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Play Cards with Your Dragons: The New Hero’s Cycle Involves Surrender Not Struggle, Sacrifice Not Slaying, Compassion Not “Toughness,” and Silliness Not Stoicism

541997_280034735430484_673206244_n 0038-82a59_screen_shot_2011-09-17_at_11-24-16_am_0-img_assist_customcrppd Loving Warriors and Silly Heroes: The Necessary Hero Dances Above Dissonance, Lightens Up in the Face of Stress, and Sees Divinity Not Demons Behind It All

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Apocalypse – No! Chapter Thirteen: Peaceful Warriors and Silly Heroes

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You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You

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We Need Compassionate Warriors, Not Fighters: It’s Not Enough Just to Slay Dragons, We Need to Jump Into Volcanoes

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Volcano-Jumping: A Different Heroic Response

clip_image003This different kind of heroic response—which characterizes the perinatal arena and is sorely needed at this time in history—is exemplified in another contemporary movie of cult status. We will deal with it in some detail to bring out the elements of the kind of hero that is now required to stop the cycles of destruction that have currently driven us to the abyss…to the very edge of a “volcano.”

In “Joe Versus the Volcano,” the main character, played by Tom Hanks, is given a heroic task. But unlike a typical hero’s cycle task which stereotypically involves the slaying of a fire-spewing dragon, Joe is asked to give up his life by jumping into a fire-erupting volcano.

The connection between volcano and dragon is that at the second-line or psychodynamic level the fire-spewing aspects of the perinatal, which might be compared to a volcano, can be seen as “embodied” or reduced in the form of a dragon. In the same way, the volcanic energy of perinatal feelings is initially embodied in easier-to-face and “dragonized” psychodynamic, second-line, or childhood traumas and feelings.

You Just Can’t Slay a Volcano

clip_image004But what may seem to work at the second-line or psychodynamic level—the conquering or slaying of negative feelings…and notice that I said “seem”—has no place at all at the perinatal. For here the pain energy is overwhelming and pervasive. Thus the difference is analogous to that between facing the energy of a dragon and facing that of a volcano.

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The Heroes We Need – The New Hero’s Cycle

First Anima, Then Community

clip_image007Keep in mind that this movie shows Joe, earlier on, going through all the major stages of the hero’s cycle—the retreat from mundane reality, the sailing off into a new and exotic realm of existence and adventure.

It even depicts a typical “dragon slaying”—the hero’s conquering of inner fears and risking of one’s life for another that results in the uniting with anima energy–the saving of the damsel. So earlier on there is a dealing with psychodynamic energy, just as in “Nothing but Trouble” Chevy Chase deals with psychodynamic material and enacts a dragon slaying by risking his life to rescue Demi Moore from a giant chopping machine. But, also similarly, this results in the opening up of another level, requiring a completely different—indeed, opposite—response. Thus, in “Joe Vs. the Volcano,” Joe is asked to give up his life to save an entire community, not merely to risk his life to rescue his anima, his feeling self.

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Risking It All

The ensuing plot has interesting elements as it shows Joe having to decide whether to sacrifice his newly won relationship with his anima ally for the benefit of an entire—but anonymous—community. This demonstrates that at a progressed level of the spiritual process—that having to do with one’s inter-connection with the larger community of living things, not just one’s personal unconscious—one must risk even one’s newly regained creativity, inner child playfulness, and personal feelings, i.e., one’s anima.

But in telling fashion, in order to make the higher “community” sacrifice the anima elements that have been let go of, symbolized by Meg Ryan as the anima damsel, end up going with Joe to his chosen fate and are borne up, renewed, along with him.

Borne Up by a Beneficent Universe

clip_image008On Joe’s part, the climax shows the same quality of a beneficent Universe aiding a true and dharmic heart. Joe (with his anima) face what they think is death. Instead they find themselves “borne up” by the volcano, not consumed; and they are deposited (reborn) in a typical perinatal watery surround—the ocean, symbolizing therefore a spiritual birth. This is a perfect depiction of how surrender, not “heroic” resistance, is done and why it needs to be done currently, as I have been pointing out.

“Away From the Things of Man”

In the end, the main characters are floating in the middle of a wide open sea—signifying the immensity of potentiality that is now open, and facing a gigantic moon on the horizon—symbolizing the beneficent nature of the Universe to which they are opening, that is, it is beautiful and lit with clip_image010possibilities.

They are seen sitting on only their luggage—symbolizing the “stripped down” nature of the self, that is, stripped of ego trappings of status, vainglory, defenses, and so on. Their final comment at the very end of the film is that they do not know where they’ll end up but only that it will be “away from the things of man”—indicating their desire to never go back to the drama of ego and its puerile catacomb pathways of darkened experience.

The Universe Is You

We see then that in this movie, like “Nothing but Trouble,” the heroic response required is surrender, not resistance or control, and that the response from the Universe is cooperative and helpful, and hardly antagonistic as was feared, especially at earlier levels.

This is in keeping with the discovery at the perinatal, which borders it on the transpersonal, that in fact the Universe, not only is not antagonistic, not only is beneficent and helpful, but in fact is no different from oneself, indeed is oneself…and one begins to wonder why one would ever expect not to be borne up by a Universe that is now seen as inextricably united with one’s Self.

Note

While the interpretation of Joe Versus the Volcano presented in the video below – Joe vs. the Volcano: Losing my Soul, Part One – is annoyingly suffused with theological terminology – hell, devil – and suffers from the paranoia that happens lacking a perinatal or even a Jungian understanding, it does succeed on a more superficial level of basic insight. It does get the highly metaphorical and philosophical import of the film and picks up on major themes of the movie. It strikes me as having the problem of just understanding religion while knowing nothing about psychology. And it suffers, as I’ve put it elsewhere, from the problem of projecting one’s perinatal underbelly onto the Universe or of funneling revelation through the filter of personal pain.

Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere

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What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered

Responses to the Perinatal

Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.

Jiving With Your Monsters

clip_image002The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.

Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.

Beware the Tar Baby

clip_image004On the other hand, the arrogant banker contends with evil, and, like Brer Rabbit with tar baby, gets stuck.

Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.

Lighten Up!

But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.

Silly Heroes

2128380832_cbf329bf5fStanding within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.
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clip_image006If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.

 

 

Darkening Down

clip_image008Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile clip_image010air—indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.

The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.

clip_image012But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.

Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.

However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.

Evolution In Attitudes to the Perinatal?

clip_image013However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.

Dancing Above the Dissonance

Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.

clip_image015Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.

The Universality of Divinity Remembered

The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.

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Continue with Apocalypse – No! Chapter Fourteen: To Move the World – A Race Against Time

Return to Apocalypse – No! Chapter Twelve: Atman Projects Versus Surrender Solutions

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When Everything Appears to Be Conspiring Against You, You Might Want to Stop Fighting Rebirth: Atman Projects Versus Surrender Solutions and a Different Hero’s Journey

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How Can You Be Borne Up, If You Won’t Let Go? Spiritual Experience Is Distorted by One’s Birth Trauma … The Necessary Hero Descends Into the Perinatal Below

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Apocalypse – No! Chapter Twelve: Atman Projects vs. Surrender Solutions

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The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

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A Different Kind of Hero’s Journey for Our Times Is Depicted in the Cult Classic, “Nothing But Trouble”

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A Perinatal Flick

A film of postmodern times that is bold with revelation for us is the cult classic, “Nothing but Trouble,” which was released in 1991.clip_image002 It is an especially potent example of the rising pre- and perinatal influence in the media we’ve been discussing as well as the different heroic response required in these strangest of days because of it. It is all this, plus a twist: As a comedy it represents an unlikely approach to such material and themes. More about that later.

It was produced and written by Peter and Dan Aykroyd and stars Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy.clip_image008Its reception by modern audiences mirrors exactly the perception in general, to date, that has been had of the perinatal material it depicts so well. For despite the movie’s star power and the popularity of its co-creator, Dan Aykroyd, it was met with overwhelmingly negative reviews and received six Razzie nominations, garnering one. I fully expect that until we know better I can expect much the same kind of reaction to this book, because of the perinatal perspective it is revealing of the dark underside of everyday pleasantries and sugar-coated media realities. Yet there is hope for all that we will integrate this hard-to-face yet redemptive material in the fact that the movie does have a strong following among some in our population, just as at present there are some who are not in denial of the bittersweet perinatal vision being revealed.

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The Lure Into the Underworld and Call to Adventure

clip_image004The perinatal adventure of “Nothing but Trouble” begins innocuously with the main characters “leaving the beaten path” on a rather ordinary trip out of the city. Interestingly, the Brazilian couple who have forced themselves on the main characters of Chevy Chase and Demi Moore in making the trip act as impish other-worldly instruments in the change of route.

Joseph Campbell pointed out that the “call to adventure,” which marks the beginning of the descent into the transformative nether regions, may be instigated by the merest chance or blunder. [Footnote 1]

Campbell also writes that the heralds of such a rite of spiritual passage are often loathly and underestimated characters. The Brazilian couple—as gaudy, overbearing, quirky, and from “down under”—perform just this function of luring into the underworld. Thus, they remind us that it is the quirky yet underestimated element in our familiar daily experience that opens us up to the process whose ramifications are huge by comparison.

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The Merest Blunder, The Adventure Begins

Sure enough, this innocent-appearing outing is soon disturbed. The merest blunder of map reading results in an ominous tour of an eerie town and its somber and menacing-looking inhabitants. This is followed by a high-speed car chase as the police attempt to pull the innocents over for a bogus traffic violation.

In the tour of the town, it is as if the ego is shown getting a preview or having a precognition of what lies ahead and attempts to flee back into its safe familiar environs. But of course, this emerging piece of unconscious material will not be denied and is able to capture the fleeing ego that we see safely ensconced in its trappings of status and power—symbolized by the BMW with car phone. At this point the main characters, representing the ego, are led, under guard, into the bizarre town of Valkenvania—the encounter with unconscious perinatal begins.

Perinatal Elements

The Junkyard of the Psyche

Campbell says that in the unconscious deep, to which one is beckoned, “are hoarded all the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence.” [Footnote 2]

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Likewise, the set in “Nothing But Trouble” is replete with refuse. Bits of history—of rusted and broken refrigerators, automobiles, kitchen appliances, assorted junk, and pieces and parts of all the preceding…the wreckage of the past—are strewn about as well as heaped in clusters to construct the architecture and delineate the outlines of the drama. The correlation with subconscious remnants of forgotten memories and past emotional experiences is obvious.

Thus the drama evolves in the dumping ground and junkyard of the psyche—where all the rejected tidbits of experience have been relegated.

Stripped of Ego, Perinatal Begins

After being separated from the automobile—that is to say, the ego stripped of defensive trappings of status and worldly position—the characters are rather quickly shuttled into encounters with a myriad of perinatal elements. A few of the obvious ones are as follows:

  • Mr. Bonestripper, which is a roller-coaster type ride whose entrance is a large vagina dentate mouth that swallows, chews up, and kills. Notice the roller-coaster ride aspect of Mr. Bonestripper, which reflects the emotional extremes and changingness of perinatal, specifically Basic Perinatal Matrix III (BPM III), events. [Footnote 3]

  • The chutes inside the house and of Mr. Bonestripper indicate birth canal symbolism.
  • clip_image013Sexual elements, indicating BPM III influence, are manifest in the scantily clad heroine and the penis-nose of the judge.
  • The dark foundry symbolizes the foundation work of the psyche as well as the ominous and eerie aspects of perinatal experience.
  • The slave labor surroundings represent similar feelings in the enforced and helpless character of doings just prior to and at the time of birth.

  • Notice that the body—the car, the “Beamer”—gets trimmed down, the excess removed, symbolic of the cutting away of past attachments and concerns of a worldly nature, one’s “status” reduced.clip_image015
  • Chevy Chase as the main character is at one point forced into a marriage with a huge woman, who is tellingly androgynous in that she is played by John Candy. In her threatening and suffocating embraces we see symbolism of the crushing womb.
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  • The entire site of these doings is surrounded by a watery trench. This obviously reflects the amniotic surround in the womb.

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  • Police and guns point to the authoritative character of perinatal doings—in other words, do, or else!

  • Death/rebirth symbolism of the perinatal exists in the form of skeletons and huge piles of skulls and bones.

  • clip_image021Scatological, that is to say, fecal symbolism is seen in the “bat-room,” which contains an enormous pile of wet bat-shit…excuse the wording, but it really is shit and not feces.
  • The arbitrary nature of justice in the courtroom speaks to that perinatal feeling that one tiny thing, event, or action, has huge and horrifying ramifications.

Big Babies

The most obviously perinatal element, however, is the gargantuan and grotesquely flabby infant twins in diapers. Perinatal feelings are indicated in their extreme crying neediness. Their freshly newborn quality is evident in their fleshiness, which reminds one of the overweight appearance of some newborns, which is usually lost a little later on in infancy. The glossy, waxy sheen on their bodies is reminiscent of the skin of a newborn, which, fresh out of the womb, is wet and slippery, covered in amniotic fluid and cervical mucosa.

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A Spiritual Interface

An interesting aspect that indicates the transpersonal, or spiritual, interface with the perinatal is an attic room—a higher mind of memory, kind of like an Akashic record—where all past IDs—identifications—and reports of them—newspaper clippings—are displayed.

Though, interestingly enough, in true perinatal fashion, a macabre lens is used to view these lives—only the reports of their tragic disappearances are seen. I believe that this is a wonderful depiction of how transpersonal information is distorted by perinatal material—the implications of which are far reaching for the pronouncements of so-called spiritual, or psychological, authorities who have not dealt with their perinatal undersides.

Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

When It Appears the Whole World Has Been Conspiring Against You, You Might Want to Let Yourself Be Blessed

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Multilevel Feelings

Just When You Thought….

10-emergence-440_thumbHowever an important element in this movie, “Nothing But Trouble,” which is different from artistic representations that deal with only the personal or psychodynamic, is the way the ending opens up under it to a new level, a whole new arena, of issues. Those of us in experiential therapies or breathwork are only too aware of how the perinatal opens up to one, revealing a greater expanse and pervasiveness of dis-ease, at a certain point after dealing with the personal and the psychodynamic.

clip_image003The_Crusades_WallpaperThis layered, or multilevel quality of the movie is shown when the main characters, having heroically escaped through personal effort, find themselves returning to the perinatal realm. Thinking that they have the forces of authority and light on their side, they expect this time to be able to put the evil away once and for all.

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But When All Seems Lost….

To their immense surprise, it appears that the whole world has been conspiring against them—a telling perinatal feeling. The evil is discovered to be pervasive, as if infiltrating every corner of the universe—another perinatal feeling. Even the thoroughly trusted elements of light clip_image004turn out to be on the side of the darker forces—a vantage point that is part of the hopelessness that characterizes the classic no-exit BPM II scenario. And just like in the womb, then, when all seems lost, something new happens, an explosion or eruption of sorts, which brings down the old world and its structures in a violent conflagration.

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Atman Projects Versus Surrender Solutions

557920_426192764089005_1036145378_nclip_image006This hopeless and futile aspect of the perinatal realms — as opposed to the merely personal or psychodynamic ones—lends itself to its distinctive response—which is surrender, not resistance. Unlike the hero of Campbell’s hero’s cycle whose task is to slay the dragon using the sword of analytical or cognitive powers, the correct solution here at the perinatal is to let go of all designs, manipulations, and attempts at control and to put oneself into the hands of the seemingly irrational and chaotic Universe, come what may.

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How Can You Be Borne Up, If You Won’t Let Go?

tumblr_m2dsa5cmDR1r46foao1_400clip_image007The Universe’s response in the movie — the upsurge of fire from below the earth that brings down the evil structures—demonstrates the theme of being saved by higher forces when one finally is able to surrender. In the same way, in our perinatal experiences, we find ourselves “borne up” and elevated when we once are able to submit to the upsurge of fear-evoking perinatal emotion.

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Indeed, when Chevy Chase is seen rolling and setting fire to barrels of oil in a superhuman nick-of-time rescue attempt—in typical “hero’s journey” style—I had an odd disjointed sense that we had switched modes. The element seemed incongruous.

Say “Good Night,” John Wayne

But, then again, not so. For the movie shows that the successful escape performed through one’s own effort is, in actuality, futile.clip_image008 In perinatal terms, such heroics are illusory “atman projects” that ultimately fail against the onslaught of perinatal material, which must be surrendered to, not heroically resisted or conquered.

Interestingly, the eventual surrender solution is echoed earlier on when Chevy Chase is about to go through the chomping jaws of Mr. Bonestripper, the devouring womb. His response, at the prospect of his imminent failure, is to pray—to call on higher forces.

Trusting in Higher Forces

clip_image010Amazingly, the machine breaks at that moment, signaling the response of such “external” or higher forces. He alone, of all the others who have faced that fate, goes through the machine unscathed. Notice also that he says “Thank you, Lord” afterwards.

Thus it is not on one’s own powers that one makes it through 390550_139027469542957_2115340135_nperinatal material, rather it is by the relinquishing of such attempts at control and clip_image011the relying and trusting in higher forces. We are reminded that Dante required the angelic Beatrice to show the way through purgatorio and inferno to paradisio.

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The Message

In the next chapter, we will use another postmodern film to expand on these themes. This will allow us to fill out an emerging pattern, as we then compare it with “Nothing But Trouble” and other perinatal evidence.

So let us watch, now, as the pattern, like a photo emerging in solution, reveals to us its features, thus delivering to us the message it has come to bring.

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Footnotes

1. Joseph Campbell, The Hero With a Thousand Faces. Princeton, NJ: Princeton University Press, 1968, p. 51.

2. Ibid., p. 52.

3. As a reminder, BPM III events (Basic Perinatal Matrix III events), using the typology set forth by Stanislav Grof in his many works, are the events surrounding the actual birth struggle of the infant during delivery. These parts on the perinatal in film make mention also of BPM II, which is related to the time of severe compression and constriction of the fetus in the latter stages of pregnancy and prior to the actual onset of delivery—which are characterized by feelings of “no-exit”; of BPM IV, which is concerned with the feelings of release, triumph, being saved, and whatever else occurs immediately after delivery; and of BPM I, which is related to the state of the fetus earlier in pregnancy—prior to compression—which is often conceived to have “oceanic” and “blissful” qualities, though not always.

Continue with You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You

Return to Apocalypse – No! Chapter Eleven: Control Versus Surrender … Heaven Leads Through Hell

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Will We Survive? Putting Our Society “On the Couch”: Control vs. Surrender, Death vs. Life … The Path to Heaven Leads Through Hell

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The Journey to Light Leads Through Perinatal Darkness: Correcting the Arrogant Modern Ego … Religions Are About Control … Spirituality, Surrender

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Apocalypse – No! Chapter Eleven: Control Versus Surrender … Heaven Leads Through Hell

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Does It Look Like We’ll Duck Armageddon? The Information Tsunami, Ego Erosion, and Movies Are Collective Dreaming

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Are the Changes Needed to Avoid Apocalypse Occurring? The “Royal Road” to Our Collective Mind, Putting Our Society “on the Couch”

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Is there any evidence that the changes that need to happen for us to stave off apocalypse and save our world are actually occurring?

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The “Royal Road” to Our Collective Mind

I have mentioned there are studies of the psychology of generations, beginning with the Baby-Boomers or Sixties Generation, child.centered.parentingthat show both an increased access to the perinatal as well as a tendency to act out perinatal influences in less harmful…though more blatant…ways than generations prior. We have seen that this tendency goes hand in hand with actual engagement in activities to counter the negative perinatal act-outs that exist in our environment, moviesfor example, campaigning against war, pollution, racism, violence, and so on.

But in “Chapter Three: The Perinatal Media,” I introduced the common anthropological tenet that the projective systems of a culture—that is, its art and artifacts—can be analyzed to get a glimpse into the worldview of a particular society. For our purposes, I pointed out how our movies are especially potent glimpses into our collective consciousness as well as our collective unconscious. You might say that our cinema is the “royal road” to our collective unconscious.

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Movies As Collective Dreaming

movies.as.collective.dreamingOur flicks perform admirably well as collective dreams in that, unlike the other products of our collective consciousness such as other art and artifacts, they are multimedia stories, much like dreams are. But more than that, they are shared by more of the populace than any other art form. I am not including TV separately as an art form, since I put it in the same category as films, especially when many films are broadcast on TV and much else on TV also has the same character of being multimedia stories.

Finally, the strength of a particular element of the collective consciousness can be easily determined by the popularity of a particular movie that represents it or by that element’s increasing inclusion in a number of films. For example, in “The Perinatal Media,” I discussed the emerging new elements of faces coming out of walls and forceful oral insertion.

Putting Our Society “on the Couch”

All together, these mean that, just as a psychotherapist might analyze a client’s dreams to get an idea of his or her unconscious workings and contents, one can interpret mainstream movies to get an idea of the workings and contents of our society’s “collective mind”—both conscious and unconscious.

we.are.attracted.by.art.thats.inside.usThis is no more complex than saying that when we see things in movies that people rush to see, they are drawn to it because those things are also in their own minds. And the more they flock—the greater the success of a movie—the more pervasive in a society are those themes, elements, and contents. Certain aspects—themes or elements in films—are said to really “resonate” with people and therefore people make the movies that contain them popular and successful.

When this is said, it only means that people are consciously or unconsciously drawn to things that exist within themselves. Conversely, no existence inside? No interest.

lets.analyze.filmSo in this and upcoming chapters I will use films as the dreaming out loud of our collective mind. Put less esoterically, I will be analyzing a few examples of mainstream movies for their content, and I will be assuming the content I find there exists as well in the society that has watched it…has dreamt it.

I will also be assuming that movies that are mainstream, by which I mean can be found readily for sale as DVDs on-line or in retail stores and have become part of the popular conversation are indicative of pervasive elements in our collective consciousness and unconscious. brazil.faces.from.wallsThey can be looked at for the unacknowledged workings of our society as a whole.

I will not deal with the actual numbers of people who have attended particular movies. For I will assume out of the tens of thousands of movies that are produced each year—by small and large producers—those that have made it into the theaters of virtually all the communities of our society, and from there onto the DVD lists and the shelves of stores of all those communities, have by those facts alone demonstrated their resonance with the collective social mind. Otherwise, we would get into the maelstrom of analyzing critic’s opinions of these movies; and with that, to modify a saying, opinions are like asses: everyone has a different one.

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Something’s Happening Here … Again

masks-are_-like_-faces_-from_-walls_thumbOne final point about the heuristic value of the analysis of films for the workings of the collective mind: Elements and themes in movies change over time. I have shown how new elements may be evidence of new elements of our collective unconscious minds coming into consciousness in detailing how the faces-in-the-wall element has developed. (See “All in All It’s Just Another Face in the Wall.”)

But when old, familiar plots have different outcomes, this is important as well. When elements change or evolve over time, this speaks of something going on. This points to changes or evolutions in our collective consciousness. And when elements and themes and plots change or evolve rapidly, we can accurately faces.from.walls.everywheresay that the changes in consciousness are equally swift.

These are some of the tools we will be using in this and upcoming chapters as we take a look at a few examples of mainstream films and what they might be reflecting back to us about our own society’s changes in consciousness. But first let me say something about what may turn out to be the most important of the thematic evolutions or changes in film elements that we have been seeing.

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Information Avalanche and Pre- and Perinatal Themes

In the last half century we have been hearing a great deal about the need to expand consciousness to balance the negative effects of the extremes of technological advance. Fortunately this change of consciousness is to some extent inevitable—or at least greatly aided—by certain side effects of the technological explosion…specifically in the area of telecommunications.

Ego-Eroding Information Deluge

As cultural boundaries are eroded by a multicultural information avalanche, people are forced to lower their inner defenses and ego boundaries. Confronted by such incoming information people will either take some of it in, learn, and thereby grow beyond their former selves or they will need to expend themselves in an all-out effort to shore them up.

A potent example of the first, currently, is the way people worldwide are opening to and learning from each other using social media via the internet; the revolutionary potential of this creation of an open global consciousness is already showing itself in uprising for democracies and economic justice virtually everywhere on Earth. A clear example of the second—where folks are putting everything into blocking out information and beating back the personal growth that would result—is in the backlashes to these liberal forces, which are also occurring throughout the world—as a Tea Party in the United States and as the fortification of authoritarian regimes from China to Syria and Turkey, from Iran to Israel.

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We have seen that the first response—where folks allow the discomfort inherent in personal growth—is typical of a more advanced form of child-caring that is centered on the needs of the child. We know also that the latter reaction goes with child-caring centered on the needs of the care-givers, or parents…and not the child. In this latter instance of parenting, it is understandably called child-rearing or raising a child as opposed to child-caring. We have noticed that the first response goes along with increased self-analysis and introspection and the latter one with acting out, aggression, and culture war.

Information Tsunami Pushes Consciousness Revolution

tidal.wave.of.informationSo, this tsunami of information in all areas, where previously we could smugly hold forth ego-satisfying views, pushes both toward an overthrow of those narrower perspectives and the establishment of broader, more encompassing ones as well as toward an ever increasing irrationality in fending off this information, at any and all costs.

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I discussed at length in a previous section how this informational upswelling has led to a need to process it all in new social formats and the rituals of the talk and reality shows.

“Consciousness Raising” As “Shoveling It”

new.information.some.just.pile.it.onFor the most part, this growth or expansion of consciousness, when it happens, is seen as a linear increase and correspondingly is labeled a “raising” of consciousness. This is true whether we are talking about societal or individual progress.

Ken Wilber’s transpersonal theory is the most popular version of such a ladder-style path. In it the process of growth is analogous to that of climbing a mountain or shoveling compost into a pickup truck—one simply moves upward or piles it on. [Footnote 1]

But there are those who think otherwise.

Yes, Tina Turner, We Do Need Another Hero … a Different Kind: The Path to Heaven Leads Through Hell

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Religions Are About Control; Spirituality, Surrender. Let Go, Let God to Correct an Arrogant Modern Ego

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GERMANY G8 CONCERT

The Path to Heaven Leads Through Hell

Those in the know about the pervasive pre- and perinatal influence on personality and behavior, and especially those of us actively engaged in working through the effects of such early traumas, are fully aware, like Dante, that the path to heaven leads through hell. We have found that the path to the transpersonal light leads through the psychodynamic and perinatal darkness, that the path up and the path down are parts of the same path outward. [Footnote 2]

A Dark and Hideous Shadow World

Our experience has been that the information avalanche and multicultural onslaught have eroded our personal boundaries to an influx, not only of transpersonal bliss-love-compassion, but equally—and very often, initially—to a dark and hideous shadow world, a backwards bizarro world, of pernicious and insidious disorganized feelings comprised of elements ancient, infantile, pathological, biological, scatological, and perinatal. These are some of the forms spiritual emergence can take, especially initially. And they are the ones most likely to be seen as spiritual emergencies.

Pre- and Perinatal Themes in Cinema

Therefore, it is interesting to see these views confirmed by the bubbling up of psychodynamic and perinatal themes in our collective consciousness as evidenced by current films, books, and music. I have mentioned the pre- and perinatal themes and symbolism in films and explained why, along with other elements of postmodern times, they are evidence of something significant occurring in the consciousness of our age—an emerging perinatal unconscious.

But there is another element evolving in current films which has to do with a changing or evolving collective attitude toward these perinatal elements. And along with a changing attitude, there is evidence pointing to an evolving collective response to it.

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Control vs. Surrender, Death vs. Life

“Control Spiritualities” and Patriarchal Cultures

Specifically, a different kind of heroic response, which characterizes the perinatal arena, can be said to characterize the postmodern movies replete with perinatal symbolism. Most striking of all, this different kind of heroic response corresponds to a different kind of spirituality than what is commonly portrayed in this society, or at least has been the norm up until now.

control_room11For basically there are “control” spiritualities and “surrender” spiritualities, with rarely the twain meeting. “Control spiritualities” are adapted to patriarchal cultures and involve the use of the ego to “control” and be in charge of even the realms of the supernatural. This is so because an ultimate evil—a devil or Satan—is postulated, which is given equal weight along with God in determining one’s ultimate fate. This type of spirituality is normally what is called religion.

“Surrender Spiritualities” and God As Being Good

But there is another brand of spirituality that is based on a belief in the ultimate goodness and rightness of All That Is. God’s goodness being essentially the dominant force in the Universe, herein it is considered safe to “surrender” in one’s relation to Reality, to expect that one will be guided correctly, in fact perfectly, in the act of letting go. Thus letting go is not to be feared—as in the control spirituality—but is to be practiced and fostered. In this perspective, which we might call surrender spirituality, control is seen as the problem, not the solution.

“Control” and “Surrender” Psychotherapies

Of course these two approaches to spirituality represent two approaches to psychotherapy as well. The control attitude is the dominant mode of psychoanalytically-based approaches—those in which the “demon” of the id is postulated.

The attitude of “letting go” and “surrender,” on the other hand, is the dominant mode of the experiential psychotherapies, which are themselves rooted in the tradition of humanistic psychology with its belief in the ultimate goodness of the human organism and which thus allows a faith in the ultimate rightness of human processes.

“Hero’s Journey” As “Control” Psychotherapy

the.control.attitudeSince the control attitude, in any of its manifestations, requires the postulation of an ultimate evil against which one must remain vigilant and must fight, the common “hero’s journey” myth—with its typical fighting and slaying of supposedly evil parts of the personality and reality symbolized as dragons and other monsters—is a prevalent focal myth to this attitude. Corresponding to this myth are the emphasis on disciplines and practices seeking to develop the ego and the will…over against the dangers that are postulated to exist in the Universe requiring these disciplines and, so-called, ego developments.

A Different Heroic Response in “Surrender” Paths

Since the “feeling” therapies and the other spiritual and experiential psychotherapeutic modalities with which they are allied are so different in attitude to the traditional “control” attitude, should there not be corresponding differences in myths to exemplify them? Indeed, there are.

In history, the surrender spiritualities have had correspondences in myth in which the dragon is not fought, conquered, and slain, but rather is either tamed and becomes one’s ally or pet—Saint Margaret is the prime example in the West, but this is a depiction prevalent in the East—or else one is swallowed by the “dragon” or monster and, after a while, is reborn.

Jonah is the prime example in the West for this latter depiction. But again this reaction to the fearful dissociated aspects of the personality, or the Shadow, is not a common one in the Western patriarchy, and it is much more common in traditional cultures and in the East.

A Shift to “Surrender” As a Corrective to a Western Overweening Ego?

All of this may be changing in recent times in the West, as once again the humanistic attitude and the new spiritual perspectives, as well as the experiential psychotherapies such as primal therapy, make us increasingly aware of the ultimate beneficence of the body, and of the Universe beyond even that, and of the importance of surrender and letting go as a corrective to the overweening control and defensiveness of the diminutive Western ego.

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Continue with Apocalypse – No! Chapter Twelve: Atman Projects vs. Surrender Solutions

Return to Apocalypse No! Chapter Ten: Where There Is Hope, Cultural Rebirthing

Footnote

1. See especially Ken Wilber, The Atman Project. Wheaton, IL: Theosophical Publishing House, 1980.

2. See, for example, Michael Adzema, “A Primal Perspective on Spirituality,” Journal of Humanistic Psychology, 25(3), 83-116. Reprinted online at the Primal Spirit site at “A Primal Perspective on Spirituality.”

Continue with Apocalypse – No! Chapter Twelve: Atman Projects vs. Surrender Solutions

Return to Apocalypse No! Chapter Ten: Where There Is Hope, Cultural Rebirthing

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The Tao of Funny God and What Andy Kaufman and the Turkish and Occupy Protesters Teach Us: Living Authentically in the Illusion of Life … Playing Cards with Your Dragons

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Humanity Thrived at Gezi Park Prior to the Brutal Police Assault the night of Saturday, June 15th.

My only weapon is my Chapulcu heart.

We Are All Turks Today: A Pictorial, Event Log, and Perspective on the Meaning of the Turkish and Brazilian Protests

“When it gets down to having to use violence, then you are playing the system’s game. The establishment will irritate you: pull your beard, flick your face to make you fight. Because once they’ve got you violent, then they know how to handle you. The only thing they don’t know how to handle is non-violence and humor.” – John Lennon

If you want to gain a greater understanding of the funny god/ silly god concept I’ve been presenting, a great way is to see the movie of Andy Kaufman’s life, “Man on the Moon.” Andy Kaufman lived the idea; he embodied it. He was an enlightened spiritual master in this regard, along with being a comic genius. He left a grand legacy of how to live authentically in this illusion of life and transcend it.

This is the clip of the song played at the end of the movie, which starred Jim Carrey as Andy Kaufman. Apparently, in real life Andy did leave a video like this to be played at his funeral after his death. The clip gives a taste of what I’m talking about; the movie is one of the best ever made, imo.

The Most Important “Funny God” Chapters:

Breaking News — Hell Doesn’t Exist: Good—God! Hell—No! … the Comedy

Funny God, Part One: SillyMickel Melts for God’s Crops and Revelations

Facebook Funny Revelations and the Mind’s True Liberation: Funny God, Part Two — Human Fear and the Absolute Earliest Preschool

The Purpose of the Human Form and the Poignancy of It All: Funny God, Part Three — Pain and Peek-a-Boo

Funny God, Part Four: God Is Experience. Life is a Disneyland

Related:

Loving Warriors and Silly Heroes: The Necessary Hero Dances Above Dissonance, Lightens Up in the Face of Stress, and Sees Divinity Not Demons Behind It All

Humanity Thrived at Gezi Park Prior to the Brutal Police Assault the night of Saturday, June 15th.

Humanity Thrived at Gezi Park Prior to the Brutal Police Assault the night of Saturday, June 15th.

Welcome home, loving warrior, silly hero

Under “Humor as Weapon in Protests,” out of the BBC today, June 14th….

Will Istanbul’s protesters have the last laugh?
By Jody Sabral and Zeynep Erdim BBC News, Istanbul
Turkish art group performs in support of protesters at Taksim Square in Istanbul (5 June 2013)

Revolutions take commitment and determination. Revolutions are often messy and confusing. But in today’s digital age of iPhones, citizen journalism and self-made producers, revolutions can also be funny. ….

Istanbul’s anti-government protesters have inhaled tear gas and faced water cannon, but they are still laughing all the way to Gezi Park, the symbolic centre of the demonstrations, which have now spread to at least 60 cities across the country.

“We have witnessed incredible things that have left us psychologically traumatised, and although we are determined to win, we may actually lose this revolution because of laughter,” said Fatih, a graphic designer ….

Riffraff’ phenomenon

A slogan that has become synonymous with the protesters who describe themselves as “a civil resistance”, is the word “chapulling’, which literally translated means “bumming around”.

The word was coined in reaction to Mr Erdogan’s comments describing the protesters as “calpucu”, or “riffraff”, before he left on a trip to North Africa earlier this week.

The BBC’s James Reynolds looks at how the crisis has escalated

The remarks have spawned an entire chapulling phenomenon, one that even has a Wikipedia definition and a video explaining how to use the word.

http://www.bbc.co.uk/news/world-europe-22823730

Related Book: Culture War, Class War: The Rise and Fall of “Obvious Truths”

Related Book: Apocalypse Emergency: Love’s Wake-Up Call

Related Book: Apocalypse No: Apocalypse or Earth Rebirth and the Emerging Perinatal Unconscious

Related Book: Wounded Deer and Centaurs

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Turkish Protesters Dance in Gas Masks. “Day and night we are ‘chapulling’!”

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Tao of Funny God: Why Not Bring Your Piano to the Protest?

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Grandma at the Protests: “NOW, will you be good!”

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another one from Brazil

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Continue with Culture War, Class War: The Rise and Fall of “Obvious Truths”

or Apocalypse Emergency: Love’s Wake-Up Call

or Apocalypse No: Apocalypse or Earth Rebirth and the Emerging Perinatal Unconscious

or Wounded Deer and Centaurs

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About this latest pic, Bernardo Antonacci Enlightened Love II says:

Meanwhile, the Divine Feminine in Action in Turkey- Goddess Rising!!

No one can tell me now that ascension is a myth. It is happening everywhere right in front of us. If this is not the divine feminine I don’t know what is.

There is imminent danger and final ‘illegal’ warning has been issued to the protesters by the PM (Turkish Prime Minister, Recep Tayyip Erdoğan). Police with live ammo have been observed around the protesters for the first time since the protests began and they are in thousands! Please add us to your prayers and send any healing, calming energy you can to us. Thank you!

All the mothers of all ages whose children are protesting in Gezi Park surrounded the park with a human chain.

Tonight there won’t be an attack. Mothers are there to protect their cubs. There is a wonderful piano concert within the park tonight. The police are also just hanging around and sitting on the floor, waiting and poor guys, what else can they do, except feel the love.

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The above was written yesterday, June14th. The police in Istanbul brutally attacked the beautiful people in Gezi Park tonight, Saturday, June 15th. Many were injured, people were brutally clubbed.

In honor of the brave people of Turkey. What you do, you do for all of us. We are truly one humanity.

“someday we’ll make this world a little brighter…”

Latest report … from Istanbul, June 16th –

LIVE FROM ISTANBUL: Today, following Turkish Prime Minister Recep Tayyip Erdoğan’s extremely sectarian, separatist, and fictious speech in Ankara, around 9 PM, the Turkish police began to attack thousands of people who were at the Gezi Park and Taksim square, having dinner. There are kids under 4-5 years old, mothers, and old people among those who were under gas and pressurised water attack. According to reports, police doesn’t allow journalists to report or to take pictures from Gezi Park. They are also attacking with pressurised water business such as famous Divan Hotel that opened its doors to protestors running away from brutality. People are saying there are thousands of wounded inside of the hotel. People formed a human chain in front of the hotel to prevent police to attack. Another report says that people cannot leave the hotel because police is arresting whoever leaves. There are also unconfirmed reports that police shut down the metro and boats between Asia and Europe to stop people coming and joining the rest. Another report says that there is a jammer in the area to prevent TV stations’ broadcast. There are hundreds of wounded. There are a lot of missing kids, or kids who are separated from their families. Protestors are fighting with police in Sıraselviler, Cihangir, Harbiye, and most likely around Dolmabahçe and Maçka. People call it a total brutality, a real savagery that is going on tonight. What we are seeing an ugly war where only one side have weapons.

in this photo you can see the chemical gas in water cannons

later update: now also the army is with the police against its own people

all around Turkey … people are resisting

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Why Turkey?

If you want freedom, you better *flaunt* your rights to be … nothing extraordinary … just *free* … That is one reason I love the Turkish protesters.

If you want freedom, you have to act free. If you can only say and do certain ordinary and innocuous human things in certain places, at certain times, and even then have to be careful of straying over some arbitrary lines, you are not free … though you may avoid bloodshed. But history has shown that the more you hide from tyranny the bigger it grows. You allow it to grow unhindered. Then, you are the cause, because of cowardice in the present, for bigger atrocities in the future.

We have the same struggle for peace and freedom here in the states. and we have had it the entire time I’ve been adult, going back to the 60s. my generation got us out of a ghastly war. but we had to pay with some lives, and with being hounded, ridiculed, slighted, and short-changed forever after. But I for one would not have done anything differently. And i still refuse to submit to tyranny.

My struggle, your struggle, their struggle is no different from the struggle of all people to be free of their oppressors. We are all heirs to benefits wrought of the sweat and blood of our forebears. And if we shirk that duty on our watch, we will be guilty of shortchanging our progeny.

At Gezi Park, it was a festival in the park for weeks until the police attacked them. even afterward there was a rightful attempt by citizens to act like free people. their resistance to being stomped on for just being human strengthens all of us who are trod on … regardless of any outcomes. …. in the end, there is simply no alternative except, if you want to be free, you better act free…..

Politicians can nitpick about the details and the complexities of the situation and all the geopoltical intrigue and whodunits. ordinary folks, however, will never be privy to all that. so our course is simple and straight. We have an obligation to be free…. not just for ourselves and our children and in the foreseeable future or moment … but for all people everywhere and for generations unborn. there has never been a clearer line in the sand than has been drawn in these last few decades between the moneyed oppressors and the increasingly downtrodden everyone else. and with environmental collapse looming in the background, we are called to be heroes like never before. Literally everything depends on whether we succeed or not.

Many folks have been heroes in recent years, in Egypt, Palestine, Libya, Syria, Wisconsin, Zucotti Park, Oakland, and in freedom struggles and Occupy events all over the world, to name just a few. I love and salute all of you and am ever inspired by your actions in our worldwide struggle. I’m just saying now, let’s extend that same courtesy to the brave and heroic ordinary folks of Turkey right now, who are suffering. They deserve the same credit and support now that we all would like to get when we are on the frontlines in our struggles as well.

Solidarity, brothers and sisters. … simply that….

We are all Turks today. one humanity. one struggle.

#WeAreAllTurksToday #Gezi #Istanbul #Turkey #Occupy #occupygezi #breakingnews #Turkey #occupy #TurkishSpring #Taksim – #ErdoganOut – #301TurkishPenalCode – #Gezi – #ArmenianGenocide – #TurkishSpring – #PrimaveraTurca – #OqvcnaovenaTV – #OrhanPamuk – #HrantDink – #Turquia – #SalveJorge – #ForaErdogan – #erDOGan

From Istanbul, 16 of June, report –

Today they drive them out of Gezi Park and Taksim. But Resistance cries “Everywhere Taksim, Everywhere Resistance!”

Police attacked a parlamentarian.

He is a deputy, he wanted only to help injured people but police kicked him

Police detain doctors too…

Please call Red Cross to go Turkey

because they use dangerous chemical gas, injure people and arrest doctors who help injured peoples

chemical toxins in water cannons.

please report them to UN

We have to complain to the UN about their putting chemical weapons in water cannons, they put gas bombs directed at the hospitals,and they arrest doctors who aid in a humanitarian way to the injured and chemical burned people.

Please contact Red Cross and United Nations

#occupygezi #WeAreAllTurksToday

We are all Turks today. one humanity. one struggle.

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[Istanbul] IMC Television made a declaration concerning the arrest of their editor Gökhan Biçici today. As following:

“This Sunday, the 16th of June around 6 p.m, while our editor Gökhan Biçici was intending to capture the demonstrations and give report about, had been pounded and beaten up for several minutes by police forces who had dragged him on the road. His eyebrow lift got injured, his gas mask was broken, his i-pad was seized and though he was injured, he had to wait bounded in handcuffs for 4 hours, without being told anything about where he will be taken and without getting any accurate treatment by the police. Our friend was kept to wait as of 23.30 in front of the AKM building in a police car from where he would have been brought to Istanbul Police Department. We abhore strongly the treatment that was exposed to Gökhan Biçici. We want our friend to be set free immediately and demand immediate identification and punishment for the responsible individuals. Their images are known from videos shared on social media. IMC TELEVİSİON”

Please contact Red Cross and United Nations

We are all Turks today. one humanity. one struggle.

From Wisconsin to the People of Gezi Park

Love from the Solidarity Sing Along! (Bella Ciao)

Bella Ciao – the Italian song of class struggle was sung at Gezi Park and Taksim Square

One morning I woke up
O bella ciao, bella ciao, bella ciao ciao ciao
One morning I woke up
And I found the invader

Oh partisan, carry me away,
O bella ciao, bella ciao, bella ciao ciao ciao
Oh partisan, carry me away,
For I feel I’m dying

And if I die as a partisan
O bella ciao, bella ciao, bella ciao ciao ciao
And if I die as a partisan
You have to bury me

But bury me up in the mountain
O bella ciao, bella ciao, bella ciao ciao ciao,
But bury me up in the mountain
Under the shadow of a beautiful flower

And the people who will pass by
O bella ciao, bella ciao, bella ciao ciao ciao,
And the people who will pass by
Will say to me: “what a beautiful flower”

This is the flower of the partisan
O bella ciao, bella ciao, bella ciao ciao ciao
This is the flower of the partisan
Who died for freedom

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Some background on recent events –

May 30

At 5 a.m. this morning police moved in and tear gassed #OccupyGezi in Istanbul, where hundreds have gathered to try to stop the demolition of beloved Taksim Gezi Park. The police surrounded the demolition area. The participants returned to face the police. Some have been reading out loud to them: education as an act of creative resistance.

“Hear this out please! Help us! Spread the word to the media! We shout #occupygezi because we believe in trees. We believe in people.” ~ @Buzkadin

Photo by Deniz Atam @denizatam

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June 2nd

Istanbul after the march across the bridge arrived, Taksim square was full, and the police retreated, letting everyone in. Reports are saying that 100,000’s of people there now. Here is a recent status update from our dear friend in Istanbul, Ezgi Kozmik: “Friends, we are safe, happy, blessed, proud, sad, tired, scared, angry, and traumatized .. Thank you for all those who supported us.. We heard there were around 25 people killed, thousands of people got hurt, hundreds of them seriously injured.. We will know more clearly soon… Government is still lying. This is ridiculous.. I will share more details soon.. But now, it has been 50 hours since I haven’t slept… I feel so much love that I can cry…. This is a civil revolution…. In solidarity… #occupylove “

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June 2nd

A single tree, in a small park, in the crossroads of the world. It began.

ISTANBUL, June 2 – This is a story that spans the continents, and is spreading. The recent occupation of Gezi park in Istanbul and the ripples it has had throughout 48 cities in Turkey is filling a political space that exists between Occupy and the Arab Spring; linking them like the bridges of Istanbul that span the continents. This week we have seen the violent repression of expression that marks the fine line between democracy and dictatorship, the domination of private financial interests over the common good. We are learning each year that all of our grievances are connected.

A single tree, in a small park, in the crossroads of the world. It began.

Power is a rebel force, and here in Turkey the Prime Minister Erdogan is armed with the conviction of a religious man who has been elected. He has recently passed a series of deeply unpopular but tolerated laws. He pushed his people into a corner, and has kept pushing. Like many leaders, he is acting as if the national power is his, because the millions of people in this representational democracy had given their power to him. He has played their power like a violin – so loud he couldn’t hear there wasn’t any applause, and so long he didn’t notice the rest of the orchestra had dropped out. Maybe he is afraid of what could happen in that silence.
Saturday night the silence was filled. From any open window you heard the people playing their pots and pans as if these utensils were finally freed to be the joyful instruments they had always wanted to be – singing their metal hymns for a good life. This is that sound that comes to fill the silence. People who had nothing in their hands used their hands, and sat leaning clapping from car windows and in crowds. The people had retaken the park, and it was Saturday night, so there would be too many people tonight to do what they had been doing the past nights. Saturday night felt like a celebration; in some places.

In other places the violence was still building like friction in any unoiled machine. Violence was encouraged by Erdogan himself, who broken the media blackout and had gone on TV and asked his supporters to personally stop “the terrorists,” which he claimed was a marginal group of radicals. A friend had seen teenagers attack a group of students because they were carrying gas-masks. Erdogan is mixing strong forces, concocting dangerous politics in an earthquake zone.

These stories I share were told to me by a friend who noticed he was still trembling to speak of them. He arrived late, because he had been teargassed again, and so had to shower the chemicals from him. He told me these stories, recounting like legends in days of this same week. Wednesday. Thursday. Friday. Today.

Wednesday. It started with machines. The supreme court had ruled that Gezi, the last green space in the center of this sprawling megalopolis, would not be razed to make way for a new shopping center. The rogue prime minister sent the excavators anyway, but by the time they had ripped out the first of the trees, some 20 or 50 people had gathered. Some hugged the trees (perhaps the most pacifist of all possible acts), others tied themselves to the trees. They set up tents, read to the police and shared food. They called it Occupy Gezi

Thursday. At 4am the police came and filled the air with teargas. They didn’t fire the metal canisters at the ground, they fired it at the people, at their faces, smashing holes in skulls. They burned down their tents. They kicked people from the trees they held on to. The police expected to have the park cleared by morning, but by morning 5,000 people were there.

A line had been crossed – if people are not allowed to peacefully demonstrate what they believe in, and if their expression is met with such brutality – than this is not a democracy. And if one is obedient, silent or waits in hopes it will pass, than power is the only one who has freedom.

Friday. These days were battles of bravery and violence. The police surrounded the park, attacked, and refused to let anyone leave; later they wouldn’t let anyone enter. Water cannons threw people off their feet and onto their thin necks, batons cracked skulls of anyone within range, the teargas canisters littered the ground like confetti. Police fired gas into residential buildings that were helping the wounded and housing those hiding from the acid smoke. Police fired gas into a Starbucks full of people and into the Hilton Hotel. Every photograph from these days is wrapped in that tyrannical gas.
But opposites attract, and the people who lived in the area began to leave out baskets of lemons to help soothe teargas. Old ladies lowered baskets of food from their windows by rope to support the people below – doing what they could to support those doing what they could not. Restaurants left bags of food outside their windows. The state’s violence was countered by the people’s kindness. Lovers led their gas-blinded lover through the smoke-filled streets to safety; strangers did the same.

Turkish flags with their floating moon and star sprang up everywhere, and the bridge that you cannot walk across, was filled with 40.000 people walking in the space between two continents. What was 50 people in tents became 5,000, became the more than a hundred thousand that surrounded the park yesterday until they so outnumbered the police that they were let back into park, and the shade of the trees that were still standing.

Today. In this small park, a great many conflicts are colliding. There is the tree that started this, and the fight for the rights of nature against the cold machinery of progress. There is the fight to protect the commons: to save one of the few public spaces that still exist from its transformation into a private space dedicated to the production of personal capital. There is the issue of democracy: that the people have the right to speak out, and the necessity to be heard by those they have empowered. This is history, after all, and people know that if they cannot speak their mind then it is not their story.

This is no longer a story about a tree, a park, a politics or a cause. It is a story of a people, all over, knowing that they are standing on the global frontline of history. It is not a struggle to change the story, its the struggle to be allowed to write it.

Tomorrow. No one knows what will happen in the coming days, but some of that will be determined by us. We need to make sure the world is watching the trees and people of Gezi square, and that Erdogan knows we are watching. Where do you draw the line?”

from Kevin Buckland of 350.org: “A Tree Grows in Gezi
Posted on June 2, 2013

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background, June 5th

“The occupied Gezi Park is transforming into an amazing community space! There is already a library at the park. People have been planting trees, herbs and flowers. They created a vegetable garden too. There are conversations and performances being organized. Apparently a space for children will be created as well. People faithfully go and socialize at the park. This is ‘owning’ a public space. Designing it, loving it, using it, protecting it. This park now means so much more than a park. I am utterly inspired!” ~ from Filiz Telek, our dear friend and Occupy Love community screening host, in Istanbul.

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background, June 6th

The uprising in Istanbul has spread around the country. Here is a message from Ankara: “Dear friends, currently the mainstream global media is keeping an eye on Taksim, Istanbul. Thus, the police forces have backed off and they have remarkably scaled down the number of attacks against the protesters. However, in the meantime the police terror in Ankara as it is now is on a much larger scale compared to the very beginning of Istanbul attacks. Tear gas is relentlessly being thrown inside apartments, people are suppressed by plastic bullets, illegal custody and physical assault. Things have escalated quickly and the scale of these attacks are rapidly increasing. We need to make benefit of social media once again to show the world what’s going on in Ankara right now. This resistance is clearly not limited to Istanbul, it has taken over all of the country. “

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from Brazil, Saturday –

“Tension is definitely in the air all over. I believe many have just had enough – as with the trees at Gezi Parki in Istanbul, the 20 cents raise in the bus fare is but just the last drop onto of a series of abuses and disrespected population’s rights….

… we are waking up now. It’s not only the additional 20 cents, which add up to a significant amount of money specially for those who earn less – it’s about our rights.
I guess Brazilians share also this similarity with Turks: we have had enough! We are tired of being disrespected. Tired of living in fear. Tired of the daily violence and impunity. Tired of the mess Brazil has always been.”

We are all Brazilians today. one humanity. one struggle.

#occupylove #Brazil #WeAreAllTurksToday #WeAreAllBraziliansToday #Gezi #Istanbul #Turkey #Occupy #occupygezi

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POLICE STATE 3

What? You couldn’t just say, “wrong answer”? *dark sarcasm*

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Saturday at Gezi Park

#OccupyGezi has been raided with brutal force. Please let the world know. #occupylove

Urgent update from the Istanbul:

Help!
”DEAR FOREIGN FRIENDS: Please pass this along. The Turkish government has attacked Gezi Park directly with water cannons and pepper gas aiming the said elements at men, women, children… They are now attacking the nearby hotels that have opened their doors to the wounded. it has been reported that they are entering the park with work machines. THEY HAVE ATTACKED CHILDREN! PLEASE PLEASE Pass this along as much as you can. it has been reported by local news channels that the government will be bringing in jammers to stop the broadcasts! pLEASE SPREAD THE NEWS. I am shaking as I write these words. What the prime minister is doing is inhuman and amoral!”

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From a friend in Turkey, yesterday :

This is not about Taksim anymore…This is not even about Turkey…My friends all over the world;this is the power of politics trying to come over the power of love …We, the mothers, the students, the teachers, the workers,the doctors, the housewives of the land…cannot sleep for days…and that is ok…even our hospitals filled with patients are being attacked now… teargas is being thrown in the houses … thousands of people are in the streets, helping and holding each other and the attack only comes form the police… we, all the people living in Turkey, are together now regardless of our age, political view,and everything, and walking hand in hand.. and now it is time for us all, all the people from all around the world, come together, and stand still in peace… as one… cause that is what it is… lets remember who we are, where we come from, where our hearts are still beating as one, lets remember that we were the ones who created the system, the government, the borders, lets remember that we are all brothers and sisters, coming from the same roots, lets remember, re- member …. and lets recreate what is needed now… we can do it, together as one…

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A moving status update from yesterday in Istanbul…. from Avital Livny:

“i cried quietly on the boat over to taksim tonight. having spent a few hours earlier today in gezi park, strolling around and chatting with the folks gathered there, i was struggling to understand the inhumanity of the police attack on such a peaceful demonstration.

by the time we had docked in kabataş, my sadness and confusion had turned to anger, and i was eager to climb the hill and stand shoulder to shoulder with friends and strangers against this brutality. an avowed pacifist, i knew i would throw no stones, i would go on no offensive. my only intention was to demonstrate my human right to stand in solidarity, to chant slogans, to clap my hands in the air, to peacefully protest.

we gathered on sıraselviler blvd in cihangir. quite a few yards ahead was one of the police’s water cannons, but we reasoned that we were in a safe place, along the route the ambulances take in and out of taksim square. (indeed, we stopped our chanting every few minutes to cheer on the brave EMTs as they shuttled the injured out of harm’s way and to the hospitals. sadly, there were so many ambulances – going back and forth, empty and then full – that i easily lost count.) there were rumors of clashes in harbiye and that the police were coming up from both sides of istiklal. but things felt relatively calm where we stood, like we had found the one safe public space in the entire area in which we could peacefully protest.

but we were wrong. before long, and without provocation, the tear gas came, raining down on us. the crowd responded as usual: calling out ‘slowly’ and ‘don’t run’ and walking calmly but relatively quickly to try to get clear of the police attack without causing a stampede ahead. but the police didn’t want us to react calmly. before we knew it, the water cannons were on our backs and noise bombs flashing to our sides. but remarkably – incomprehensibly – no matter how fast we ran, we couldn’t seem to get clear of them. they were literally chasing us – a group of peaceful protesters trying our very best to show (by running away) that we meant no harm. but they meant harm. they intended not only to scare us but also to injure us, whether by hitting us with pressurized water or tear gas canisters, or by causing the exact stampede we were trying so hard to avoid.

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i cried quietly on the boat home from taksim tonight. something in me felt broken. call me naive if you’d like, but i’m not sure i believed something like this existed before tonight, before i saw it for myself. violence in the face of non-violence. the absence of a public space to express our collective yet peaceful discontent. the disrespect one human can show another when they refuse to recognize that they are, in essence, equals.

i am struggling tonight to hold onto the beauty and signs of collective strength i have witnessed during these past weeks – the solidarities formed in gezi park, on the streets of istanbul, and all across social media platforms. i still want to believe in the basic goodness of humanity. but something in me broke tonight. and so i know this night will be a dark one in my personal history; and i worry that it will be a dark night in turkey’s history as well.

non-turkish and non-turkish-speaking friends: if you haven’t already done so, please take the time to educate yourselves about the situation here. take the time to contact your local consulates and elected representatives to demand that somebody be held accountable for this unwarranted violence. demand that there be public spaces in which people can come together to peacefully protest. demand that human rights – nay, human decency – be respected. we need your help.”

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Update from Turkey, today, June 17

14.23: [Izmir] In Izmir thousands of labours came together at the Konak Square. Labours are shouting: “Everywhere is Taksim, everywhere is resistance!”. Labours in Izmir are walking from Basmane to Konak Square….

Continual updates and More at – http://turkishspring.nadir.org/index_eng.html

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Tuesday, 18th of June

Update: Turkey

07.29: [Eskişehir] Again the police started an early-morning removal In Eskişehir. 1 TOMA, 2 digger, 4 trucks, 2 police vans and 100 policeman gathered in front of the park. They attacked the park without a warning. The People, who tried to remove to a safe place in apartments or the clinging sidestreets, were haunted even in to the aparments. The arrested were lined up, thrashed with sticks and there faces were filmed one by one. At the begining there were 7 people arrested. The current number is not clear now. It’s said that the police tried to arrest all demonstrants.

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Tuesday, 18th of June

Four protesters and one police officer have been killed during the protests … More than 7,800 people have been injured; six remain in critical condition and 11 people have lost their eyesight after being hit by flying objects.

Addressing legislators of his Islamic-rooted Justice and Development Party, Erdogan said riot police deployed to disperse protesters had acted with restraint and said their powers would be increased, allowing them more leeway in dealing with future protests….

Police on Tuesday carried out raids at homes and offices, detaining at least 87 people suspected of involvement in violence. Overnight, police broke up a silent protest at Taksim Square by hundreds mimicking a lone man who stood silently for hours in a passive anti-government protest.

The United Nations human rights office on Tuesday asked Turkish authorities to investigate reports that tear gas canisters and pepper spray were fired directly at demonstrators and into closed spaces.

The New York-based Human Rights Watch late Monday said police use of tear gas in confined spaces “showed dangerous disregard for the well-being – and indeed the lives – of protesters and bystanders.”

“The repeated police violence against people who are dissatisfied with the government policies has deeply polarized Turkey,” Human Rights Watch said. “The government urgently needs to change police tactics and issue a clear signal for restraint.”

Riot police on Tuesday were again deployed in Turkey’s two main cities, keeping an unyielding stance against the street demonstrations. Thousands have flooded the streets nightly, many honking car horns and waving Turkish flags.

Erdogan’s opponents have grown increasingly suspicious about what they call a gradual erosion of freedoms and secular values under his Islamic-rooted ruling party…..

http://www.huffingtonpost.com/2013/06/18/turkey-protests-police-powers_n_3459047.html?utm_hp_ref=fb&src=sp&comm_ref=false#sb=1015737,b=facebook

We Are All Turks Today. one humanity. one struggle.

Turkey Protests

Tuesday, 18th of June

”Standing man ” protests are increasing in Turkey….

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This interview was conducted by Zeynep Bilgehan on 18th June for the Turkish paper Hürriyet.

http://www.counterpunch.org/2013/06/18/flames-of-resistance-and-hope-in-turkey/

Excerpts:

The mixture of a sharp intelligence, fearlessness and the rebirth of hope that I witnessed was very inspiring. It reminded me to a certain extent of Europe (Paris and Prague) in 1968, much more than the Arab spring. What is happening in Turkey is very clear. An elected authoritarian government, committed to neo-liberalisam and war, imagined that it could do anything it wanted because of its democratic status. This was a foolish mistake….

When I was in Istanbul a few months ago, it was difficult not to detect a pall of depression that had enveloped activists and oppositionists. The closure of one of the city’s oldest cinema on Istiklal had led to mild protestsd. So mild that the government imagined it could accelerate its select and destroy mission. They miscalculated badly. The Prime Minister, in particular, a veritable Sultan of the building industry refused to retreat and embarked on repression. This was the breaking point. People unconcerned with the proposed destruction of Gezi now came out to protest and in huge numbers. The more the repression, the more the protests grew, spreading to virtually the entire country apart from four Kurdish-dominated towns. A campaign to save a park had become a national uprising against an obstinate and thuggish regime….

The courageous Turkish citizens opened up a new front at an important time. And their example might well spread ro France and, who knows, perhaps even Britain and Germany in the months ahead….

What is crucial as I said in my solidarity message is that the government has discredited itself with the help of a tame and servile Turkish media which ignored, underplayed and slandered the occupiers in Taksim during the first weeks….

if a new democratically structured political movement is formed (like, for instance, Syriza in Greece) it could give a permanent voice to the people from below. A monthly public assembly in Istanbul, Ankara, Izmir, Bodrum, Antakiyya and other cities to discuss the situation at home and abroad and report on te building of a new movement would create something permanent and make the clearing and re-clearing of the squares a bit meaningless. This is my hope….

Neo-liberal capitalism is hollowing out democracy. Those who fight the capitalist onslaught are also strengthening democracy….

19th of June

This is a better idea of what the “standing man” protest really looked like in Turkey.

And a “standing ovation” for all the Standing People of Turkey.#standingman #Duranadam #occupygezi

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19th of June

Update-today! Incredible eyewitness account from one of the protesters in Turkey and plea for help. Please read and help… We are all Turks Today!

“After negotiations with the Prime Minister, the protest groups relaxed a little seeing some small hope of peace and they were actually preparing to scale down the protest in Gezi Park. So everyone in a celebratory mood and this being the weekend, the Gezi Park and Taksim square was packed with all kinds of people including elderly, children and tourists. At around 8PM while there was a concert in the park, people were warned to empty it and within minutes the attack started. Now I can tell you about the following 36-40 hours of torture this nation went through in detail and I contemplated long about posting one of the hundreds of footages of unarmed, peaceful people being beaten by groups of policemen, gassed grandparents, children losing their parents in mayhem, residents being gassed in their own homes, hotels, restaurants, chemists, hospitals and first aid centres being attacked and all sorts of violence you wouldn’t dream of. And I decided not to ruin your day just like it has been ruining our lives for the last 4 days. Please just know that we became a battered, bruised nation over the weekend both physically and psychologically….

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Since then the people are standing silent in many towns and cities, especially at places that have significant meaning for them, for example where one of the protesters was shot dead in Ankara, or in front of the TV stations who don’t report what is going on in the country. And yes, some of them get arrested for just standing, they found a cover for it – standing in silence is ‘being psychologically violent’ towards the police!…

“So while everyone in the country ‘stands-up’ one way or another, I will again ask your support….

“there are some 3D things you can do to help us. Such as contacting your members of the parliament, congress people, NGOs such as Amnesty International, European Union Representatives, Media, alternative media and anyone you can think of to inform them of the atrocities, ask them to act accordingly and put the pressure on Turkish government.
Nothing the protesters do or say is against the constitution so there is no basis of the police violence towards them. Again, it is completely against all the international treaties Turkey signed to use chemical weapons against anyone let alone your own people, but this is what happened over the weekend, we have many people with 2nd and 3rd degree acid burns. The social media arrests are continuing and they are putting together an urgent law to regulate the internet and social media the way they want. Please share these truths with anyone you see fit….”

More at – http://soundofheart.org/galacticfreepress/content/update-istanbul-june-19-2013-one-lightworkers

19th of June. support from the states

I’m feeling sick about what happened in Turkey. An entire world away, and my heart aches with theirs. The brutal crushing of such beauty and innocence as their people have shown is like the mashing of a butterfly, the drowning of a kitten. I think the whole world cries a little each time the forces of hate snuff another candle.

But each time a flower blooms as did in Gezi Park, it fortifies the spirit of the world and rekindles its yearning to be free. And for those of us whose hearts are able to bleed with another’s suffering, it also binds us together in love and our common humanity … as hardships and tragedy will.

19th of June: Report from Istanbul – Good news!

RESISTANCE CONTINUES WITH FORUMS
Every Park Become Gezi Park in Turkey

Gezi Parkers are now discussing the transformation of their movement, saying that “PM did not kick us out of the park, he made everywhere a Gezi Park”.

3 weeks into the protests, brutally forced out of Gezi Park, Istanbulites made a better plan: Occupy every park!

Right now at least 35 parks are home to people assemblies, some are livestreamed, some are still small. And many cities followed… We are reclaiming public spaces one by one

3 weeks into the protests, even us Turks are amazed at our own power and sense of humor
Now we have people assemblies in parks all over Istanbul and many other cities. We are re-designing the society and the way we communicate. It is all happening, here, now. And also happening in Brazil, and hopefully soon, everywhere

The piano was transferred to the Abbasaga Park in the Beşiktaş district, the Beşiktaş sport club fans picked it because it was a place they can protect easily. But then the assembly idea spread, and now its everywhere!

Gezi park is still not open to the public, and Taksim square is open but , after all the violence this weekend no one really prefers to do anything there, except the “standing man”. Instead people are looking for creative ways…

http://bianet.org/english/youth/147740-every-park-become-gezi-park-in-turkey

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After an assembly, the piano is back!

We are all Turks today. one humanity. one struggle.

#occupylove #WeAreAllTurksToday #Gezi #Istanbul #Turkey #Occupy #occupygezi #WeAreTheMedia #breakingnews #TurkishSpring #Taksin #occupywallstreet #ows #WeAreAllBraziliansToday #changebrazil #WeAreAll

1002084_4439387643215_1694319803_nThe Tao of Funny God .. Brazil. Such transcendence of mind was hardly lacking in Brazil recently

forsaleOccupy Wall Street

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Occupy Gezi

Continue with Culture War, Class War: The Rise and Fall of “Obvious Truths”

or Apocalypse Emergency: Love’s Wake-Up Call

or Apocalypse No: Apocalypse or Earth Rebirth and the Emerging Perinatal Unconscious

or Wounded Deer and Centaurs

or Breaking News — Hell Doesn’t Exist: Good—God! Hell—No! … the Comedy

Return to Wounded Deer and Centaurs — Book 5

Invite you to join me on Twitter: http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

The Perinatal Veil: Dangling Above an Abyss and Everyday Rebirthing — The Perinatal Predilections of Everyperson

The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

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Wounded Deer and Centaurs, Chapter Three: Twenty-First Century and Its Discontents—The Primal Screen

Dangling Above an Abyss

imageBeyond the entertainment media, it seems perinatal themes and elements are showing up everywhere else in our surrounding environment and culture. The scenery of our everyday reality consists of pollution of our air, water, and food; threat of death “at any moment,” caused by the knowledge of the power of nuclear weapons; fantasies of apocalypse of all kinds, magnified, perhaps, by the ending of one millennium and the approach of the end of the Mayan calende—including fundamentalist Christian imaginings of an end to human civilization in an apocalyptic “rapture”; New Age fantasies of ecological, spiritual, and social utopias; and so on.

First, let us consider a few of the most blatantly birth-related of the events around us.

The Primal Screen: Aliens … Ooooooooooo … Sca-ry….

Alien abduction stories, while a relatively recent addition to our cultural landscape, are unusual in the rapidity with which they have gained cultural currency and are telling in the extreme fascination the public has with them. They have catapulted more than one show—The X Files being the prime example, of course—to cult-like status. The photo here is a scene after the abduction of Fox Mulder, one of The X-Files main characters.

Fetal Aliens

Yet Alvin Lawson has pointed out how alien abduction stories are replete with perinatal elements: passing through walls, umbilical beams of connection to the “mother ship”—the placenta—either fetal-looking aliens or aliens whose eyes are most prominent and the lower parts of their faces undistinguished—similar to the way a newborn might see an obstetrician wearing a medical mask.

Then of course there are the elements of being medically probed, measured, samples taken from one, and being swooshed from one place to another with no say on one’s part—all remarkably like the experience of a newborn, right out of the womb. [Footnote 1]

Pretty Much

While I do not think that the “alien abduction” phenomenon is just derivative of birth, as Lawson does, I do believe that we perceive these events through a veil of birth trauma, the likes of which the world has never known. My position is explained in the article, “Alien Abductors: Angelic Midwives or Hounds From Hell?

Mouth Suctioning…”Oh, What Pretty Teeth You Have, My Alien”

An interesting development in the alien face is the “shoved down the throat” thing going on. Similar to the “Jacob’s Ladder” kind of vegetable thrusting out, which was described in the last chapter, it was popularized greatly in the movie, “Alien.”

As a neonate we cannot see the mouths of the masked attendants at our birth. In a traumatic situation, whatever is hidden is more feared than what can be seen. As in anything else, onto the unknown we can project the most magnified versions of our fears. When these images arise in us, then, it makes sense that if the mouth is shown it might be even more frightening than that above the mouth.

So in modern times, for the first time in history, we see something going on where these feelings are symbolized as a ferocious mouth coming out of the mouth. The fact that it appears like something that would gag reveals that this image contains elements of the trauma around ungentle mouth suctioning or clearing as well as the reveal of what might be under the mask of the seeming attacker, the obstetrician. Add lots of teeth and you have the perinatal vagina dentata as well, symbolizing the trauma occurring at birth, when actually emerging from the mother.

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The Perinatal Veil: Rock Concerts (For some, ditto)

Lawson has also described perinatal elements in rock concerts. [Footnote 2]

Mosh Wombs

daltgfsdfrey5803094302_c794e4f672Keep in mind that rock music popularity and concert rituals are world-wide phenomena. Youth from nearly all NBL1045countries are involved in rock culture. Newborn-Baby-with-CordAmong other things, Lawson, in his article, refers to placental guitars, umbilical mikes, and youths jumping into mosh pits. Mosh pits suggest birth feelings in that they simulate the crushing in the womb.

rapture1 (2)imadddddgesAt birth our consciousness is filled with the feeling of flesh all around. The world is crushing, heaving, rollicking, bouncing flesh everywhere. During a non-cesarean birth one struggles and moves through this flesh to reach space, air, light…freedom. We re-create this pattern of struggle in order to reach the light, or freedom and space, throughout life. It is obvious that mosh pits are attractive, appealing places to re-create the danger of birth alongside the hope of being “held up,” uplifted, and reborn.

1

The Doors of Perception…Stormed

doorsperceptioncleansed_crppdclose-encounters-of-the-third-kind-1980--645-75crppdWe could also mention the loud music, fireworks, and flashing and bright explosions of light at these concerts as perinatal in that they re-create the assault of sensation that occurs to the newly emerged fetus—an assault which in one’s mind is like unto a bomb exploding.

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The rock groups and their lyrics themselves are often blatantly perinatal. The most obvious example of this was the group, Nirvana, who came out with a CD titled “In Utero.” The fact that the leader of the group, Kurt Cobain, committed suicide is a strong indication of his closeness and access to his perinatal trauma…as I will soon explain.

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Pacifiers, Trolls, and Collective Rebirth

IMG_1248Turning from rock, we see perinatal BPM III elements in the scenery of our everyday lives evident in the rising incidence of violence by children at ever younger ages.

In Europe, as pointed out by Mayr and Boederl, it appears a collective regression to the perinatal is going on, especially among the youth. [Footnote 3]

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Collective Navel-Gazing

clip_image002clip_image004The forms this “regression” has taken include the surprising popularity of a pop song, sung by a very young child, expressing the difficulties of being a baby; the wearing of baby pacifiers as ornaments as a powerful fashion fad; and being enamored of troll-like dolls, which, according to the authors indicate a “regression to the womb.”

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I would say a progression to the womb, by the way….I will soon explain why.

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Overpopulation Bring Up in Us Uncomfortable Claustrophobic Feelings From Our Births

We have no-exit, claustrophobic BPM II elements manifesting in the crushing populations in major cities throughout the world. In the later stages of our womb lives, we are increasingly compressed with flesh all around. It is a time of ever more compression, constriction, restriction of movement, suppression of freedom, and suffering, which seems unending. However uncomfortable, we are compelled to manifest similar situations in our later adult lives, as in creating our crowded cities. We then find ourselves triggered into feelings like the ones we had back then.

Though it is irrational to draw suffering to oneself, it makes psychic sense in that consciousness seeks to integrate that which was overwhelming at the time. Think of this as a memory of a dire threat to one’s life that a part of ourselves remembers and tries to remove as a threat to our well-being by drawing it to ourselves repeatedly in life until we have managed to accept it—deal with it, perceive it differently than being a threat—so that we can go beyond it.

For the psyche’s main goal is to grow and heal itself, We see this intention of consciousness manifest in observing the body that Consciousness creates and which we see, which does exactly that growing and healing throughout life. Consciousness seeks, always, greater consciousness. Consciousness seeks unity.

Earlier we looked into how we do that seeking of psychological healing at rock concerts and with their mosh pits, in particular.

So we unconsciously create situations in life that make us feel like we once did but could not deal with at the time. And these feelings of course are uncomfortable…why else could we not deal with them originally? This does not mean that by bringing suffering to us we solve it and accept it. We would not be bringing it repeatedly to us if we successfully got beyond it.

No, we create suffering such as overpopulation because we are NOT dealing with, accepting, resolving, facing the memories that are making us continually manifest situations that should remind us…but don’t. The fact that some people are facing these issues or are on the verge of doing so—those Wounded Deer and Centaurs—is the hopeful message of this work. For this trend is auspicious for solving the biggest problems of all on Earth—those huge environmental and geopolitical woes that are threatening to do us all in. But I digress. Stay tuned, though.

We Manifest the Opposite of Crushing Populations Also — Floating Fantasies and Experiences

BPM I and “Birth” Day Parties

We also manifest the opposite of crushing, claustrophobic feelings for perinatal reasons. Remember that in the early stages of our womb lives, described as BPM I states, we are surrounded by flesh as well but it is not constricting. It is blissful and euphoric. No doubt we create our parties and festivals out of our desires to re-experience such wonderful, comforting feelings. In this situation, one moves freely, with people (flesh) at a comfortable distance. Ideally one wishes to be the “life of the party,” in other words, the reason everyone else is there and the person around which everything else revolves. For such is the case in the early stages of life inside one’s mother, in general. Everything that was going on then around one’s embryonal and fetal selves, biologically speaking for sure, was about oneself; but more: It was about one’s overall happiness and well-being. As they say, It doesn’t get any better than this.

It is understandable that we would create “birth” days and bring people to gather around us at “birth” day parties. Certainly our births were fraught with discomfort and trauma. But we did make it out. And birthdays and their parties are ways we try to remind ourselves that life is not always the discomfort and struggle of birth or the aloneness, separateness immediately after birth—BPM IV—but can be the blissful love surround of unity with one’s mother in the early womb state. We try to cover over the struggles and alienation of life—which we are pushed to unconsciously manifest in our lives because of traumas around the process of coming into the world—with reminders of the most pleasurable time of our lives, our early womb existence—which we intentionally wish to bring about again.

BPM I and Dancing

People go to dance halls to surround themselves with writhing flesh in a way that they themselves can still move freely and well, even acrobatically they’d like to think. We want the freedom of blissful, perfect movement. Perfection and precise movement is sought, along with bliss, for our experience was of a process of biological perfection; precise and perfect beyond anything we would later experience.

It is even better if it defies gravity, as our experience in the womb seemed to. Gymnastics and break dancing are perfect recreations of blissful womb experience. We can move euphorically in three-dimensional space, overcoming the constraints of gravity. This is exactly our experience in early womb life. We both do these activities and are fascinated by others performing them because of early memories of perfection and weightlessness.

BPM I and Weightlessness

Since our early life is felt as weightless, it is also the reason we are enamored of the gravityless experience in space. Not only does our media replay depictions of space walks and astronauts in floating zero-gravity environments, but we are attracted to and seek to re-experience this. I remember a reality show where the participants were rewarded with a weightless experience caused by an aircraft descending from high in the stratosphere at such a speed as to create it.

BPM I and Floating

Plus, we sky-dive. And if we do not, we view with awe and appreciation via the media the videos of the most acrobatic and gravity defying stunts performed in descent by sky-divers. We have created machines where we on the ground can force air up strongly enough so we can experience floating in the air above it similar to sky diving.

I cannot leave the topic of floating without pointing to the most obvious and frequent activity of humans to re-create the weightless experience of BPM I—swimming. Being in water simulates the gravity-free state of our earliest life. It is one of the commonest activities of humans. It is also no coincidence that for a time in the Seventies and Eighties it was popular to try to re-create birth, perinatal experiences by doing warm water “rebirthing” in hot tubs. The water was often made to be body temperature. And, by the way, it did stimulate these early memories in a powerful—though perhaps not optimal—way.

Even our depictions of release from the constraints of physical existence are viewed through this BPM I veil of blissful weightlessnes—whether it is the evangelical Christian idea of “the rapture” or my own depiction of transcendence via a Jacob’s Ladder style of transformation of human consciousness.

The Human Nature That Is Not

Having looked at the the most obvious perinatal propensities of the postmodern person in this chapter, let us go deeper. In the next chapter we look at how imprints from our early life in the womb affect us in many of the currently dire activities we are engaged in, for example, environmental destruction, war, capitalism, and imperialism. We discover that there are prenatal imprints for all these activities, which we normally ascribe to being rooted in our human nature—depicted as one of insatiable acquisition, violence and competitiveness, and desire to control and dominate. The fact that we find that they are in fact not part of our nature but are instead products of some personality forming experiences—however early those experiential events may be—is auspicious in the extreme. In looking at the prenatal blueprints for our self-destructive “human nature,” we learn why we do the things we do and realize we are not doomed to continuing to do them.

Continue with Four Earliest Roots of War, Bigotry, Capitalism, and Pollution: Blueprints of Human Nature and Prenatal Personalities … Profound Sculpting of Who We Are Occurs at a Time We Cannot See

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Footnotes

1. Alvin H. Lawson, “UFO abductions or birth memories?” Fate, 38(3) March 1985, pp. 68-80; and Alvin H. Lawson, “Perinatal imagery in UFO abduction reports.” In T. Verny (ed.): Pre- and Perinatal Psychology: An Introduction. Human Sciences Press, New York, 1987.

2. Alvin H. Lawson, “Placental Guitars, Umbilical Mikes, and the Maternal Rock-Beat: Birth Fantasies and Rock Music Videos.” The Journal of Psychohistory 21 (1994): 335-353.

3. Daniela F. Mayr & Artur R. Boelderl, “The Pacifier Craze: Collective Regression in Europe.” The Journal of Psychohistory 21 (1993): 143-156.

Continue with Four Earliest Roots of War, Bigotry, Capitalism, and Pollution: Blueprints of Human Nature and Prenatal Personalities … Profound Sculpting of Who We Are Occurs at a Time We Cannot See

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Projecting the Perinatal Zeitgeist: Everything You’ve Managed to Forget About Being Born

Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!

 

Wounded Deer and Centaurs, Chapter Two: Everything You’ve Forgotten About Birth … Projecting the Perinatal Zeitgeist

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize twenty-first century life.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds … And Oh, the Shark Has Pretty Teeth, Dear…

clip_image003_thumbIn these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time — ”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In thisas in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and were overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention. [Footnote 1]

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

clip_image005_thumbAlso, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

clip_image007_thumbSpeaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

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Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

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The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

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There is lots of violence, and of course, sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

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Monsters, Vaginas, and Hairs, Oh My!

4340imagghgfjjesRecurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

clip_image00110511066-largeOne most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

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Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

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Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

imagdfhuesThe perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, clip_image003the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

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“Noah, How Long Can You Tread Water?”

neo-wakes-upclip_image004Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before charybirdsbirth, placental fluid. Near the end of gestation, the mother, when nightmare.2989618237_1_3_5JdRXsNxstanding, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

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Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

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Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

clip_image005428004336_a0275cf170Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Fire In The Sky 2

Told You I Didn’t Like Vegetables!

Alien-mouth-e1288810712566Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. thestuff9The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

This sequence of pics from an episode of The Outer Limits is a rather good depiction of this. Notice that at the point the object emerging from the mouth is most visible it takes on the form of a vagina dentata. This links the images with birth and indicates the aggressive character of the feelings being depicted, that is, we have repressed anger feelings left over inside us from what was done to us. It is also more than just coincidence that the person to whom this is happening is in a hospital room and is dressed in a hospital gown; the plot is about this woman carrying a baby and this scene happens just after the birth. This is significant for the reason following, which states that this image has its roots in an event that indeed happened right after birth..

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Gag Me With a Toxin.

matrix-pod (2)This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids clip_image007from the neonate’s mouth by the attendants immediately after birth.

This latter connection — the ungentle mouth cleaning of birth fluids — I can personally validate from my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence the popularity of such images in the media of recent decades.

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Treated Like a “Piece of Meat”

clip_image0071This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the enchufesneonate—can leave one with lifelong feelings of being treated like a “thing.”

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The Wall Movie 1982 (7)

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The Wall Movie 1982 (18)

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b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_hbrainwouldntdieMany report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

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428004336_a0275cf170_thumb1images (2)These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

Jacobs-Ladder-Artcrpdimage_thumb22This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb.safe_image.php Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Fire In The Sky 2

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

Fox_Mulder's_abductionMonica-Bellucci-Photoshoot-Matrix-Movie-9By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

MSDTORE EC0252886707crppdConfused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, robocop07because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, medusa3to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms,medium_wruef9ycqa0crppd they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of coursethe-matrix-revolutions-give-me-a-chance-film-photo-u1crppd both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

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Welcome to the World … Now f u

blog pic 2 (8-6-11)89615_v1Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, robocop20feel manipulated and used, bush_borgtreated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other -SGC- Unnatural eyes packCRPDpeople, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

silence1This also sheds light on the seemingly “mindless” devils-advocate-560-thumb-560xauto-30306violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be teacherteethMacting out edsullivancartoontheir “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

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Faces Coming Out of the Walls

TheWallFaceScreama-brazil-criterion-single-720-brazil-4crppdI would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

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hopkinscrosbycrppdWe have had, over and over again, the image of the “evil fetus” erupting from the abdomen,AlienChestburster as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing.

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Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

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Ventura Out of the Womb

clip_image002A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

ultrasound2019-apr-07He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working Scream6gafter a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

Potter-Frontcrppdfacetotal_recall_stomach_creatureWe witness the actual “birth”: Jim Carrey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

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Couldn’t Fight Your Way Out of a Plastic Bag!

hoardnewspaper (2)TotalBitchStoleOurMilkCrippledOurNationOther examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Scream7g (2)Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal,b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

headbangingExistential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs Robbieabysswhich become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells,Open mask solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of total-recallthe entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

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This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

1218885566_5__3ji-e1320373810749This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

hell_night_3These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

Pink Floyd - The Wall - CoverBut the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

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House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

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To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves clip_image0043once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

image_thumb17_thumbHouse; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boats, especially submarines; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

Open mask_thumbIn the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

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The Wall

wall-poster_thumbIn the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h_thumbWe have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

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Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out above, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.


Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

clip_image005_thumbclip_image007_thumbI remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, clip_image0023is the ideas of dungeons or castles … with mad scientists, no less — obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

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I might start by pointing out the element of there being another realm small_portal pepper spray copinto which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. jacobs-ladder-mccaulay-culkin-and-tim-robbins_thumbWe see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

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“There’s No Place Like Home.”

clip_image004EnglishGrof_DifferentDoorwayiconBut death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

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Wizard_Oz_Pepper_Spray_PigIn this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

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Through the Looking Glass

Mia-Wasikowska-in-Alice-i-001Secret-Garden3And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course),Close_Encounters_of_the_Third_Kind which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

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The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

clip_image006The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

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Verny_SecretLifeiconLeboyer_BirthViolenceiconThis depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

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2001 Baby Earth

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Love, Fear Relationship

Escape-Alcatrazfrighteners05-thumbTo put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see subsequent chapters, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

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To Hell With It…

clip_image001 13So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

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In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

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Face Me, or You’re Mine!

t10001clip_image002Central to this book is the idea that we need to face the ultimate and horrible truths if we are to save ourselves. Wounded Deer are those people who suffer from closeness to these perinatal truths. Centaurs are those wounded ones who have accepted these facts of life; they have accepted the fact that fundamentally they, as all of us, are wounded. And in embracing it this way they become healers for those who cannot face their truth or who are struggling with doing so.

For not only are we closer terminator-2-1crppd2to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

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Fear and Freedom … Only a Membrane Away

clip_image004zyjbq2d56rkznqfucrrpd2Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

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Perinatal Spamming

T-1000We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

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terminator-2-1crppd1imadddgftggesGetting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

Skynet in the desert

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Fox_Mulder's_abductionFinally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an Jacobs-Ladder-Artcrpdthe_joker_straight_jacketalien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

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wyeuacsd2gb6bgsThe point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

clip_image006imadddddgesWhether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, whether they will they lead to the armageddon that many are predicting or to a consciousness evolution and a new Earth—will be something for us to consider further on.

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Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

To Be Continued with Wounded Deer and Centaurs, Chapter Three: The Perinatal Furniture of Everyday Living

Return to Wounded Deer and Centaurs, Chapter One: We Are a Fever

Enjoy your own virtual emergence by following the pics below:

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Now add a blissful period and go back around again; that’s the way it works in life.

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite:‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

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What the World Needs Now … Is Loving Warriors and Silly Heroes: Jiving with Your Monsters, Dancing Above the Dissonance, and The Universality of Divinity Remembered

Silly Heroes and Evolution in Attitudes to the Perinatal: The Necessary Hero Jives with the Monsters, Dances Above the Dissonance, and Is Ever Aware of Divinity Everywhere

Responses to the Perinatal

Returning now to “Nothing But Trouble,” an aspect of it that has significance for dealing with perinatal issues is the way different characters are shown responding to the embodiment of arbitrary justice, the judge. In the wonderfully Kafkaesque courtroom scenes, we see several different types of people—representing different responses to unconscious material—hauled before the judge. The musicians, signifying artists, creative people; the hedonistic criminals; and the main characters, representing average people, each present distinct attitudes, which are responded to differently by the representative of the unconscious, the judge.

Jiving With Your Monsters

clip_image002The musicians are able to create rhythm and flow. Therefore they are able to get through the experience unharmed. Indeed, they are even able to elicit a response from the judge—getting him to join in. In this way we see how creative people can actually use perinatal material and get it to cooperate for desired ends. We might consider how this relates to the writing of “Nothing but Trouble” itself.

Peter and Dan Aykroyd, in creating this movie, are, like the musicians in the movie, getting the unconscious to “play along,” to create something beyond what either the writer or the unconscious could accomplish separately. Much of what is interesting in art is done this way: The deeper fear-evoking material is allowed to come in and enrich, enliven, freshen with new ideas and perspectives, stimulate, and invigorate the creative production.

Beware the Tar Baby

clip_image004On the other hand, the arrogant banker contends with evil, and, like Brer Rabbit with tar baby, gets stuck.

Notice also that the really contentious ones—the alcoholic drug-using criminal hedonists—are completely lost. Thus the two extremes, as well as the average person are depicted.

Lighten Up!

But the truly striking element that indicates an advanced way of dealing with the perinatal material is shown in the genre of the movie itself. As a comedy, it shows a non-attached and transcendent approach. Chevy Chase and Demi Moore, especially Chevy Chase, show an aloofness and silly playfulness in the face of horror and death that has spiritual implications. Like a Tibetan mystic, Chase refuses to get sucked in to the involved drama confronting him. Like a Christian saint about to be martyred, he jokes, teases, and gets silly with the instruments of horror and evil. Similarly, Demi Moore humors and plays cards with her would-be monsters.

Silly Heroes

Standing within the Witness higher self, they are able to take the entire situation lightly—acting and reacting in the moment to each unique situation as it presents itself. One moment Chevy Chase is confronting his own demise, the next moment he is in a love scene. He alternates a frightful encounter with relaxing and smoking a cigar.

clip_image006If we want to know what real and transcended behavior is, we might do well to get our hints in the depictions of unattached playfulness — as presented by modern Western actors like Bill Murray, Demi Moore, Tom Hanks, Chevy Chase, Robin Williams, Bruce Willis, and Jim Carey—rather than in the repressively calmed not-with-it-ness—not-witness—that is sometimes mistaken for spiritual attainment.

Darkening Down

clip_image008Incidentally, this element of humor shows an entirely different way of dealing with the perinatal than most other movies that deal with this kind of material. The movie, “Brazil,” is a good example of this difference. Not only is “Brazil” cast in an eerie, somber, and tragically hopeless and futile clip_image010air — indicating that one’s response here is to “believe in” the reality of such material—but the only escape in this movie is in a purely conceptual, fantasy way.

The main character cannot face the horror ultimately. He flips out into a reassuring dream sequence brimming with BPM I and BPM IV imagery. Interestingly, reflecting the pattern of progression of our expressions in feeling therapies, the dream includes a BPM III scenario to get him to those later bucolic realms.

clip_image012But in “Brazil” these are only daydreams. This fact shows a refusal to face this perinatal material or to surrender to it. Rather, in fantasy, one overcomes the horror. It is as if one continues using familiar ego techniques—hero’s journey methods, dragon-slaying methods—for dealing with material on a deeper level where they no longer work—where they are in fact counterproductive.

Thus, these techniques can only succeed in dreaming. Terry Gilliam, the creator of “Brazil,” shows us that the hero, in reality, is doomed.

However, one might interpret the main character’s escape into fantasy as a victory over evil forces. That the ending lends itself so readily to such an interpretation is a telling indictment of the state of progress of some of us in dealing with perinatal material. Apparently, there are those so lost that the only success possible seems to be in insanity or death.

Evolution In Attitudes to the Perinatal?

clip_image013However, in “Nothing but Trouble,” the main characters do face and deal with all the material. Sometimes they fight it; sometimes run from it; sometimes play with it; sometimes joke, tease, spar, or get silly with it; sometimes are swallowed by it and carried along…but always they are creatively facing and dealing with it. This different air about and attitude towards the perinatal material can be said to be an advance from the earlier movie, “Brazil,” representing perhaps a progression of our collective consciousness in our attitudes and manner of dealing with the perinatal.

Dancing Above the Dissonance

Such a prospect is, indeed, the auspicious legacy of such a creative project. Though it is doubtful they did so consciously, the Aykroyd brothers and the producers of “Nothing But Trouble” deserve our gratitude for their efforts in lighting forward our collective reality endeavor.

clip_image015Beyond that, we can take hope in the possibility that Western culture may be rising itself, however minimally at first, above the dramas of light and darkness that have plagued it for so long. The Manichean tendency can lead only to ever-spiraling cycles of resistance and assault. Yet we are seeing currently, not only an erosion of defiantly uni-dimensional ego perspectives, not only a movement toward facing and dealing with our inner darkness, but an integration of opposing forces, a dancing above the leela—the play—of light and dark.

The Universality of Divinity Remembered

The perennial understanding of the universality of divinity, both within and without us, in the lowest as well as the highest of places, is the bright at the center of the perinatal bedlam about us. We are guided as well by this gleaming, a rising moon of promise and possibilities.

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Continue with Apocalypse? Or Earth Rebirth? A Smaller Number of Us — Standing in the Right Place and With a Lever Big Enough — Might Be All That Is Needed to Move the World

Return to You Just Can’t Slay a Volcano: The Necessary Hero Uses Surrender, not Struggle … For Why Would You Not Be Borne Up by a Universe That Is You

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A Different Kind of Hero’s Journey for Our Times Is Depicted in the Cult Classic, “Nothing But Trouble”: Atman Projects Vs. Surrender Solutions, Part One

The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

A Perinatal Flick

A film of postmodern times that is bold with revelation for us is the cult classic, “Nothing but Trouble,” which was released in 1991.clip_image002 It is an especially potent example of the rising pre- and perinatal influence in the media we’ve been discussing as well as the different heroic response required in these strangest of days because of it. It is all this, plus a twist: As a comedy it represents an unlikely approach to such material and themes. More about that later.

It was produced and written by Peter and Dan Aykroyd and stars Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy.clip_image008Its reception by modern audiences mirrors exactly the perception in general, to date, that has been had of the perinatal material it depicts so well. For despite the movie’s star power and the popularity of its co-creator, Dan Aykroyd, it was met with overwhelmingly negative reviews and received six Razzie nominations, garnering one. I fully expect that until we know better I can expect the same kind of reaction to this book of mine and the perinatal perspective it is revealing of the dark underside of everyday pleasantries and sugar-coated media realities. Yet there is hope for all that we will integrate this hard-to-face yet redemptive material in the fact that the movie does have a strong following among some in our population, just as at present there are some who are not in denial of the bittersweet perinatal vision being revealed.

The Lure Into the Underworld and Call to Adventure

clip_image004The perinatal adventure of “Nothing but Trouble” begins innocuously with the main characters “leaving the beaten path” on a rather ordinary trip out of the city. Interestingly, the Brazilian couple who have forced themselves on the main characters of Chevy Chase and Demi Moore in making the trip act as impish other-worldly instruments in the change of route.

Joseph Campbell pointed out that the “call to adventure,” which marks the beginning of the descent into the transformative nether regions, may be instigated by the merest chance or blunder. [Footnote 1]

Campbell also writes that the heralds of such a rite of spiritual passage are often loathly and underestimated characters. The Brazilian couple—as gaudy, overbearing, quirky, and from “down under”—perform just this function of luring into the underworld. Thus, they remind us that it is the quirky yet underestimated element in our familiar daily experience that opens us up to the process whose ramifications are huge by comparison.

clip_image006

The Merest Blunder, The Adventure Begins

Sure enough, this innocent-appearing outing is soon disturbed. The merest blunder of map reading results in an ominous tour of an eerie town and its somber and menacing-looking inhabitants. This is followed by a high-speed car chase as the police attempt to pull the innocents over for a bogus traffic violation.

In the tour of the town, it is as if the ego is shown getting a preview or having a precognition of what lies ahead and attempts to flee back into its safe familiar environs. But of course, this emerging piece of unconscious material will not be denied and is able to capture the fleeing ego that we see safely ensconced in its trappings of status and power—symbolized by the BMW with car phone. At this point the main characters, representing the ego, are led, under guard, into the bizarre town of Valkenvania—the encounter with unconscious perinatal begins.

Perinatal Elements

The Junkyard of the Psyche

Campbell says that in the unconscious deep, to which one is beckoned, “are hoarded all the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence.” [Footnote 2]

clip_image011

Likewise, the set in “Nothing But Trouble” is replete with refuse. Bits of history—of rusted and broken refrigerators, automobiles, kitchen appliances, assorted junk, and pieces and parts of all the preceding…the wreckage of the past—are strewn about as well as heaped in clusters to construct the architecture and delineate the outlines of the drama. The correlation with subconscious remnants of forgotten memories and past emotional experiences is obvious.

Thus the drama evolves in the dumping ground and junkyard of the psyche—where all the rejected tidbits of experience have been relegated.

Stripped of Ego, Perinatal Begins

After being separated from the automobile—i.e., the ego stripped of defensive trappings of status and worldly position—the characters are rather quickly shuttled into encounters with a myriad of perinatal elements. A few of the obvious ones are as follows:

  • Mr. Bonestripper, which is a roller-coaster type ride whose entrance is a large vagina dentate mouth that swallows, chews up, and kills. Notice the roller-coaster ride aspect of Mr. Bonestripper, which reflects the emotional extremes and changingness of perinatal, specifically Basic Perinatal Matrix III (BPM III), events. [Footnote 3]

  • The chutes inside the house and of Mr. Bonestripper indicate birth canal symbolism.
  • clip_image013Sexual elements, indicating BPM III influence, are manifest in the scantily clad heroine and the penis-nose of the judge.
  • The dark foundry symbolizes the foundation work of the psyche as well as the ominous and eerie aspects of perinatal experience.
  • The slave labor surroundings represent similar feelings in the enforced and helpless character of doings just prior to and at the time of birth.

  • Notice that the body—the car, the “Beamer”—gets trimmed down, the excess removed, symbolic of the cutting away of past attachments and concerns of a worldly nature, one’s “status” reduced.clip_image015
  • Chevy Chase as the main character is at one point forced into a marriage with a huge woman, who is tellingly androgynous in that she is played by John Candy. In her threatening and suffocating embraces we see symbolism of the crushing womb.
    clip_image017
  • The entire site of these doings is surrounded by a watery trench. This obviously reflects the amniotic surround in the womb.

    clip_image019
  • Police and guns point to the authoritative character of perinatal doings—i.e., do, or else!

  • Death/rebirth symbolism of the perinatal exists in the form of skeletons and huge piles of skulls and bones.

  • clip_image021Scatological, that is to say, fecal symbolism is seen in the “bat-room,” which contains an enormous pile of wet bat-shit…excuse the wording, but it really is shit and not feces.
  • The arbitrary nature of justice in the courtroom speaks to that perinatal feeling that one tiny thing, event, or action, has huge and horrifying ramifications.

Big Babies

The most obviously perinatal element, however, is the gargantuan and grotesquely flabby infant twins in diapers. Perinatal feelings are indicated in their extreme crying neediness. Their freshly newborn quality is evident in their fleshiness, which reminds one of the overweight appearance of some newborns, which is usually lost a little later on in infancy. The glossy, waxy sheen on their bodies is reminiscent of the skin of a newborn, which, fresh out of the womb, is wet and slippery, covered in amniotic fluid and cervical mucosa.

 4.1.1

A Transpersonal Interface

An interesting aspect that indicates the transpersonal interface with the perinatal is an attic room—a higher mind of memory, kind of like an Akashic record—where all past IDs—identifications—and reports of them—newspaper clippings—are displayed.

Though, interestingly enough, in true perinatal fashion, a macabre lens is used to view these lives—only the reports of their tragic disappearances are seen. I believe that this is a wonderful depiction of how transpersonal information is distorted by perinatal material—the implications of which are far reaching for the pronouncements of so-called spiritual, or psychological, authorities who have not dealt with their perinatal undersides.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

Footnotes

1. Joseph Campbell, The Hero With a Thousand Faces. Princeton, NJ: Princeton University Press, 1968, p. 51.

2. Ibid., p. 52.

3. As a reminder, BPM III events (Basic Perinatal Matrix III events), using the typology set forth by Stanislav Grof in his many works, are the events surrounding the actual birth struggle of the infant during delivery. These parts on the perinatal in film make mention also of BPM II, which is related to the time of severe compression and constriction of the fetus in the latter stages of pregnancy and prior to the actual onset of delivery—which are characterized by feelings of “no-exit”; of BPM IV, which is concerned with the feelings of release, triumph, being saved, and whatever else occurs immediately after delivery; and of BPM I, which is related to the state of the fetus earlier in pregnancy—prior to compression—which is often conceived to have “oceanic” and “blissful” qualities, though not always.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

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A Different Kind of Hero’s Journey for Our Times Is Depicted in the Cult Classic, “Nothing But Trouble”: Atman Projects Vs. Surrender Solutions, Part One

The Necessary Hero and Descent Into the Underground–When There’s “Nothing But Trouble,” You Know You’re in The Perinatal Below

A Perinatal Flick

A film of postmodern times that is bold with revelation for us is the cult classic, “Nothing but Trouble,” which was released in 1991.clip_image002 It is an especially potent example of the rising pre- and perinatal influence in the media we’ve been discussing as well as the different heroic response required in these strangest of days because of it. It is all this, plus a twist: As a comedy it represents an unlikely approach to such material and themes. More about that later.

It was produced and written by Peter and Dan Aykroyd and stars Dan Aykroyd, Chevy Chase, Demi Moore, and John Candy.clip_image008Its reception by modern audiences mirrors exactly the perception in general, to date, that has been had of the perinatal material it depicts so well. For despite the movie’s star power and the popularity of its co-creator, Dan Aykroyd, it was met with overwhelmingly negative reviews and received six Razzie nominations, garnering one. I fully expect that until we know better I can expect the same kind of reaction to this book of mine and the perinatal perspective it is revealing of the dark underside of everyday pleasantries and sugar-coated media realities. Yet there is hope for all that we will integrate this hard-to-face yet redemptive material in the fact that the movie does have a strong following among some in our population, just as at present there are some who are not in denial of the bittersweet perinatal vision being revealed.

The Lure Into the Underworld and Call to Adventure

clip_image004The perinatal adventure of “Nothing but Trouble” begins innocuously with the main characters “leaving the beaten path” on a rather ordinary trip out of the city. Interestingly, the Brazilian couple who have forced themselves on the main characters of Chevy Chase and Demi Moore in making the trip act as impish other-worldly instruments in the change of route.

Joseph Campbell pointed out that the “call to adventure,” which marks the beginning of the descent into the transformative nether regions, may be instigated by the merest chance or blunder. [Footnote 1]

Campbell also writes that the heralds of such a rite of spiritual passage are often loathly and underestimated characters. The Brazilian couple—as gaudy, overbearing, quirky, and from “down under”—perform just this function of luring into the underworld. Thus, they remind us that it is the quirky yet underestimated element in our familiar daily experience that opens us up to the process whose ramifications are huge by comparison.

clip_image006

The Merest Blunder, The Adventure Begins

Sure enough, this innocent-appearing outing is soon disturbed. The merest blunder of map reading results in an ominous tour of an eerie town and its somber and menacing-looking inhabitants. This is followed by a high-speed car chase as the police attempt to pull the innocents over for a bogus traffic violation.

In the tour of the town, it is as if the ego is shown getting a preview or having a precognition of what lies ahead and attempts to flee back into its safe familiar environs. But of course, this emerging piece of unconscious material will not be denied and is able to capture the fleeing ego that we see safely ensconced in its trappings of status and power—symbolized by the BMW with car phone. At this point the main characters, representing the ego, are led, under guard, into the bizarre town of Valkenvania—the encounter with unconscious perinatal begins.

Perinatal Elements

The Junkyard of the Psyche

Campbell says that in the unconscious deep, to which one is beckoned, “are hoarded all the rejected, unadmitted, unrecognized, unknown, or undeveloped factors, laws, and elements of existence.” [Footnote 2]

clip_image011

Likewise, the set in “Nothing But Trouble” is replete with refuse. Bits of history—of rusted and broken refrigerators, automobiles, kitchen appliances, assorted junk, and pieces and parts of all the preceding…the wreckage of the past—are strewn about as well as heaped in clusters to construct the architecture and delineate the outlines of the drama. The correlation with subconscious remnants of forgotten memories and past emotional experiences is obvious.

Thus the drama evolves in the dumping ground and junkyard of the psyche—where all the rejected tidbits of experience have been relegated.

Stripped of Ego, Perinatal Begins

After being separated from the automobile—i.e., the ego stripped of defensive trappings of status and worldly position—the characters are rather quickly shuttled into encounters with a myriad of perinatal elements. A few of the obvious ones are as follows:

  • Mr. Bonestripper, which is a roller-coaster type ride whose entrance is a large vagina dentate mouth that swallows, chews up, and kills. Notice the roller-coaster ride aspect of Mr. Bonestripper, which reflects the emotional extremes and changingness of perinatal, specifically Basic Perinatal Matrix III (BPM III), events. [Footnote 3]

  • The chutes inside the house and of Mr. Bonestripper indicate birth canal symbolism.
  • clip_image013Sexual elements, indicating BPM III influence, are manifest in the scantily clad heroine and the penis-nose of the judge.
  • The dark foundry symbolizes the foundation work of the psyche as well as the ominous and eerie aspects of perinatal experience.
  • The slave labor surroundings represent similar feelings in the enforced and helpless character of doings just prior to and at the time of birth.

  • Notice that the body—the car, the “Beamer”—gets trimmed down, the excess removed, symbolic of the cutting away of past attachments and concerns of a worldly nature, one’s “status” reduced.clip_image015
  • Chevy Chase as the main character is at one point forced into a marriage with a huge woman, who is tellingly androgynous in that she is played by John Candy. In her threatening and suffocating embraces we see symbolism of the crushing womb.
    clip_image017
  • The entire site of these doings is surrounded by a watery trench. This obviously reflects the amniotic surround in the womb.

    clip_image019
     
  • Police and guns point to the authoritative character of perinatal doings—i.e., do, or else!

  • Death/rebirth symbolism of the perinatal exists in the form of skeletons and huge piles of skulls and bones.

  • clip_image021Scatological, that is to say, fecal symbolism is seen in the “bat-room,” which contains an enormous pile of wet bat-shit…excuse the wording, but it really is shit and not feces.
  • The arbitrary nature of justice in the courtroom speaks to that perinatal feeling that one tiny thing, event, or action, has huge and horrifying ramifications.

Big Babies

The most obviously perinatal element, however, is the gargantuan and grotesquely flabby infant twins in diapers. Perinatal feelings are indicated in their extreme crying neediness. Their freshly newborn quality is evident in their fleshiness, which reminds one of the overweight appearance of some newborns, which is usually lost a little later on in infancy. The glossy, waxy sheen on their bodies is reminiscent of the skin of a newborn, which, fresh out of the womb, is wet and slippery, covered in amniotic fluid and cervical mucosa.

 4.1.1

A Transpersonal Interface

An interesting aspect that indicates the transpersonal interface with the perinatal is an attic room—a higher mind of memory, kind of like an Akashic record—where all past IDs—identifications—and reports of them—newspaper clippings—are displayed.

Though, interestingly enough, in true perinatal fashion, a macabre lens is used to view these lives—only the reports of their tragic disappearances are seen. I believe that this is a wonderful depiction of how transpersonal information is distorted by perinatal material—the implications of which are far reaching for the pronouncements of so-called spiritual, or psychological, authorities who have not dealt with their perinatal undersides.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

Footnotes

1. Joseph Campbell, The Hero With a Thousand Faces. Princeton, NJ: Princeton University Press, 1968, p. 51.

2. Ibid., p. 52.

3. As a reminder, BPM III events (Basic Perinatal Matrix III events), using the typology set forth by Stanislav Grof in his many works, are the events surrounding the actual birth struggle of the infant during delivery. These parts on the perinatal in film make mention also of BPM II, which is related to the time of severe compression and constriction of the fetus in the latter stages of pregnancy and prior to the actual onset of delivery—which are characterized by feelings of “no-exit”; of BPM IV, which is concerned with the feelings of release, triumph, being saved, and whatever else occurs immediately after delivery; and of BPM I, which is related to the state of the fetus earlier in pregnancy—prior to compression—which is often conceived to have “oceanic” and “blissful” qualities, though not always.

Continue with Trusting Higher Forces: Say “Good Night,” John Wayne, and How Can You Be Borne Up If You Won’t Let Go? When All Seems Lost…. You Might Want to Stop Fighting Rebirth

Return to Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

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Dreaming Out Loud, Part 1: Are the Changes Needed to Avoid Apocalypse Occurring? The “Royal Road” to Our Collective Mind, Putting Our Society “on the Couch”

The_Matrix_Reloaded

Does It Look Like We’ll Duck Armageddon? The Information Tsunami, Ego Erosion, and Movies Are Collective Dreaming: Dreaming Out Loud, Part One

3912814901_d66711d33b

Is there any evidence that the changes that need to happen for us to stave off apocalypse and save our world are actually occurring?

reality-tv-collage-1

The “Royal Road” to Our Collective Mind

I have mentioned there are studies of the psychology of generations, beginning with the Baby-Boomers or Sixties Generation, child.centered.parentingthat show both an increased access to the perinatal as well as a tendency to act out perinatal influences in less harmful…though more blatant…ways than generations prior. We have seen that this tendency goes hand in hand with actual engagement in activities to counter the negative perinatal act-outs that exist in our environment, moviesfor example, campaigning against war, pollution, racism, violence, and so on.

But in “Chapter Eight: The Perinatal Media,” I introduced the common anthropological tenet that the projective systems of a culture—that is, its art and artifacts—can be analyzed to get a glimpse into the worldview of a particular society. For our purposes, I pointed out how our movies are especially potent glimpses into our collective consciousness as well as our collective unconscious. You might say that our cinema is the “royal road” to our collective unconscious.

Brazil.baby.face

Movies As Collective Dreaming

movies.as.collective.dreamingOur flicks perform admirably well as collective dreams in that, unlike the other products of our collective consciousness such as other art and artifacts, they are multimedia stories, much like dreams are. But more than that, they are shared by more of the populace than any other art form. I am not including TV separately as an art form, since I put it in the same category as films, especially when many films are broadcast on TV and much else on TV also has the same character of being multimedia stories.

Finally, the strength of a particular element of the collective consciousness can be easily determined by the popularity of a particular movie that represents it or by that element’s increasing inclusion in a number of films. For example, in “The Perinatal Media,” I discussed the emerging new elements of faces coming out of walls and forceful oral insertion.

Putting Our Society “on the Couch”

All together, these mean that, just as a psychotherapist might analyze a client’s dreams to get an idea of his or her unconscious workings and contents, one can interpret mainstream movies to get an idea of the workings and contents of our society’s “collective mind”—both conscious and unconscious.

we.are.attracted.by.art.thats.inside.usThis is no more complex than saying that when we see things in movies that people rush to see, they are drawn to it because those things are also in their own minds. And the more they flock—the greater the success of a movie—the more pervasive in a society are those themes, elements, and contents. Certain aspects—themes or elements in films—are said to really “resonate” with people and therefore people make the movies that contain them popular and successful.

When this is said, it only means that people are consciously or unconsciously drawn to things that exist within themselves. Conversely, no existence inside? No interest.

lets.analyze.filmSo in this and upcoming chapters I will use films as the dreaming out loud of our collective mind. Put less esoterically, I will be analyzing a few examples of mainstream movies for their content, and I will be assuming the content I find there exists as well in the society that has watched it…has dreamt it.

I will also be assuming that movies that are mainstream, by which I mean can be found readily for sale as DVDs on-line or in retail stores and have become part of the popular conversation are indicative of pervasive elements in our collective consciousness and unconscious. brazil.faces.from.wallsThey can be looked at for the unacknowledged workings of our society as a whole.

I will not deal with the actual numbers of people who have attended particular movies. For I will assume out of the tens of thousands of movies that are produced each year—by small and large producers—those that have made it into the theaters of virtually all the communities of our society, and from there onto the DVD lists and the shelves of stores of all those communities, have by those facts alone demonstrated their resonance with the collective social mind. Otherwise, we would get into the maelstrom of analyzing critic’s opinions of these movies; and with that, to modify a saying, opinions are like asses: everyone has a different one.

Something’s Happening Here … Again

masks.are.like.faces.from.wallsOne final point about the heuristic value of the analysis of films for the workings of the collective mind: Elements and themes in movies change over time. I have shown how new elements may be evidence of new elements of our collective unconscious minds coming into consciousness in detailing how the faces-in-the-wall element has developed. (See “All in All It’s Just Another Face in the Wall.”)

But when old, familiar plots have different outcomes, this is important as well. When elements change or evolve over time, this speaks of something going on. This points to changes or evolutions in our collective consciousness. And when elements and themes and plots change or evolve rapidly, we can accurately faces.from.walls.everywheresay that the changes in consciousness are equally swift.

These are some of the tools we will be using in this and upcoming chapters as we take a look at a few examples of mainstream films and what they might be reflecting back to us about our own society’s changes in consciousness. But first let me say something about what may turn out to be the most important of the thematic evolutions or changes in film elements that we have been seeing.

Information Avalanche and Pre- and Perinatal Themes

In the last half century we have been hearing a great deal about the need to expand consciousness to balance the negative effects of the extremes of technological advance. Fortunately this change of consciousness is to some extent inevitable—or at least greatly aided—by certain side effects of the technological explosion…specifically in the area of telecommunications.

Ego-Eroding Information Deluge

As cultural boundaries are eroded by a multicultural information avalanche, people are forced to lower their inner defenses and ego boundaries. Confronted by such incoming information people will either take some of it in, learn, and thereby grow beyond their former selves or they will need to expend themselves in an all-out effort to shore them up.

A potent example of the first, currently, is the way people worldwide are opening to and learning from each other using social media via the internet; the revolutionary potential of this creation of an open global consciousness is already showing itself in uprising for democracies and economic justice virtually everywhere on Earth. A clear example of the second—where folks are putting everything into blocking out information and beating back the personal growth that would result—is in the backlashes to these liberal forces, which are also occurring throughout the world—as a Tea Party in the United States and as the fortification of authoritarian regimes from China to Syria, from Iran to Israel.

expend.themselves.in.all.out.effort.to.shore.them.up

We have seen that the first response—where folks allow the discomfort inherent in personal growth—is typical of a more advanced form of child-caring that is centered on the needs of the child. We know also that the latter reaction goes with child-caring centered on the needs of the care-givers, or parents…and not the child. In this latter instance of parenting, it is understandably called child-rearing or raising a child as opposed to child-caring. We have noticed that the first response goes along with increased self-analysis and introspection and the latter one with acting out, aggression, and culture war.

Information Tsunami Pushes Consciousness Revolution

tidal.wave.of.informationSo, this tsunami of information in all areas, where previously we could smugly hold forth ego-satisfying views, pushes both toward an overthrow of those narrower perspectives and the establishment of broader, more encompassing ones as well as toward an ever increasing irrationality in fending off this information, at any and all costs.

I discussed at length in a previous section how this informational upswelling has led to a need to process it all in new social formats and the rituals of the talk and reality shows.

“Consciousness Raising” As “Shoveling It”

new.information.some.just.pile.it.onFor the most part, this growth or expansion of consciousness, when it happens, is seen as a linear increase and correspondingly is labeled a “raising” of consciousness. This is true whether we are talking about societal or individual progress.

Ken Wilber’s transpersonal theory is the most popular version of such a ladder-style path. In it the process of growth is analogous to that of climbing a mountain or shoveling compost into a pickup truck—one simply moves upward or piles it on. [Footnote 1]

But there are those who think otherwise.

Footnote

1. See especially Ken Wilber, The Atman Project. Wheaton, IL: Theosophical Publishing House, 1980.

Continue with Yes, Tina Turner, We Do Need Another Hero … a Different Kind. Dreaming Out Loud, Part 2: The Path to Heaven Leads Through Hell

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