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Everything You Always Wanted to Know About Being Born But Were Afraid to Ask: Birthing Into the Media and the Perinatal Veil

Apocalypse No! Chapter Eight: The Perinatal Media

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds…And Oh, the Shark Has Pretty Teeth, Dear…

clip_image003_thumbIn these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

clip_image005_thumbAlso, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

clip_image007_thumbSpeaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

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Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

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The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

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There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable

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Newborns and Monsters and Hells, Oh My!–Of Time Travel, Claustrophobia, Cesarean Births, and Death by Vegetable

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Monsters, Vaginas, and Hairs, Oh My!

4340imagghgfjjesRecurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

clip_image00110511066-largeOne most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

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Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

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Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

imagdfhuesThe perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, clip_image003the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

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“Noah, How Long Can You Tread Water?”

neo-wakes-upclip_image004Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before charybirdsbirth, placental fluid. nightmare.2989618237_1_3_5JdRXsNxNear the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

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Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

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Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

clip_image005428004336_a0275cf170Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Fire In The Sky 2

Told You I Didn’t Like Vegetables!

Alien-mouth-e1288810712566Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. thestuff9The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

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Gag Me With a Toxin.

matrix-pod (2)This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids clip_image007from the neonate’s mouth by the attendants immediately after birth.

This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.

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Becoming Thingified – Modern Birth Tells the Baby, “Welcome to the World, Now Screw You!”

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“Welcome to the World, Now Go to Hell!” – A Baby Becomes Thingified Through Modern Birth

Treated Like a “Piece of Meat”

clip_image0071This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the enchufesneonate—can leave one with lifelong feelings of being treated like a “thing.”

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The Wall Movie 1982 (7)

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The Wall Movie 1982 (18)

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b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_hbrainwouldntdieMany report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

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428004336_a0275cf170_thumb1images (2)These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

Jacobs-Ladder-Artcrpdimage_thumb22This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb.safe_image.php Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Fire In The Sky 2

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

Fox_Mulder's_abductionMonica-Bellucci-Photoshoot-Matrix-Movie-9By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

MSDTORE EC0252886707crppdConfused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, robocop07because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, medusa3to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms,medium_wruef9ycqa0crppd they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of coursethe-matrix-revolutions-give-me-a-chance-film-photo-u1crppd both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

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Welcome to the World … Now f u

blog pic 2 (8-6-11)89615_v1Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, robocop20feel manipulated and used, bush_borgtreated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other -SGC- Unnatural eyes packCRPDpeople, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

silence1This also sheds light on the seemingly “mindless” devils-advocate-560-thumb-560xauto-30306violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be teacherteethMacting out edsullivancartoontheir “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

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All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape

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All in All, It’s Just Another Face in the Wall – Enclosing, Threatening Things That One Wishes to Push Out or Escape From

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Faces Coming Out of the Walls

TheWallFaceScreama-brazil-criterion-single-720-brazil-4crppdI would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

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hopkinscrosbycrppdWe have had, over and over again, the image of the “evil fetus” erupting from the abdomen,AlienChestburster as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

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Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

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Ventura Out of the Womb

clip_image002A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

ultrasound2019-apr-07He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working Scream6gafter a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

Potter-Frontcrppdfacetotal_recall_stomach_creatureWe witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

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Couldn’t Fight Your Way Out of a Plastic Bag!

hoardnewspaper (2)TotalBitchStoleOurMilkCrippledOurNationOther examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Scream7g (2)Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal,b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

headbangingExistential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs Robbieabysswhich become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells,Open mask solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of total-recallthe entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

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This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

1218885566_5__3ji-e1320373810749This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

hell_night_3These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

Pink Floyd - The Wall - CoverBut the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

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Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians

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Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons … and Their Obstetricians clip_image0023

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

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To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves clip_image0043once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

image_thumb17_thumbHouse; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

Open mask_thumbIn the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

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The Wall

wall-poster_thumbIn the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h_thumbWe have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

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Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.


Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

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clip_image007_thumbI remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, clip_image0023is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Through the Looking Glass Into Parallel Universes … But “There’s No Place Like Home”

Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

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I might start by pointing out the element of there being another realm small_portal pepper spray copinto which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. jacobs-ladder-mccaulay-culkin-and-tim-robbins_thumbWe see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

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“There’s No Place Like Home.”

clip_image004EnglishGrof_DifferentDoorwayiconBut death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

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Wizard_Oz_Pepper_Spray_PigIn this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

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Through the Looking Glass

Mia-Wasikowska-in-Alice-i-001Secret-Garden3And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course),Close_Encounters_of_the_Third_Kind which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

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The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

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The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

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Verny_SecretLifeiconLeboyer_BirthViolenceiconThis depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

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Aliens, Abductions, Hell … Birth and Death: Freedom Is Just a Membrane Away

2001 Baby Earth

Aliens, Abductions, Hell, and Fear: Freedom Is Just a Membrane Away

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Love, Fear Relationship

Escape-Alcatrazfrighteners05-thumbTo put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see in the next chapter, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

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To Hell With It…

clip_image001 13So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

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In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

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Face Me, or You’re Mine!

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t10001And this book is primarily about that necessity to face the ultimate and horrible truths if we are to save ourselves. Not only are we closer terminator-2-1crppd2to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

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Fear and Freedom … Only a Membrane Away

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zyjbq2d56rkznqfucrrpd2Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

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Perinatal Spamming

T-1000We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

metaphysics

terminator-2-1crppd1imadddgftggesGetting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

Skynet in the desert

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Fox_Mulder's_abductionFinally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an Jacobs-Ladder-Artcrpdthe_joker_straight_jacketalien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

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wyeuacsd2gb6bgsThe point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

clip_image006imadddddgesWhether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, Earth rebirth or apocalypse—will be something for us to consider further on.

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Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life –
Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Enjoy your own virtual emergence by following the pics below:

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Picture 8

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Now add a blissful period and go back around again; that’s the way it works in life.

Continue with Apocalypse No! Chapter Nine: Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite:‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

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Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians: Perinatal Media, Part 5

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Perinatal Media, Part Five: Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons…and Their Obstetricians clip_image0023

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

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To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves clip_image0043once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

image_thumb17_thumbHouse; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

Open mask_thumbIn the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

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The Wall

wall-poster_thumbIn the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. b,w,brick,in,the,wall,movie,music,pink,floyd,the,wall-78ce4bddae7c105871bf6dba61dfc9ef_h_thumbWe have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

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Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.


Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

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clip_image007_thumbI remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, clip_image0023is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Continue with Through the Looking Glass Into Parallel Universes…But “There’s No Place Like Home”: Perinatal Media, Part 6

Return to All in All, It’s Just Another Face in the Wall–Enclosing, Threatening Things From Which One Wishes to Push Out or Escape: Perinatal Media, Part 4

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Auspicious Collective Regressions – Better Hitler Had Jumped Into Mosh Pits

Apocalypse No! Chapter Fourteen:
Rebirthing Rituals – The Sometimes Messy Scenery of Healing


Wedded to Rebirthing Rituals

At the point when the perinatal unconscious arises, individuals—and collectively, society—have the choice to turn toward the emergence of these feelings or to turn away from them.

In turning toward these feelings we embrace, feel, and if we go deeply enough into that, we relive the roots of them and resolve them finally.

In turning away from them we shun them, act them out, and are enslaved by them…thus we act unconsciously, trance-like, zombie-like.

If we face these inner forces—we call that feeling them…in this instance, feeling through or reliving one’s birth—we integrate them and heal the underlying trauma, the perinatal trauma.

Or the individual and society can avoid this going within—as depicted in the peace symbol—and choose instead to can act them out, which is the peace symbol upside downthe Satan symbol, the pentagram.

In acting them out, one distracts oneself from the uncomfortable feelings, which though not focused on, are still there. One tries to be “strong” in the face of feelings but one is actually driven and directed by them—they “take over one’s mind.” This is the source of the idea of spirit possession and in general of the idea that a devil or Satan can take over one’s soul.

So in running from our feelings we are captured and enslaved by them, we are forced to act them out in ways we would not otherwise choose which are negative to horrible but in all cases self-sabotaging. Of course war is the most horrible, most self-sabotaging, greatest, and most all-consuming form of such acting-out…the greatest struggle.

Humans are characterized by a particular kind of birth process. It is a coming into being that is traumatic and which is related to our distinction of standing upright and thereby decreasing the pelvic opening as well as suffocating the fetus prior to birth. The fact is that because of this “distinction” we are destined to go through periods of rebirthing purificatory rituals, whether for good or ill. [Footnote 1]

For we are psychologically wedded to reliving that which we could not fully experience at the time because of the overwhelming quality of pain associated with it.

A “Spiral Dance”

These rebirthing rituals we are doomed to repeat, one way or the other. We are going to act out this primal pain—this birth trauma—in an unending cycle of feelings having these components

    • Periods of feelings of expansion
    • Closedness or entrapment, guilt, and depression
    • Aggression
    • Release or submission, depending upon whether one wins or loses the “war”

Then back around again beginning with relative peacefulness, or extreme repression and depression—depending again on winning or losing.

This then is followed by either—in winning the “war”—the same cycle of expansion then entrapment or—in losing the war…struggle, battle—a similar cycle of reemerging strength, akin to the expansion, then continuing depression or overarching gloom and helplessness feelings coupled with revenge feelings and blame, akin to the closedness and guilt. Note, however, that the revenge and blame feelings here are also aspects of the BPM II matrix. And then the cycle is the same again—viz., aggression, release or submission, and so on around.

Railing Against the Darkness

So the question begging to be asked is “What do we do about it?” Do we, as Mayr and Boelderl do in their article, “The Pacifier Craze: Collective Regression in Europe,” decry the regression…as if by disclaiming it we could somehow keep the cycle from happening? [Footnote 2]

Mayr and Boelderl write, for example, that the situation of collective regression in Europe “strikes us as being high-explosive [sic] and bitter enough.” [Footnote 3]

In another place they exclaim, “What is horrible about this insight [about the increasing collective regression in Europe] is the additional observation that regression is becoming still more radical.” [Footnote 4]

This response of railing against the “Darkness” is a Freudian response. Yet it is not even a neo-Freudian one, since regression in the service of the ego—which began to be seen as ever more important by neo-Freudians—is not acknowledged, let alone considered.

Social Progress Requires Regression

That regression in the service of the ego is not considered is confirmed by Mayr and Boelderl in their statement that “[R]egression by definition is a process of repression and a defense mechanism.” [Footnote 5]

These are surprising words, in light of the concept of regression in the service of the ego and awareness of the clinically based evolution of psychotherapeutic theory since Freud’s original postulations, over a half-century ago.

They are even more awry if one considers the universal, cross-cultural, implementation by societies of rebirthing rituals to handle the same kinds of forces we are confronted with. The anthropological literature is rife with these accounts.

Further, Grof has meticulously shown that regularly going into altered states of consciousness where one confronts this material is a prime function of cultures, and it occurs nearly universally although it is woefully lacking in Western culture for the most part.

Moreover, these words by Mayr and Boelderl indicate a conflict with or ignorance of the fact that DeMause’s theory of evolution of historical change requires regression on the part of parents, while parenting their children, as the primary “engine” of sociopsychological progress. [Footnote 6]

This mistake by these two social scientists would not be all that important if it was not the perfect example of the kind of uninformed attitude we have, generally speaking, in Western societies about these forces. This attitude is reinforced by a Judeo-Christian tradition of specialness and scapegoating in the West. It is a pervasive feeling about these things; specifically it, itself, is the actual defense. While this is a widespread reaction to our inner realities it is far from science, and even further from the truth or reality about these things.

“Stop It!”…Yeah, That’s Gonna Work

At any rate, if we adopt this Western, Judeo-Christian, Freudian tactic of decrying the darkness, we are as effective in derailing the cycle of violence and war as Freudians are in what amounts to admonishing their clients to “stop it!” when it comes to their neurotic self-sabotaging.

For people cannot will themselves to merely stop their cycles of neurotic self-sabotage and self-destruction, which are the individual manifestations/ acting out of their birth traumas. As mentioned these directors of action operate out of different part of the psyche, and brain, than one’s conscious willing part. They are simply not accessible, so hardly amenable, to rational or willful input.

This disclaiming of the cycle and the reliance on “will-power” to change one’s patterns has been exposed in its impotence, as evidenced by the growing acknowledgment of the ineffectiveness and, indeed, counter-effectiveness of psychoanalysis. [Footnote 7]

This impotence of intellectual understanding in the face of these patterns of self-destruction occurs because these schemas are rooted in memories existing in an emotional and entirely dissociated part of the brain, which is hardly touched by neocortical admonishing of any kind. As DeMause correctly points out,

[The fetus’s] “early experiences have been found to be recorded in a separate early neural network—a dissociated emotional memory system centering in the amygdala, quite distinct from the declarative memory system centering in the hippocampus that is established in later childhood.” [Footnote 8]

Regression in the Service of the Ego

With the exposure of the ineffectiveness of the Freudian tactic of intellectual understanding has come the Freudian movement’s disintegration into schools advocating various other strategies for change.

These schools/strategies include the psychiatric—the use of drugs; the neo-Freudians who acknowledge and use regression in the service of the ego and abreaction; the humanistic-existential approaches, stressing the “experiential”; and the Jungians and neo-Jungians, who would seek the resolution of these cycles in their inner archetypal acting out, resulting in an eventual rootedness of the ego in a higher Self (a spiritual center) beyond or transcending the cycles. [Footnote 9]

Other approaches include the bulk of the spiritual, new-age, or transpersonal means that are flourishing these days. These alternative paths basically differ from all others in their belief that one can simply bypass these perinatal pulls and pushes and go directly to the Light or the Self by dismissing the birth cycles, or the Darkness or Shadow, through affirming the Light, meditating the Darkness out or the Light in, changing one’s thoughts, creating one’s reality, and various combinations of these.

Finally, these newer schools and strategies for healing include those of what might be called experiential psychotherapy, which includes primal therapy, holotropic breathwork, some forms of (experiential) meditation (Vipassana meditation, for example), Reichian and bioenergetic approaches, some forms of hypnotherapy—experiential ones—ones that involve reliving traumas—and virtually all the techniques, treatments, and correctives that are espoused in the field of pre- and perinatal psychology.

The point is that from a good number of these other-than-Freudian perspectives—and all of those that acknowledge the importance of regression in the service of the ego—and from the perspective of the entire field of experiential psychotherapy, the answer to the cycles of violence, war, and death-rebirth is to stop the acting out, not by simply intellectually decrying it—as if one can actually talk oneself out of one’s inner fears and one’s Darkness/Shadow—but by reliving those cycles of violence at their origins…their primal roots. In the case of perinatal forces, those forces from “the dark side,” this is accomplished by reliving the violence of birth, a perinatal trauma that is thoroughly and masterfully delineated by DeMause. [Footnote 10]

Auspicious Collective Regressions

But from this perspective of experiential psychotherapy—one completely congruent with and grateful of DeMause’s contribution in his article—regression, in Europe, or elsewhere, is not seen as something to decry, disclaim, be horrified of, or be seen as dangerous but is seen as an opportunity. Regression is certainly not seen as a form of defense but as the opposite of that. Regression is part of a process of diminishing one’s defenses against one’s internal reality of pain and trauma.

Thus, examples of blatant collective regression as in Europe—more so to the extent they are relived, released, and integrated—are entirely auspicious for the eventual elimination of war as a collective device of acting out—defending against—the painful feelings coming from one’s personal history which one carries around, all unknowingly, and which pervade, in one way or another, in forms subtle and not so subtle, every moment of one’s consciousness in the present.

From this experiential psychotherapeutic perspective, we have a different feeling about developments like those that Mayr and Boelderl describe as collective regression in Europe and Lawson describes as occurring at rock concerts. [Footnote 11]

From a more enlightened viewpoint these cultural phenomena should have us, if not dancing in the streets, at least hopeful of a gradual decrease in the use of war and violence. Why? It is because the youth who display this “regression” so blatantly were brought up by an “advanced” form of child-rearing than that previously, that they have fewer defenses, fewer layers of obfuscation covering up their unconscious psychodynamics; consequently the regression is seen more clearly in their behavior. [Footnote 12]

Unflinching Belief Related to Total Dissociation

Why is this important? DeMause points out that people do go to war, and that prior to it their perinatal dynamics come to the fore, as evidenced by perinatal-laden words and images in the media and in leaders’ speeches used to describe the situation and its dynamics. Thus, our leaders take us into war, they act out their perinatal dynamics…and we in following them act out ours…in such gruesomely overt ways because these dynamics are so hidden, repressed, and overlaid with defenses that the conscious mind has absolutely no access to, and hence insight into, them as being part of one’s unconscious dynamics.

Consequently the conscious mind is completely able to convince itself that those dynamics are actual, real, and doubtless parts of the situation and therefore require an actual, real, and extreme response. The amount of resolve required to act out war can only be wrought of an unflinching belief in the rightness, the absolute correctness of one’s perspective of the situation and therefore of that extreme course of response. And that can only be brought about by a total dissociation from one’s perinatal traumas, and a complete and utter projection of it on the outside—the enemy, to be specific.

Blatant “Sickness” Related to Being Real

The contrary is also true: When there does not exist that total and complete dissociation of the perinatal trauma—when it is, as in Europe and rock concerts currently, closer to the surface, less defended against, less repressed and, hence, more blatant—it is more accessible to consciousness and less likely to be acted out in the extreme as in war. Instead it is more likely to be acted out in lesser extreme forms, such as jumping into mosh pits, carrying pacifiers, listening to baby tunes about the, very real, difficulties of being a baby, and so on.

Finally, it is more likely to be actually allowed to emerge in consciousness and be relived, and thereby “healed”…and gone beyond, to be replaced by something more benign and more socially constructive, and thus to be removed forever as a motivation to war or violence. This is the auspicious view of the developments described by Mayr and Boelderl. [Footnote 13]

Janov was the first to point out that a permanent resolution of underlying trauma initially entailed an aggravation of symptoms and symbolic acting out. That is to say, the underlying dynamics become more blatant and apparent in behavior. [Footnote 14]

Janov was also the first to note that the acting-out and overt neurotic was closer to being “real,” and therefore really sane, than his or her highly functioning and “normal,” but repressed, rigidly defended, and unfeeling neighbor. [Footnote 15]

Questioning Authority and Oneself Is Good

The Most Advanced Child-Caring

Finally, the correctness of this view has been borne out in recent history. Glenn Davis analyzed the socializing psychoclass of child-caring and found that it comprised four submodes. In order, beginning in the mid-nineteenth century to the mid-twentieth century and each one a more “evolved” and humane one than the previous one, they are the submodes of psychic control, aggressive training, vigorous guidance, and delegated release. [Footnote 16]

Davis concluded that in America the Vietnam War was perpetrated by individuals belonging almost entirely to the aggressive-training and vigorous-guidance psychoclasses. [Footnote 17]

Yet the Vietnam War was brought to an end largely as a result of the efforts of an antiwar movement whose largest component was a Sixties youth brought up under a more advanced delegated-release child-caring mode. [Footnote 18]

The delegated release mode, which resulted in the phenomenon of Sixties youth and the counterculture, is the most “advanced” mode short of the helping mode.

The helping mode is the child-caring mode employed widely by the Sixties generation for their children, being then the mode enjoyed by the children of a delegated-release psychoclass. So Sixties youth are seen, psychologically, to have the most the most “advanced” ego structures short of their children taught within a helping mode. [Footnote 19]

Walking In Another’s Moccasins

It is obvious that these Sixties youth did not have the same unflinching and unqualified belief in the absolute rightness of their country’s position as did many of their parents. This is obviously the case in a psychoclass of youth chanting a generational mantra, “Question authority!” and whose more extreme members would at times even go over to the perspective of seeing the war from the eyes of the “enemy,” the Other.

As I mentioned earlier, among the Sixties Generation we saw Jane Fonda’s journey to Hanoi, the waving of North Vietnamese flags by protesters, and the carrying of little red books on the sayings of Chairman Mao—obvious indicators that the generation as a whole was open to seeing the war from the North Vietnamese perspective: That is, as a conflict perpetrated by a foreign nation that was hypocritical in its espousal of democracy in that it prevented democratic elections that would have without doubt elected Ho Chi Minh and instead installed a puppet-ruler in the South, making Vietnam a virtual colony of the United States. From this perspective, the Vietnam War was for the Vietnamese as much a war for independence as the American Revolution was for the U.S.

This is just an example of how there are two sides to every issue and how an attempt at empathy or “walking in The Other’s moccasins”—made possible by a closeness to a perinatal unconscious that is also an opposite perspective than that of the conscious mind—can lead, at the minimum, to the reluctance necessary to prevent engaging in at least the most blatant and horrific forms of violence…against others, but consider also, against Nature.

The Perinatal Generation

At any rate, is there evidence that this undermining of the self-righteous position necessary for the instigation and carrying out of war—this ability to see at least somewhat from The Other’s perspective and not just one’s own—is in truth correlated with a closeness to perinatal dynamics, a closeness to the unconscious for that generation of youth, those of the Sixties? The answer: Absolutely yes!

As mentioned in a previous part, sociologist Kenneth Keniston did psychological studies of the Sixties Generation.

He was inspired to do so through his noticing that he was seeing something really unusual and radically different in these youth than what he had ever seen before. This led to his fascination with discovering what made them so different. And he documented his findings in two booksThe Uncommitted: Alienated Youth in American Society and Young Radicals: Notes on Committed Youth. Roughly speaking he chose to study the unconscious dynamics of both the “alienated-hippie” and the “activist” sectors, respectively, of that generation. [Footnote 20]

Blushing Troll-Handlers

At the risk of repeating myself, I wish to remind the reader that a reading of his books—keeping in mind that Keniston knew nothing of perinatal dynamics at that time, and few people did, for that matter—reveals a degree of perinatal imagery, fantasy, and acting out—especially among “the uncommitted”—enough to make a troll-handling, pacifier-wearing, mosh-pit jumping youth of today to blush! These dynamics can be readily seen by looking to Keniston’s original works. [Footnote 21]

Better Psychotic Than Waging War

To summarize, DeMause writes,

Hitler’s projection of his fears…into Jews and foreigners helped him avoid a psychotic breakdown and enabled him to function during his later life, as long as others shared his delusion of poisonous enemies.

Therefore acting out collectively, as in war, can prevent a psychotic breakdown in certain individuals.

But when the consequences of acting out one’s birth trauma, collectively, is millions of people—including oneself—dead, not to mention the uncountably large loss of material and personal resources, it is clear that by comparison a psychotic breakdown is a more benign alternative for either the individual or the society in which that or those individuals act.

Similarly, not providing the outlet of war as a collective birth ritual…oftentimes euphemistically called a “rite of passage”…would allow the genuine neurotic breakdowns, the collapse of people’s defenses, and their opening up to their underlying perinatal dynamics. Thus accessed, they can be healed, or in the least they would prevent the kind of unflinching belief or self-righteousness required for war and violence.

Some folks might even be motivationally paralyzed—receiving information from the unconscious that contradicts and undermines the stance and beliefs of their conscious ego. But when that egoistic stance is slanted towards war, violence, selfishness and greed and corresponding environmental apathy, then better one would be paralyzed and doing nothing .

The Price of Pain Is Minuscule

Yet it is true that this neurotic breakdown, of at least a small amount, on the scale of society would result in the kind of collective regressions that Mayr and Boelderl, and Lawson describe. That is, the cause of peace, of the saving of human lives, requires that people pay the price of encountering their primal pain.

By all measures, this peace price is minuscule. It is even more worth it when you take into account the fact that many people, after initially “breaking down” for lack of a collective…and highly destructive…act-out like war/aggression, will actually succeed in reconstructing a self more in line with reality, through the dynamics and means categorized under the term regression in the service of the ego. Regardless of professional help…which would be nice but is not always available or practical…some people just find a way.

Societal Self-Analysis

Talk Show Soul-Searching

We see the workings of these tendencies to look away from problems or embrace them by examining the reactions in America to the collapse of the Soviet Union. The disappearance of this huge object for distraction from inner unhappiness, about which one could rationalize the use of defensiveness and scapegoating, led to continued turning away through the emergence, in America, of a search for other societal scapegoats and therefore the “Republican revolution.” Culture War replaced the Cold War as the way one could be comfortably ignorant of one’s insides and self-assuredly distracted, self-righteously engaged.

But this removal of a collective punching bag or scapegoat also resulted in a turning toward the darkness within and a collective self-analysis in America. This reaction has brought to the fore many of our social and political shortcomings.

For evidence of this latter response we notice the rise of the talk show; the rituals of nationwide self-examination over issues of sexual harassment, spouse abuse, and race relations played out in the Anita Hill–Clarence Thomas hearings and the O. J. Simpson trial; the hashing out of controversial and formerly hidden personal issues around sex, lies, and marital fidelity, played out in the Clinton-Lewinsky Scandal; the reevaluation of matters of faith precipitated by priestly sexual abuse; and many other such national psychodramas staged on cable news networks and the magazine-style, documentary-type TV shows like Frontline, Nightline and the like.

So just as a lack of a Cold War caused both collective acting out—another war, a Culture War—and collective inner searching via television talk shows, documentaries, and such. So also the prevention of “hot” wars on an international, not just intercultural, scale and the cause of peace in general require such inner soul-searching and such confrontation with one’s dark side. And if we must, it is better to endure the psychotic acting out of a culture war than an actual war.

For is there any doubt that either of these or any combinations of these alternatives, however uncomfortable and even violent…on a smaller scale…at times, is a small price to pay compared to the price of outright war and violence which, by any measurement, is a cost horrifyingly huge and unacceptable?

We Could Use More “Narcissistic” Generations

It must be kept in mind that it is the products of nearly the most “advanced” mode of child-caring—the delegated-release subclass of the socializing psychoclass—who have proved most willing to pay such prices for peace, as for example, in increased soul-searching. In fact they would be later stigmatized for just this quality of introspection, this supposed fault of looking into themselves, through the derogatory appellation, narcissistic.

Indeed, Keniston foresaw this when he studied the Sixties generation as college students. Observing the amount of inner exploration they engaged in during their quests for self-discovery, he would describe this attribute in a biased way as “the overexamined life,” and more fairly, for the activist youth, as a “psychological-mindedness” and “self-analysis.” [Footnote 22]

Let the Buck Stop Here!

No doubt those who criticized these youth in the past are some of the same ones or their surrogates who, now older, are wrongly castigating the self-analyzing characteristics of society as the Sixties generation is now in its “triumphant” phase—the time when as adults a psychoclass takes over the reins of society and most strongly influences it. [Footnote 24]

These highly defended and fear-minded conservatives, prone to projection, are incapable of appreciating the integrity of an inner-thinking generation. These outer-minded authoritarians would not get, would outright hate those who “questioned authority” in the Sixties.

These defended entrenched egos would be secretly jealous of and overtly aggressive to a generational emergence that since the Sixties has been psychologically, emotionally, and spiritually working on themselves to be free of inner tyranny. As one of their exemplars, Pat Buchanan, long ago phrased it, “Let it all out? No, leave some of it in!”

Nonetheless this cadre of kindred Sixties spirits would in their actions declare for the first time in history as a generation, “Let the buck stop here!” And they would seek to turn themselves, and by extension their children and society-at-large, into a more loving, wise, and less acting-out humanity…most importantly, one willing to cooperate rather than war with Nature, or other nations.

A Drive to Healing

We cannot expect that everyone will heal their birth traumas when they arise into consciousness during periods of peace. However, we can expect—especially now that there is understanding of these dynamics and there are techniques and modalities available for healing them—that some people will!

Furthermore, even the more ritualistic and superficial yet blatant regressions to infancy, birth, prenatal, or even prior to that—for example, as Mayr and Boelderl describe in Europe—are not the indication of a “death drive” or “death instinct” as these researchers claimed. [Footnote 25]

These highly symbolic collective rituals are instead the manifestations of a drive to healing—a drive to regressing to early traumas and to reexperiencing the events that occurred then and thus recapturing an integrity of self that existed prior to the dissociation that happened as a result of those traumas. This drive to regression is no more a “death wish” than the mystical or spiritual quest is a “death wish,” and for the same reasons, as Jung correctly admonished Freud a long time ago. And we can expect that more good than bad can come, eventually, from engaging in them.

What Might We Expect?

Better Hitler Had Jumped Into Mosh Pits

In conclusion, when we see blatant collective regressions, by the sorts of people mentioned, to these perinatal dynamics in undisguised, and relatively harmless, social rituals—as described by Mayr and Boelderl, and Lawson—we can expect that, because of their closeness to their unconscious pain, they are likely—even if only a little more likely because of their more advanced mode of child-caring—to have insight into these dynamics and to resist acting them out in a more extreme form, like war, global pollution, and overpopulation.

To put it another way, I would have preferred that Hitler had acted out his craziness by jumping into mosh pits, humming baby tunes, wearing a pacifier…or even engaging in sexual orgies…than the way he did.

So these current signs of blatant regression by youth and others in Europe or the US, or in fact anywhere in the world as in rock concerts, are not signs of an impending war. What did you expect peace to look like? You might call it messy, but it is the scenery of human healing, we should expect to be seeing, on the pathway to an Earth rebirth.

“A Hard Rain’s A Gonna Fall”

What might we expect from the future? Well if ecological/environmental consciousness and refusal to use projection onto others is accepted as evidence of perinatal access, as I have been asserting, then the current generation of youth and young adults—the Baby-Boomer Echo Generation, also called the Millennial Generation, whose two main concerns, as I have mentioned, have been polled as being the environment and racism—may also be expected to be more open to their perinatal trauma, and hence more likely to resolve it and further the gains of their parents against war and global apocalypse.

For, as Janov has pointed out, closer to one’s Pain—one’s unconscious—is closer to being real. And this closeness holds out the possibility both of healing…and of self-destruction.

From the roads and TV screens of America the scenery can often appear bleak. Sure, heavy changes are coming down…but what should we expect? “A hard rain’s a gonna fall,” sang the Zimmerman man. And that’s often just what it takes to bring on a blossoming Spring. Look hard enough, you just might see the seeds of Light amidst the darkness surrounding.

Evidence in Our Collective Dreaming

Next we will take a look at one of the projective systems of our society, specifically, our cinema, to see if it shows evidence of the change of consciousness that we have here been describing as necessary to derail the cycles of war and violence that have plagued our species for millennia uncountable and have led us to the brink of extinction.

Films are both the collective dreams of our society as well as the only truly widely shared method of collectively experiencing a nonordinary state of consciousness. Thus they are telling, in the messages they contain, as well as powerful in their impact on the audience, who in this mild nonordinary state of consciousness are more open to suggestion and to receiving mental impressions and information. We will look to examples from films of the last few decades for indications that our collective consciousness is actually changing and that there are grounds for hoping that we will be able to stave off apocalypse…creating instead the quantum leap to an Earth rebirth.

Continue on this site with
Apocalypse – No! Chapter Fifteen:
Dreaming Out Loud – Heaven Leads Through Hell, Control vs. Surrender


Footnotes

1. A. Briend, “Fetal Malnutrition: The Price of Upright Posture?” British Medical Journal 2 (1979): 317-319. [return to text]

2. Daniela F. Mayr & Artur R. Boelderl, “The Pacifier Craze: Collective Regression in Europe.” The Journal of Psychohistory 21 (1993): 143-156. [return to text]

3. Ibid., p. 144. [return to text]

4. Ibid., p. 148, emphasis mine. [return to text]

5. Ibid., pp. 149-150. [return to text]

6. DeMause writes, “[T]he ultimate source of all historical change is psychogenesis, the lawful change in childrearing modes occurring through generational pressure…. Psychogenesis depends upon the ability of parents and surrogates to regress to the psychic age of their children and work through the anxieties of that age better the second time than in their own childhood.” (op. cit., 1982, p. 135, emphasis mine.) [return to text]

7. See, for example, Alice Miller, For Your Own Good: Hidden Cruelty in Child-Rearing and the Roots of Violence, trans. by Hildegarde and Hunter Hannum. New York: Farrar, Straus and Giroux, especially “Vantage Point 1990,” pp. vii-ix. [return to text]

8. DeMause, op. cit., 1995, p. 12, emphasis in original. [return to text]

9. Regarding the “experiential,” I should make clear that this approach is, from the perspective of the experiential psychotherapeutic approach I will be describing shortly, actually the superficial symbolic acting out of these underlying and powerful cycles in a way that is only a little less impotent than the Freudians. [return to text]

10. DeMause, op. cit., 1995. [return to text]

11. Alvin H. Lawson, “Placental Guitars, Umbilical Mikes, and the Maternal Rock-Beat: Birth Fantasies and Rock Music Videos.” The Journal of Psychohistory 21 (1994): 335-353. [return to text]

12. Mayr and Boelderl claim quite wrongly and quite strangely—as if to make the facts not conflict with DeMause’s psychogenic theory, or as if to cover up some hole in their analysis—that those caught up in the pacifier craze were raised under the intrusive and socializing parenting modes (op. cit., 1993, p. 145) and yet, in 1992, were between the ages of 15 and 30 (Ibid., p. 143). This is hard to understand because these youth would have been born between the years 1962 and 1977 in advanced Western countries of mostly Western Europe—Italy, Germany, Austria, all of Europe, and even the U.S. (Ibid.).

However, the intrusive and socializing modes are associated, by DeMause, with the eighteenth century and the nineteenth to mid-twentieth centuries, respectively, in the Western world (DeMause, op. cit., 1982, p. 62). On the other hand, the helping mode begins mid-twentieth century in the Western world (Ibid., p. 63).

The conclusion from this is that these youth, described by Mayr and Boelderl, would have been greatly influenced by the helping mode. They would be expected, at least, to have received the most advanced methods of child-caring overall in the world at this time—considering DeMause’s theory—since they are the most recent progeny of the Western world!

Indeed, if these cannot be considered products of the helping mode, who can be? In order for Mayr and Boelderl to dispute this and claim they were exceptions to the rule and were raised under intrusive and socializing modes, they would have had to do a study demonstrating this, or at least cite one done. And this they do not do. [return to text]

13. Michael D. Adzema, “Reunion With the Positive (Self), Part 1: The Other Half of ‘The Cure.’” Primal Renaissance: The Journal of Primal Psychology 1(2): 72-85. Reprinted on the Primal Spirit site. [return to text]

14. Arthur Janov, The Primal Scream: Primal Therapy: The Cure for Neurosis. New York: Dell, 1970. [return to text]

15. Ibid. [return to text]

16. Glenn Davis, Childhood and History in America. New York: The Psychohistory Press, 1976. [return to text]

17. Ibid., especially Ch. 7, “The Great Society and the Youth Revolt,” and p. 240. [return to text]

18. Ibid. [return to text]

19. Ibid., p. 241. [return to text]

20. Kenneth Keniston, The Uncommitted: Alienated Youth in American Society. New York: Dell, 1965; Young Radicals: Notes on Committed Youth. New York: Harcourt, Brace & World, Inc., 1968. [return to text]

21. While these aspects of youth are laid out by Keniston, a fuller delineation of these dynamics are to be seen in my work-in-progress, tentatively titled The Once and Current Generation: “Regression,” Mysticism, and “My Generation.” [Stay tuned.]

22. For “overexamined life”see Keniston, op. cit., 1965; for “psychological-mindedness” and “self-analysis” see Keniston, op. cit., 1968, especially p. 81. [return to text]

23. Davis, op. cit., especially Ch. 7, “The Great Society and The Youth Revolt.” [return to text]

24. Mayr and Boelderl, op. cit., p. 149. [return to text]

Copyright © 1999, 2011 by Michael Derzak Adzema

Continue on this site with
Apocalypse – No! Chapter Fifteen:
Dreaming Out Loud – Heaven Leads Through Hell, Control vs. Surrender

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