Projecting the Perinatal Zeitgeist: Everything You’ve Managed to Forget About Being Born

Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!

 

Wounded Deer and Centaurs, Chapter Two: Everything You’ve Forgotten About Birth … Projecting the Perinatal Zeitgeist

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize twenty-first century life.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds … And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time — ”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and were overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention. [Footnote 1]

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course, sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

This sequence of pics from an episode of The Outer Limits is a rather good depiction of this. Notice that at the point the object emerging from the mouth is most visible it takes on the form of a vagina dentata. This links the images with birth and indicates the aggressive character of the feelings being depicted, that is, we have repressed anger feelings left over inside us from what was done to us. It is also more than just coincidence that the person to whom this is happening is in a hospital room and is dressed in a hospital gown; the plot is about this woman carrying a baby and this scene happens just after the birth. This is significant for the reason following, which states that this image has its roots in an event that indeed happened right after birth..

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection — the ungentle mouth cleaning of birth fluids — I can personally validate from my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence the popularity of such images in the media of recent decades.

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing.

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carrey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boats, especially submarines; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out above, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles … with mad scientists, no less — obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see subsequent chapters, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

Central to this book is the idea that we need to face the ultimate and horrible truths if we are to save ourselves. Wounded Deer are those people who suffer from closeness to these perinatal truths. Centaurs are those wounded ones who have accepted these facts of life; they have accepted the fact that fundamentally they, as all of us, are wounded. And in embracing it this way they become healers for those who cannot face their truth or who are struggling with doing so.

For not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, whether they will they lead to the armageddon that many are predicting or to a consciousness evolution and a new Earth—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

To Be Continued with Wounded Deer and Centaurs, Chapter Three: The Perinatal Furniture of Everyday Living

Return to Wounded Deer and Centaurs, Chapter One: We Are a Fever

Enjoy your own virtual emergence by following the pics below:

Now add a blissful period and go back around again; that’s the way it works in life.

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

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Everything You Always Wanted to Know About Being Born But Were Afraid to Ask: Birthing Into the Media and the Perinatal Veil

Apocalypse No! Chapter Eight: The Perinatal Media

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds…And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable

Newborns and Monsters and Hells, Oh My!–Of Time Travel, Claustrophobia, Cesarean Births, and Death by Vegetable

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.

Becoming Thingified – Modern Birth Tells the Baby, “Welcome to the World, Now Screw You!”

“Welcome to the World, Now Go to Hell!” – A Baby Becomes Thingified Through Modern Birth

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape

All in All, It’s Just Another Face in the Wall – Enclosing, Threatening Things That One Wishes to Push Out or Escape From

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians

Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons … and Their Obstetricians

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Through the Looking Glass Into Parallel Universes … But “There’s No Place Like Home”

Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Aliens, Abductions, Hell … Birth and Death: Freedom Is Just a Membrane Away

Aliens, Abductions, Hell, and Fear: Freedom Is Just a Membrane Away

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see in the next chapter, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

And this book is primarily about that necessity to face the ultimate and horrible truths if we are to save ourselves. Not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, Earth rebirth or apocalypse—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life –
Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Enjoy your own virtual emergence by following the pics below:

Now add a blissful period and go back around again; that’s the way it works in life.

Continue with Apocalypse No! Chapter Nine: Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Invite you to join me on Twitter:
http://twitter.com/sillymickel

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Something’s Happening Here – Strange Days: Facing Square Our Apocalypse — For the Heroic and Most Caring Only

Apocalypse No! Chapter Six: Strange Days

Wtf? Strange Days, The End Being Nigh … Facing Square Our Apocalypse—For the Heroic and Most Caring Only

Something’s Happening Here

“Nobody Told Me There’d Be Days Like These” – John Lennon

Nobody Told Me There’d Be Days Like These–John Lennon

We live in unprecedented times—times in which the possibility of ending our species in our lifetime, even eliminating all life on this planet, are very real possibilities. No other time has been like this. And the effect of this possibility of the actual end of days, so to speak—while so horrifying that we are in denial of it and hardly speak it—hangs over us and affects us in ways unique and fantastic.

We will either heroically, somehow, save our species and our planet, which will require a change of our human nature unlike anything that has been asked of our species ever before, or we will be witnesses to the elimination of life on this planet in some way that we cannot imagine but can only be horrific in the extreme. This book is about facing, not denying, the uniquely dire character of our times and finding out what it says about us and requires of us. But it is also about what it is about our species that we—of all the other species here—are the ones, the only ones, who would bring about such a possibility. [continued after video]

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Strange Days. Apocalypse? Or Earth Rebirth?
by SillyMickel Adzema

For the author’s reading of this chapter click on the link to youtube above or click the video player here:

Strange Days. Apocalypse? Or Earth Rebirth?–Michael Adzema

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Why Do We Poop Where We Sleep?

Just what is it about us that could allow us to so violate our home as to make the death of us all possible? This is something that somebody should be addressing, don’t you think? I will begin that here. Come along, if you dare.

But this is not for those who would prefer to keep their heads in the sand and to sleepwalk through life. Certainly that is part of the reason we could get to this pass But it is doubtful that such people, in such deep denial of the signs around them, would be able to hear what is here being brought to light. If instead you are of the type that would wish to look fiercely at the truth, no matter how horrifying it might be, and to truly witness and be awake in these most fantastic of times, then listen up.

Gaia’s Calling You.

There is much here to see, and so much of it the mainstream would never touch for fear of creating a panic. Still, to survive our species must face our problems, not look away. And there is a nobility in doing that, which is unlike any kind of nobility or heroism that has been asked of our species before. I hope, for the sake of us all, that you are one of those heroes. For we will need many noble souls to reverse our current downslide into oblivion.

“Strange Days, Indeed. Most Peculiar, Mama!” – John Lennon

Something’s Happening Here

What it is ain’t exactly clear.

“Something’s happening here. What it is ain’t exactly clear.” So goes a hugely popular song from the sixties by Buffalo Springfield. Meanwhile Jim Morrison of the rock group The Doors sang, “Break on through to the other side.” [Footnote 1]

For What It’s Worth–Buffalo Springfield

A decade later John Lennon sang “Strange days, indeed…most peculiar, mama!” That was in the late seventies; not long afterwards Lennon was murdered. In the nineties, the group R.E.M. enjoyed enormous success singing, “It’s the end of the world, as we know it”; then, singing parenthetically, “and I feel fine.” [Footnote 2]

It’s the End of the World–R.E.M.

Break On Through to the Other Side.

My point is that there is something happening here…something unprecedented in the entire history of this planet, as far as we are able to know. There are powerful factors and influences at work in our world now that have the capacity to change us and our world in radical ways…for good or ill. My point also is that this unprecedented situation, like the “break on through to the other side” lyric indicates, has something to do with birth feelings, birth trauma—an emerging perinatal unconscious. [Footnote 3]

Break on Through to the Other Side–The Doors

What I have in mind in the ensuing parts on this topic is to attempt to reawaken you to the unique character of our times. Then I expect to persuade you that this unprecedented era in history is rife with the perinatal, that is, with things having to do with the time around our births.

“We Ain’t Born Typical.”

This contemporary age is permeated by perinatal symbolism, elements, evidence, behavior, rituals, and situations—in other words, I expect to show that the events of these “strange days” are being sculpted by an emerging perinatal unconscious—an unconscious that was created out of the trauma of our entering into this world, our birth trauma. The Kills, with their release in 2008, enjoyed huge success singing, “You are a fever. You ain’t born typical.” That’s what I’m talking about. [Footnote 4]

Finally, I intend to say a few words about what might be the outcome of these emerging perinatal trends—Earth rebirth or apocalypse.

Wtf? The End Being Nigh – Strange Days

The End Being Nigh – Strange Days

Strange Days

For most people, I would assume I am not saying anything new in pointing out that our times are unique. For that matter, all times are unique—unlike any other. But what no other time has seen is the actual—not imagined—possibility, even likelihood, of the “end of the world.” That is to say, we are facing the end of our species and maybe all life on this planet along with us. Considering just one scenario, we have the capacity, with only a minuscule amount of our nuclear weapons, to wipe out all life on this planet. We all know this.

“The End Is Nigh!”

I used the phrase, just now, “end of the world,” deliberately. For I expect that it will evoke in some a reaction that what I am going to say from here on will be a drawn-out verbal version of a familiar cartoon, depicting a bearded and bedraggled man on a street corner, carrying a sign or wearing a clapboard proclaiming, “The end is near!” and that what I will say will have just about as much credibility as that man’s would.

I take that chance to make my first point…which is: The fact that we can so easily dismiss, ridicule, and smugly deride such ideas of apocalypse points to our complacency with these strangest and most precarious of days. In fact, we have lived with this unprecedented situation—dangling on a thread, as it were, above the abyss of nuclear annihilation, to name just one of the possible forces of extinction…we’ve lived with it for so long as for it to seem commonplace—as part of the normal and familiar furniture of our daily lives.

Wtf?

Heads in the Sand

It has become so much a part of our daily lives, in fact, that we hardly give it any thought anymore. But for a moment, let us just imagine a person from a previous time in history being somehow transported into this time and being made to understand the impending forces: environmental collapse, species extinction, nuclear threat, population explosion, virulent epidemic, possibly human-created earthquakes and thus tsunamis, planet poisoning, and so on.

Unless this person was Nostradamus, we can imagine this person would be hugely alarmed, to say the least. This person might well wonder at our nonchalance, or should we say apathy, in the face of such likely, not just potential, apocalypse. [Footnote 5]

So I won’t waste time pointing out the statistics that prove the premise that the current trends we are following are apocalyptic.

We need simply to look to our daily headlines. Need I remind of the dangers from catastrophes like Fukushima and the Gulf Oil Spill? [Footnote 6]

Care for Some Radiation with that Milk?

We have radiation mixing into the world ecosystem as I write. Fukushima alone is spreading radiation that’s off the charts into food, air, oceans, and has made it to the East Coast of the U.S. and beyond in just a short time. We also know that nuclear waste needs to be guarded for 25,000 years because of its toxicity…it is still deadly for 250,000 years. Yet we continue to excrete massive amounts of it into our globe and even after the Fukushima meltdowns to push for building more plants. [Footnote 7]

Dead Zones and Dolphins

We have watched baby dolphins by the hundreds washing up on Gulf coasts and the creation of hundred mile dead zones in our seas. BP stupidly used toxic chemicals to disperse the oil rather than to collect it. The dispersants themselves are toxic, but the much bigger crime was to make sure the even more toxic oil, which depletes the oxygen in the water and thus creates the dead zones, would be spread far and wide throughout the global water. Good for BP shares looking like they could fix it, bad for survival of oxygen-breathers on Earth.

So BP’s egregiously criminal move was the equivalent of sweeping dirt under the rug to clean up. Unfortunately there is no “away” in which it can “go.” So we have, in this incident alone, precipitated greatly the dying off of the life of the oceans—the oxygen-producing plankton—and, hence, the basis of all life on this planet.

*Cough, Cough*

To this ravaging of the lungs of the planet add worldwide runaway deforestation, already in full swing. I am practically choking as I think how we then stink up the air with industrial emissions and auto exhausts. Living in the LA area, I can tell you that I feel my mouth is sealed to the end of an exhaust pipe most of the time. So to the dangers bringing on our demise we need to add globally increasing air pollution.

Forget Your Sunscreen, We’re All Gonna Fry.

Environmentally also, we have the greenhouse effect—global climate change or warming—the depletion of the ozone layer, and so on. [Footnote 8]

Al Gore is owed the gratitude of the world informing us of climate change in his book and documentary of the same name, Inconvenient Truth.

Meanwhile lots of folks think we have solved the ozone layer problem. We banned fluorocarbons, and we don’t hear much about this problem anymore in the media. Environmental nay-sayers are arguing that we “fixed” this problem, as part of their stance that we need not worry about what we’re doing to the planet. But not long ago—April 2011—CNN broadcast the news that the ozone had been depleted by 40% in the last two months alone! They immediately then turned to an item of dire importance—a snake had gotten loose in New York! [Footnote 9]

Only One Earth, Don’t Blow It!

Nor need I elaborate on the the nuclear threat–whether precipitated by terrorists, rogue nations, or accident. We know, but don’t want to, of the possibility of any one or more of these mad actors employing weapons of mass destruction, possibly leading to ever-mounting rounds of retaliation with eventually no one left standing. Relatedly we push out of our minds the threat of other kinds of weapons–such as biological weapons–getting out of control and creating a worldwide epidemic or holocaust.

Eight billion and Counting…Now Let’s Attack Planned Parenthood! *sarcasm*

Need I mention the continuing explosion of the world’s population leading to likely famine, wars, diseases, and so on? We have twice as many people alive now as the combined total of all humans who have ever lived! We are no different from bacteria who overrun their petri dish only to die off. We certainly aren’t showing ourselves to be any smarter than that. [Footnote 10]

Outbreak

How about the possibility of virulent epidemic that cannot be cured? Does that catch your fancy? Strains of micro-organisms are evolving that are immune to our much-touted antibiotics.

You Sure You Should Be Reading This?

What Island Were You Stranded On?

But why go on? If you are not aware of these things, you are from some other planet. If you are dismissing these facts, you are in actual psychological denial of your dire situation. If you are not paying attention, you are spending your life desperately running away.

No, I won’t go into stats and figures to support the premise. The evidence and statistics are there for all to see, crying for attention, put out, published, and promulgated by the best scientists of our time, mixed in with the more mundane messages of our daily newspapers and nightly newscasts, though we mostly turn our ears from them.

We’ll Try to Save You, Too.

In fact, if you are not already aware of the global crisis that besets us, I do not think you will get much out of reading further in this book and would probably better spend your time doing something else. There will always be those that will have their heads in the sand and will be cast about like flotsam upon the waters by the events swirling around them–impotent in the face of them and dependent upon other’s actions for the result. If you are one, know we’re trying to save you, too.

Facing Foursquare the Darkness – Not for Cowardly or Uncaring Humans – Strange Days

Facing Square Our Apocalypse—For the Heroic and Most Caring Only

There will always be those that will have their heads in the sand and will be cast about like flotsam upon the waters by the events swirling around them – impotent in the face of them and dependent upon others’ actions for the result. If you are one, know we’re trying to save you, too.

Assuming you are not one of them–a good bet, if you’ve managed to get to this paragraph–there is much to say about the current apocalyptic trends.

Facing Foursquare

But even those of us aware of this crisis hardly think of it. Of course it is our normal psychic defenses that operate to keep this huge awareness out of our daily minds; we must do this in order to be able to function.But perhaps, for some of us, our defenses work too well–so much so that we unthinkingly participate in and contribute to our own demise. This is classic neurotic self-sabotaging, self-destruction on a macro scale.

However, psychologists, historians, psychohistorians, and scholars and the educated public claim not to be like that. It is their job, or their claim, to be looking squarely into the face of these forces of denial and potential apocalypse and to be seeking to understand the human condition and human psychology in light of them. It is their duty then to inform the rest of us about what they see so that we might have a chance of reversing our self-destructive tendencies.

If You’re Not Alarmed, You’re Not Paying Attention.

Whether the educated public and the multitude of scholars actually are fulfilling their mission in these times is debatable. Regardless, my thesis is that when we do this, when we look foursquare into the face of the global crisis and its accompanying denial, we find that these unprecedented global factors contribute to a unique and unprecedented human condition and psychology. I have seen a bumper sticker around, in California where I live, that proclaims, “If you’re not angry, you’re not paying attention!” It could as easily say, however, “If you’re not alarmed,” fearful, anxious, depressed . . . you name it, “You’re not paying attention!”

To Face These Maddest of Days and Minds

So then let us pay attention. This book is about facing foursquare into the fantastic circumstances and situation in which we find ourselves, watching, like a photograph emerging in solution, as the face of these times slowly comes into view, and then waking up to the meaning of the message, perhaps the warning, it brings us, so that we might live most fully and take up our roles consciously amid these unprecedented unfoldings. What is required of us now, then, having turned to receive the message, is to look deep into the features of our age. Let us begin.

Continue with Apocalypse – No! Chapter Seven:
“We Ain’t Born Typical””

Return to Apocalypse No! Chapter Five: Death Wish – Thanatos Walking

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Strange Days. Apocalypse? Or Earth Rebirth?
by SillyMickel Adzema

For the author’s reading of a version of this chapter, click on the link to youtube above or click the video player here:

Strange Days. Apocalypse? Or Earth Rebirth?–Michael Adzema

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Footnotes

1. Stop, Children, What’s That Sound – Buffalo Springfield – Lyrics

There’s something happening here
What it is ain’t exactly clear
There’s a man with a gun over there
Telling me i got to beware

I think it’s time we stop, children, what’s that sound
Everybody look what’s going down

There’s battle lines being drawn
Nobody’s right if everybody’s wrong
Young people speaking their minds
Getting so much resistance from behind

I think it’s time we stop, hey, what’s that sound
Everybody look what’s going down

What a field-day for the heat
A thousand people in the street
Singing songs and carrying signs
Mostly say, hooray for our side

It’s time we stop, hey, what’s that sound
Everybody look what’s going down

Paranoia strikes deep
Into your life it will creep
It starts when you’re always afraid
You step out of line, the man come and take you away

We better stop, hey, what’s that sound
Everybody look what’s going down
Stop, hey, what’s that sound
Everybody look what’s going down
Stop, now, what’s that sound
Everybody look what’s going down
Stop, children, what’s that sound
Everybody look what’s going down

2. It’s the End of the World as We Know It – R.E.M. – Lyrics

That’s great, it starts with an earthquake, birds,
snakes, an aeroplanes, Lenny Bruce is not afraid.
Eye of a hurricane, listen to yourself churn – world
serves its own needs, dummy serve your own needs. Feed
it off an aux speak, grunt, no, strength, Ladder
start to clatter with fear fight down height. Wire
in a fire, representing seven games, a government
for hire and a combat site. Left of west and coming in
a hurry with the furies breathing down your neck. Team
by team reporters baffled, trumped, tethered cropped.
Look at that low playing! Fine, then. Uh oh,
overflow, population, common food, but it’ll do. Save
yourself, serve yourself. World serves its own needs,
listen to your heart bleed dummy with the rapture and
the revered and the right, right. You vitriolic,
patriotic, slam, fight, bright light, feeling pretty
psyched.

[Chorus:]

It’s the end of the world as we know it.
It’s the end of the world as we know it.
It’s the end of the world as we know it, and I feel fine.

Six o’clock – TV hour. Don’t get caught in foreign
towers. Slash and burn, return, listen to yourself
churn. Locking in, uniforming, book burning, blood
letting. Every motive escalate. Automotive incinerate.
Light a votive, light a candle. Step down, step down.
Watch your heel crush, crushed, uh-oh, this means no
fear cavalier. Renegade steer clear! A tournament,
tournament, a tournament of lies. Offer me solutions,
offer me alternatives and I decline.

[Chorus 2x]

The other night I dreamt of knives, continental
drift divide. Mountains sit in a line, Leonard
Bernstein. Leonid Brezhnev, Lenny Bruce and Lester
Bangs. Birthday party, cheesecake, jelly bean, boom! You
symbiotic, patriotic, slam book neck, right? Right.

[Chorus 2x]

3. Break on Through to the Other Side – The Doors – Lyrics

You know the day destroys the night,
Night divides the day
Tried to run, tried to hide,
Break on through to the other side,
Break on through to the other side,
Break on through to the other side, yeah.

We chased our pleasures here,
Dug our treasures there,
But can you still recall the time we cried?
Break on through to the other side,
Break on through to the other side.

Yeah!
C’mon, yeah.

Everybody loves my baby,
Everybody loves my baby.
She gets
She gets
She gets
She gets higghhhh!

I found an island in your arms,
A country in your eyes,
Arms that chained us, eyes that lied.
Break on through to the other side,
Break on through to the other side,
Break on through, wow, oh yeah!

Made the scene week to week,
Day to day, hour to hour,
The gate is straight, deep and wide,
Break on through to the other side,
Break on through to the other side,
Break on through,
Break on through,
Break on through,
Break on through,
Break, break, break, break,
Break, break, break, break,
Break.

4. U.R.A. Fever – The Kills – Lyrics

Walk you to the counter
What do you got to offer
Pick you out a solder
Look at you forever
Walk you to the water
Your eyes like a casino
We ain’t born typical
Find a piece of silver
Pretty as a diagram
And go down to the Rio
Put it in my left hand
Put it in a fruit machine
Everyone’s a winner
Laughing like a seagull
You are a fever
You are a fever
You ain’t born typical
You are a fever
You are a fever
You ain’t born typical
Living in a suitcase
Meet a clown, fall in love
went down to have you over
Going ’round a break up
Take you to a jukebox
That’s the situation
Pick you out a number
And that’s our arrangement
Dancing on the legs of a new-born pony
Left right left right
Keep it up son
Go ahead and have her
Go ahead and leave her
You only ever had her
When you were a fever
I am a fever
I am a fever
I ain’t born typical
I am a fever
I am a fever
I ain’t born typical
We are a fever
We are a fever
We ain’t born typical
We are a fever
We are a fever
We ain’t born typical
We are a fever
We are a fever
We ain’t born typical
We are a fever
We are a fever
We ain’t born typical

5. An example of what we should be doing. These are the kind of public figures and pundits we need.

If the bees disappeared, then man would only have four years of life left. No more bees, no more pollination, no more plants, no more animals, no more man. – Albert Einstein

Vanishing bees is “just a sign” of what is going on, as they point out. The canary has died, and we cannot just leave the coal mine.

So we owe gratitude to Ellen Page and Bill Maher for setting an example for the kind of discourse we could and should be having in the media.

6. Gulf Oil Spill, Fukushima meltdowns, nuclear radiation, toxic nuclear waste, HAARP, killing off of the ocean–destroying oxygen in it, dead zones with no oxygen, dolphins washing up, birds falling out of the sky, bees disappearing, ozone depletion at the rate of 40% in the last two months alone, and a massive 50% species extinction in the next few decades, i.e., in our lifetimes! (now, enjoy your hamburger.)

7. Helen Caldicott compares our complacency in the face of these dire happenings to the parents who respond emotionless when she has to tell them their child has leukemia. She says, “Get mad. Get emotional.” She urges us to take back our governments from these mad perpetrators of the darkest doom imaginable. And, in the least, occupy! She proclaims,

It’s time you took your country back…. Use your bodies like they did in Wisconsin. Do a Tahrir Square here. Take back New York. Take back the Congress. Invade the Congress! Those people belong to you. They are your representatives, and you are their leaders. But you’ve got to have some guts! And stop being so goddamn polite all the time! And don’t need approval. Step up to the plate….

We’ve got to be emotional…. It’s time we used our emotions and become incensed! Otherwise we’re not going to make it.

8. “We’re all gonna fry.” With appreciation to Scout Niblett, “We’re All Gonna Die/ Your Beat Kicks Back Like Death”

9. “We Lost 40% of Ozone Layer Last 3 Months” proclaimed CNN in April, 2011 — “Ozone Depletion Over Arctic ‘Unprecedented’ This Winter“
My take on this: CNN reported this month that 40% of the ozone layer over the Arctic was depleted from December 21st, 2010 to March 31st, 2011–roughly three months. I heard a CNN anchor report this, with some alarm. I also watched as this anchor continued, after a few sentences on this, to another news item–about a snake getting loose in New York, if memory serves me. Guess life on this planet not as big a deal.

Btw, if you want to dismiss this by consoling yourself that it is “only” happening over the Arctic, consider what is happening in parts of the globe that aren’t being actively monitored. Seems to me if the lake goes down on the other side, the water is lower on my side as well. [return to text]

10. John Leslie, The End of the World.

Continue with Apocalypse – No! Chapter Seven:
“We Ain’t Born Typical””

Return to Apocalypse No! Chapter Five: Death Wish – Thanatos Walking

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All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape: Perinatal Media, Part 4

Perinatal Media, Part Four: All in All, It’s Just Another Face in the Wall–Enclosing, Threatening Things That One Wishes to Push Out or Escape From

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

Membrane walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura out of the womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

Continue with Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians: Perinatal Media, Part 5

Return to Becoming Thingified–Modern Birth Tells the Baby, “Welcome to the world, now screw you!”: Perinatal Media, Part 3

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Facing Foursquare the Darkness – Not for Cowardly or Uncaring Humans: Strange Days, Pt 3

Facing Square Our Apocalypse—For the Heroic and Most Caring Only: Strange Days, Part Three

There will always be those that will have their heads in the sand and will be cast about like flotsam upon the waters by the events swirling around them–impotent in the face of them and dependent upon other’s actions for the result. If you are one, know we’re trying to save you, too.

Assuming you are not one of them–a good bet, if you’ve managed to get to this paragraph–there is much to say about the current apocalyptic trends. [continued after video]

---

Strange Days. Apocalypse? Or Earth Rebirth?
by SillyMickel Adzema

For the author’s reading of a version of this part, click on the link to youtube above or click the video player here:

Strange Days. Apocalypse? Or Earth Rebirth?–Michael Adzema

---

Facing Foursquare

But even those of us aware of this crisis hardly think of it. Of course it is our normal psychic defenses that operate to keep this huge awareness out of our daily minds; we must do this in order to be able to function.But perhaps, for some of us, our defenses work too well–so much so that we unthinkingly participate in and contribute to our own demise. This is classic neurotic self-sabotaging, self-destruction on a macro scale.

However, psychologists, historians, psychohistorians, and scholars and the educated public claim not to be like that. It is their job, or their claim, to be looking squarely into the face of these forces of denial and potential apocalypse and to be seeking to understand the human condition and human psychology in light of them. It is their duty then to inform the rest of us about what they see so that we might have a chance of reversing our self-destructive tendencies. [Footnote 1]

If you’re not alarmed, you’re not paying attention.

Whether the educated public and the multitude of scholars actually are fulfilling their mission in these times is debatable. Regardless, my thesis is that when we do this, when we look foursquare into the face of the global crisis and its accompanying denial, we find that these unprecedented global factors contribute to a unique and unprecedented human condition and psychology. I have seen a bumper sticker around, in California where I live, that proclaims, “If you’re not angry, you’re not paying attention!” It could as easily say, however, “If you’re not alarmed,” fearful, anxious, depressed . . . you name it, “You’re not paying attention!” [Footnote 2]

To Face These Maddest of Days and Minds

So then let us pay attention. This book is about facing foursquare into the fantastic circumstances and situation in which we find ourselves, watching, like a photograph emerging in solution, as the face of these times slowly comes into view, and then waking up to the meaning of the message, perhaps the warning, it brings us, so that we might live most fully and take up our roles consciously amid these unprecedented unfoldings. What is required of us now, then, having turned to receive the message, is to look deep into the features of our age. Let us begin.

Continue with “We Ain’t Born Typical”: A Closer Look at the “Human Nature” Pushing Us to Humanicide – The Perinatal Unconscious

return to “people attending to political action but ignoring the environmental catastrophes rising up around us“

---

Strange Days. Apocalypse? Or Earth Rebirth?
by SillyMickel Adzema

For the author’s reading of a version of this part, click on the link to youtube above or click the video player here:

Strange Days. Apocalypse? Or Earth Rebirth?–Michael Adzema

---

Footnotes

1. An example of what we should be doing. These are the kind of public figures and pundits we need.

If the bees disappeared, then man would only have four years of life left. No more bees, no more pollination, no more plants, no more animals, no more man. – Albert Einstein

Vanishing bees is “just a sign” of what is going on, as they point out. The canary has died, and we cannot just leave the coal mine.

So we owe gratitude to Ellen Page and Bill Maher for setting an example for the kind of discourse we could and should be having in the media.

2. Helen Caldicott compares our complacency in the face of these dire happenings to the parents who respond emotionless when she has to tell them their child has leukemia. She says, “Get mad. Get emotional.” She urges us to take back our governments from these mad perpetrators of the darkest doom imaginable. And, in the least, occupy! She proclaims,

It’s time you took your country back…. Use your bodies like they did in Wisconsin. Do a Tahrir Square here. Take back New York. Take back the Congress. Invade the Congress! Those people belong to you. They are your representatives, and you are their leaders. But you’ve got to have some guts! And stop being so goddamn polite all the time! And don’t need approval. Step up to the plate….

We’ve got to be emotional…. It’s time we used our emotions and become incensed! Otherwise we’re not going to make it.

Continue with “We Ain’t Born Typical”: A Closer Look at the “Human Nature” Pushing Us to Humanicide – The Perinatal Unconscious

return to “people attending to political action but ignoring the environmental catastrophes rising up around us“

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Human Redemption—Facing Darkness: “Your evil is capable of catapulting the greatest of good,” say the Planetmates – The Thirty-Second Prasad

The Great Reveal, Chapter Forty: The Thirty-Second Prasad. Human Redemption—Facing Darkness: Your evil can catapult your redemption, say Planetmates.

Planetmates Release the Thirty-Second Prasad

Planetmates tell us we need redemption for having manifested the horror in reality that we have in our minds. We need to reconcile with Nature. What we need to do to redeem ourselves is to face the horror we have created and allow ourselves to fear. They say running from our fear has caused the problem. They tell us how we can do that, and they inform us of the things we do in our minds that keep us from doing what is necessary, but is also the greatest good and easy to do.

Swan is first consciousness at the Thirty-Second Prasad.

The Thirty-Second Prasad: Human Redemption – Facing Darkness

“Only by turning toward the darkest of nights…can you discern the brightest of brights that lies at its center…. This we need you to do for the sake of all”

For you have damned yourself in what you have done, and you are pulling all of Nature on this planet in with you. So you need the saving and the reconciliation with Nature implied in redemption. For that, you need face and embrace your plight. You need look into the darkness you have created.

Only by turning toward the darkest of nights that you have pulled over us can you discern the brightest of brights that lies at its center. Your evil is capable of catapulting the greatest of good. This we need you to do for the sake of all. But the most important thing is that in this way lies your salvation.

Paraphrase/ Elaboration of “The Thirty-Second Prasad”
— by SillyMickel Adzema

From all we have said, it should be clear you need redemption. For you have created horror here in Reality, to match your imaginings, that is of a nearly perfect wrongness. This is the blackest of nights that you would bring down upon yourself, but it is made that much worse in that you would, in your insanity, pull all of Creation, all living things not you, as well into this hell you have created…this utter darkness.

So you need to redeem yourselves by reconciling with that Creation, which you so arrogantly threaten. It is arrogant, because you give nary a thought to that which you do. You have this claim of high morality—another vanity you have blessed upon yourself in rationalizing your inferiority and wrong-gettedness. Yet where is your morality as concerns the most basic fundamental thing about life: whether it goes on or ceases? You have laws that tell you, “Though Shalt not Kill.” Once again, it is clear you tell yourself these things and put them on high to reign yourselves in from doing that which you in particular are inclined to do. For you are not just suffering ape but also killing ape. You would bring down your entire species—committing a most unprecedented humanicide—but participate in the ending of all other species as well—commit an ecocide.

So, how exactly does such a killing species reconcile with a Creation in which everything in it has become its enemy, including itself? Since all that you have done that has caused you to stray from the path of life involves a state of ignoring what you were doing, an ignore-ance, and a rationalization of it, it is of course that which must be undone. You can reconcile with Nature through facing your hubris, acknowledging your equality with and not superiority over Creation, and looking at the wreckage you have made of Creation through that ignore-ance, which is part of that thing of yours of straining to reach a forever happiness, while putting out of mind the hardship and pain emanating all about from that deluded effort.

How will this help, let alone save you…or us? Does it not make sense that in reversing the wrong-gettedness that has resulted in this horror you might begin to dispel that horror? But more than that. For out of your over-developed fear and your magnified pain you have done monumental things that have created this infinite wrong. We can tell you that you have the same capacity to right this wrong out of that same fear and pain. You have that same capacity for monumental achievements for the good of yourself as well as all of Creation, out of that capacity for fear and pain, as you have shown for monumental achievements for evil. Your fear and pain can catapult the most magnificent of “live,” just as it has driven its opposite, the ultimate of “evil.”

What you need to do to redeem yourselves is to face the horror you have created and your capacity for fear—this would be an actual fear, for a change, not an imagined one. Allowing yourself to have the fear that is natural in these circumstances we are in will motivate the most magnificent of efforts for good. You think this is simple and obvious and that you are already doing it. This is part of that dimming of awareness you do that creates the veil of ignorance that allows you to be so self-defeating and destructive.

For this simple thing you do not do. We would not need to alert you as we are doing if you were. No, in your fevered mania to run from darkness, pain, and suffering, you hide from yourselves the consequences of your actions. You block out from your vision the results. If you see them, you act the little child caught red-handed: “It’s not me”!” you say, having been able to suppress even the shame your wrong-doingness should bring.

You see guilt and shame to be unpleasant emotions and wish to discard them, yet they are the source for your salvation. It is in this way that you indeed have an Original Sin. You have a basic wrong-gettedness and a way of acting against all Reality (God) and Nature—which is the definition of “sin.” Yet, you would wish to deny this because it is not comfortable—again reaching for that forever light, which creates the greatest dark.

You have made discomfort an evil and view fear as something to be extinguished. You say, “Love is letting go of fear,” when it is exactly that love that moves you to face your fear! It is only because you love that you will permit any discomfort of yourselves in order to keep another from suffering. And that includes the discomfort of fear!

For this reason of making fear a wrong instead of the guiding hand of Providence it is, you have created substances—pharmaceuticals you call them, drugs both legal and illegal—which allow you to not feel fear or pain. Yet it is just that—fear and pain in amounts not overwhelming—which propels the good you do. It is only because of that early trauma that you think such a thing as overwhelming fear and pain even exists. It assumes a malevolent Universe—one that would allow you to suffer—and even constantly push it on you if you resisted—in an amount you cannot handle or for a period that would actually be interminable. You need to remove this malevolence from the All That Is by realizing that it is only a figment of a uniquely human consciousness, not part of Existence itself. Being not part of Existence it is possible to live without it, as indeed us planetmates do.

At any rate, in fleeing the possibility of overwhelming fear (this delusion of yours), you flee ordinary fear, helpful fear, the fear that catapults the good you do: Darkness creates the very Light to dispel it; just as Light needs a Darkness for it even to exist. Yet you are fascinated by horror, not horrified by it. You turn from your fears, then you project them—more twisted and horrible for you viewing them indirectly now—onto the dramas of screen and into your imaginings of doings of those unlike you. And you are fascinated with them in this altered form—not connected to you in any way. You need to take back these projections of horror onto screen and scapegoated others and realize they exist within you. You need to be horrified at the Reality you are creating. Only then will you be motivated to write a different script, a more wonderful one. And it would be that much more wonderful inspired by and propelled by this fear that is natural in view of this horror of your making.

So, no. Love is not letting go of fear. Love is facing real fear so one might be able to do something about what is causing it. Concern for the welfare of those other than oneself is what would motivate one to do that. And that is the very definition of Love. No. Apathy is letting go of fear. Insensitivity is letting go of fear. And this is the path you most assuredly plod at this moment. Whereas, being conscious of the darkness, and only then…that is, with the darkness and suffering in mind and motivating the best possible alternative of good to negate that, knowing that is the correct thing to do…is Faith. So, actually it is only Faith that is the letting go of fear.

You say, “I can’t stand it.” You say that because you fear it would be overwhelming. With Faith, you know that you never ever receive more than you can handle. That is the Nature of Reality. It is a benevolent Reality—a helping and comforting one—giving you only that which you can handle at any time and for the purpose of your higher good and ever expanding en-joy-ment. It can not help but be assistive in your overall, long term happiness because it is not, as you in wrong-gettedness have made it, separate from you. It IS you. You ARE it. So how can it not be on your side? How can it not want the greatest joy for you since it IS you? And it is only by thinking that you are separate that you can have such a thing as self-defeating behavior, self-destruction…or suicide—those peculiar inventions of you.

It is simple. You need to give the Universe a chance. Have faith that you can “stand” it, that the Universe does not contain things you cannot “stand,” things that would somehow “destroy” you or make you deranged. For right there with your assertion that you would not be able to “stand” it is the refrain, “It would drive me crazy!” Seriously? As if you you are not already crazy. As if it is not “crazy” to run from helpful fear and try to manifest a light that has no darkness and that continues unending. Not only is that impossible, but how could it not be the most boring kind of hell imaginable?

No, this being “destroyed” or made mad by emotions cannot happen. In fact, you are made mad by NOT letting yourselves have these natural emotions. Chopping up your experience that way into pieces—some of which you are desperate for and others of which you must not acknowledge lest you be “destroyed”—is exactly that disintegration that you call madness.

So it is that madness you already have that causes you to think that what you need to do and would be the most beneficial to you overall is the opposite of that. It is your delusion and magnified fear that makes you think any experience can ever “destroy” or “derange” you. And on the contrary, in trying to “stand” it—your fear, guilt, shame, and so on—you will find how benevolent the Universe is, once again. You are aware at some level that Reality is this way. It is what you refer to as God being All-Merciful and All-Forgiving. But hear us that you by no means have to wait till after you have died to experience that. It is available to you at any moment.

So, you need just to resist the running away, the turning from the important things. You need to face it, “stand” it, so you can learn you can with-“stand” it. “Stand” in place and embrace your natural fear as you would the savior it is. You need to follow this fear to its source, which is the precarious state we are in in which All, including yourselves, is at this moment falling over a precipice into a deep abyss. In allowing your fear to inform you, it will show you that dark abyss. And into it you must stare. You must not shrink from looking deeply into that void. For from it emanates the grandest and noblest of intents and motivations. It is only by taking in the darkness that you can engage in manifesting that which is light, or good, or life-affirming.

How can you possibly do this? you ask. You wonder how you can look into the void and not be destroyed. For you have made this darkness a wrong thing, rather than a divine part of it all…a necessary thing. So to do what you have not done, you need to heed what we tell you of Divine Providence and of the ultimate beneficence of It All—the way it is, the way it is as a creation of Divinity; and not only as is “sanctified” by your unholy hands alone. This you call faith. Faith is trust that the All That Is is a good and benevolent thing. Something that is on your side and not needing to be controlled or brought into line and hardly to be possessed and managed.

If It were not a benevolent thing, why would we be here to inform, direct, and encourage you in doing what needs to be done for your own good? If Caring is not the nature of Reality, why would it matter to that Reality whether or not you succeeded in avoiding suffering? You say, Oh, but you are here to tell us only to save yourselves, not motivated of any kindness. You forget that we are not the All That Is any more than you are and that we no more have “free will” than you do. Has it not crossed your mind as yet that what is happening is a boon that we have not created, either? Do you not yet see, or catch a glimmer, of that Benevolence behind what we do—a Kind and Caringness that is seeking to reduce suffering for us all? For us planetmates, not just you?

Remember, you were once like us. We are your cousins, in fact. If a human cousin of yours conveyed in a most magical way an understanding of things that would benefit you, would you dismiss it if it benefited her or him as well? Is not the unprecedented and magical quality of this communication between us and you—something which is not an intention of either of us (as if there could be such a thing as intention, sui generis)—enough to open your eyes to the Benevolent Nature of It All, which is the only thing that could really be the source of this event? Is this not a fount from which to refill the faith you lack, which has caused you to run from fear, as well as everything else you cannot control. And if you say you are uncertain of this as even being benevolent, this extra-ordinary interspecies joining of minds, does it occur to you to what extent you wish to harm yourselves, foregoing all assistance? For if someone advised you to desist from hitting yourself with a hammer in order to suffer less, would you doubt the benevolence of that advice?

So, do you not see the Divine Providence you have turned your back on, resisted, even defied appearing here and now to welcome you home? Do you not see that, like the Prodigal Son, you are being invited back into Eden in all this? If Reality were of a malevolent character, would it not spite you rather than save you? Would it not strike you down for defiance instead of, as you see here, seeking to lift you above the trials and travails that you are creating for yourselves?

It is for you alone to decide, then, whether you will allow yourself to be welcomed back into the Divine fold: Will you continue your delusion to an ungodly end for you and us all? Or will you accept the warm embrace of Benevolence that is being offered you? You must choose.

Continue with Something Wonderful: Planetmates say in humans’ choosing nobility and defending Nature, “Something wonderful is going to happen” – The Thirty-Third and Final Prasad

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The Great Reveal, Chapter Thirty-Nine: The Thirtieth-First Prasad. Light and Darkness, Happiness and Pain: Planetmates say human pain is greater than theirs

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Spirituality and God as Good vies with Religion and Belief in a Satan – The road to the transpersonal light leads through the perinatal darkness.

Apocalypse – No! Chapter Fifteen:
Dreaming Out Loud – Heaven Leads Through Hell, Control vs. Surrender

The “Royal Road” to Our Collective Mind

Is there any evidence that the changes that need to happen for us to stave off apocalypse and save our world are actually occurring?

I have mentioned that there are studies of the psychology of generations, beginning with the Baby-Boomers or Sixties Generation, that show both an increased access to the perinatal as well as a tendency to act out perinatal influences in less harmful…though more blatant…ways than generations prior. We have seen that this tendency goes hand in hand with actual engagement in activities to counter the negative perinatal act-outs that exist in our environment, for example, campaigning against war, pollution, racism, violence, and so on.

But in “Chapter Eight: The Perinatal Media,” I introduced the common anthropological tenet that the projective systems of a culture—that is, its art and artifacts—can be analyzed to get a glimpse into the worldview of a particular society. For our purposes, I pointed out how our movies are especially potent glimpses into our collective consciousness as well as our collective unconscious. You might say that our cinema is the “royal road” to our collective unconscious.

Movies As Collective Dreaming

Our flicks perform admirably well as collective dreams in that, unlike the other products of our collective consciousness such as other art and artifacts, they are multimedia stories, much like dreams are. But more than that, they are shared by more of the populace than any other art form. I am not including TV separately as an art form, since I put it in the same category as films, especially when many films are broadcast on TV and much else on TV also has the same character of being multimedia stories.

Finally, the strength of a particular element of the collective consciousness can be easily determined by the popularity of a particular movie that represents it or by that element’s increasing inclusion in a number of films. For example, in “The Perinatal Media,” I discussed the emerging new elements of faces coming out of walls and forceful oral insertion.

Putting Our Society on the Couch

All together, these mean that, just as a psychotherapist might analyze a client’s dreams to get an idea of his or her unconscious workings and contents, one can interpret mainstream movies to get an idea of the workings and contents of our society’s “collective mind”—both conscious and unconscious.

This is no more complex than saying that when we see things in movies that people rush to see, they are drawn to it because those things are also in their own minds. And the more they flock—the greater the success of a movie—the more pervasive in a society are those themes, elements, and contents. Certain aspects—themes or elements in films—are said to really “resonate” with people and therefore people make the movies that contain them popular and successful.

When this is said, it only means that people are consciously or unconsciously drawn to things that exist within themselves. Conversely, no existence inside? No interest.

So in this and upcoming chapters I will use films as the dreaming out loud of our collective mind. Put less esoterically, I will be analyzing a few examples of mainstream movies for their content, and I will be assuming the content I find there exists as well in the society that has watched it…has dreamt it.

I will also be assuming that movies that are mainstream, by which I mean can be found in video rental stores, are indicative of pervasive elements in our collective consciousness and unconscious. They can be looked at for the unacknowledged workings of our society as a whole.

I will not deal with the actual numbers of people who have attended particular movies. For I will assume out of the tens of thousands of movies that are produced each year—by small and large producers—those that have made it into the theaters of virtually all the communities of our society, and from there into the stacks of the video rental stores of all those communities, have by those facts alone demonstrated their resonance with the collective social mind. Otherwise, we would get into the maelstrom of analyzing critic’s opinions of these movies; and with that, to modify a saying, opinions are like asses: everyone has a different one.

Something’s Happening Here…Again

One final point about the heuristic value of the analysis of films for the workings of the collective mind: Elements and themes in movies change over time. I have shown how new elements may be evidence of new elements of our collective unconscious minds coming into consciousness in detailing how the faces-in-the-wall element has developed.

But when old, familiar plots have different outcomes, this is important as well. When elements change or evolve over time, this speaks of something going on. This points to changes or evolutions in our collective consciousness. And when elements and themes and plots change or evolve rapidly, we can accurately say that the changes in consciousness are equally swift.

These are some of the tools we will be using in this and upcoming chapters as we take a look at a few examples of mainstream films and what they might be reflecting back to us about our own society’s changes in consciousness. But first let me say something about what may turn out to be the most important of the thematic evolutions or changes in film elements that we have been seeing.

Information Avalanche and Pre- and Perinatal Themes

Ego-Eroding Information Deluge

In the last few decades we have been hearing a great deal about the need to expand consciousness to balance the negative effects of the extremes of technological advance. Fortunately this change of consciousness is to some extent inevitable—or at least greatly aided—by certain side effects of the technological explosion…specifically in the area of telecommunications.

As cultural boundaries are eroded by a multicultural information avalanche, people are forced to lower their inner defenses and ego boundaries. Confronted by such incoming information people will either take some of it in, learn, and thereby grow beyond their former selves or they will need to expend themselves in an all-out effort to shore them up.

We have seen that the first response is typical of a more advanced form of child-caring that is centered on the needs of the child and that the latter reaction goes with child-caring centered on the needs of the care-givers, or parents…in this latter instance it is understandably called child-rearing or raising a child as opposed to child-caring. We have noticed that the first response goes along with increased self-analysis and introspection and the latter one with acting out, aggression, and Culture War.

So, the tsunami of information in all areas, where previously we could smugly hold forth ego-satisfying views, pushes toward an overthrow of those narrower perspectives and the establishment of broader, more encompassing ones as well as for an ever increasing irrationality in fending off this information, at any and all costs.

“Consciousness Raising” As “Shoveling It”

For the most part, this growth or expansion of consciousness, when it happens, is seen as a linear increase and correspondingly is labeled a “raising” of consciousness. This is true whether we are talking about societal or individual progress.

Ken Wilber’s transpersonal theory is the most popular version of such a ladder-style path. In it the process of growth is analogous to that of climbing a mountain or shoveling compost into a pickup truck—one simply moves upward or piles it on. [Footnote 1]

But there are those who think otherwise.

The Path to Heaven Leads Through Hell

Those in the know about the pervasive pre- and perinatal influence on personality and behavior, and especially those of us actively engaged in working through the effects of such early traumas, are fully aware, like Dante, that the path to heaven leads through hell. We have found that the path to the transpersonal light leads through the psychodynamic and perinatal darkness, that the path up and the path down are parts of the same path outward. [Footnote 2]

A Dark and Hideous Shadow World

Our experience has been that the information avalanche and multicultural onslaught have eroded our personal boundaries to an influx, not only of transpersonal bliss-love-compassion, but equally—and very often, initially—to a dark and hideous shadow world, a backwards bizarro world, of pernicious and insidious disorganized feelings comprised of elements ancient, infantile, pathological, biological, scatological, and perinatal. These are some of the forms spiritual emergence can take, especially initially. And they are the ones most likely to be seen as spiritual emergencies.

Pre- and Perinatal Themes in Cinema

Therefore, it is interesting to see these views confirmed by the bubbling up of psychodynamic and perinatal themes in our collective consciousness as evidenced by current films, books, and music. I have mentioned the pre- and perinatal themes and symbolism in films and explained why, along with other elements of postmodern times, they are evidence of something significant occurring in the consciousness of our age—an emerging perinatal unconscious.

But there is another element evolving in current films which has to do with a changing or evolving collective attitude toward these perinatal elements. And along with a changing attitude, there is evidence pointing to an evolving collective response to it.

Control vs. Surrender, Death vs. Life

“Control Spiritualities” and Patriarchal Cultures

Specifically, a different kind of heroic response, which characterizes the perinatal arena, can be said to characterize the postmodern movies replete with perinatal symbolism. Most striking of all, this different kind of heroic response corresponds to a different kind of spirituality than what is commonly portrayed in this society, or at least has been the norm up until now.

For basically there are “control” spiritualities and “surrender” spiritualities, with rarely the twain meeting. “Control spiritualities” are adapted to patriarchal cultures and involve the use of the ego to “control” and be in charge of even the realms of the supernatural. This is so because an ultimate evil—a devil or Satan—is postulated, which is given equal weight along with God in determining one’s ultimate fate. This type of spirituality is normally what is called religion.

“Surrender Spiritualities” and God As Being Good

But there is another brand of spirituality that is based on a belief in the ultimate goodness and rightness of All That Is. God’s goodness being essentially the dominant force in the Universe, herein it is considered safe to “surrender” in one’s relation to Reality, to expect that one will be guided correctly, in fact perfectly, in the act of letting go. Thus letting go is not to be feared—as in the control spirituality—but is to be practiced and fostered. In this perspective, which we might call surrender spirituality, control is seen as the problem, not the solution.

“Control” and “Surrender” Psychotherapies

Of course these two approaches to spirituality represent two approaches to psychotherapy as well. The control attitude is the dominant mode of psychoanalytically-based approaches—those in which the “demon” of the id is postulated.

The attitude of “letting go” and “surrender,” on the other hand, is the dominant mode of the experiential psychotherapies, which are themselves rooted in the tradition of humanistic psychology with its belief in the ultimate goodness of the human organism and which thus allows a faith in the ultimate rightness of human processes.

“Hero’s Journey” As “Control” Psychotherapy

Since the control attitude, in any of its manifestations, requires the postulation of an ultimate evil against which one must remain vigilant and must fight, the common “hero’s journey” myth—with its typical fighting and slaying of supposedly evil parts of the personality and reality symbolized as dragons and other monsters—is a prevalent focal myth to this attitude. Corresponding to this myth are the emphasis on disciplines and practices seeking to develop the ego and the will…over against the dangers that are postulated to exist in the Universe requiring these disciplines and, so-called, ego developments.

A Different Heroic Response in “Surrender” Paths

Since the “feeling” therapies and the other spiritual and experiential psychotherapeutic modalities with which they are allied are so different in attitude to the traditional “control” attitude, should there not be corresponding differences in myths to exemplify them? Indeed, there are.

In history, the surrender spiritualities have had correspondences in myth in which the dragon is not fought, conquered, and slain, but rather is either tamed and becomes one’s ally or pet—Saint Margaret is the prime example in the West, but this is a depiction prevalent in the East—or else one is swallowed by the “dragon” or monster and, after a while, is reborn.

Jonah is the prime example in the West for this latter depiction. But again this reaction to the fearful dissociated aspects of the personality, or the Shadow, is not a common one in the Western patriarchy, and it is much more common in traditional cultures and in the East.

A Shift to “Surrender” As a Corrective to a Western Overweening Ego?

All of this may be changing in recent times in the West, as once again the humanistic attitude and the new spiritual perspectives, as well as the experiential psychotherapies such as primal therapy, make us increasingly aware of the ultimate beneficence of the body, and of the Universe beyond even that, and of the importance of surrender and letting go as a corrective to the overweening control and defensiveness of the diminutive Western ego.

Continue on this site with
Apocalypse – No! Chapter Sixteen:
Dreaming Out Loud, Atman Projects vs. Surrender Solutions

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Footnotes

1. See especially Ken Wilber, The Atman Project. Wheaton, IL: Theosophical Publishing House, 1980. [return to text]

2. See, for example, Michael Adzema, “A Primal Perspective on Spirituality,” Journal of Humanistic Psychology, 25(3), 83-116. Reprinted online at the Primal Spirit site at “A Primal Perspective on Spirituality.” [return to text]

Copyright © 1999, 2011 by Michael Derzak Adzema

Continue on this site with
Apocalypse – No! Chapter Sixteen:
Dreaming Out Loud, Atman Projects vs. Surrender Solutions

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Everything You Ever Wanted to See About Being a Baby – Perinatal Media

Apocalypse No! Chapter Eight:
The Perinatal Media

Of Fetuses, Toothy Vaginas, Satanic Cults, and Explosions

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the sky with diamonds…and oh, the shark has pretty teeth, dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentate shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, phone mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others. [Footnote 1]

Everything you always wanted to know about being a baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A hundred monkeys and counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic cult abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth. The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial rapists and killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of life and death

We see cliched regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s not the Fourth of July, however….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Monsters, vaginas, and hairs, oh my!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentate “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentates, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time travel equals age regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have ever increasing cesarean births.

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s belly is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, how long can you tread water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

I agree, but I don’t like having it “shoved down my throat.”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told you I didn’t like vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

Gag me with a toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.

Being treated like a “piece of meat.”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Victims du jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the world…now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release…( finally!)…then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech! This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in our culture. We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing.

Membrane walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura out of the womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t fight your way out of an elastic bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

This house will eat you alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The gobbled-up people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being swallowed up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

House, cave, squids

Anyway, this portrayal, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house, being an enclosure in which humans protect, nurture, and take care of themselves once born into the world, is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, whale, or shark; automobile; the deep forest—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Houses and spaceships are real mothers

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the Jungian Erich Neumann’s classic book The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Worse Homes and Gardens. Is it any wonder it is haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Origins of parallel universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s no place like home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme, we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported—in their house, naturally—to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe.

Through the looking glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous. The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “dark” unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Love, fear relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see in the next chapter, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To hell with it…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face me, or you’re mine!

And this book is primarily about that necessity to face the ultimate and horrible truths if we are to save ourselves. Not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and freedom…only a membrane away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

Baby abductees and masked medical aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, Earth rebirth or apocalypse—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

Continue on this site with
Apocalypse – No! Chapter Nine:
Twenty-First Century and Its DisContents

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Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spirit website: “‘Independence Day’: Pre- and Perinatal Adventure in Film.” [return to text]

2. The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in –
Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm
Image of Birthing, Forgetting – a short story by SillyMickel Adzema

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below. [return to text]

http://ecdn0.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh
Image of Some Primal History & Prologue to Birthing, Forgetting

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed” [return to text]

Copyright © 1999, 2011 by Michael Derzak Adzema

Continue on this site with
Apocalypse – No! Chapter Nine:
Twenty-First Century and Its DisContents

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Macho Apocalypto – A Conversation on Apocalypse Eve

Apocalypse – No! Chapter Three:
A Conversation on the Eve of Apocalypse

Facing Apocalypse, People Are Becoming Zombies

People are becoming zombies in the face of their death, their own upcoming suffering, not to mention the death of all life on this planet. Do an internet search on apocalypse and note how little, if anything, is posted about the urgency or emergency of our current situation.

It comes across as a big party on a South Pacific Island in a hotel that everyone there knows will not survive the incoming tsunami or killer hurricane. But in the meantime they’re drinking themselves silly, drugging…gonna party their way to the end. That is not a rational response to the end of all life.

Other responses on the apocalypse have machismo aspects to them. In fact, most sites about apocalypse have a macho message in common. [continued after audio]

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“A Conversation on the Eve of Apocalypse”
– audio presentation by SillyMickel Adzema

For the reading of this chapter by the author, click on the link to the audio site above or to the player below:

http://ecdn0.hark.com/swfs/player_fb.swf?pid=vkwjlqldwn
Image of “A Conversation on the Eve of Apocalypse” by SillyMickel Adzema

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Macho, Macho Man

You are not going to believe it, but check it out: The theme…now look deeply, if you’re not used to picking up on people’s motives off hand…the theme goes something like this:

Well, folks, we’re all gonna die. But big deal. I’m so fucking macho, I laugh at death! Here, let me prove it to you. Come here, death, right up to my face!

See, everybody. How I look directly into this face, this face of death! Now watch. Watch as I spit, spit directly into this face. Ptoo! (spits) See that? So who cares!? Not convinced? Then watch and I’ll show you. See the face of death that I’m holding and facing? Watch as I laugh in its face, laugh directly in its face. HA! Hahahahahaha! See? Told you.

Doing it, Tron style

Well, that is the way it comes across: “Apocalypse? Let me show you how tough I am.” Not, “What can we do about it, to stop it?”

So, dear listeners, are you able to make out the distress beneath such pronouncements? Granted, this bravado is worthless as to either reversing apocalypse or even showing some sort of inspired vision in which it can be made acceptable or noble if not avoidable. For those who do not see it yet, in this chapter and its accompanying audio I try a little fantasy dialogue to bring out what I think is going on, much of the time, and keeping us from acting rationally about this imminent emergency of all dire emergencies possible.

Witness me as I trip over in cyber-land to something I call Amalgamated Macho-Apocalypto-dot-com. I’m about to go over to the webmaster of that site, in imagination and, well, just run a question or two past him. Tune in and catch what ensues. It should be revealing. So you click on the gadget above, while I fly myself over. See you there!

Spitter Dude

Ok, I’m here. “Hey, yo dude! Deathface spitter and laugher!”

“You… You know me…?”

“Hell yea. You’re in Google, you know. I understand you’re surprised because, believe me, tagged with apocalypse, like you, well, let’s just say I don’t have to lock the doors either. But there’s probably more interest in you than what I do.”

“Really, more interest in me? I like that! What do you do then?”

“On my site I tell the truth: you know, tell them that it’s very very bad and looks impossible unless people wake up on a massive scale and decide unequivocally to live. Stuff like that.”

“Ha. Hahahahaaha.”

“Ok, but just no spittin. I’ve seen your routine.”

“No, no. Nothing of the sort. No, really, I thought that kind of stuff died in the Sixties with all the ‘kumbaya’ and ‘we shall overcome’ baloney.”

Why’s Everybody Hatin’ on Kumbaya?

“Well, not that it’ll make a difference on you, but yeah, I’m that old and have had many high moments of unity in among the angels of humans coming forth to reunite—what you refer to as kumbaya. And by the way, I like the song, I like the Lord, what’s everybody pissed at? As for the other, we overcame. I’ve really dug being me because I’ve had the pleasure of being part of the things that made the world better; and I can’t imagine a better high or feeling of fulfillment.

“But I’m not here to dispute with you. I’m an old fart who got to live in rich times and participate in them. You’re a young, well, younger-than-me person, who was apparently born at around the time all the things my kind were working for were deemed a threat to the status quo. And so the powers-that-be created the misinformation, scapegoating, and slander of my generation. Then they delivered to generations following mine the machismo cynicism with its connotation that it was better to have that than feeling life. They seeded you with the idea that those who experienced life…as opposed to those who accepted their prepackaged attitudes of cynicism and mean-spiritedness…well, we were wusses, saps, effeminate, feminate, and all that.

“So, sorry, that my generation’s threat to the moneyed powers was so scary to them that they reacted with the all out effort to create a generation that would be the opposite of us, and so you were brainwashed and misinformed and lied to. So, so very sorry. I wish I could say, “my bad,” but well it was “our good” that resulted in “their bad,” and I don’t want to be like them and continue to uphold their matrix of misinformation. So, anyway, sorry.”

“Well, I shoulda Tivo’d that for later. That was waaaay too much and too many twist and turns for me to follow. But you called yourself an old fart. That part I got. So since you’ve placed yourself below me, I guess I’m at ease with your being here, whatever it is.”

Who Ya Talkin to, Dude?

“Well, your Dudeness, your Fearlessness Most Strong and Mighty, I have a few humble questions to ask of you,” I say.

“Ok, old fart, go ahead.”

“I see clearly that you’re showing the world you don’t fear death. But how is that going to help the world any. I mean if everyone felt like you…let’s say that was your aim…well then we’d all go down, patting each other on the back on how it doesn’t matter, but never to be heard of again!”

“Your point?” he says, irritated.

“Are you saying my site isn’t offering anything to the world? So who the hell says a site has to be doing anything for anybody or anything? Let alone this world…

“This is me! I’m expressing me! What else is there to do?”

“Ok, thank you. That explains a lot. But something comes to me. May I?”

“Sure,” says he.

“You say that, ‘this is me.’ Number one. Right?”

“Right.” Annoyed again.

“Ok. Now, you know there are not a lot of people watching. But your intention is not to influence any people. Number two, right?”

“Yep, that’s right.”

“But you wouldn’t be putting up a website if you didn’t want somebody to know who you are. I mean, you could say it in the mirror, or in your bedroom. You wouldn’t be making it available unless there’s somebody, persons, that you hope would hear you. Would that not be number three, right?”

“Well, you old farts really are big on this self-analytical crap, aren’t you? Well, I ain’t no pussy, but I am man enough to say that I couldn’t escape that logic that…yea, I am, inside, wanting to share, and share myself to some, to some…well, I guess, I just wouldn’t mind if, uh,really by accident of course, some people, who never got to know me this way, might see me and understand…well, uh…”

Let’s Play a Mind Game.

“Oh, understand. Nothing wrong with that. But, uh, how ’bout you indulge an old fart and just try out something that I think will be a real gas for you, er, perhaps I should say, fat, er, uh…. Look, you can trust me to take the time to play a little, let’s say, mind-game. It’s lots of fun.”

“Haha. Suure, ok. You crack me up, ya old fart. Gonna be a real gas. Ya can bet your damn asscrack that you’d lost me for sure until you’d made real quick to explain that one, hehe.”

So, I say, “Yep, that’s a little mind-game prank that was played on me. Well, anyway, uh…. Well, uh, I just want you to allow yourself to open your mind to the greater intentions intentions you have for doing this, the greater visions. Now, don’t think just yet, you’ll only try to make things up. This is easier than that.”

“Ok.”

“Ok, now. You say that…being honest and only rational after all…that of course you wouldn’t be doing this expression of yourself on the internet if you didn’t have some desire to share or show this part of you with somebody or somebodies in the world…right? So far?”

“Yea, get on with it, I’ve already said that.”

“Ok, fine. Now, here’s the fun part. I want you to have that desire…to have it clearer…the clearer you can make it, y’know, the more likely it will happen. So let me help you a little here. Now just clooose your eyes. No, no, don’t look that way at me, nothing fishy going on…. You just ain’t going to be able to see your desires with all the distractions that the sights around us present. Give it a chance. Believe me, I’m not trying to lay any trip on you….”

“Ok, that’s better.”

Who’s Your Real Audience?

“Now. On the internet, we never see our audience. But we all imagine and wonder who they might be and what kind of people they are. Don’t you, too?”

“Yea, sure.”

“Well, we’re gonna try do something like that. Instead of an internet with no audience, well, imagine you’re in an auditorium. It can still be an internet to you…and you’re making the same points…and you’re really getting into it, like: I SPIT (ptoo!) in the face of death…and I LAUGH uproariously in the face of death.”

“How’s it goin?”

“Yea, I’m doing it, really into it…like it!”

“Ok. How does it make you feel?”

“Strong, fucking strong, damn fucking strong.”

“Greeeat. You’re feeling strong, real fucking strong. Feel as fucking strong as you can!”

“Great, yea, all right, I’m so fucking strong, ain’t no mother-fucking dudes as strong as me…I spit, I laugh….”

“Very, very wonderful. Enjoy, enjoy that! … Now… add one more thing…. One more thing, make it even better…. Remember, you’re in an auditorium, and here you can see your audience. Stay with that ‘spittin at death’ strength. You’re strong! … Now, containing all that strength…all that bigger than death power…cast your eyes down below you to the people in the audience…you’re at your peak!…the people that you really wanted to show. You’re strong, you’re powerful, more powerful than death, right?”

“Fucking right, I am.”

“Ok, now. Show them, and tell me who they are…one by one…look around…slowly…who do you really…really want to show who you really are…who couldn’t see this before in you…but now, they wouldn’t be able to miss it? Take your time….”

“No need to take time! Ha! I’m fucking really strong now. And there’s my bitch ex-girlfriend. Ha! Now, she doesn’t seem so high and mighty. She looks scared now. Ha! She left me. Took off with some some guy who did some kind of daredevil or motorcycle stunts. Sorta like saying to me, that, I wouldn’t be there for you…. Well, she didn’t get it then, but she’s gettin’ it now…how much braver it is to stare down death than to face some motorcycle risks. Ha! Yea, I’m gettin’ it. This is fun. You’re an old fart, but you got some tricks…good tricks….”

“Ok, now,” I say. “Look around, who else?”

“Well, there’s several other girlfriends. Wow! How great to see the look on their faces now.” (chuckling) “And there’s my two older brothers. I really wanted to be like them, and…hang out with them. But they made it like I wasn’t big or tough enough. Boy, am I showing them now. How fucking glorious. Even they are scared; they are tooo chickenshit to do what I’m doing. Ha! I’m showing them…he he he…..”

Those Damn ‘Ghostly’ Others

“Keep looking,” I say.

“Ok, well, there’s…there…. No. No…what the fuck, what the fuck’s he here for?”

“Who’s that?” I say.

“Why my dad…and my mother too. My dad always made me feel like I was weak just ’cause I was a kid. Why wouldn’t I be weaker than a grown man!? That bastard never gave me credit for having the strength I’ve got. Yet how strong is he? Just because he can put down my mom and…who would never fight back….”

I say, “Look into his face. Did you show him? Does he finally see?”

“Not sure…. He’s, he’s kinda lookin’ down….”

“Look more closely. Zoom in.”

“OK…. Oh my god, that mother-fucking bastard, that prick!”

“What’s going on?”

“Well, he’s even angrier now. He’s thinkin’: ‘What kinda pussy son he’s got who’s play-actin’ all over the internet about how tough he is…but that’s not bein’ tough,’.he’s thinkin’…. Why that fuck! He never did understand anything I did, he put down everything I did. I tried, but no matter. I could never be man enough…in his eyes….”

I say, “That’s rough, dude, rough. That’d be hard for anyone to live through….”

“Yea.” Beginning to choke up. “Yea…” he says…he’s sobbing now.

“That mother…. All those years I had to live with that fuck! hope and try and not getting anything back….my God!…except… scorn! Gaaa! Scorn! Scorn and Hate! It’s you who’s face I spit in, you‘re the fuckin’ death, I hate you!…. I’m bigger than you. I survive you. I laugh! Ooooh…” Openly crying.

And, he broke off crying.

You’re never gonna win, pal, give it up already.

Well. I did what I could for him…and stayed with him and hung out with him for a while…. Really not a bad guy at all. He seemed to really get it, too, that he didn’t need to do things to prove to his dad anymore, because he could clearly see there was no extreme he could ever go to or ever go through that would make a dent in his father’s attitude of despising him.

I explained that while it is hard to accept that his father really did despise him, that he will find it easier than most, because he at least knew it…and didn’t try to pretend it wasn’t true. But that he just hadn’t gotten it out of his craw that even in some imaginary way he could get something that he just wasn’t meant to get in this life. And I explained that, that is the way with all of us. There’s always something that’s not part of the perfect family portrait, or there’s some elephant in the room.

I explained that, while he didn’t have to prove anything anymore to his father that, while he was doing it, it led him to learn a lot about the internet and such, and he could apply that to something new.

So when I was leaving, he said something. It gave me a happy thought. He said:

“You know. Now I don’t need to show anybody anything. What a waste of time that was.”

What to Do, When You Don’t Have to Do

And he continued, “It occurs to me, then…’What the hell to do’? Then it occurs to me, ‘Well, if you got nothing to prove, and you really don’t want the world to end, actually.’ In fact, it is pretty scary.”

“And I’m thinkin’ of all the innocents…like my mom…being put down by big scary men whose only strength lies in putting down little kids, and their wives…so they can feel strong. Hmm….”

“So I think, ‘No, there’s no changing my dad.'”

“But the next thing I have is…while my mother isn’t here anymore, ‘There’s lots of helpless innocents out there, like her, who aren’t being helped…about what’s coming down.’ They’re even being prevented from knowing, by other chickenshit men like my dad, who are only out for themselves and it doesn’t matter who they hurt…s’long as they get their profits.”

How DARE They?

“So, I’m thinkin’ this, and I’m real surprised because I feel myself breathing deeper. And I feel some anger coming, like, ‘How DARE they?!’ “

“And then some strong feelings of manliness…my heart crying out…like to my mother. Even choking up a little, thinkin’ like, ‘I’ll take care of you, young mother, little sister, little brother, little baby child. I’m bigger, I’m stronger. I’ll protect you from harm’…like no one protected me. And now I know how horrible that was. And, how I could do nothing to…and how I would do anything to stop that from happening to others. I really would. And I got all psyched! Y’know?”

Guaranteed to Bring Out the Best in You

“I’m sorry for putting you down about wanting to help the world. Cause I see that’s the best place to put your strength and to be a real man…. Y’know? To have a just cause…put all your strength into it…whether you win or not. Just to be on the right side! And in the meantime to stand between any hardship and those innocents…and to comfort their sorry hearts. It seems like there’s no other worthy thing to do.”

Well, I expressed how that was really wonderful. And I said, to confirm for him, I said how this is the biggest struggle this planet has ever faced.

And, he’s right. It is the worthiest effort that one can imagine. And guaranteed to bring out the best in us…and to make us better…as well as the worst in us…which we can at least know and struggle with to keep those things from undermining the good in us.

Freed From a Prison

Well, after that we talked about how we individually and together could do things in the future, and…. It gladdened my heart to see him freed from the prison of striving forever for a love that would never be and…to be learning, already, that true love is in giving.

That true love is in giving.

Finding love, in giving love

No doubt, if he continues like this, he’ll soon learn that in giving love, he finds more love than his heart can contain, coming his way, without his expecting, asking, or even seeing it coming. I wouldn’t be surprised if he comes over to my site to contribute, share, and even join in solidarity.

Could Be Real Men, Instead of Performers for Phantom Puppeteers

Well, that’s one take on why people are not reacting to the seriousness of the end of all life on this planet. I think it’s a rather pervasive one. And I’m sure there are others. And I just wish it would be that easy to turn these people around to see how they could be real men, how they could be real heroes, how they could be really strong. Instead of performing for some “ghostly” others…who aren’t there, and…who aren’t going to be impressed anyway.

Take my word for it or not. That’s the way I see it.

Other Takes on This

Other irrational responses and reactions to the end of all time are discussed in the next two chapters, “Death Wish — Zombies and Sad Proselytists,” and “The Will to Die — Thanatos Walking.”

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“A Conversation on the Eve of Apocalypse”
– audio presentation by SillyMickel Adzema

For the reading of this chapter by the author, click on the link to the audio site above or to the player below:

http://ecdn0.hark.com/swfs/player_fb.swf?pid=vkwjlqldwn
Image of “A Conversation on the Eve of Apocalypse” by SillyMickel Adzema

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Continue on this site with
Apocalypse – No! Chapter Four:
Death Wish – Zombies and Sad Proselytists

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