“It is you who are the real barbarians in Nature — actual abominations of Nature. It is you who are actually out-of-control, wild … and yes, bestial and animalistic … in ways we planetmates could never be.”

The Planetmates tell us about the Abominable Human … children as tools and as immortality projects: “You turned childhood into a nightmare…. The dragon of myth is you”:

“…seeing your children as things, and soulless, and as “wild” — after your fall into sedentary-hierarchical ways — you would seek, under the guise of child-“raising” or “rearing,” but also, we see, of “morality,” to make of them things of utility to serve you. You would, essentially, fashion tools of them. You pride yourselves as humans as being above Nature in your tool use; you say that fashioning tools is one of the things that makes you human. From this perspective, however, perhaps now you can see the roots of that urge to fashion tools, for tools magnify your power in controlling things. They expand your abilities to act upon and rearrange Nature and its ways. Just like your “technologies” and your rituals and recipes for bringing Nature and the Divine to heel, as mentioned above, human tool use is a manifestation of your controlling obsession. And children got swept up into that singular mania.

“So, just as you brutalized Nature, to extract from it what you wanted, and controlled it along ways to suit your ends, you did your “wild” children. But in fearful focus on the end-products of your efforts and the achievements to be wrought, you do not see the violence and torture you perpetrate on your own children. Even less do you see the way you wield that kind of barbarism on planetmates and all of the world outside your egos. 

 

For you use ruthless, unnatural methods of control and “fashioning” which planetmates could never imagine until your kind came along and to this day would never employ themselves. You seek to turn everything into a product of direct consumption or into a “tool” to aid your greedy over-accumulation … now or in the future. All your activities are directed toward those ends, including your family and community lives. 

With these ends of consumption or utility in mind, you provide the necessities of survival for your young and for your captive planetmates. Almost always it is the bare minimum which is given, for any more would cut into the return on investment you anticipate of them, along with, of course, it would be an extra bother on top of your already overworked sedentary self. 

 “Additionally, you train and mold them and us to be of use in your acquisitive aims. You physically constrain your planetmates and force them to fit in with your designs. Your captive planetmates also are trained, molded … oftentimes whipped and beaten … sometimes even tortured … to become the kind of things that you would see as useful. Not much differently, you invest much time teaching and beating these younger things — your children — into the kind of older things you need or can use. 

“Only recently have some of you even coined a term of child abuse. Whereas for most all children of the entirety of post-agrarian human history such a thing was not conceivable. Everything from physical constraint to violence and torture were seen as not just necessary, but prudent and laudable. These “parenting” practices were not simply economically justified, but your cultures managed to morally exalt them. You spanked and said it hurt you more than them. Seeing in them the devil of abomination that was in you, you told yourself and each other it was your “duty” to beat it out of them. We’ve already mentioned your pronouncement that the child would grow up “spoiled” — that is, like you, be selfish and demanding — if she or he was not forcefully and regularly beaten or caned. 

“Compared to the methods of child abuse and torture you devised to beat your children into tools, which came with sedentary ways and its work demands, your earlier infanticide and abandonment are seen as blessings for the child. In truth, you are only now awakening from a long dark reign of child abuse, which was the norm for parenting over the last ten or so thousand years for much of your species. So, childhood, just like birth and infancy, you turned into a nightmare. 

“For you, everything in Nature, including each other, is something to be either consumed/used immediately or to be invested in and nurtured for future consumption and/or use. You laud yourselves as compassionate in “training” and “teaching” your young and planetmates. Yet, sure enough, we watch you raise your dependent children, your vulnerable half-borns, using ways that often involve violence, torture, and many kinds of things Earth Citizens would never imagine doing to our young … not even to each other!

“It is you who are the real barbarians in Nature — actual abominations of Nature. It is you who are actually out-of-control, wild … and yes, bestial and animalistic … in ways we planetmates could never be. The wild beasts, dragons, ogres, and abominable snowman of Nature and legend are you. You are the Abominable Human. The dragon that, in myth, must have to it sacrificed virgins and children to keep the town from being destroyed is you. For you feel your economic survival, your sedentary ways — your “civilization” (the village) — depend upon sacrificing the soul of the child, exactly as Abraham sacrificed the ram — Isaac’s soul or “animal” nature — instead of the actual physical child. 

“So in your self-congratulation of your parenting and your denial of your ruthlessness, you hide your true agendas from even yourselves. Planetmates’ purpose for you is to amplify your ego in any way they can be used to, but the same is true for your children. 

“Indeed, ultimately the purpose of children to you is as palliative for your fear of death. Your grandiosity would have you continue the existence of your ego forever. To that end, children are invested in as immortality projects. They are only useful or desired to the extent they embody you. 

“It is for that reason, that of your blown-up fear of uncertainty and death … ultimately rooted in your birth trauma … that you deprive both children and planetmates of independent life by seeking to turn them into extensions or copies of yourself.

“This desire to control and fashion everything outside of yourselves — including your children — in order ultimately to flee the thought of death represents an abomination in Nature. 

“As you will see, no other planetmate has such a magnified fear of death….”

 [Pt 3 of 29th Prasad — Tool Use. More coming….

To see the entire book, to which this will be added eventually (book is two-thirds updated), go to  http://mladzema.wordpress.com/the-great-reveal-book-6/ …

Planetmates: The Great Reveal – Michael’s latest book — is now available in print and e-book format.  at https://www.createspace.com/4691119

and at Amazon at http://www.amazon.com/Planetmates-Great-Reveal-Return-Grace/dp/1496083326/ref=sr_1_1?s=books&ie=UTF8&qid=1399084684&sr=1-1&keywords=michael+adzema 

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“Having left Edenal Nature, you built an artificial reality … using any materials available … including children, women, conforming underlings, and your captive brother-sister planetmates … to distract you from the hole in your being.”

On family, culture, truth, controlling and “raising” children … Latest from the Planetmates: “You did just as much ‘family farming’ between the walls of your homes as you did in your fields”

 

”As it turns out, then, far from having discernment — let alone actual concern — in regard to the living, your ways of creation — that is, manipulation, training, and control — for the animate beings of the world became simply a little different than for inanimate things. You do not take a plow to them like you do earth — though your genital mutilation is close. Your “sculpting knife” or “paint brush” for planetmates and your children are methods of coercion, training, enforced obedience, and the like. You use the satisfaction of physical needs like food, rest, and sleep … and in more recent times, approval … as your “carrots.” You use the “stick” of physical, mental, and emotional abuse; of punishments of all kind, including deprivation, incarceration, even tying up or chaining … and in more recent times, disapproval.

”You do not hit them with a hammer like you would in fashioning a tool, Instead you scold and bellow them into the shape you want. And while you might not use a mallet, you often hit, spank, whip, and beat them so their actions, their behavior, will issue forth along the lines and in the manner that would be pleasing and useful to you.

”You do not pile them like logs as you do when you are building your cabins; nor do you arrange and position them like the rooms and contents of your home. But you orchestrate their placement in your house, nonetheless — storing them where they will fit in your houses and sometimes stacking them in beds one upon the other. Likewise, you enforce the posture and positioning of their physical frames: They will “stand up straight”; they will not “slouch”; they must not cross their legs and must keep both feet flat on the floor; they must “sit up straight at the table,” “not move around too much,” not “play with their food,”; and they must be silent — seen but not heard.

”Further controlling their physical positioning in your lives, you determine their comings and goings and their activities at nearly every moment of the day. You dress, adorn, and groom them to reflect you, no different than the way you furnish and decorate your rooms as an expression of your preferences and personalities. You put what you want into their minds — calling it “education” — along with their bodies. So, in a sense you do arrange them in such a pattern as suits your mental image of the perfect house, home, and family.

”And the “colors” of your palette — in the “creation” or “raising” of your offspring — cover the entire spectrum from caring and benign to hateful and cruel. Indeed you often stray into the dark colors of torture in your crazed obsession to determine the outcomes of everything.

”So it is that just as you plant, tend, and raise vegetative beings for your dinner use, you view other more animate beings in the same light and wish to “raise” us, but also your children, as well. Increasingly, ever since your agrarian-sedentary fall from Nature — you did just as much “family farming” between the walls of your homes as you did in your fields. They were one and the same to you. You did as much to create an artificial social reality — in particular, in the family — to suit yourself; as you worked to remake the physical world in the image of your desires. Having left behind a real Edenal existence in Nature, you were pushed ever — feeling, but never acknowledging your loss — to build up around you, using any materials available … and that included your conforming underlings, your women, your children, and your captive brother-and-sister planetmates, us … a substitute world of distracting, however fleeting, pleasures by which to occupy your mind from knowing of the hole in your being, with that loss.

”So in them — your private kingdoms, as you say “a man’s home is his castle” — you placed yourself on high and sought to have everything below you, to have it subdued, and looking your way for direction or in its utility. Indeed, in your personal fiefdoms, you would have it that you replace God Himself in the creation of your own pathetic reflections of personal “Edens,” in which everything in sight has its reason for existing as being you.

”So culture skews the truth of you, making of you something different, and unreal, in all of Nature. You know you are different, but you rationalize that as more evidence that you are superior. You are wrong; however there is no need to belabor the different ways in which you are different and wrong-getted and the different things that you completely misconstrue. We have said already much about your conceptualizations of materialism, superiority over Nature, and “goodness”; and it should be clear the dire consequences which at the present have sprung from them. You would bring down the entire planet in an egoic orgasm of destruction and self-annihilation. Concerning the other reckless mistruths of you, any of you of a fair mind have already had other examples of them occur to you. In peeling back the blanket of your wrong-gettedness, a world of darkness and ignorance is revealed.

“And to be honest, the results of all your different Ego “projects” — your vanities and presumptions — appear fairly silly to the rest of us. More than that, they appear pathetic and, ultimately, moronic. Compared to the truth of the All That Is — which we are part of, more than just “knowing” — the productions of your fevered minds are random, temporal, and rootless. Without seeking to unravel each and every one of them and shine light on their insubstantiality — a tedious, long, and circuitous undertaking … and more appealing to your intellectuals than to any of us — we can assert that each of them over-complicate the understanding of Existence. No doubt that over-complication serves best to hide their lack of true foundation, their wrongness. You stand amazed by the profound and intricate sight of your magnificent unreality. It is hard — as hard as it is to leave the “matrix” — to question the foundations of your beliefs, while your eyes sparkle in reflection of the fascinating electronic array … and your every thought supports itself on the jetsam of stupefied minds….”

[Pt 2 of 28th Prasad — Family. More coming…  ]

To see the entire book, to which this will be added eventually (book is two-thirds updated), go to  http://mladzema.wordpress.com/the-great-reveal-book-6/ …

Planetmates: The Great Reveal  is also available in print and e-book format.  at https://www.createspace.com/4691119

and at Amazon at

http://www.amazon.com/Planetmates-Great-Reveal-Return-Grace/dp/1496083326/ref=sr_1_1?s=books&ie=UTF8&qid=1399084684&sr=1-1&keywords=michael+adzema

Falls from Grace: The Devolution and Revolution of Consciousness – Michael’s latest book – is also now available in print and e-book formats.

at http://www.amazon.com/Falls-Grace-Devolution-Revolution-Consciousness/dp/1499297998/ref=tmm_pap_title_0?ie=UTF8&qid=1400787010&sr=1-3 

To purchase any of Michael Adzema’s books, available in print and e-book formats, go to Michael Adzema’s books at Amazon. 

Those who want signed copies of any of my books, email me directly … sillymickel@gmail.com … Discount for blog subscribers.

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Everything You Always Wanted to Know About Being Born But Were Afraid to Ask: Birthing Into the Media and the Perinatal Veil

Apocalypse No! Chapter Eight: The Perinatal Media

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds…And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable

Newborns and Monsters and Hells, Oh My!–Of Time Travel, Claustrophobia, Cesarean Births, and Death by Vegetable

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.

Becoming Thingified – Modern Birth Tells the Baby, “Welcome to the World, Now Screw You!”

“Welcome to the World, Now Go to Hell!” – A Baby Becomes Thingified Through Modern Birth

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape

All in All, It’s Just Another Face in the Wall – Enclosing, Threatening Things That One Wishes to Push Out or Escape From

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians

Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons … and Their Obstetricians

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Through the Looking Glass Into Parallel Universes … But “There’s No Place Like Home”

Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Aliens, Abductions, Hell … Birth and Death: Freedom Is Just a Membrane Away

Aliens, Abductions, Hell, and Fear: Freedom Is Just a Membrane Away

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see in the next chapter, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

And this book is primarily about that necessity to face the ultimate and horrible truths if we are to save ourselves. Not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, Earth rebirth or apocalypse—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life –
Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Enjoy your own virtual emergence by following the pics below:

Now add a blissful period and go back around again; that’s the way it works in life.

Continue with Apocalypse No! Chapter Nine: Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

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“We Ain’t Born Typical”: A Closer Look at the “Human Nature” Pushing Us to Humanicide – The Perinatal Unconscious

Apocalypse – No! Chapter Seven:
“We Ain’t Born Typical””

Apocalypse, Human Nature, and the Perinatal Imprint: “We Are a Fever … We Ain’t Born Typical”

“Perinatal” = “Surrounding Birth”

“We Are a Fever”

How are we to characterize these strangest of days and the current unprecedented global condition? As I have said, they are driven by what I call an emerging perinatal unconscious. As The Kills sang it, most aptly, “We ain’t born typical.” [Footnote 1]

Perinatal Unconscious

Why perinatal? First, let us remind ourselves that perinatal means, literally, “surrounding birth.” As a one-time university instructor of pre- and perinatal psychology and as an editor of a professional journal concerned with perinatal psychology— as well as a psychohistorian, let me explain what might be considered elements of a perinatal unconscious. [Footnote 2]

Unconscious Matrices = “Human Nature”

The elements I will describe are near universally accepted among perinatal psychologists as unconscious forces, factors, matrices that exist in us all as a result of a human birth that is unique, by comparison to all other species, in its degree of trauma and hence of its impact or imprint on what we might call—dare I say the word—our “human nature.”

These perinatal elements have come to our understanding through the efforts of both the inner explorations of experiential pioneers into the perinatal, as well as the hard empirical work of pre- and perinatal researchers. I might also point out that I, myself, have forty years of experiential exploration into these perinatal elements, in addition to my scholarly work and research in this field. My experiences confirm, in my own mind, their absolute validity, as well as validating for myself the theoretical constructs put forth by others to describe and explain them.

Pre- and Perinatal Psychology, Experiential Voyagers

Be that as it may, these perinatal elements in the unconscious have been described most thoroughly be three figures in particular: Stanislav Grof, Arthur Janov, and Lloyd deMause. It might help, also, to keep in mind that entire new fields of pre- and perinatal psychology, primal psychology, and to some extent, transpersonal psychology have grown up around the existence of these perinatal factors. Entire modalities of healing tap in to and are based on the existence of this perinatal unconscious, including primal therapy, holotropic breathwork, and rebirthing, to name just the few that I happen to be trained in. These unconscious perinatal elements have, at this point, been confirmed by thousands of researchers and hundreds of thousands, if not millions, of experiential voyagers into the perinatal unconscious.

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“The Perinatal Unconscious“
– audiocast by SillyMickel Adzema

For the author’s reading, with elaboration, of this chapter, click on the link to the audio site above or click the audio player here:

http://cdn.hark.com/swfs/player_fb.swf?pid=rfrhsmtjnm
Apocalypse, or New Dawn? Chapter 2: “The Perinatal Unconscious” by SillyMickel Adzema

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Elements of Birth Experience

Based upon all this, then, let us look at some of the elements, in general, that characterize this perinatal unconscious.

Perinatal Matrix ~ Societal Matrix

Stanislav Grof describes basic perinatal matrices (BPMs)—in other words, typical experiential constellations related to our births. These happen to be very much akin to deMause’s perinatal schema, with some slight differences in emphasis, and more elaboration on the part of Grof. So let us use Grof’s schema as a basis. [Footnote 3]

All Needs Met . . . With Luck – Matrix 1

Grof’s Basic Perinatal Matrix I, or BPM I, involves the experiences and feelings related to the sometimes, or at least relatively, undisturbed prenatal period. The prenatal period is that time in the womb sometimes characterized by feelings of peace, complete relaxation, and a feeling of all needs met, or “oceanic bliss.”

BPM I corresponds to deMause’s societal periods of “prosperity and progress,” which he claims are accompanied by feelings and fears of being “soft” and “feminine” — understandably here, for in BPM I, that is, prenatally, the fetus is largely identified with his or her mother and is very much “soft,” i.e., undefended.

Since the time in the womb may also be disturbed by toxic substances that the mother ingests—drugs, chemical additives, and so on—as well as by disturbing emotions that the mother experiences, which release stress hormones into the mother’s bloodstream, which then cross the placental barrier and affect the fetus, BPM I is also sometimes characterized as feelings of being surrounded by a polluted environment and being forced to ingest noxious substances, toxins, and poisons, which sickens the fetus.

No-Exit Despair – Matrix 2

In Grof’s schema, BPM I is followed by BPM II—that is, Basic Perinatal Matrix II—which are experiences and feelings related to the time of “no exit” in the womb and claustrophobic -like feelings occurring to nearly all humans in the late stages of pregnancy and especially with the onset of labor, when the cervix is not yet dilated. Since there does not seem to be any “light at the end of the tunnel”—metaphorically speaking—it is characterized by feelings of depression, guilt, despair, and blame, and a characterization of oneself as being in the position of “the victim.”

It is very much like DeMause’s period of collective feelings of entrapment, strangulation, suffocation, and poisonous placenta, which he has found to precede the actual outbreak of war or other violence. [Footnote 3]

Birth Wars – Matrix 3

This of course is followed by BPM III (Basic Perinatal Matrix III), which involves feelings and experiences of all-encompassing struggle and is related to the time of one’s actual birth. Characterized also by intense feelings of aggression and sexual excess—in the position, now, of “the aggressor”—it is related directly, in DeMause’s schema, to a time of actual war.

Hallelujah! . . (I think. . . . ) – Matrix 4

Basic Perinatal Matrix IV (BPM IV) follows this; it corresponds to the time of emergence from the womb during the birth process and is characterized by feelings of victory, release, exultation.

But also sometimes, after that initial relief of depression — when the struggle does not bring the expected rewards, as when, during modern obstetrical births, the neonate is harshly treated and then taken away from the mother, disallowing the bonding which should occur, naturally, immediately after birth.

In my own experience, the exultation and relief of release was replaced suddenly by feelings of being assaulted by the attendants at my birth (which of course they thought of as “attending” to me) as they went about roughly removing mucous from my mouth; prematurely cutting my umbilical cord to leave me struggling for breath; scrubbing, weighing, measuring, and otherwise probing me; and wrapping me like a tamale and taking me away from all I had previously known…i.e., my mother. This felt like ritual abuse to me, and I have often likened it, after the intense period of compression and crushing before birth, to a situation of “going from the frying pan into the fire.”

At any rate, this experience of actual emergence or birth coincides, societally, with deMause’s period of the ending of a war.

Heaven and Hell

In summary, we have euphoric, oceanic, blissful feelings, sometimes feelings of being poisoned or being in a toxic or polluted environment; followed by crushing, no-exit, depression, claustrophobia, compression, strangulation, suffocation, and being force-fed by a poisonous placenta; followed by struggle, violence, war scenarios, birth/death fantasies, sexual excess; and finally release, triumph, feeling of renewal or rebirth and a new golden age, but also possibly of being abandoned, tortured, ritually sacrificed, probed medically, and assaulted by sensations. These are some of the elements that characterize the experience of the perinatal unconscious.

For Dreaming Out Loud! Projecting the Perinatal Zeitgeist

In the next chapter, Perinatal Media, we will take a look at how these elements have erupted into our collective dreams in recent history. By this I mean, we will see how our artists and creative people have projected them into the media, movies, and TV–in which we all participate–and how our fascination with them, because these artists are reflecting things that exist deep inside of ourselves as well, has caused them to grow, creating the dominant underlying zeitgeist of our time.

Continue with Apocalypse No! Chapter Eight:
The Perinatal Media

Return to Apocalypse No! Chapter Six:
Strange Days

Footnotes

1. Chapter titled with appreciation and admiration to The Kills for their recording, U R A Fever. The lyrics go, “I am a fever, you are a fever, we ain’t born typical….” and so on. The music video produced is similarly brilliant. Together, it is a production bordering on genius. The video contains levels of meaning that are only obvious on subsequent viewings. I reproduce it for the second time in this book, above in this chapter, for the convenience of the reader.

Lyrics – U.R.A. Fever – The Kills

Walk you to the counter
What do you got to offer
Pick you out a solder
Look at you forever

Walk you to the water
Your eyes like a casino
We ain’t born typical

Find a piece of silver
Pretty as a diagram
And go down to the Rio

Put it in my left hand
Put it in a fruit machine
Everyone’s a winner
Laughing like a seagull

You are a fever
You are a fever
You ain’t born typical

You are a fever
You are a fever
You ain’t born typical

Living in a suitcase
Meet a clown, fall in love
went down to have you over

Going ’round a break up
Take you to a jukebox
That’s the situation
Pick you out a number
And that’s our arrangement

Dancing on the legs of a new-born pony
Left right left right
Keep it up son

Go ahead and have her
Go ahead and leave her
You only ever had her
When you were a fever

I am a fever
I am a fever
I ain’t born typical

I am a fever
I am a fever
I ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

2. In the Pre- and Perinatal Psychology Newsletter I was applauded for being the first person in the United States to teach the subject of pre- and perinatal psychology at the university level and—as it was said, remarkably—for doing it while still a student. I did this at Sonoma State University, in Rohnert Park, California, in the years 1994 and 1995, beginning while I was a graduate student there.

My graduate thesis became the book, Falls From Grace: Spiritual and Philosophical Perspectives of Prenatal and Primal Experience, which is listed in Wikipedia as a reference under the topic of prenatal and perinatal psychology.

Subsequently, I became the editor of the professional journal, Primal Renaissance: The Journal of Primal Psychology, formerly published by the International Primal Association. Much of the contents of its issues were later posted to my website, Primal Spirit, where they can still be viewed.

I have had my writings published in The Journal of Psychohistory, including some that later became part of this book. In fact, I presented the material of this book originally at an Institute for Psychohistory Association convention; and its earliest publications were in The Journal of Psychohistory under the title, “”The Scenery of Healing: Commentary On DeMause’s ‘Restaging Prenatal and Birth Trauma’s in War and Social Violence’”” 23/4, 395-405.

These are among my many credentials in this field of pre- and perinatal psychology, where I have studied and trained from 1972 till this day.

3. Stanislav Grof, Realms of the Human Unconscious: Observations from LSD Research. New York: Viking Press, 1975; LSD Psychotherapy. Pomona, CA: Hunter House, 1980; Beyond the Brain: Birth, Death, and Transcendence in Psychotherapy. Albany, NY: State University of New York Press, 1985; The Adventure of Self-Discovery: Dimensions of Consciousness and New Perspectives in Psychotherapy and Inner Exploration. Albany, NY: State University of New York Press, 1988; The Holotropic Mind: The Three Levels of Human Consciousness and How They Shape Our Lives. San Francisco: HarperSanFrancisco, 1993.

4. Lloyd deMause, “Restaging Early Traumas in War and Social Violence.” The Journal of Psychohistory 23 (1995): 344-391. (Reprinted, with permission, on the Primal Spirit website as “Restaging Prenatal and Birth Traumas in War and Social Violence“)

Continue with Apocalypse No! Chapter Eight:
The Perinatal Media

Return to Apocalypse No! Chapter Six:
Strange Days

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Kaleidoscope of Postmodern Life, Part Eighteen: Fetal Malnutrition and Racism/Culture War: Prenatal Roots of Bigotry, Vampirism, Anti-Semitism … Blood Libel

Hunger Games – Vampires and Culture Wars … Fetal Roots of Racism, Bigotry, Anti-Semitism … Blood Libel: 21st Century and Its Discontents, Part 18

We Needed “Fresh” Blood to Stay Alive, to Breathe

The driving force of this adult behavioral complex is the oxygen deprivation we experienced as prenates during late gestation. This lack involved feelings of desperate suffocation … oxygen starvation …panic … fear of imminent death. Our lives were dependent on getting enough rich blood—blood that was full of oxygen and nutrients…”rich” and “pure.”

So We Wish to Suck Blood (Vampirism), and We Fear Others Are Sucking Ours (Bigotry, Racism, Anti-Semitism)

There are two parts to this complex—wanting more for ourselves and fearing that others will take that which we have. In the previous post I discussed how we act out both sides of that politically and in the framework of class war, with one side wanting—indeed, needing—more (deprivation) and the other side “sucking” up all available resources out of fear of the other getting any of what they’re hoarding (greed, causing deprivation in others, class war). Let us deal with each of these in turn and see how they relate to ideas of racism, bigotry, vampirism, and blood libel.

Hunger Game—Vampirism

Because of fetal malnutrition, humans feel they are lacking in air and room and are starving for oxygen and they desire “fresh blood.” More than that, we feel that this desire is connected with our survival: For it was: We needed “pure blood”…or blood with a least the minimal amount of oxygen…to stay alive as fetuses.

Because as prenates we are starved for oxygen and experience the blood we receive to be deficient in providing it, we crave “rich” blood—blood that is full with oxygen and nutrients.

Ideas of vampires and werewolves—beings that need to “suck” on the blood of others in order to live…who “crave” rich blood—come of such unconscious memories of deprivation.

Vampires and Dracula “suck” others blood and in doing so make the victims just like themselves—needing to feed on the blood of others forevermore. In this idea, are we not saying that we wish to suck the blood of the Other … the Mother … so that we might live? And even that we will live forever if we continue to do so, as no doubt the fetus feels it needs oxygen-rich blood to live…without which it will die…getting which it will continue living on (forever as far as a fetus feels/knows).

Notice other aspects of this vampirism symbology: Count Dracula lives in a coffin (womb symbol) and always in the dark, as was the case in the womb. Consider also that the vampire/ dracula will die if exposed to the light. Does not the fetus die to the womb state at the time of exposure to light…in other words, at birth? This shows how we remember our time of oxygen (blood) desperation coming to an end at birth: It is the end of living a hellish existence where one is fed by blood in the dark. Birth is a state where one lives in the light and breathes air in an environment where one can move freely, thus the other state is left behind or “dies” upon exposure to the light.

Vampires and werewolves will decompose and die if exposed to light, that is, if they are caught out in daylight: Backing up to political aspects of this, think of the greedy ones of society and their fear that if they are exposed…to the media…they will die. So they must suppress the media, at all costs; and they must keep the “light of day” from ever detecting them…the media “shining” its “light” on them. So, the greed in them has them “sucking others dry,” but they fear that if they do it “in broad daylight,” they will be caught “red-handed” (more blood), and it it will be “curtains” for them.

The Hunger Games—Bigotry, Racism

Greed Hunger Game

They’re Leeches. They’re Sapping Our “Life Blood”!

This feared Other is seen to be stealing jobs, benefits, and resources—“oxygen”—which we need ourselves…for “real” Americans, Germans…in other words “pure blooded” ones. We say immigrants are taking all the jobs (we have no money or fuel…nutrients to a fetus…to live, move freely), using up all our resources (oxygen and nutrients for the fetus), being a “burden” (pushing down on the arteries to the placenta which feed the fetus) on the system (cardiovascular one bringing oxygen to fetus). The Germans had similar feelings about Jews.

Bigotry Hunger Game

We Fear Others Will “Suck Us Dry.”

We Feel We “Must Destroy Those Undeserving Ones Feeding off Our Hard-Earned Money!” (Blood)

We are forever feeling we can’t get enough resources (money) and that the lack of it means we are suffocated, cannot move freely, cannot breathe freely. We act out this fear in doing all we can to keep other folks from stealing or getting ours—our money…our “pure blood,” our pure children. We express our fear of failing this with the words that others will “suck us dry.”

Racism Hunger Game

Children Are Our “Blood Line.” We Fear We Must Protect It and Keep it “Pure.”

We see our children as extensions of our blood (line), so some of us fear that others might want to use them to “feed” on: whether they be “communists,” “Hollywood,” social agencies, or schools. We fear they will “suck” the goodness out of our otherwise “pure” children…our blood (lines).

Our children are also aspects of our social surround, our family. This is analogous to our placenta in the womb. This is another reason why we fear our children will have the blood sucked out of them by others.

For Men, Wives and Family Are the Placental Surround, Which We Feel Must Be Kept “Pure” at Any and All Costs.

If we are men, our wives are also part of that placental family entity and we fear other men might take their purity, their innocence, and such, through “impure” acts, “unclean” ones. We symbolize this sometimes with the fear of a vampire “sucking” on such a “pure” woman’s blood…after which they would be “tainted” and “impure”…a placenta lacking in pure blood.

The idea that this attack on our placenta / wife /social surround would come from another “blood line” /race abounds. Minds on fire with such fears will go to no end of murder and torture against the targets of such furious projections and deem it all justified in light of some higher honor and purity. It inspires the activities of the KKK; their seminal artistic production—the film “The Birth of a Nation”—is a robust and thoroughgoing depiction of such “heroic” depravity carried out within a crazed light of such “honor” and “nobility.”

The Hunger Games—Anti-Semitism, Blood Libel

Blood Libel Hunger Game

And this is an obvious reason that through history we have ideas of blood libel popping up…and being acted on in horrific ways. Blood libel is the idea Christians had that Jews wanted to abduct Christian children to be used as an ingredient in one of their foods…matzos, specifically. The idea was that Jews wanted the “purity” of Christian children to feast on, especially during one of their main holidays, Passover. When I first heard about this, I thought this a rather insignificant, isolated phenomenon until I found out how Jews had historically been put on trial and executed…or simply rounded up and murdered … based on this spurious … this insane … accusation.

Anti-Semitism Hunger Game

Blood libel displays to us how we have this idea that some demonized Other needs to take our “pure blood” — our jobs, benefits … nutrients, oxygen — and will do it in some hideous way. And for this reason these sorts need to be destroyed. Remember, we, as vampires, need to suck up all resources around us out of our prenatal oxygen hunger (deprivation). But in this aspect of that feeling constellation, we want to fight off any and all who might be capable of or thought to be capable of stopping, slowing down, or reducing our resources (blood supply). We act the first out of lack or deprivation, the second out of panic and fear.

.

Scary Sarah…An Aside

We should not leave this issue without pointing out what this says of Sarah Palin’s use of the term “blood libel” to defend herself from attacks. She is saying that she is a martyr with pure blood—a “real” American!—and that the rest of the country and the media want to feed on her purity for they lack such. It is chilling that this idea is popping up again, considering what it led to historically.

Continue with “Bad Blood” – Poisoned, Infected … Prenatal Roots of Paranoia, Sado-Masochism, Alien Mind Control, and the Evil Queen: 21st Century and Its Discontents, Part 19

Return to Hunger Games: Prenatal Oxygen Hunger and Its Political Imprints—Greed, Oppression, Sycophancy, and Revolution: 21st Century and Its Discontents, Part 17

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Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians: Perinatal Media, Part 5

Perinatal Media, Part Five: Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons…and Their Obstetricians

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Continue with Through the Looking Glass Into Parallel Universes…But “There’s No Place Like Home”: Perinatal Media, Part 6

Return to All in All, It’s Just Another Face in the Wall–Enclosing, Threatening Things From Which One Wishes to Push Out or Escape: Perinatal Media, Part 4

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All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape: Perinatal Media, Part 4

Perinatal Media, Part Four: All in All, It’s Just Another Face in the Wall–Enclosing, Threatening Things That One Wishes to Push Out or Escape From

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

Membrane walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura out of the womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

Continue with Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians: Perinatal Media, Part 5

Return to Becoming Thingified–Modern Birth Tells the Baby, “Welcome to the world, now screw you!”: Perinatal Media, Part 3

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Becoming Thingified–Modern Birth Tells the Baby, “Welcome to the world, now screw you!”: Perinatal Media, Part 3

Perinatal Media, Part Three: Welcome to the world, now go to hell!” – A Baby Becomes Thingified Through Modern Birth

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the world…now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release…( finally!)…then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

Continue with All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape: Perinatal Media, Part 4

Return to Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable: Perinatal Media, Part 2

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ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Perinatal Media, Part 1

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the sky with diamonds…and oh, the shark has pretty teeth, dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A hundred monkeys and counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial rapists and killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s not the Fourth of July, however….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Continue with Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable: Perinatal Media, Part 2

Return to “We Ain’t Born Typical”: A Closer Look at the “Human Nature” Pushing Us to Humanicide – The Perinatal Unconscious

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spirit website: “‘Independence Day’: Pre- and Perinatal Adventure in Film.” [return to text]

2. The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm
Birthing, Forgetting – a short story by SillyMickel Adzema

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm
Image of Birthing, Forgetting – a short story by SillyMickel Adzema

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below. [return to text]

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh
Some Primal History & Prologue to Birthing, Forgetting

Copyright © 1999, 2011, 2012 by Michael Derzak Adzema

Continue with Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable: Perinatal Media, Part 2

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“We Ain’t Born Typical”: A Closer Look at the “Human Nature” Pushing Us to Humanicide – The Perinatal Unconscious

“We Are a Fever…We Ain’t Born Typical”: Apocalypse and the Perinatal Unconscious

“Perinatal” = “Surrounding Birth”

“We Are a Fever”

How are we to characterize these strangest of days and the current unprecedented global condition? As I have said, they are driven by what I call an emerging perinatal unconscious. As The Kills sang it, most aptly, “We ain’t born typical.” [Footnote 1]

Perinatal unconscious

Why perinatal? First, let us remind ourselves that perinatal means, literally, “surrounding birth.” As a one-time college instructor of pre- and perinatal psychology and as an editor of a professional journal concerned with perinatal psychology— as well as a psychohistorian, let me explain what might be considered elements of a perinatal unconscious. [Footnote 2]

Unconscious Matrices = “Human Nature”

The elements I will describe are near universally accepted among perinatal psychologists as unconscious forces, factors, matrices that exist in us all as a result of a human birth that is unique, by comparison to all other species, in its degree of trauma and hence of its impact or imprint on what we might call—dare I say the word—our “human nature.”

These perinatal elements have come to our understanding through the efforts of both the inner explorations of experiential pioneers into the perinatal, as well as the hard empirical work of pre- and perinatal researchers. I might also point out that I, myself, have nearly forty years of experiential exploration into these perinatal elements. My experiences confirm, in my own mind, their absolute validity, as well as validating for myself the theoretical constructs put forth by others to describe and explain them.

Pre- and Perinatal Psychology, Experiential Voyagers

Be that as it may, these perinatal elements in the unconscious have been described most thoroughly be three figures in particular: Stanislav Grof, Arthur Janov, and Lloyd deMause. It might help, also, to keep in mind that entire new fields of pre- and perinatal psychology, primal psychology, and to some extent, transpersonal psychology have grown up around the existence of these perinatal factors. These unconscious perinatal elements have, at this point, been confirmed by thousands of researchers and hundreds of thousands, if not millions, of experiential voyagers into the perinatal unconscious.

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“The Perinatal Unconscious“
– audiocast by SillyMickel Adzema

For the author’s reading, with elaboration, of this chapter, click on the link to the audio site above or click the audio player here:

http://cdn.hark.com/swfs/player_fb.swf?pid=rfrhsmtjnm
Apocalypse, or New Dawn? Chapter 2: “The Perinatal Unconscious” by SillyMickel Adzema

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Elements of Birth Experience

Based upon all this, then, let us look at some of the elements, in general, that characterize this perinatal unconscious.

Perinatal Matrix ~ Societal Matrix

Stanislav Grof describes basic perinatal matrices (BPMs)—in other words, typical experiential constellations related to our births. These happen to be very much akin to DeMause’s perinatal schema, with some slight differences in emphasis, and more elaboration on the part of Grof. So let us use Grof’s schema as a basis. [Footnote 3]

All Needs Met . . . with luck – Matrix 1

Grof’s Basic Perinatal Matrix I, or BPM I, involves the experiences and feelings related to the sometimes, or at least relatively, undisturbed prenatal period. The prenatal period is that time in the womb sometimes characterized by feelings of peace, complete relaxation, and a feeling of all needs met, or “oceanic bliss.”

BPM I corresponds to deMause’s societal periods of “prosperity and progress,” which he claims are accompanied by feelings and fears of being “soft” and “feminine”—understandably here, for in BPM I, that is, prenatally, the fetus is largely identified with his or her mother and is very much “soft,” i.e., undefended.

Since the time in the womb may also be disturbed by toxic substances that the mother ingests—drugs, chemical additives, and so on—as well as by disturbing emotions that the mother experiences, which release stress hormones into the mother’s bloodstream, which then cross the placental barrier and affect the fetus, BPM I is also sometimes characterized as feelings of being surrounded by a polluted environment and being forced to ingest noxious substances, toxins, and poisons, which sickens the fetus.

No-Exit Despair – Matrix 2

In Grof’s schema, BPM I is followed by BPM II—that is, Basic Perinatal Matrix II—which are experiences and feelings related to the time of “no exit” in the womb and claustrophobic-like feelings occurring to nearly all humans in the late stages of pregnancy and especially with the onset of labor, when the cervix is not yet dilated. Since there does not seem to be any “light at the end of the tunnel”—metaphorically speaking—it is characterized by feelings of depression, guilt, despair, and blame, and a characterization of oneself as being in the position of “the victim.”

It is very much like DeMause’s period of collective feelings of entrapment, strangulation, suffocation, and poisonous placenta, which he has found to precede the actual outbreak of war or other violence. [Footnote 3]

Birth Wars – Matrix 3

This of course is followed by BPM III (Basic Perinatal Matrix III), which involves feelings and experiences of all-encompassing struggle and is related to the time of one’s actual birth. Characterized also by intense feelings of aggression and sexual excess—in the position, now, of “the aggressor”—it is related directly, in DeMause’s schema, to a time of actual war.

Hallelujah! . . (I think. . . . ) – Matrix 4

Basic Perinatal Matrix IV (BPM IV) follows this; it corresponds to the time of emergence from the womb during the birth process and is characterized by feelings of victory, release, exultation.

But also sometimes, after that initial relief of depression—when the struggle does not bring the expected rewards, as when, during modern obstetrical births, the neonate is harshly treated and then taken away from the mother, disallowing the bonding which should occur, naturally, immediately after birth.

In my own experience, the exultation and relief of release was replaced suddenly by feelings of being assaulted by the attendants at my birth (which of course they thought of as “attending” to me) as they went about roughly removing mucous from my mouth; prematurely cutting my umbilical cord to leave me struggling for breath; scrubbing, weighing, measuring, and otherwise probing me; and wrapping me like a tamale and taking me away from all I had previously known…i.e., my mother. This felt like ritual abuse to me, and I have often likened it, after the intense period of compression and crushing before birth, to a situation of “going from the frying pan into the fire.”

At any rate, this experience of actual emergence or birth coincides, societally, with DeMause’s period of the ending of a war.

Heaven and Hell

In summary, we have euphoric, oceanic, blissful feelings, sometimes feelings of being poisoned or being in a toxic or polluted environment; followed by crushing, no-exit, depression, claustrophobia, compression, strangulation, suffocation, and being force-fed by a poisonous placenta; followed by struggle, violence, war scenarios, birth/death fantasies, sexual excess; and finally release, triumph, feeling of renewal or rebirth and a new golden age, but also possibly of being abandoned, tortured, ritually sacrificed, probed medically, and assaulted by sensations. These are some of the elements that characterize the experience of the perinatal unconscious.

For Dreaming Out Loud!

In the next chapter we will take a look at how these elements have erupted into our collective dreams in recent history. By this I mean, we will see how our artists and creative people have projected them into the media, movies, and TV–in which we all participate–and how our fascination with them, because these artists are reflecting things that exist deep inside of ourselves as well, has caused them to grow, creating the dominant underlying mythos of our time.

Continue with ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

Return to Facing Foursquare the Darkness – Not for Cowardly or Uncaring Humans: Strange Days, Pt 3

Footnotes

1. Chapter titled with appreciation and admiration to The Kills for their recording, U R A Fever. The lyrics go, “I am a fever, you are a fever, we ain’t born typical….” and so on. The music video produced is similarly brilliant. Together, it is a production bordering on genius. The video contains levels of meaning that are only obvious on subsequent viewings. I reproduce it for the second time in this series, above in this part, for the convenience of the reader.

Lyrics – U.R.A. Fever – The Kills

Walk you to the counter
What do you got to offer
Pick you out a solder
Look at you forever

Walk you to the water
Your eyes like a casino
We ain’t born typical

Find a piece of silver
Pretty as a diagram
And go down to the Rio

Put it in my left hand
Put it in a fruit machine
Everyone’s a winner
Laughing like a seagull

You are a fever
You are a fever
You ain’t born typical

You are a fever
You are a fever
You ain’t born typical

Living in a suitcase
Meet a clown, fall in love
went down to have you over

Going ’round a break up
Take you to a jukebox
That’s the situation
Pick you out a number
And that’s our arrangement

Dancing on the legs of a new-born pony
Left right left right
Keep it up son

Go ahead and have her
Go ahead and leave her
You only ever had her
When you were a fever

I am a fever
I am a fever
I ain’t born typical

I am a fever
I am a fever
I ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

2. In the Pre- and Perinatal Psychology Newsletter I was applauded for being the first person in the United States to teach the subject of pre- and perinatal psychology at the university level and—as it was said, remarkably—for doing it while still a student. I did this at Sonoma State University, in Rohnert Park, California, in the years 1994 and 1995, beginning while I was still a graduate student.

Subsequently, I became the editor of the professional journal, Primal Renaissance: The Journal of Primal Psychology, formerly published by the International Primal Association. Much of the contents of its issues were later posted to my website, Primal Spirit, where they can still be viewed.

I have had my writings published in The Journal of Psychohistory, including some that later became part of this book. In fact, I presented the material of this book originally at an Institute for Psychohistory Association convention; and its earliest publications were in The Journal of Psychohistory under the title, “”The Scenery of Healing: Commentary On DeMause’s ‘Restaging Prenatal and Birth Trauma’s in War and Social Violence’”” 23/4, 395-405.

These are among my many credentials in this field, where I have studied and trained from 1972 till this day. [return to text]

3. Stanislav Grof, Realms of the Human Unconscious: Observations from LSD Research. New York: Viking Press, 1975; LSD Psychotherapy. Pomona, CA: Hunter House, 1980; Beyond the Brain: Birth, Death, and Transcendence in Psychotherapy. Albany, NY: State University of New York Press, 1985; The Adventure of Self-Discovery: Dimensions of Consciousness and New Perspectives in Psychotherapy and Inner Exploration. Albany, NY: State University of New York Press, 1988; The Holotropic Mind: The Three Levels of Human Consciousness and How They Shape Our Lives. San Francisco: HarperSanFrancisco, 1993. [return to text]

4. Lloyd deMause, “Restaging Early Traumas in War and Social Violence.” The Journal of Psychohistory 23 (1995): 344-391. (Reprinted, with permission, on the Primal Spirit website as “Restaging Prenatal and Birth Traumas in War and Social Violence“) [return to text]

Continue with ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

Return to Facing Foursquare the Darkness – Not for Cowardly or Uncaring Humans: Strange Days, Pt 3

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