individual is still in the mother’s womb and to some extent shares her identity, which is of course feminine. Being unborn and not having gone through the “toughening” experiences of birth and later trauma, which predominantly create one’s defenses, the individual is also “soft,” in other words, undefended.
“No Pain, No Gain,” Hell, Satan, and Poisonous Placenta; BPM II
“No-Exit” Claustrophobia
To further review Grof’s schema and its relation to deMause’s cycles of war, I want to remind you that BPM II is related on the individual level to the time near the end of pregnancy when the fetus is no longer rocking blissfully on the waves of oceanic bliss but is trapped in an ever more confining womb. As the fetus grows in size, the suffering becomes greater; no doubt this is the source of the common-sense belief that growing has to involve suffering, for example, “No pain, no gain.” At any rate, the feelings are those of claustrophobia and “no exit.”
There is heavy non-agitated depression here, since there appears to be no hope, no change in the situation that would indicate a way out of the suffering. Indeed, this period continues practically right up to the time of birth, ending only when the cervix becomes dilated and, experientially speaking, there appears suddenly to be a “light at the end of the tunnel” and therefore hope.
Where the Hell We Get the Idea of Hell
However, up until that time there are feelings of being totally unempowered, completely in the hands of an entity—the womb—that imposes a horrifying reality that appears to be unending and eternal. Herein we have the psychological roots of notions of hell and Satan. Feelings associated with this state include despair, victimization, blame, and guilt.
“You’ll Wallow in Your Shit, and You’ll Think You’re Happy.” – Kurt Cobain, from the Song, “Sad”
As birth comes nearer, “fetal malnutrition” increases, since the neonate’s increasing size and weight press down on and constrict the blood vessels that carry blood to and from the placenta, when the mother is standing. The decreased blood supply means a reduction of life-giving oxygen as well as the buildup of toxins that would otherwise be taken away by a normal blood flow. So feelings of suffocation as well as skin irritation and other feelings of wallowing in waste matter—deemed poisonous placenta by deMause—increase. [Footnote 4]
“You’re Really in a Laundry Room.” – Kurt Cobain, from the Song, “Sad”
As I have said previously, deMause has found that these feelings exist to an extraordinary degree in a society and its leaders prior to its engaging in a war. Similarly, they precede, and obviously can be held to be accountable for, individual acts of violence—including everything from murder and rape to unfortunately all-too-common and ordinary spousal and child abuse in the household, and of course everything in between.
Bloody War, Bloody Birth — BPM III
BPM III is birth. Its social analogue is war or violent assault. Feelings that accompany this state on both the individual and societal level include rage and intense aggressiveness, all-encompassing struggle, and sexual excess.
Nothing’s Ever Good Enough, BPM IV
BPM IV relates to the time of actually coming out of the womb and the post-natal period. On the societal level it is the ending of a war.
“Busting Out All Over”
Feelings of expansiveness, release, exultation, coming finally out into the light and/or being “on top” of things, and victory are feelings associated with this matrix, whether in the individual birth or the collective war cycle.
As I said the societal analogue to BPM IV, or actually being born, is a war’s end. It is no coincidence that in triumph or peace, the two-finger peace symbol is used. What better way to signal we have come from constriction into openness, specifically through the vise of a mother’s cervix, out from between two legs. As John Lennon so aptly put it, using the peace sign frequently, “War is over (if we want it).”
Mission Accomplished … Not!
Interestingly, just as in recent times harsh modern obstetrical practices and the removal of the baby from the mother can leave lifetime feelings of success not bringing with it the expected rewards and thus a post-accomplishment sort of depression, so also the ending of successful wars sometimes also leaves a society with a sort of letdown. For example, the euphoria following George H. W. Bush’s Gulf War—which catapulted his approval ratings into the ninety percent range in 1991—was followed, only a year later, by the increasing agony of a recession and Bush’s defeat at the polls.
Cycles of Birth, Cycles of War
All of this is to say that in society, as in the womb, a period of uninterrupted and relatively undisturbed feelings of growth leads to feelings of depression—being too “soft” and “feminine,” but also “too fat” in the womb and, therefore, extremely constricted and compressed.
Why Women Fear Becoming Fat and Men Fear Appearing “Feminine”
Another way of saying this: feelings of expansion are followed by a fear of entrapment. And I agree wholeheartedly with deMause in saying that it happens this way in a nation’s cycle of feelings because it happened that way to us prior to and during our births. We have these patterns of feelings as collective groups of individuals because our first experience of expansion was followed by extreme depression, guilt, despair, and then struggle and something bloodily akin to war—our actual births.
What to Do to Stop War and Violence: Changing the Patterns of Millennia Requires Learning That Feeling Good Is Not Bad
To Derail War and Violence, Replace Self-Sabotaging With Self-Actualizing … We Can No Longer Afford Our Delusional Ways
What Can Be Done?
So knowing this, how can we use it? In previous chapters, I explained how and why we see the dynamics of this perinatal unconscious, not coincidentally right now, on the ascendance, just at the time when it is crucial we deal with it to survive. I called this an emerging perinatal unconscious, and I went into detail about why it is happening now, what it means, and how we should take advantage of the opportunity it brings that could aid us in our current dilemma.
For now, I need only remind that is imperative we face these unconscious forces instead of turning away from and thereby insuring our continued ignorance of them and helpless acting out of them.
So, how do we consciously participate in these drives, not merely be driven by them?
Lloyd DeMause, in his article, “Restaging of Early Traumas in War and Social Violence,” printed in the spring 1996 issue of The Journal of Psychohistory, called for kinder and gentler birthing and child-caring practices to mitigate the ferocity of these forces within humans and help us avoid an otherwise inevitable planetary disaster. He was restating what other pre- and perinatal psychologists…I am
one, by the way…including Thomas Verny and Stanislav Grof assert. [Footnote 5]
However, I believe we need to go further than that. I, along with Grof, call for a larger awareness of and efforts in the direction of healing these perinatal elements in the consciousness and unconscious of those already alive right now. For unless we act to heal the people currently inhabiting this planet, we might not leave a planet that babies can be born into!…let alone people to conceive and give birth to them. Healing the perinatal traumas can be accomplished through, at this point, thoroughly tested and effective techniques of experiential regression and emotional release.
But it is impossible for everyone to take advantage of these techniques, especially in the short time we have to make the changes. But something short of that ideal may be sufficient to stave off otherwise inevitable doom.
Let me explain what I mean by that.
Finding the Weakest Spot
Of course only time will tell what will be the result of this emerging perinatal unconscious for our species.
Real, not blindly delusional, action is required.
But to get an idea of what we might hope for, given a readiness to actually do something about this, I offer a perspective. This understanding requires we remember some critical aspects of the cartography of the psyche described above. Looking into them we might begin to see where are the openings allowing for realistic action to be taken to bring about true, not just blindly delusional, change for our species.
We can no longer afford otherwise.
For our purposes here, the most important part of the cycle is BPM I. Societies, according to deMause, go through these cycles of war and peace and have been doing so for as long as we know. But we can no longer afford these wars, as World War I and World War II have shown—with each one being an increase in our ability to destroy and to commit atrocities. We cannot afford to have a World War III as that most likely would end life on our planet.
Indeed, as I’ve been pointing out, we cannot even afford the less extreme forms of acting out of perinatal trauma that we have been doing in our poisoning of the earth and air, global overpopulation, and the ongoing regional wars to give just a few of many examples I could have used. These things, along with many other current quite insane tendencies of ours, have the capacity to end our species and possibly all life on this planet.
Feeling Good Is Not Bad
So the cycle of societal perinatal acting out must be stopped. And the most obvious place to derail the insidious cycle is at the point of societal prosperity and progress. Feeling soft, undefended, and feminine are, rationally speaking, not things to be alarmed about.
Quite to the contrary, it is rational that prosperity should make people feel good. It is rational that feeling soft should be a source of contentment, sensitivity, and intimacy with others. It makes sense that men should have no shame about feeling feminine because that only means that they have access to sensitive and nurturing feelings that are a source of joy, “color,” and fulfillment in life.
Changing the Patterns of Millennia
But how do we do this? How do we convince people that feeling good is not bad? For these unconscious forces, these cycles of violence, have been pulling our strings for at least tens of thousands of years. How can we change such an engrained pattern?
Chasing the Mirages of the Future
Well, again, we get our leads from the experiences of individuals undergoing experiential psychotherapy.
“It’s never enough.”
For individuals also, if they are to heal themselves, have to learn how to appreciate success and to stop sabotaging themselves in the myriad of ways they do. Individuals act out their mini-cycles of “war” in their struggles to achieve. And people are driven to struggle to achieve because they cannot be pleased with what they have.
Relating back to deMause’s societal schema, people cannot simply enjoy their “prosperity.” People cannot stop to smell the roses occasionally. We cannot count our blessings and feel contented with what we have. Nor can we enjoy the natural pleasure of being alive in the moment.
“Wrong…It IS enough.”
No, instead what characterizes we humans—for the most part because of our having birth trauma—is a persistent drive to always have more than we do. We find that every accomplishment or success is short lived, with inexplicable depression following it. For each new attainment does not bring the expected (unconscious) rewards and leads us almost immediately to a new struggle, a new accomplishment to be sought.
Humans are driven to chasing mirages of better times somewhere off in the future, and we fail to live in the present. We feel unsatisfied with what we have and are continually deluded that some new possession, accomplishment, or love “conquest” will bring with it the missing happiness.
Becoming Self-Actualizing Instead of Self-Sabotaging
When people are aware of the way they unconsciously sabotage their happiness, they sometimes seek help. And if they seek help in the experiential psychotherapies, they are enabled to work through their birth trauma so that they are no longer driven out of the moment, with its pleasure and pain, into an imagined but never attainable pleasureful and happy future.
Learning that it is enough
So people derail their cycles of drivenness and their tendencies to sabotage their successes by learning to enjoy their “prosperity,” even if it is the simple pleasure of being alive. And when they act to add to that pleasantness, they do so, not out of drivenness, but out of feelings of flow and the simple joys of acting and actualizing one’s tendencies, talents, and desires. They become self-actualizing instead of self-sabotaging.
Can You Handle Happiness? What to Do – We Get By With a Little Help, from Our Nature … Stand in the Place Where You Are
A Hierarchy of Healing … Becoming Human Beings (Not Doings): Removing the Hood from Homophobes, A Hard Rain, and Stand
OK, knowing this, one might ask if I am suggesting that to save our species everyone needs to get into experiential therapy. While that would be nice, it is not practical.
But I believe it is not necessary either. There is an element of that societal period of prosperity that can be used and focused on in order to make the societal change of pattern, the societal derailing of the tendency to self-sabotage through war-making.
Getting By, With a Little Help From Our Nature
And that element is this: During times of prosperity, when one is less engaged in a struggle to survive, we find that one’s body will naturally try to heal itself of unresolved and somatically imprinted trauma by bringing into consciousness the repressed traumatic memories needing resolution.
Hierarchy of Healing
This occurs in a manner similar to that of Maslow’s hierarchy of needs. Basically, one’s needs to “grow emotionally”…i.e., clear away the unresolved trauma…can only come to the fore when one’s physical survival needs are relatively taken care of. And arise they unerringly do, given any opportunity to do so.
“Don’t just do something, STAND there!”
However, when these traumatic memories come up seeking resolution, they, also unerringly, bring with them the associated feelings of depression, unease, and pain. But because these feelings are anything but pleasant, to their detriment most people seek to avoid these feelings through addictions and other forms of “acting-out” behavior. So addictions and acting-out behavior emerge after periods of relative stability precisely because that stability allows unresolved feelings an opening for emergence and a possibility of resolution and healing.
Allowing Our Society to Be Honestly, Blatantly “Sick”
So there you have it; that is the crux. The period of societal prosperity can be maintained and added to if that society refuses to run away from the negative feelings that come up with success. As I have said, one needs to get “sicker” in order to get really well.
“Stand in the Place Where You Are … Just Stand.”
Societally, we need to allow the social, formerly repressed, “sicknesses,” negativities, and the pain that comes with them to arise and be socially worked out, to be hashed out, rather than to escape them by resorting to scapegoating enemies and waging war against them. [Footnote 6]
Are We Doing This?
But can societies do this? Are they doing this?
Apparently Not
It does not seem so at the moment. For we have extreme acting out going on from Tea Party type elements. The homophobia that characterizes them is an indicator of the degree to which they are fearful of that feeling of being “soft” and “feminine,” I mentioned.
But Then Again…
However there is a pattern in change that things can not really change until the negative slide has “hit bottom.” These negative forces cannot be gone beyond until they have wasted themselves in desperate acts. At this time also, positive forces are strengthening in the wings, burnishing their skills, tempering their character and nobility, fully capable when the time comes to take over. There are so many examples of this in social and individual histories, but not to get bogged down, I will mention one powerful one—Nelson Mandela. You can take it from there.
The more common thing to mention about change is that prior to a major paradigm shift, the forces on the decline always wage a fierce, desperate battle…a bloody retreat, a burning of the fields, near suicidal and totally reckless forays.
We see people do this, too, just before they are about to change. We see people who self-destruct being the ones whose last desperate battle before awareness can dawn being something that takes their life and perhaps others with them.
We currently can point to Gaddafi, Assad, and other tyrants. We can observe reckless tea-baggers willing, as in the debt ceiling clash, to bring down the country for ideals that, however rationalized and spun, are at their roots as simple and crude as jealousy—of those smarter and more capable; hatred—of minorities, the poor, the “dirty,” the “slobs,” the “lazy”…basically all the scapegoats society allows them to vent the rage of their inner fears and hurt on; and homophobia—that fear of being “soft,” feminine, unmasculine, and being willing to kill or be killed rather than to let oneself be seen that way.
Homophobes Don’t Fear Homosexuals … They Fear What’s Inside Themselves
Before continuing, one big misconception around that last point needs clearing up: homophobia is at base not fear/hatred of homosexuals, it is terror/hatred of the “feminine” and “softness” inside of the man himself who is homophobic. And this is the result of tens of thousands of years of “civilization,” still continuing, in which men are threatened with disapproval, ostracism, ridicule, attack, or worse for not repressing their softer sides down to the level of the norm of their group.
Boys Learn They Must Be Less Alive to Survive
Boys learn they must constrict their potentials and diminish themselves to that which coincides with—and does not threaten—the older males in their group or face severe punishment. Boys learn the consequences for not becoming less than they could be are severe, often from their own fathers.
Girls Learn They Must Feel Less Pleasure to Be Liked
And by the way, something similar goes on with young girls and the reduction of their potentials. We see a blatant example of this in the practice of cliterectomy—also called female genital mutilation—in some cultures. In this practice the older women—mother and aunts usually—are responsible for this brutal and extremely painful and bloody attack. It tells little girls they will have no pleasure more than that which was allowed the older women, themselves, in that patriarchal world. So girls must diminish themselves in order to not be hated and ostracized by the women of the group, who, already having been diminished, would be jealous of someone being allowed to have what they have not. This is an exact mirror image of the process that goes on in the diminution of the personalities—the potentials—of young boys.
A Hard Rain’s Gonna Fall
Now to continue: So seeing so much of this pathos, hate, and bitter fear and anger is hopeful for us to be near the end of the cycle. Certainly it could get worse. But I personally don’t see how we could go much further on this path to oblivion without going past the point of no return. Perhaps we are not meant to succeed. Perhaps we are doomed. But I know in my own life, and that is the only true basis anyone can have for knowing how things really work, that, without fail, every seeming “loss of ground” was a prelude to an even bigger “advance.”
As Jung said, we need to take two steps backward to make a big leap forward. That is the way individuals are. And societies and populations are just collections of individuals. As the Tao symbol depicts, the seed of light is in the depths of darkness. So we can hold on to that, for one thing.
So Let Us See. A Scenery of Healing?
With these considerations in mind, the next chapter will evaluate our current social-cultural scenery for our prospects. In Rebirthing Rituals – The Sometimes Messy Scenery of Healing—we will look for any indications that this standing firm in the face of the rising up of the repressed social Shadow—allowing the pain of it and facing it foursquare, hashing it out—is to be found in the current social arena.
If we can find this being done, we may allow ourselves at least the hope for a change in consciousness radical enough to save us from extinction. On the contrary, if we find little or no evidence for this kind of auspicious, fruitful healing activity, we might as well consider ourselves doomed.
Continue with Apocalypse No! Chapter Nine: Regressions in the Service of Society — Messy Healing
Return to Apocalypse No, Chapter Seven: Through Gaia’s Eyes – Nature Balances HerSelf
Footnotes
1. The book mentioned was posted online in two places in August, 2011: Culture War and Culture War, Class War.
2. Lloyd deMause, “Restaging of Early Traumas in War and Social Violence.” The Journal of Psychohistory 23 (1995): 2. Reprinted with permission on the Primal Spirit site.
Stanislav Grof, Realms of the Human Unconscious: Observations from LSD Research. New York: Viking Press, 1975; LSD Psychotherapy. Pomona, CA: Hunter House, 1980; Beyond the Brain: Birth, Death, and Transcendence in Psychotherapy. Albany, NY: State University of New York Press, 1985; The Adventure of Self-Discovery: Dimensions of Consciousness and New Perspectives in Psychotherapy and Inner Exploration. Albany, NY: State University of New York Press, 1988; The Holotropic Mind: The Three Levels of Human Consciousness and How They Shape Our Lives. San Francisco: HarperSanFrancisco, 1993.
3. I explain this in more detail in Chapter Seven: We Ain’t Born Typical under the heading “Elements of Birth Experience.”
4. “You’ll wallow in the shit and you’ll think you’re happy” and “You’re really in a laundry room” from, and with appreciation to, Kurt Cobain. These are lyrics in his song, “Sad.” The video and lyrics are reproduced again here for your convenience:
Nirvana – “Sad” (also “Sappy” and “Verse Chorus Verse”) – Lyrics
And if you save yourself You will make him happy He’ll keep you in a jar And you’ll think you’re happy He’ll give you breathing holes Then you’ll think you’re happy He’ll cover you with grass And you’ll think you’re happy Now You’re really in a laundry room, You’re really in a laundry room Conclusion came to you, oh And if you cut yourself You will think you’re happy He’ll keep you in a jar Then you’ll make him happy He’ll give you breathing holes Then you’ll think you’re happy He’ll cover you with grass Then you’ll think you’re happy Now You’re really in a laundry room, You’re really in a laundry room Conclusion came to you, oh (x2) And if you fool yourself You will make him happy He’ll keep you in a jar And you’ll think you’re happy He’ll give you breathing holes Then you will seem happy You’ll wallow in your shit Then you’ll think you’re happy Now You’re really in a laundry room (x3) Conclusion came to you, oh Alternate lyrics: And if you kill yourself You will make him happy
5. Lloyd deMause, “Restaging of Early Traumas in War and Social Violence.” The Journal of Psychohistory 23 (1995): 2. Reprinted with permission on the Primal Spirit site.
Stanislav Grof, Realms of the Human Unconscious: Observations from LSD Research. New York: Viking Press, 1975; LSD Psychotherapy. Pomona, CA: Hunter House, 1980; Beyond the Brain: Birth, Death, and Transcendence in Psychotherapy. Albany, NY: State University of New York Press, 1985; The Adventure of Self-Discovery: Dimensions of Consciousness and New Perspectives in Psychotherapy and Inner Exploration. Albany, NY: State University of New York Press, 1988; The Holotropic Mind: The Three Levels of Human Consciousness and How They Shape Our Lives. San Francisco: HarperSanFrancisco, 1993.
6. “Stand in the place where you are…just stand” from and with appreciation to R.E.M. While it seems no one understood the group’s huge initial release, “Stand,” it is quite meaningful in the current context. A video and lyrics are included here for your consideration:
R.E.M. – “Stand” … lyrics
Stand in the place where you live
Now face North
Think about direction
Wonder why you haven’t before
Now stand in the place where you work
Now face West
Think about the place where you live
Wonder why you haven’t before
If you are confused check with the sun
Carry a compass to help you along
Your feet are going to be on the ground
Your head is there to move you around
[repeat 1st verse]
Your feet are going to be on the ground
Your head is there to move you around
If wishes were trees the trees would be falling
Listen to reason
Season is calling
[repeat 1st verse]
If wishes were trees the trees would be falling
Listen to reason
Reason is calling
Your feet are going to be on the ground
Your head is there to move you around
So Stand (stand)
Now face North
Think about direction, wonder why you haven’t before
Now stand (stand)
Now face West
Think about the place where you live
Wonder why you haven’t
[repeat 1st verse]
Stand in the place where you are (Now face North)
Stand in the place where you are (Now face West)
Your feet are going to be on the ground (Stand in the place where you are)
Your head is there to move you around, so stand.
Derailing the Cycles of War and Violence – Audiocasts
“Part 1; What Say We Leave a Planet for Our Offspring?” – the audio by SillyMickel Adzema
For the author’s reading, with elaboration, of this part, click on the link to the audio site above or click the audio player here:
http://ecdn0.hark.com/swfs/player_fb.swf?pid=pffbztrfkv
“Part 2; Can You Handle Happiness (And the Pain That Comes With It)?” – the audio by SillyMickel Adzema
For the author’s reading, with elaboration, of this part, click on the link to the audio site above or click the audio player here:
http://ecdn0.hark.com/swfs/player_fb.swf?pid=syglfhsvld
Continue with Apocalypse No! Chapter Nine: Regressions in the Service of Society — Messy Healing
Return to Apocalypse No, Chapter Seven: Through Gaia’s Eyes – Nature Balances HerSelf
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Perinatal Arising in Sixties and Generations Since: Tune Inward, Turn Back, Drop Down – Psychedelics, Depression, and Those Nasty Birth Feelings
Posted by sillymickel
Perinatal Printouts Of Sixties, X, and Millennial Generations: No-Exit Wombs, Vampire Apocalypse, Drug Use, and Being Gratefully Dead
Wounded Deer and Centaurs, Chapter Twelve: Perinatal Printouts in Generations … Prospects of Collective Regression
Raging to Reenter, Vampire Apocalypse, Drug Use, and Being Gratefully Dead – Perinatal Printouts Of Sixties, X, and Millennial Generations
Perinatal Arising in Sixties and Generations Since as Seen in Drug Use, Fantasy of Fusion, Vampire Apocalypse, and Being Gratefully Dead
Perinatal Arising in Sixties and Generations Since
Other evidence for closeness to the perinatal unconscious comes from Kenneth Keniston, who studied the youth of the Sixties. In Keniston’s widely read book of the time titled The Uncommitted: Alienated Youth in American Society, he described an increasingly prevalent, unusually influential, and relatively newly emerging personality type, which he discovered in his sociopsychological study of youthful college students.
Raging to Reenter, Digging Under Ground, Fantasy of Fusion
Among other traits, he found these youth to be characterized by fantasies of a “rage to reenter” the womb; and a “fantasy of fusion” with the mother, which took
perinatal forms of all kinds including stories of wishing to dig one’s way back into the earth; a fascination with and wish to return to the past, the long forgotten, and the under ground; and a desire to find oblivion in some enveloping medium…even at the price of self-destruction!
Existential Angst, Death and Dying, Peter Pan
Some of the other noticeably perinatal elements of Sixties youth were existential angst, being enamored of death and dying, and a refusal of “normal” adulthood. (See BPM I, BPM II, and BPM II.) And think about it. Are these descriptions also not a lot like what we have heard of the generation that followed Sixties youth…the so-called Generation X?
Vampire Apocalypse…It’s All So Black and White
For Generation X, black clothes, white painted faces, and black lipstick were the fashion statement of the Eighties and Nineties.
And what was this statement of that sector of Gen X youth—a statement that began in the Seventies among what was then called the “punk” movement, which includes now the fad of vampirism—except the same fascination with death as Sixties “alienated” youth…again. This mental set is an obvious reflection of the death/rebirth aspects of the perinatal I’ve been discussing. The “perinatal veil” through which they saw things was becoming more blatant.
Being Gratefully Dead
But this trend began with the Boomer Generation. Need I remind of this same theme of being dead and then reborn coming from the Sixties as in being “gratefully dead”? It seems that this trend toward easier access to and higher awareness of perinatal influences has been going on for a while now.
A Perinatal Printout Is Indicated by Drug Use
There are other perinatal similarities between the youth of the Sixties and the generations to follow—this time specifically with the Millennial Generation, the one that followed Gen X and who are predominantly the sons and daughters of Boomer parents. Millennials were born after the mid-Seventies; they are a different cohort from those born 1960 till roughly 1974—Gen X; and those born 1945 to 1959—the Boomers.
Drug Usage Rising Since the Nineties Shows Perinatal Attraction
Illegal drug use among youth, beginning in the Nineties, began going up again. This coincides with the coming into young adulthood of the Millennial Generation. Unlike drug usage of the legal and mind-debilitating kind (booze and tobacco), drug usage of the illegal and mind-facilitating kind (pot, LSD, speed, ecstacy) is an indication of an emerging
perinatal unconscious. Drugs are intimately woven with perinatal influences in a number of ways. Not only can some drugs bring up birth feelings, as Grof’s work has shown, but the mother being drugged while giving birth to her child can result in drug abuse by that child later in life.
Generations – Their Drugs and Politics. Gen Xers Are Fifty-ish, Millennials Are Sixty-ish
An Aside on Drugs and Generations —Sixties, Gen X, Millennials and Their Parents
Millennials Are Sixty-ish
There is another overlooked factor or aspect of this rise in drug use in the Nineties by Millennials: These youngsters were the sons and daughters of the Sixties generation who, in their own youth, as we all know too well, engaged in drug experimentation. In fact, this younger generation of drug users has sometimes been called the baby-boomer “echo” generation.
Gen Xers Are Fifty-ish
Millennials are quite a bit different from the previous “echo” generation — Gen X. The generation that came to age during the Eighties—Yuppies and Xers—had parents who were
born during the Great Depression and
World War Two, who had their young adult formative years during the Eisenhower — Joe McCarthy –Presley Fifties. So Gen X was influenced by their parents to conservatism, career-mindedness, and, for drug-of-choice, alcohol.
But this “echo” generation of Millennials has parents whose young adulthood was forged in the rebellion, drug and sex experimentation, activism, liberal-radicalism, and idealism of the Sixties, not the Fifties. [Footnote 1]
Forget What You’ve Heard About Generation Gap
Generationally speaking, we know that children do not predominantly rebel to the opposite of their parents’ values. Kenneth Keniston, for one, has made it clear—referring to studies—that children are paramountly influenced by the values and attitudes…conscious and unconscious…of their parents. So this most recent cohort of youth was of course going to be more liberal in their attitude to drug use than Gen X, even if their parents, in their coming into adulthood, overtly decry or are against the use of drugs. Keep in mind also that many of the baby-boomers have retained, not reversed, their acceptance of drug experimentation, and many still believe in and use drugs; many still considering the occasional use of certain types—especially the psychedelics, and to some extent, pot—to be an aid to self-development and/or spiritual awareness.
Family Lies Not “Family Ties”
The myth that youth rebel against their parents’ values was expressed and propagandized by the TV show “Family Ties.”
This was an oh-so-convenient portrayal, as it contributed to the pervasive scapegoating of the Sixties generation by the Fifties Generation—the Eisenhower–Joe McCarthy–Presley generation—who came into their Triumphant Phase, that is, took over the reins of society as mature adults in the Eighties.
Rebellion in Youth Amounts to Being Uncompromising About Parents’ Values Not Defying Them
This “Family Ties” kind of rebellion, however inaccurate, seems to be credible largely as a result of the observation that youth do rebel against their parents. But it
ignores the fact that when they do, and they don’t always, they revolt or rebel, as in the Sixties youth, most often in the direction of being more insistent of actually living the values of their parents, not simply voicing them.
As Keniston found out, for example, as he described in his follow-up to The Uncommitted, in the book, Young Radicals: Notes on Committed Youth, radical youth had liberal (hardly conservative!) parents.
When Sixties youth were angry at their parents it was out of their perception of their parents as compromising and not living out their own expressed ideals, as laid out to their children in raising them. Therefore, Sixties rage against adults came out of their disgust at their parents for “not walking their talk.” As we may recollect, there was the oft-repeated charge of “hypocrite” directed by some of these youth toward their parental generation.
Millennials and Their Sixties Parents
In this regard notice also that this latest crop of young—born mid-70s through roughly 2000 (Boomers had children over a longer expanse of time than generations previous and since, for reasons that I’ve dealt with in other places) and being now in their twenties and thirties…the sons and daughters of the Sixties Generation—has also seen increases in voting for liberal or Democratic candidates. Their turnout for Clinton in 1992 was the first time since the Seventies that the youth vote went Democratic. Their support of Obama was widely given as the reason for his success.
Occupy Wall Street … Sixties Gen Liberals, Millennial Revolutionaries?
In the Nineties we saw — despite the AIDS scare — an end to a fledgling “youth celibacy movement” — which had been a movement of Yuppie/Gen Xers encouraged by their Fifties Generation parents. The Millennials,
echoing again their parents and this time the sexual revolution, were noted for early and/or increased sexual experimentation.
This latest cohort of youth also has seen increases in idealism, activism, and volunteerism. It is no coincidence that we have finally seen a rising up of activism again in the occupy wall street movement, with Millennials taking the lead and supported, taught, and inspired by their Sixties cohort parents. [Footnote 2]
Tune Inward, Turn Back, Drop Down – Psychedelics, Depression, and Those Nasty Birth Feelings
Perinatal Propensities in LSD Use … Lucy in the Sewer with Depression and No-Exit Wombs
The Epidemic of Depression Shows Pervasive BPM II Influence
Lucy in the Sewer with Depression
Other connections between drug use and perinatal influence: Perinatal feelings are very often of the depressive, no-exit type, and some drugs are temporarily effective antidotes for that. Depression itself is epidemic nowadays, indicating the rise of BPM II feelings. There is widespread use of antidepressants in America currently.
No-Exit Wombs
Stanislav Grof has claimed, based upon the tens of thousands of sessions of exploration into the perinatal unconscious that he has personally facilitated and thus
observed, that the roots of endogenous—that is to say, deep rooted and engrained, not just situational—depression lie in the no-exit BPM II experience in the womb prior to birth. Furthermore, my personal experience with depression earlier in my life and my primal re-experiencing of prenatal, womb feelings, as well as birth, confirms his statement.
Psychedelics and Birth: Tune Inward, Turn Back, Drop Down
Finally, psychedelic drugs..LSD… “they’re ba-a-a-ack.” Though they are more discreetly used these days and so are less obviously evident. Various psychedelics and hallucinogens are used at postmodern raves, among many other places.
Their increased use also points to perinatal influences in that it is known that psychedelics—LSD in particular—can help people to access and to some extent resolve perinatal trauma, when taken for purposes of personal growth.
Corrective on LSD Misinformation
For those who have cynically adopted the line that either psychedelics are another drug that blots out one’s Pain or that they are only used for recreational or sensual/hedonistic purposes or that the kinds of birth experiences that Grof describes as occurring on LSD only occur in supervised and guided sessions, like the ones he offered…for those who have dismissed psychedelics and LSD in any of these ways, let me say,
LSD is Hardly Escapist
First, psychedelics, especially LSD and to some extent, even marijuana, are known to act in the brain in a way almost exactly the opposite of the drugs used to escape from reality—such as, for example, alcohol, nicotine, or heroin—though this news flies in the face of the myth put out by the all-encompassing anti-drug propaganda machine, which puts all drugs in the same category. This
is common knowledge among researchers and scientists who study these things. For elaboration, see Culture War, Class War Chapter Three: Drugs of Choice and Generational Cultures – Opposing Worlds—especially the part on “Drugs and Consciousness“—as well as subsequent chapters of that book/blog.
Drugs—Not Just for Fun Anymore
Second, that drugs are only used for recreational purposes is patently false. Though the vast majority of drug use is recreational, there are in print many examples, and the admissions of many authors, of the use of LSD by individuals and groups for purposes of personal
growth.
And, in my own limited exploration, personal growth was my motivation. In fact, many people are afraid to take the drug LSD, knowing full well that its effects are not always pleasurable or recreational. So why would they accept that risk if they did not have some other intent, like personal growth, for experimenting on themselves with it?
LSD and Birth Reliving
Finally, before I had ever heard of such a possibility of reliving one’s birth, let alone heard of Grof, or Janov for that matter, I learned that at least one person at my university on LSD found himself feeling like a fetus and then going through a process of struggling through a birth canal, and so on.
“Most Peculiar, Mama!”
In this book so far, we have considered the uniqueness of our times and the elements of the perinatal unconscious.
We have followed that with a look at the predominant underlying fantasies and myths of our times—our contemporary collective dreams as projected onto the silver screen, boob tube, and printed page, with a perinatal rock heartbeat of a soundtrack.
Our Nightly News and Neighborhoods
Finally we have taken a look at the anomalous elements of our everyday reality — those confusing and bizarre, newly emerging
images that permeate our nightly news and neighborhoods, along with those totally unprecedented cultural, environmental, and social factors that weave the backdrops of our lives.
Going Forward, Explore Our Hells and Heavens
Let us now go deeper. Let us make the connections. Let us explore the way we have reflected our innermost intimate hells and heavens into
the fabric of our times. And back again, let us uncover the way the warp and woof of
these strangest of days has affected each of us, in our most superficial of behaviors to the most intimate and deepest of our minds. The way forward is down.
Continue with We Have Manifested a World That Mirrors and Re-Creates Our Traumatic Human Births: Life or Death Matters We Need to Face to Survive
Return to How We Re-Create Human Prenatal Irritation and Burning in a Polluted Planet: Diagnosis, Prognosis, and What to Do About Toxic Womb ~ Toxic Earth
Footnote
1. See my blog/book Culture War, Class War, especially Chapter Two: Matrix Aroused, the Sixties and Chapter Four: Drugs of Choice and Generational Cultures – Concocted Worlds and Chapter Five: The King Won’t Die – An Aborted Changing of the Guard.
2. These aspects and generational phenomena are spelled out in more detail in my work-in-progress, Regression, Mysticism, and “My Generation.” Right at hand, however, you can read an elaboration of some of these ideas in the chapters mentioned in Culture War, Class War—especially Chapters One through Seven and the post, Awakening Millennial Generation Occupy Global Revolution.
Continue with We Have Manifested a World That Mirrors and Re-Creates Our Traumatic Human Births: Life or Death Matters We Need to Face to Survive
Return to How We Re-Create Human Prenatal Irritation and Burning in a Polluted Planet: Diagnosis, Prognosis, and What to Do About Toxic Womb ~ Toxic Earth
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War, Evil Queens, Mind Control, and the “Unwashed: The Psychotic Acting Out of Feelings—Rooted in Unconscious Uncomfortable Memories—in Insane Societies.
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“Bad Blood” — Acting Out Prenatal Feelings of Sickening … Earliest Roots of War, Psychosis, Racism, Xenophobia, Elitism, Homophobia … and Medicine
Wounded Deer and Centaurs, Chapter Nine: “Bad Blood” – Poisoned, Infected
“Bad Blood” – Poisoned, Infected … Prenatal Roots of Paranoia, Sado-Masochism, Alien Mind Control, and the Evil Queen
Imprints for Paranoia, Sado-Masochism, and the Wicked Witch in Poisoned, Infected, “Bad Blood” Aspects of Fetal Oxygen Hunger
There are three parts to this pain around fetal malnutrition, which defines us as humans and creates what we think of as “human nature” and most often as being genetic, but it is not. We’ve been dealing with the first part — deprivation … we fear there is not enough oxygen/resources coming to us to keep us alive. Another part has to do with the toxic quality of the environment we experience, which we’ll get to soon.
Bad Blood
But the one I want to deal with next is the second aspect aspect of oxygen starvation in the late stages of gestation. It has to do with our assessment of the “air”—the oxygen and nutrients—we do get.
We’re Getting Some Blood
As just discussed, we carry an underlying panic that our supply will end at any moment, but we are getting some oxygen from the blood that comes to us, however reduced its flow. It is the contrast from what we knew that is alarming. Imagine blood that is free- and easy-flowing, rich and bright red with oxygen.
But Is It Bad Blood?
Now, imagine blood that is more trickling than gushing, more depleted of resources—oxygen and nutrients—tainted, darker, barely able to sustain one’s life…. The first was our experience of earlier womb life; the second the way it gradually began being perceived.
To be clear, we can’t actually see our blood flow as a fetus, of course. This is meant to be an analogy giving you an idea of the difference in the feeling experience of the fetus in this changing situation. It must be close enough to what it actually was like, since out of it we form images and symbols in later life with these differing characteristics, as I will continue to show.
“Iron Poor Blood”
So we began feeling poisoned, polluted, decrepit, diseased. Our situation in the womb had portents of death and seemed a dire threat if it were to continue. We received blood sufficient to keep us alive, obviously, but it was felt to be degraded, to be “bad blood.”
We began feeling that what we were getting was insufficient, even poisoned. The blood that comes is not only barely sufficient to keep oneself as a fetus alive…or certainly it feels that way…but it is tainted, impure…or certainly it feels that way. And one feels not just deprived but attacked.
“Don’t Feed Me That Bullcrap!”
So, the second aspect of fetal malnutrition and the third of prenatal discomfort is the feeling of being forcefed something noxious and deadly. We feel we are being poisoned or infected by what we take in through our breathing or eating. What is coming into us is sour and unhealthy. This is of course related to the previous feeling constellation discussed wherein we fear we are not going to get enough oxygen and so want “pure” blood.
But this has to do with our feelings about the blood we do get—it is tainted, not pure. In the one you can’t get something you need, you are deprived (panic). In this aspect of it, you get something but it seems intentionally polluted to harm you (paranoia). Earlier I compared this to the difference between being starved for affection as a child versus receiving unwanted attention as in being sexually or physically abused.
Fractals, Abuse, Sadism/Masochism
The reason this can be seen so clearly at a later time of life is because these feeling constellations are fractals of each other: They occur in the same pattern again and again at different times of our lives exactly because of
our tendency to re-create unerringly the discomfort we could not face originally (primally). The original
formulation of this pattern in the womb sets up that we will act out on both sides of tendencies to deprive others of affection,
as well as to subtly and unconsciously push others away. And because of the other aspect of it, we will also force unwanted attention on others and will assault them, as well as being unable to avoid such attacks. Traditionally, this last has been discussed under the headings of sadism and masochism.
Having dealt with the deprivation/greed aspect of this in previous sections, in this section and the next we will look at the poisoned and infected feelings and their sadistic/masochistic outgrowths. Unraveling this complex at its primal roots in the womb, we expose some fascinating revelations.
How “Bad Blood” Manifests in Our Thinking
In Psychosis—Food, Aliens, and Tin Foil
Though not the most common, I must start with the most obvious adult manifestation of this—the curious notion among paranoid psychotics and some obsessive-compulsives that they are being or are in danger of being poisoned. Certainly through the food they eat, but this also manifests
as the idea that “alien” thoughts are being inserted into their minds/brains. I’ve seen walking neurotics (borderline psychotics) strolling around with wire pyramid or tinfoil hats to prevent this
infection from above.
We have to wonder how much of conspiracy theory is itself skewed by this constellation in concocting the existence of forces that spy on us and influence our actions from behind the moon (behind the placenta) or some other unseen place. This is what happens when big thoughts are channeled through sorry states of mind.
In Collective Dreams—Myth, Fairy Tale, and the Evil Queen
We express this idea in our myths and fairy tales, of course—for they are the collective “dreams” we share that are given rise to by our unconscious dynamics. A salient example is Snow White. Consider her name, and remember the part about the purity of blood and children, which was felt to be the earlier situation in the womb. In the same consideration of blissful BPM I experiences occurring prior to late stage, BPM II, discomforts, notice that Snow White enjoys an earlier, idyllic time living in communion with planetmates in the forest. She was supposed to be killed (aborted) by the huntsman (god figure),
but he falls in love with her and lets her go, telling her to hide. She finds a tiny cottage (blissful womb), where she is aided by and lives in harmony with seven dwarves. The dwarves, as well as the planetmates, represent the forces of Nature aiding exquisitely perfect growth in the early stages of gestation in the womb.
But then, BPM II style, her wicked stepmother wants to poison her, but even notice how.
First the “evil queen” (mother symbol) wants to kill her by crushing her. She ties her tight with stay-laces. Remember that being compressed and crowded was the very first and most obvious aspect of late stage gestation discomfort.
And then begins the poisoning attempts: The evil queen tries to kill Snow White by brushing her hair with a poisoned comb. So, what does this mean? Well, our hair is thousands of tiny filaments that emanate out from our bodies, just as in the womb we have tiny filaments extending from our bodies—arteries and veins—which connect us to our mothers (evil queen). The wicked stepmother poisoning her by combing her hair is saying she is being poisoned through these filaments of arteries extending from her.
Next, the evil queen wishes to get the girl to eat a poisoned apple. Apple, as the ultimate symbol of food, nutrition in Western culture…it was an apple that was eaten in Eden, for example.
Now, why? Remember that a red apple is the same color as blood. So a poisoned apple represents the bad blood in the womb with its poor or “poisoned” nutrients…being given to one by one’s mother.
Notice that here as in many fairy tales it is a stepmother…in others it might be a wicked aunt or witch…that does the bad stuff. It has to be a stepmother or aunt, for we wish to preserve the idea that a “good mother” still exists. So we separate out an idea of a bad part of her, just as we come up with the idea of a bad god…a Satan…who is responsible for all the bad things that a good God would not be…thus preserving the idea of a good God/ good daddy here.
But there’s more. She fainted when she was tightly laced, and collapsed again after being brushed with the poisoned comb. But when finally poisoned she falls into a stupor and appears dead.
Obviously she represents a prenate struggling with the “groggy” and lethargic feelings associated with being trapped, stifled, and poisoned/ drugged … in modern times, sometimes having ingested actual drugs or toxins from smoking or alcohol through the placenta (poisoned through those tiny “hairs” of arteries).
And appearing dead, she is placed in a coffin. Womb symbol, anyone?
How “Bad Blood” Manifests In Our Doing
Having looked at how this early experience of blood degradation is manifest in our thoughts, madness, and creative product, let’s look into some really important, major act outs of this prenatal mental framework for construing things. This brings us to the ways we act out these crazy ideas, emanating from early experiences, in major ways as cultures, as societies, and even as nations.
“We Don’t Want Your Kind Around Here!” … Acting Out Prenatal Feelings of Sickening – “Bad Blood” – in Racism, Xenophobia, Elitism, Homophobia … and Medicine
“Don’t Want Your Kind Around Here!” Prenatal Imprints for Xenophobia, Racism, Medicine, and More
How “Bad Blood” Manifests in Our Actions
This brings us to the psychotic acting out of these thoughts and feelings—rooted in unconscious discomforts and repressed memory patterns—by insane societies.
Bloody Games—War
In this aspect of fetal discomfort, a reduced blood flow to the placenta is experienced as a build up of carbon dioxide and toxins, since they are not removed as efficiently as they were before. Lloyd deMause explains how this womb situation is universally expressed among humans as a fear of being “poisoned” by “bad blood.” He has found that feelings of being trapped and at the same time “infused” with bad blood or toxic energies of some sort precede the outbreak of all wars.
For these wars are the unconscious way humans try to “break free” from these uncomfortable feelings, which are for the most part just early unresolved memories from our beginnings in life. We see
“bad blood” as coming from the enemy; We see the
enemy as an attacking many-headed monster “encroaching” on the “home”land … a threatening multi-veined placenta, aging and filled with toxins, “filth.” So we wish to attack and destroy the enemy—this placental “monster”—so we can “breathe free” again and escape their “poisonous filth.” (See BPM IV)
How We Act Out “Bad Blood” – Xenophobia, Blood Letting, Smoking
The perfect example, however, is the xenophobia that resulted in the Nazis treatment of the Jews around the time of World War II. I have already pointed out how these walking psychotics injected poisonous gas into Jews in gas chambers out of these prenatal feelings, which they framed in adult thoughts of being themselves infected with tainted money from these Jews. Let us now look at other act outs of this.
Racism, Xenophobia, Classism, Elitism, Homophobia, Intolerance—We Don’t Want “Your Kind” Around Here! Keeping Racial “Lines” “Pure,” Keeping Out “the Unwashed,” Affecting the Gene “Pool”
This is the basis of racism … blacks are pollutants, as are Jews. They want to take away our purity—our pure children…blood libel; our women’s pure virtue. And so
we need to dress in white, indicating “pure” blood, to defend against these incursions (the Ku Klux Klan) of “bad blood.”
These feelings of being “sickened” at the end of our womb existence are the root of all xenophobia with its creation always of a toxic Other
which cannot be allowed to infect the virtue and purity of people of “our blood.”
We see it in intolerance of others of all kinds. A few days ago, on May 21st, 2012, a Baptist preacher from the South made headlines everywhere by announcing from the pulpit that all gays and lesbians should be “rounded up,” placed in an “enclosure,” surrounded by an “electrified fence.” He imagined they could have food air dropped to them until they died (obviously an insufficient…oxygen starvation…or poisoned…bad blood…amount.) At this point, I don’t believe I need to unravel the prenatal qualities of the morass his mind was thinking in.
And why all this? His exact words are, because “It makes me pukin’ sick!” what homosexuals do. Need I say more? [Footnote 1]
But this thinking is found in classism as well, where royalty calls itself “blue bloods” and only allows marriage between others of its class—from one’s own nation or another, interestingly—and will not allow its “blood” to be mixed with the polluted blood of the masses and
“riff raff.”
University intellectuals have a more “refined” take on this primal disgust: They set up barriers to academic entrance in order to “keep out the unwashed,” without a clue they are coming across like scared fetuses inside a virtual womb (academia) trying to protect their continuing flow of blood (money).
This fetal malnutrition gives rise to bigoted ideas of keeping racial lines “pure.” It insists upon no mixing of the races … or ethnicities…for fear of affecting the gene “pool” (pool of
blood), but it is always described in terms of “blood” that will be mixed, tainted,
polluted, made impure, or degraded. Can you see how these are all instances of fear of encroachment by another from which one senses a threat of pollution and in conjunction which one feels suffocated, made helpless, unable to move freely?
Blood Letting
For a long time in Western culture, it was thought that when one got sick that one had “bad blood” coursing through one’s system. The idea was that by bleeding a person one would rid the body of some of this impure blood and the person would get better. This bloodletting was employed for hundreds of years in the face of the evidence to the contrary wherein folks got paler and sicker from this “treatment.” But such is the power of these sorry thoughts rooted in unconscious dynamics.
Smoking Itself
I’ve already mentioned how we re-create the atmospheric imbalance of oxygen—carbon dioxide in the womb through burning stuff. The smoking of tobacco and other vegetation I likened to our pushes and pulls to re-create the bad air. But in ingesting this air into one’s lungs, we have a most perfect example of the drive to re-create the
uncomfortable feeling of ingestion of “bad blood,” in this case, inhaling, bad air. With all rationality set aside, we are compelled to poison, infect ourselves again and again with bad air (bad blood). Again, of such depth is the grooves of the imprint created in our prenatal times and along whose lines we make our self-destructive decisions.
How We Make It Worse
(“Give Us, Oh Lord”) Our Daily Toxins—Drugs, Food Additives, Polluted Air
How we add to this today…how we make it worse: smoking and drinking, taking drugs. We create and imbibe toxins in our food, our air…through the medications we use… The whole idea behind “medicine” is that a toxin (all drugs are) administered in a tiny amount will alter our blood flow in just the exact way to affect some currently felt experience of our blood being bad (sickness).
And in doing these things we reinforce the bad blood experience of fetal malnutrition the fetus will experience out of its being human. We insure we will pass along our bad blood experience to the next generation…we will multiply it even. For the mother’s ingestion of these compounds into her system—smoke, drugs, food additives, air toxins,
water pollutants—
are felt as receiving bad blood by the fetus, even worse than it would be otherwise just from pressure on the arteries restricting blood flow. Again we create that which we need to resolve, only this time it is the unborn child who will be “infected” with the bad blood and need to face these feelings later in life, again and again.
How We Make it True, Create It
Food Pollution/Genetic Engineering and Propaganda
I can’t leave this without pointing out that, as in environmental pollution and in political oppression, it is all not just a figment of a past memory,
as there are those of us acting out this feeling complex by coming up with such odd creations that end up polluting the food of others (as in the tainted food coming out of corporations like Monsanto, with its Frankensteinian concoctions)
and that seek to inject alien ideas in others to make us do things we would ordinarily not do—whether that is to buy some unnecessary thing to fatten the wallets of these others (advertising) or to surrender one’s self interest or hand over one’s power and rationality of thought to these others for their political ends (propaganda…in America, Fox News).
Continue with Prenatal Revulsion and Loss of the “Golden Age”: Creeped Out in the Womb, The Itches We Cannot Scratch, and the Deepest Roots of OCD, Bigotry, and Holocaust
Return to Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….
Footnote
1. Pastor Worley’s actual words were
Of our president getting up and saying it was all right for two women to marry, for two men to marry, I tell you right now, I was disappointed bad. But I’ll tell you right there, it’s as sorry as you can get. The Bible’s agin’ it, God’s agin’ it, I’m agin’ it, and if you’ve got any sense, you’re agin’ it.
I had way, I figured a way out, a way to get rid of all the lesbians and queers, but I couldn’t get it passed through Congress. Build a great big large fence, 100..50 or 100 miles long. Put all the lesbians in there. Fly over and drop some food. Do the same thing with the queers and the homosexuals. And have that fence electrified ’til they can’t get out. And feed ‘em. And you know what? In a few years they’ll die out. Do you know why? They can`t reproduce.
If a man ever has a young ‘un, praise god it’ll be the first one. All of these… It’s just as well…I’m gonna preach the hell out of all of them. Hey I’ll tell you right now. I ain’t gonna vote for a baby killer and a homosexual lover!
You said, ‘Did you mean to say that?’ You’d better believe I did!
God have mercy it makes me puking sick to think about…I don’t even know whether you ought to say this in the pulpit or not. Could you imagine kissing some man? My god I love you fellas, but not that much.
Continue with Prenatal Revulsion and Loss of the “Golden Age”: Creeped Out in the Womb, The Itches We Cannot Scratch, and the Deepest Roots of OCD, Bigotry, and Holocaust
Return to Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….
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We’ve Fallen and We Can’t Get Up: Like Chiron, We Need to Take Inside Us the “Sins” of Promethean Fathers to Stop Millennial Cycles of Suffering
Posted by sillymickel
We Are the Centaurs, My Friends: We Are the Necessary Heroes for Deluded Promethean “Fathers,” Open the Jar, Pandora, and Why the Gods Are LOL
Wounded Deer and Centaurs, Chapter Seven: Return of the Centaur and How We Look to the Gods
Enter the Centaur: Wherein Lies Real Hope – Sixties and Millennial Generations Are Shamans for Deluded Promethean “Fathers”
Blind Hope vs. Real Hope … Chiron Is Martyr for The Sins of the Fathers
Prometheus Brought Us Blind Hopes
Another aspect of this is that Prometheus is said to have “caused blind hopes to live in the hearts of men.” Indeed, we are also now seeing how blind was our reliance on technology and the vaunted but vain “rational mind”—which has now been seen to be a rationalizing mind.
For we realize this self-congratulatory thinking has been keeping out uncomfortable truths and building illusory, manic Atman projects of escape from the consequences of our actions. None of which, we are now finding out, are capable of working.
Enter the Centaur: Real Hopes – Chiron
But to jump ahead. There is hope in the Prometheus myth as well. There is shown a way forward for humanity, which at this particular time in history appears to have been prophetic. For Prometheus is saved from his sufferings by the Centaur, Chiron. Chiron sacrifices himself—Christ-like—taking on Prometheus’s suffering and dying in his stead.
Return to The Centaur
Earthy, Sensual, Noble
The Centaur — half human, half animal — does not, like Icarus, paste on wings and try to separate from groundedness in the Earth. No.
Centaur qualities are earthy, sensual, sexual. They embrace the noble qualities of
the horse … reminding us that as primal beings, early humans, we were noble humans … as they say, a bit ethnocentrically, “noble savages.” We once stood, sure-footed and tall, and we walked confidently upon the Earth, knowing we belonged here.
Wounded Healers, Shamans, Gardeners of Consciousness, Poets … Brave and Foolhardy Journeyers Into the Unapproved and Hidden
Traditionally associated with intoxicants and with the bacchanalian, centaurs can see into other realities, nonordinary ones. They are open to altered states of consciousness. They are not averse to looking into their deeper natures, their “undersides,” their unconscious; that is how they came to be
one with Nature in the first place.
Indeed, Chiron is also known as the wounded healer and is associated with the shamanic. Being, like Chiron, healers, centaurs are skilled in both physical and mental health. Thus they are wholistic and psychotherapeutical. They are philosophical. Plato was one. Walt Whitman was one. They are poetic.
Mystics, Scapegoats, Natural … A-mused and A-musing Not Deluded and A-mazed
They are scapegoated, like Chiron was, for the sins of society, and in modern times they have scornfully been referred to as “hippies” and
“beatniks” — but they include the bohemian types of all times. Being rooted in a more fundamental nature or reality they are mystic. Jesus was one. Following a “different drummer,” as it were, they are the Wayseers.
Connected to the real source of truth in Nature and the Divine,
they are in touch with their muse … and are both a-mused and a-musing…but they are not into the maze of culture, the matrix, they are not fooled or a-mazed.
The Centaur is completely in tune with her and his planetmate-nature, the Divine and Natural
order—as in the Jungian and mystic understandings of individuation as being a re-uniting with a fundamental and earlier reality — returning home, humble and prodigal-son like.
The Opposite of Ordinary Folks…Who Build Stairways to Heaven and Towers to Their Vanity
This is the opposite of most folks who spend their lives seeking to vainly build stairways to heaven, Towers of Babel to the divine, to be muscular Nietzchian supermen, or to struggle up Wilberian ladder-style paths for imaginary achievements and to an understandably elusive “enlightenment.”
We Are the Centaurs, My Friends
This self-sacrificing tendency in humans I will be talking about at length at the end of this book where I point out how we need to stop acting out and begin taking back the projections we make onto the Unknown and
thereby stop the Promethean cycles of
suffering going on for millennia. We need to, like Chiron, take upon ourselves the “sins of the fathers.” As Tom Waits sang it, “I’m gonna take the sins of my father (mother, brother, sister), down to the pond…I’m gonna wash them.”
Exactly that. We must make the heroic sacrifice of taking inside ourselves those perennial urges to act out on others what was done to us. In environmental terms we must make the sacrifices of lowering our standard of living
and cutting back on the lavish appetites and lazy indulgences fed
by excessive technology, cultural trinkets, and superfluous commercialism, which other generations were allowed to take to the limits of their times. For if we do not, then there will be very little left for future generations—assuming there’ll be any.
These cultural “achievements” — wrought of burning of fossil fuels, release of fiery energy from the atom, and despoiling of natural resources — all of them in some way rooted in the theft of fire long ago,
which started it all, must be let go of. We
must refrain from being driven by these addictions and substitutes for actual felt experience, take the “fire” within instead of burning it up without.
So in
physical terms we must bring those excessive urges home within ourselves and ground them in Nature, bring them back into our physical bodies, we must be Centaurs. And within our bodies experience the discomfort of such a monumental millennial turnabout.
So, no. This is not easy or comfortable.
No. Not easy or comfortable.
Real Hope Lies in Pandora’s Jar and Return of the Centaur … Since the Last Time Was 1961, It’s None Too Soon
Open the Jar, Pandora, and Return of The Centaur … Wherein Lies Real Hope
Open the Jar, Pandora
In psychological terms, real change lies in peering deep into the Pandora’s jar of the
unconscious to recover the real hope that is there. Remember, Zeus punished humanity for Prometheus’s theft by sending Pandora. Pandora opened the jar she was told never to look into—another broken law of the Divine, like that of Eve and Prometheus—and out came all the ailments that now plague humankind. It is said Pandora tried to close it but “it was too late.” Still, the legend tells us what was left inside was hope.
I don’t think you have a better description of the way most folks, including most psychologists, handle the discomfort of early pain:
They can’t help but be affected by it…some of it does “leak out.” But they expend all kinds of efforts toward bottling it up as much as possible, suppressing, repressing, using all kinds of defenses—including what mainstream psychotherapists call “healthy” ones.
Well, There’s No Sense Going Half Way!
Yet I can tell you as a primal therapist, breathworker, and primal person that is the exact wrong thing to do.
From the perspective of deep experiential psychotherapy and Holotropic Breathwork one must open the “jar” all the way up. One must surrender to the discomfort within—not acting it out but acting it in…or rather, surrendering to the feelings that come up and expressing them (opening the jar wide).
The jar is the personal unconscious, and what we find is that the only answer to all these troubles is to look deeply into them; for when we do we find the real hope that lies beneath the pain. Or as I have phrased it, there comes a time when one feels through the “negative grids” (the “pain grids”) to the “positive grids” (the “joy grids”). Therein is the hope.
What we find is that when one has faced and integrated perinatal pain, then the blissful experiences from earlier in womb time opens up. In Grof’s terms referred to earlier in this book, when one allows oneself to experience the depression of BPM II (constricted womb) and the tribulations of BPM III (birth itself), then one is open to the euphoria of BPM I (early womb experience). Rather than seeing through a veil of perinatal negativity and illusion and acting out from the unreal self or ego, one is getting closer to one’s real self as a positive, truly creative being, .
This is not a fleeting experience, for it allows a completely new perception on one’s life, vastly different from what one normally thinks. One has access to positive patterns laid down at earlier and more fundamental times in one’s life. One can build a life that works, for once. One can make choices that trigger one into happiness, not ones that are self-destructive and conducive to unhappiness.
This is true in therapy and on the spiritual path but also in ordinary life. For any time one confronts or looks deeply into one’s discomforts there is a time when there is release from it, there is a time when one is in a better place for having faced it. As the Tao symbol indicates, there is a seed of light in the depths of darkness.
Additionally I can tell you that opening up even more to the reality of consciousness, as opposed to constructing egoic “castles in the sky,” leads to uncovering the “spiritual grids” beyond even the “positive grids.” That is
when we go beyond even hope
to actual redemption, re-union with estranged divinity, faith, empathy, love, and finally compassion. And that is when we as Centaurs go from being just wounded and suffering to being, like Chiron, healers…and caring teachers.
So, for centaurs, for those who take this path, it is more depressive than aggressive. And up to the euphoric culmination I described above, it is painful and ongoing as well, just as
Chiron’s wound was incurable and tormenting. These become the shamans and wounded healers, like Chiron, throwing
themselves into the fire, rather than shooting fire all about themselves at others. Centauric folks take on the suffering lest they end up being like all those before them who sheepishly and selfishly passed the burden down.
Return of the Centaur
In another part of this book I point out how there are, beginning with the Sixties, now generations who are doing just that—working out these pains, not acting them out.
I just recently delineated the way these primal pains are emerging and how they are being worked through, not acted out, in younger generations and in alternative, rock music, and therapeutic cultures for a number
of decades now.
Finally, in a related work of mine, Culture War, Class War, I have written how the Sixties Generation is a centaur generation and how the millennial generation is continuing that tradition. I’ve pointed out Sixties folk are centauric in standing upon (sitting upon) the achievements of previous generations but also reversing the perverse Promethean human direction by reuniting with our rootedness in Nature.
Chiron Return…Every Fifty-One Years
This humble and correct primal returning has been done, is continuing to be done, and will keep on being done as the Sixties generation continues working out its power struggle at the top, but now aided by a Millennial
generation—comprised mainly of their
daughters and sons — who are rather centaur-like themselves … as this book and the related works continue to show.
And who, because of this, following different stars grounded in realities both deeper and higher, they boldly confront their societies, bringing about change, creating rapid evolution, revolution; and in doing this they have already created an
Arab Spring and an Occupy Wall Street movement. They will bring about profound change in that they are opposed to the powers
that be, just as their parents were opposed to the “establishment” of their day and created a “counter” culture.
The Chiron cycle is fifty-one years, meaning the last time we had energies like we do now in 2012 was in 1961. If you lived through or know about that decade, you know that 1961 through 1971 were
among the most transformative, progressive, and revolutionary years in the history of the world…and it indeed was a worldwide phenomenon. Considering the dire developments and challenges being laid at our feet, as this book has been laying them out…and requiring as much social but personal change as well…the centaurs couldn’t have returned any too soon.
How We Look to the Gods and Prometheus Redux … Building More Nukes and Drilling More Holes – Icarus Keeps Flapping and the Gods Can’t Stop Laughing
View From the Heavens and Prometheus Redux … Icarus Is Flapping and the Gods Are Laughing as We Build Nukes and Drill Holes
Prometheus Redux
Before leaving Prometheus for good, let us consider some other interesting aspects of its rendering that provide insight into this book’s exploration of the deepest psychological—perinatal—roots of our apocalypse now:
There are four legends of the Prometheus myth—all of them are reflected, coincidentally, in themes in this and its related books, Culture War, Class War and The Great Reveal. They are
- According to the first, he was clamped to a rock in the Caucasus for betraying the secrets of the gods to men, and the gods sent eagles to feed on his liver, which was perpetually renewed.
“Betraying the secrets of gods to men” includes the biggest divine prerogative—dominion over death. Also, this implies that humans were given the forbidden knowledge which humans are incapable of controlling, which I dealt with at length in a previous section, using as modern examples our stirring up the forces of the atom and the secrets of the DNA.
- According to the second, Prometheus, goaded by the pain of the tearing beaks, pressed himself deeper and deeper into the rock until he became one with it.
One of the results of Promethean hubris
was control of Nature but therein also detachment from Nature. As I have been showing, our birth pain led us to the Promethean mistake of fire and meat. Both of these contribute to what I have called the thingification of humans, especially in
modern/postmodern times. By that I mean our extraordinary pain coming into the world and then in general in life causes us to split off from the feelings in our bodies. We objectify all of Nature: We remove all its feeling and spiritual components and leave Things as the only reality, including ourselves and other humans. We “thingify” our babies; and as adults we embrace thingification (repression, detachment, estrangement, suppression, alienation) as a way of defending against this pain.
- According to the third, his treachery was forgotten in the course of thousands of years, forgotten by the gods, the eagles, forgotten by himself.
This separation from the pain creates the personal unconscious. But as a species, we have created a collective unconscious—what I have called the Unapproved and Hidden of all cultures. And as I have said, the truth became increasingly invisible over time…our real nature, what we did, and the true cost of our estrangement became ever more buried, obscure…eventually unknowable.
- According to the fourth, everyone grew weary of the meaningless affair. The gods grew weary, the eagles grew weary, the wound closed wearily.
This refers to what happens when we face these uncomfortable truths and resolve them. Ultimately we leave behind these dramas when we have dealt with them so much they no longer have any charge for us… in other words, they become boring… we “weary.” The patterns are still there, but they contain no charge for us.
So the first legend asserts that we are damaged and pained as karmic retribution
for our defiance of Nature. And in these last three legends we have the ways we have reacted to the Promethean wound within us: ”We become unfeeling, detached, rock-like. We become one with our defenses, thingified.
The second says that we repress this information and it becomes increasingly hidden (“forgotten”) as our species has “evolved,” but also individually, as we get older in life. This is generally what is done with the Promethean wound of birth pain. The third says that some of us face and deal with the wounds. Eventually they are gone beyond, truly gone beyond, as eventually all the charge on them disappears, they have no more control over us or pull on us, as we just naturally weary of them…they dissipate.
- There remains the inexplicable mass of rock. The legend tried to explain the inexplicable. As it came out of a substratum of truth it had in turn to end in the inexplicable.[28]
Finally, inexplicable substratum of truth is a pretty damn good description of the Unapproved and Hidden … also known as the Collective Unconscious… But in my rendering of it—dealing with our species unconscious, not just personal, “racial,” societal, or cultural—it contains much more than Jung imagined and because of that reverses many of the interpretations and meanings arising from it from what the Jungians, Joseph Campbell, or Freud understood.
Finally – Futility… The Gods Are Laughing at Us
One final message can be taken from these ancient minings of unconscious Truth which is also a commentary on our current mainstream reactions to the dire developments which are now reaching an apocalyptic peak:
Icarus Flapping – LOL
In the Icarus myth, “Icarus kept flapping his wings but soon realized that he had no feathers left and that he was only flapping his bare arms.” I don’t
think there is a better image for the way we look in our actions in the face of apocalypse. The gods,
aliens, Titans, angels, and the planetmates must be laughing their asses off at the sight of
humans continued “flapping” about with ever more technology, pushing ever forward into the face of doom and apocalypse—the sun, the fire for Icarus—even as the Earth below us continues to fail, disintegrate, get polluted and poisoned, and no longer support our continued hubris.
We’re Falling and We Can’t Get Up
Oh, yes, we’ve started the Icarus fall…our wings of technology are “melting”—literally in the case of Fukushima—but ever faster we “flap”—seeking to build more nuclear plants, hiding from the populace the extinction level events that are happening RIGHT NOW at Fukushima, seeking to drill ever more even with the BP spill clear as can be in the rear view mirror,
lining the Koch Brothers pockets in touting the benefits of coal as an energy source, melting the rocks around natural gas so that our tap water catches fire and poisons folks who drink it, and so much more. So, yes, even more furiously we flap, the harder for every increase in our fall.
We furiously pick up litter as our organs rot from radiation poisoning. Oh, yes, we’ll die. But where we fall it will be tidy. We register voters and sign petitions as our organs rot from radiation poisoning. Oh, yes, we’ll die. But we’ll all be able to vote. [Footnote 1]
View From the Edge
We’ve had a long journey through the world of ancient myths and prehistory in delving into the way our prenatal state of
oxygen insufficiency has pushed us to make fire and polluted environments attractive to us. We’ve seen how these early pushes have set us apart from all other species and placed us on an inexorable slide—which we in good time embraced and claimed as a goal and achievement even—to the edge of an apocalyptic abyss.
Next we look at how this unconscious state of an Oliver Twist style of oxygen deprivation affects us politically and socially…no matter any conscious or moral rearranging of “furniture” on the decks of our individual Titanics.
Continue with Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….
Return to Will “Progress of Man” Be Humanity’s Epitaph? Apocalyptic Foretellings Hidden in Myth and a Re-Visioning of “Civilization” in Light of Impending Ecocide
Footnote
1. Every time I look at this, It looks worse than I thought. This one makes me think there’s no way any of us will survive this. And if we do, then our children won’t. It’s that bad. And what pisses me off is that progressives want to poo-poo this.
Continue with Prenatal Hunger Games and “Blood Wars”: The Fetal Fight About “Pure Blood” We Act Out in Politics, War, and Oppression … Class War, Culture War, Revolution….
Return to Will “Progress of Man” Be Humanity’s Epitaph? Apocalyptic Foretellings Hidden in Myth and a Re-Visioning of “Civilization” in Light of Impending Ecocide
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The Perinatal Veil: Dangling Above an Abyss and Everyday Rebirthing — The Perinatal Predilections of Everyperson
Posted by sillymickel
The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life
Wounded Deer and Centaurs, Chapter Three: Twenty-First Century and Its Discontents—The Primal Screen
Dangling Above an Abyss
Beyond the entertainment media, it seems perinatal themes and elements are showing up everywhere else in our surrounding environment and culture. The scenery of our everyday reality consists of pollution of our air, water, and food; threat of death “at any moment,” caused by the knowledge of the power
of nuclear weapons; fantasies of apocalypse of all kinds, magnified, perhaps, by the ending of one millennium and the approach of the end of the Mayan calende—including fundamentalist Christian imaginings of an end to human civilization in an apocalyptic “rapture”; New Age fantasies of ecological, spiritual, and social utopias; and so on.
First, let us consider a few of the most blatantly birth-related of the events around us.
The Primal Screen: Aliens … Ooooooooooo … Sca-ry….
Alien abduction stories, while a relatively recent addition to our cultural landscape,
are unusual in the rapidity with which they have gained cultural currency and are telling in the extreme fascination the public has with them. They have catapulted more than one show—The X Files being the prime example, of course—to cult-like status. The photo here is a scene after the abduction of Fox Mulder, one of The X-Files main characters.
Fetal Aliens
Yet Alvin Lawson has pointed out how alien abduction stories are replete with
perinatal elements: passing through walls, umbilical
beams of connection to the “mother ship”—the placenta—either fetal-looking aliens or aliens whose eyes are most prominent and the lower parts of their faces undistinguished—similar to the way a newborn might see an obstetrician wearing a medical mask.
Then of course there are the elements of being medically probed, measured, samples taken from one, and being swooshed from one place to another with no say on one’s part—all remarkably like the experience of a newborn, right out of the womb. [Footnote 1]
Pretty Much
While I do not think that the “alien abduction” phenomenon is just derivative of birth, as Lawson does, I do believe that we perceive these events through a veil of birth trauma, the likes of which the world has never known. My position is explained in the article, “Alien Abductors: Angelic Midwives or Hounds From Hell?“
Mouth Suctioning…”Oh, What Pretty Teeth You Have, My Alien”
An interesting development in the alien face is the “shoved down the throat” thing going on. Similar to the “Jacob’s Ladder” kind of vegetable thrusting out, which was described in the last chapter, it was popularized greatly in the movie, “Alien.”
As a neonate we cannot see the mouths of the masked attendants at our birth. In a traumatic situation, whatever is hidden is more feared than what can be seen. As in anything else, onto the unknown we can project the most magnified versions of our fears. When these images arise in us, then, it makes sense that if the mouth is shown it might be even more frightening than that above the mouth.
So in modern times, for the first time in history, we see something going on where these feelings are symbolized as a ferocious mouth coming out of the mouth. The fact that it appears like something that would gag reveals that this image contains elements of the trauma
around ungentle mouth suctioning or clearing as well as the reveal of what might be under the mask of the seeming attacker, the
obstetrician. Add lots of teeth and you have the perinatal vagina dentata as well, symbolizing the trauma occurring at birth, when actually emerging from the mother.
The Perinatal Veil: Rock Concerts (For some, ditto)
Lawson has also described perinatal elements in rock concerts. [Footnote 2]
Mosh Wombs
Keep in mind that rock music popularity and concert rituals are world-wide phenomena. Youth from nearly all
countries are involved in rock culture.
Among other things, Lawson, in his article, refers to placental guitars, umbilical mikes, and youths jumping into mosh pits. Mosh pits suggest birth feelings in that they simulate the crushing in the womb.
At birth our consciousness is filled with the feeling of flesh all around. The world is crushing, heaving, rollicking, bouncing flesh everywhere. During a non-cesarean birth one struggles and moves through this flesh to reach space, air, light…freedom. We re-create this pattern of struggle in order to reach the light, or freedom and space, throughout life. It is obvious that mosh pits are attractive, appealing places to re-create the danger of birth alongside the hope of being “held up,” uplifted, and reborn.
The Doors of Perception…Stormed
We could also mention the loud music, fireworks, and flashing and bright explosions of light at these concerts as perinatal in that they re-create the assault of sensation that occurs to the newly emerged fetus—an assault which in one’s mind is like unto a bomb exploding.
The rock groups and their lyrics themselves are often blatantly perinatal. The most obvious example of this was the group, Nirvana, who came out with a CD titled “In Utero.” The fact that the leader of the group, Kurt Cobain, committed suicide is a strong indication of his closeness and access to his perinatal trauma…as I will soon explain.
Pacifiers, Trolls, and Collective Rebirth
Turning from rock, we see perinatal BPM III elements in the scenery of our everyday lives evident in the rising incidence of violence by children at ever younger ages.
In Europe, as pointed out by Mayr and Boederl, it appears a collective regression to the perinatal is going on, especially among the youth. [Footnote 3]
Collective Navel-Gazing
The forms this “regression” has taken include the surprising popularity of a pop song, sung by a very young child, expressing the difficulties of being a baby; the wearing of baby pacifiers as ornaments as a powerful fashion fad; and being enamored of troll-like dolls, which, according to the authors indicate a “regression to the womb.”
I would say a progression to the womb, by the way….I will soon explain why.
Overpopulation Bring Up in Us Uncomfortable Claustrophobic Feelings From Our Births
We have no-exit, claustrophobic BPM II elements manifesting in the crushing populations in major cities throughout the world. In the later stages of our womb lives, we are increasingly compressed with flesh all around. It is a time of ever more compression, constriction, restriction of movement, suppression of freedom,
and suffering, which seems unending. However uncomfortable, we are compelled to manifest similar situations in our later adult lives, as in creating our crowded cities. We then find ourselves triggered into feelings like the ones we had back then.
Though it is irrational to draw suffering to oneself, it makes psychic sense in that consciousness seeks to integrate that which was overwhelming at the time. Think of this as a memory of a dire threat to one’s life that a part of ourselves remembers and tries to remove as a threat to our well-being by drawing it to ourselves repeatedly in life until we have managed to accept it—deal with it, perceive it differently than being a threat—so that we can go beyond it.
For the psyche’s main goal is to grow and heal itself, We see this intention of consciousness manifest in observing the body that Consciousness creates and which we see, which does exactly that growing and healing throughout life. Consciousness seeks, always, greater consciousness. Consciousness seeks unity.
Earlier we looked into how we do that seeking of psychological healing at rock concerts and with their mosh pits, in particular.
So we unconsciously create situations in life that make us feel like we once did but could not deal with at the time. And these feelings of course are uncomfortable…why else could we not deal with them originally? This does not mean that by bringing suffering to us we solve it and accept it. We would not be bringing it repeatedly to us if we successfully got beyond it.
No, we create suffering such as overpopulation because we are NOT dealing with, accepting, resolving, facing the memories that are making us continually manifest situations that should remind us…but don’t. The fact that some people are facing these issues or are on the verge of doing so—those Wounded Deer and Centaurs—is the hopeful message of this work. For this trend is auspicious for solving the biggest problems of all on Earth—those huge environmental and geopolitical woes that are threatening to do us all in. But I digress. Stay tuned, though.
We Manifest the Opposite of Crushing Populations Also — Floating Fantasies and Experiences
BPM I and “Birth” Day Parties
We also manifest the opposite of crushing, claustrophobic feelings for perinatal reasons. Remember that in the early stages of our womb lives, described as BPM I states, we are surrounded by flesh as well but it is not constricting. It is blissful and euphoric. No doubt we create our parties and festivals out of our desires to re-experience such wonderful, comforting feelings.
In this situation, one moves freely, with people (flesh) at a comfortable distance. Ideally one wishes to be the “life of the party,” in other words, the reason everyone else is there and the person around which everything else revolves. For such is the case in the early stages of life inside one’s mother, in general. Everything that was going on then around one’s embryonal and fetal selves, biologically speaking for sure, was about oneself; but more: It was about one’s overall happiness and well-being. As they say, It doesn’t get any better than this.
It is understandable that we would create “birth” days and bring people to gather around us at “birth” day parties. Certainly our births were fraught with discomfort and trauma. But we did make it out. And birthdays and their parties are ways we try to remind ourselves that life is not always
the discomfort and struggle of birth or the aloneness, separateness immediately after birth—BPM IV—but can be the blissful love surround of unity with one’s mother in the early womb state. We try to cover over the struggles and alienation of life—which we are pushed to unconsciously manifest in our lives because of traumas around the process of coming into the world—with reminders of the most pleasurable time of our lives, our early womb existence—which we intentionally wish to bring about again.
BPM I and Dancing
People go to dance halls to surround themselves with writhing flesh in a way that they themselves can still move freely and well, even acrobatically they’d like to think. We want the freedom of blissful, perfect movement. Perfection and precise movement is sought, along with bliss, for our experience was of a process of biological perfection; precise and perfect beyond anything we would later experience.
It is even better if it defies gravity, as our experience in the womb seemed to.
Gymnastics and break dancing are perfect recreations of blissful womb experience. We can move euphorically in three-dimensional space, overcoming the constraints of gravity. This is exactly our experience in early womb life. We both do these activities and are fascinated by others performing them because of early memories of perfection and weightlessness.
BPM I and Weightlessness
Since our early life is felt as weightless, it is also the reason we are enamored of the gravityless experience in space. Not only does our media replay depictions of space walks and astronauts in floating zero-gravity environments, but we are attracted to and seek to re-experience this. I remember a reality show where the participants were rewarded with a weightless experience caused by an aircraft descending from high in the stratosphere at such a speed as to create it.
BPM I and Floating
Plus, we sky-dive. And if we do not, we view with awe and appreciation via the media the videos of the most acrobatic and gravity defying stunts performed in descent by sky-divers. We have created machines where we on the ground can force air up strongly enough so we can experience floating in the air above it similar to sky diving.
I cannot leave the topic of floating without pointing to the most obvious and frequent activity of humans to re-create the weightless experience of BPM I—swimming. Being in water simulates the gravity-free state of our earliest life. It is one of the commonest activities of humans.
It is also no coincidence that for a time in the Seventies and Eighties it was popular to try to re-create birth, perinatal experiences by doing warm water “rebirthing” in hot tubs. The water was often made to be body temperature. And, by the way, it did stimulate these early memories in a powerful—though perhaps not optimal—way.
Even our depictions of release from the constraints of physical existence are viewed through this BPM I veil of blissful weightlessnes—whether it is the evangelical Christian idea of “the rapture” or my own depiction of transcendence via a Jacob’s Ladder style of transformation of human consciousness.
The Human Nature That Is Not
Having looked at the the most obvious perinatal propensities of the postmodern person in this chapter, let us go deeper. In the next chapter we look at how imprints from our early life in the womb affect us in many of the currently dire activities we are engaged in, for example, environmental destruction, war, capitalism, and imperialism. We discover that there are prenatal imprints for all these activities, which we normally ascribe to being rooted in our human nature—depicted as one of insatiable acquisition, violence and competitiveness, and desire to control and dominate. The fact that we find that they are in fact not part of our nature but are instead products of some personality forming experiences—however early those experiential events may be—is auspicious in the extreme. In looking at the prenatal blueprints for our self-destructive “human nature,” we learn why we do the things we do and realize we are not doomed to continuing to do them.
Continue with Four Earliest Roots of War, Bigotry, Capitalism, and Pollution: Blueprints of Human Nature and Prenatal Personalities … Profound Sculpting of Who We Are Occurs at a Time We Cannot See
Return to Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!
Footnotes
1. Alvin H. Lawson, “UFO abductions or birth memories?” Fate, 38(3) March 1985, pp. 68-80; and Alvin H. Lawson, “Perinatal imagery in UFO abduction reports.” In T. Verny (ed.): Pre- and Perinatal Psychology: An Introduction. Human Sciences Press, New York, 1987.
2. Alvin H. Lawson, “Placental Guitars, Umbilical Mikes, and the Maternal Rock-Beat: Birth Fantasies and Rock Music Videos.” The Journal of Psychohistory 21 (1994): 335-353.
3. Daniela F. Mayr & Artur R. Boelderl, “The Pacifier Craze: Collective Regression in Europe.” The Journal of Psychohistory 21 (1993): 143-156.
Continue with Four Earliest Roots of War, Bigotry, Capitalism, and Pollution: Blueprints of Human Nature and Prenatal Personalities … Profound Sculpting of Who We Are Occurs at a Time We Cannot See
Return to Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!
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Projecting the Perinatal Zeitgeist: Everything You’ve Managed to Forget About Being Born
Posted by sillymickel
Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!
Wounded Deer and Centaurs, Chapter Two: Everything You’ve Forgotten About Birth … Projecting the Perinatal Zeitgeist
With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize twenty-first century life.
Baby and Fetal Projections on the Silver Screen
Fetus in the Sky with Diamonds … And Oh, the Shark Has Pretty Teeth, Dear…
In these strange days, movies, TV shows, and books are rife with perinatal themes:
From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all
time — ”Jaws,” for example, with its huge vagina dentata
shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.
Other examples of perinatal imagery in the media include those in the movie
“Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.
ET, Phone Mom!
Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.”
There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.
“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and
threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.
In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete.
This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and were overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.
There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series,
“The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention. [Footnote 1]
In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts
Everything You Always Wanted to Know About Being a Baby
Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.
Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.
This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.
Boob Tube With a View
Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine,
“A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]
A Hundred Monkeys and Counting
I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.
Perinatal Faces Poking Out Everywhere
Other perinatal elements that are currently manifesting include:
Satanic Cult Abuse
Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.
BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”
Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.
The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.
The ritualists’ use of robes and costumes,
especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.
Serial Rapists and Killers
One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.
But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.
Tube and Cinematic Violence Galore
Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.
Matters of Life and Death
We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.”
This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.
It’s Not the Fourth of July, However….
You do not seem to be able to see a story that does not have explosions galore.
Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.
Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.
XXX
There is lots of violence, and of course, sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.
Monsters, Vaginas, and Hairs, Oh My!
Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”
One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.
Time Travel Equals Age Regression
Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.
Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.
We have Ever Increasing Cesarean Births
The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.
While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.
“Noah, How Long Can You Tread Water?”
Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.
We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when
standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.
Aw, Hell
The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.
Death by Vegetable
“I Agree, But I don’t Like Having It Shoved Down my Throat!”
Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.
I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.
Told You I Didn’t Like Vegetables!
Another common variation is when the suffocating item comes out of the person’s mouth.
In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.
This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.
This sequence of pics from an episode of The Outer Limits is a rather good depiction of this. Notice that at the point the object emerging from the mouth is most visible it takes on the form of a vagina dentata. This links the images with birth and indicates the aggressive character of the feelings being depicted, that is, we have repressed anger feelings left over inside us from what was done to us. It is also more than just coincidence that the person to whom this is happening is in a hospital room and is dressed in a hospital gown; the plot is about this woman carrying a baby and this scene happens just after the birth. This is significant for the reason following, which states that this image has its roots in an event that indeed happened right after birth..
Gag Me With a Toxin.
This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids
from the neonate’s mouth by the attendants immediately after birth.
This latter connection — the ungentle mouth cleaning of birth fluids — I can personally validate from my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence the popularity of such images in the media of recent decades.
Treated Like a “Piece of Meat”
This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the
neonate—can leave one with lifelong feelings of being treated like a “thing.”
Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.
These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.
This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb.
Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.
Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?
Victims Du Jour
By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.
Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.
In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely,
because of professional arrogance, having experienced or undergone these regressions themselves.
Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms,
they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course
both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)
Welcome to the World … Now f u
Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch,
feel manipulated and used,
treated like an object and with no sense that one is a living aware being.
With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!
This also sheds light on the seemingly “mindless”
violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be
acting out
their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.
Faces Coming Out of the Walls
I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…
seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.
We have had, over and over again, the image of the “evil fetus” erupting from the abdomen,
as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing.
Membrane Walls
But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!
Ventura Out of the Womb
A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.
He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.
He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working
after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.
We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.
We witness the actual “birth”: Jim Carrey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”
Couldn’t Fight Your Way Out of a Plastic Bag!
Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in
membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was
shown repeatedly on TV to hype the movie when it came out.
Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as
concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal,
as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.
Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs
which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.
Of course a similar thing—forcible “re-education”—could be said for the use of jail cells,
solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of
the entire body or just the head…and often added the
element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?
Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.
This House Will Eat You Alive!
I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”
This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.
These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.
But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.
House, Cave, Squids
Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.
To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.
There was a recent movie of this squid
variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.
House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boats, especially submarines; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes;
the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.
Prison, Jail Cell, Schoolroom = Womb
In the category of womb symbols that are places that enclose or “house” one
that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons,
jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself.
Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues.
Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.
Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured
and helped along in one’s development, exactly as
was the purpose and situation in the womb. Libraries are the benign version of
womb-like “schooling” in that the element of volition or choice in the matter exists.
When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.
The Wall
In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes.
We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.
Houses and Spaceships Are Real “Mothers”
One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.
At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.
Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general.
And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.
Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …
“You Will Be Assimilated.”
The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.
Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily
attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out above, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.
Worse Homes and Gardens. Is It Any Wonder It Is Haunted?
I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”
Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.
Mad Doctor Frankenstein, the obstetrician
Related to this, taking this theme back in time,
is the ideas of dungeons or castles … with mad scientists, no less — obstetricians, perhaps?
At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.
Origins of Parallel Universes
But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.
I might start by pointing out the element of there being another realm
into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.
Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus.
We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another.
Actual birth, BPM III, has most often been related to feelings of death/rebirth.
So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.
“There’s No Place Like Home.”
But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.
In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in
“The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.
Through the Looking Glass
And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course),
which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.
The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.
The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.
But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!
This “Dark” Unknown
In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.
This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.
Love, Fear Relationship
To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see subsequent chapters, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.
To Hell With It…
So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted
among our intellectual currency.
Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.
In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]
Face Me, or You’re Mine!
Central to this book is the idea that we need to face the ultimate and horrible truths if we are to save ourselves. Wounded Deer are those people who suffer from closeness to these perinatal truths. Centaurs are those wounded ones who have accepted these facts of life; they have accepted the fact that fundamentally they, as all of us, are wounded. And in embracing it this way they become healers for those who cannot face their truth or who are struggling with doing so.
For not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of
our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.
Fear and Freedom … Only a Membrane Away
Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.
Perinatal Spamming
We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away.
They
are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.
Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape.
Also, the fetus’s features in the
latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.
All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in
a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced.
There is no doubt that we are letting our newest members know they will not be able to move freely in
life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.
Baby Abductees and Masked Medical Aliens
Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an
alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.
The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.
Birthing Into Everyday Life
Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, whether they will they lead to the armageddon that many are predicting or to a consciousness evolution and a new Earth—will be something for us to consider further on.
Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.
To Be Continued with Wounded Deer and Centaurs, Chapter Three: The Perinatal Furniture of Everyday Living
Return to Wounded Deer and Centaurs, Chapter One: We Are a Fever
Enjoy your own virtual emergence by following the pics below:
Now add a blissful period and go back around again; that’s the way it works in life.
Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life
Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide
Footnotes
1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”
2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76
Birthing, Forgetting (a short story)
An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.
http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm
For background and elaboration of “Birthing, Forgetting” listen to the audio,
Some Primal History and Prologue to “Birthing, Forgetting”
The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.
http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh
3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“
Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life
Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide
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