Cellular Consciousness and The Chonyid Bardo: “Like a Prodigal Child, I Had Run Away from my Macrocosmic Home and Imprisoned Myself in a Narrow Microcosm.” (Paramahansa Yogananda)

The Creation of Space, the Primary Dualism, and “the Appearance of Peaceful and Wrathful Deities”: The First Fall From Grace, Sperm/Egg and Conception, Part One

First Fall From Grace

According to Wilber (1977), the primary dualism is the separation that first creates self and Other. Based upon both personal experience and study of several experiential growth modalities, I submit that this first fall from grace, the primary dualism, correlates ontogenetically with the phase of biological conception, more specifically with the creation of sperm and egg. Earlier I called this the first shutdown, which is the first time we have narrowed our consciousness, and I quoted Yogananda (1946), “Like a prodigal child, I had run away from my macrocosmic home and imprisoned myself in a narrow microcosm” (p. 168).

Wilber (1977) describes the characteristics of the primary dualism: “[T]his separation of subject from object marks the creation of space: the Primary Dualism itself creates space” (p. 120).

At the level of Mind, or Void, there is no form:

The Absolute Subjectivity is sizeless or spaceless, and therefore infinite; but with the rise of the Primary Dualism, the subject is illusorily separated from the object, and that separation, that “gap” between seer and seen, is nothing more than space itself. Man, in identifying exclusively with his organism as separated from his environment, necessarily creates the vast and grand illusion of space, the gap between man and his world. (Wilber, 1977, p. 120)

At the time of conception—specifically, with the creation of sperm and ovum—we have the emergence of form out of no-thing-ness (so to speak). That is, that there is the awareness of a separate thingness where before there was none. This awareness is referred to as cellular consciousness (Buchheimer, 1987; Farrant, 1987; Larimore, 1990a, 1990b). The memory we have of it is the earliest one we have of form within the frame of this particular physical form.

Cellular consciousness also relates to the beginnings of the Chonyid bardo, which, as described in the Tibetan Book of the Dead and reported by Wilber (1980, pp. 165-172), is a “period of the appearance of peaceful and wrathful deities” (p. 165). These appearances are caused by a contraction against the Clear Light, which transforms that Reality into “primordial seed forms of the peaceful deities (cf., Grof’s BPM I level of experience in the womb) and these in turn, if resisted and denied, are transformed into the wrathful deities” (p. 165) (cf., Grof’s BPM II and III levels of pre- and perinatal experience—but more about these processes in the next sections). This is the time when—having missed the opportunity for mergence with the Clear Light during the Chikhai bardo, which occurs after death of the previous incarnation—one begins fleeing into form once again, attracted by the “impure lights” and “substitute gratifications” (p. 166).

That a separate consciousness exists here, at this cellular level, at least in the “reflections” that we call memory, is also evident in the research of psychedelics (Grof, 1976, 1980, 1985; Masters and Houston, 1967), in the re-experience that occurs in experiential psychotherapy and in the memory retrieval acquired through hypnosis (Gabriel (1992); Wambach, 1979). [Footnote 1].

The Breaking of the Vessels and the Scattering of the Divine Sparks

Shoham’s (1990) primary phase of separation is birth.

Nevertheless, with the additional perspective of pre- and perinatal psychology and of experiential psychotherapy we can add to and alter this formulation. Shoham writes, “In the first phase of separation, man is ejected from the comfortable womb and cruelly exposed to the elements in a manner that was recorded mytho-empirically in the Kabbalist catastrophe of the breaking of the vessels” (p. 35). Of course, I disagree with this. As stated at the beginning of this chapter, in the first phase of separation the individual leaves the godhead and generates form in the creation of sperm and ovum.

That the interpretation of the myth needs to placed farther back in time, into the womb, is indicated even in Shoham’s words, where he speaks of a “theurgic symbiosis and partnership between man and God” (p. 35). “Symbiosis” relates to the flow in <—> flow out feeling described as characterizing the BPM I or blissful womb state, i.e., before birth. It is indeed correct to describe this time also as a “partnership between man and God” in that the fetus feels that all its needs are immediately responded to as well as it partakes of the emotional-psychic field of its mother (the experiential analogue of whom is “God”).

Continue with In the Beginning, the “Thin Pipe From Infinity” … “Emanated Light Into the World”: We Begin with “Contraction” … Biological and Spiritual … How We Tell Ourselves That in Myth

Return to Mythology Tells the Tale of Our Lives as Cells: “Whatever Happened to Us in the Amnestic Years … Is Projected Toward Cosmogony, Magic, and Other Human Beings.”

To Read the Entire Book … free, on-line … of which this is an excerpt, Go to Falls from Grace

Footnote

1. Evidence from experiential psychotherapy is from Graham Farrant’s work as reported by him at various PPPANA conferences, in Aesthema (January 1987) and in the International Primal Association Newsletters, winter and summer, 1990; in works such as Gabriel, 1992; Hannig, 1982; Lake, 1981, 1982; and Noble, 1993; and from personal experience in primal therapy, rebirthing, and holotropic breathwork, among many other sources.

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

 

Continue with In the Beginning, the “Thin Pipe From Infinity” … “Emanated Light Into the World”: We Begin with “Contraction” … Biological and Spiritual … How We Tell Ourselves That in Myth

Return to Mythology Tells the Tale of Our Lives as Cells: “Whatever Happened to Us in the Amnestic Years … Is Projected Toward Cosmogony, Magic, and Other Human Beings.”

To Read the Entire Book … free, on-line … of which this is an excerpt, Go to Falls from Grace

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

Your Map of Reality Was Written in the Womb: Falls from Grace, Chapter One — Prenatal and Perinatal Psychology and the Phenomenon of Re-Experience

Everything You “Know” About Life You Learned as a Fetus: Foundations of Myth and Mind and my Personal Involvement with This Research into Our Actual “Human Nature”

Pre- and Perinatal Psychology and the Phenomenon of Re-Experience

Prenatal and perinatal psychology is the field that deals with the effects of events occurring prior to (prenatal) and surrounding (perinatal) the time of birth upon later life and personality. An ever increasing amount though certainly not all of the information we have about these periods of our lives and their effects is derived through the later and vivid remembering of these events in a phenomenon known as re-experience. Correspondingly, the two most frequently asked questions about this relatively new field, put by those initially encountering it, are those concerning the specific meanings of the terms perinatal and re-experience.

At the outset, I wish to present an explanation of these two terms and of my unique personal relation to this topic as well as some of my background in exploring it. I will follow this with an historical overview of the field of prenatal and perinatal psychology, which will reveal the key concepts and understandings employed throughout this book.

Re-Experience and Reliving

For over forty years, beginning in 1972 when I was a senior undergraduate in college, I have been involved both personally and professionally in a comprehensive investigation into the phenomenon of re-experience. Also called reliving, this phenomenon is reported to consist of a full somato-cognitive remembering of previous events in a person’s life. Reliving involves experiential but also observable and measurable components, such as brain wave changes, characteristic physiological and neurological changes, and typical observable body movements.

This phenomenon can occur, to varying degrees, in many consciousness-altering modalities—including hypnosis, LSD psychotherapy, primal therapy, rebirthing, and holotropic breathwork; to a considerable degree in re-evaluation co-counseling and treatment for post-traumatic stress disorder; and, occasionally and spontaneously, even in mainstream forms of psychotherapy, counseling, and “growth seminars.”

Re-experience is a more vivid and more completely somatic catharsis than what has been described in psychotherapy in terms of abreaction. It is in such contrast to normal abreaction that when these seemingly bizarre yet healing events have spontaneously erupted in traditional or mainstream Western contexts they have usually been mistakenly labeled psychotic, been intervened upon, and then aborted—via drugs and other highly coercive measures—by the attending therapeutic authorities.

.

However, with an increasing appreciation for their therapeutic value, these events are gradually becoming understood and accepted in therapeutic contexts and thus allowed to complete themselves and to instruct the participants and observers in their meanings. Therefore, they appear to represent something new in our culture in terms of both a way of approaching knowledge and in terms of the kinds of information that are discovered (Grof 1976, 1985; Hannig 1982; Janov 1971; Lake 1966/1986; Noble, 1993; Stettbacher, 1992).

My Relationship to the Phenomenon of Re-Experience

My interest in the phenomenon of reliving began forty-four years ago at Franklin and Marshall College in Lancaster, Pennsylvania. As an undergraduate there I was most inspired by a course in religious studies titled “Religious and Psychological Approaches To Self-Understanding.” I was so inspired by the course that I constructed my major around its topic and initially even used the same title for my program’s name. This major in “self-understanding” would lead me, in a few years, to a profound interest in and exploration of primal therapy, as presented by Arthur Janov (1970) in his much-publicized book, The Primal Scream: Primal Therapy: The Cure for Neurosis.

By 1972, I had completed all but the one final semester for a B.A. That semester was to include the cumulative project—required of such a Special Studies (individually structured) major. However, since my project would focus on primal therapy and one of primal therapy’s basic premises is that knowledge cannot really be known except through experience, I could not in good conscience turn in a project describing primal therapy without first experiencing it. Consequently I withdrew from college, for what was supposed to be only a semester, with the intention of “going through” primal therapy and then returning to school to write my cumulative project on it. In those days, the entire process of primal therapy was reputed to take only three to six months.

But a lot was unknown about that modality in those early days. As it turned out, I would not return to school to complete that final project until 1978—at which point I had five years’ experience of primal therapy behind me and was living in Denver, Colorado.

In addition to these experiences, I have amassed a broad array of other experience and training over the years that have contributed to my understanding of re-experience and of this field in general. Besides my two decades and more of primal therapy … both formally and in “the buddy system” … I have received training as a primal therapist. I am also a trained rebirther, having explored that modality since 1986. I have been experientially exploring the modality of holotropic breathwork since 1987 and did training with Stanislav and Christina Grof in that technique.

Finally, I have been facilitating people in their journeys into deep inner primal and holotropic states since 1975. I’ve given individual sessions in all three modalities of primal therapy, rebirthing, and holotropic breathwork. And with my wife, Mary Lynn Adzema, I conducted three day workshops in something we called primal breathwork. I’ve conducted two-day group workshops in this modality at conferences, which were attended by as many as sixty experiencers at a time.

Thus, I have experience in my own process in these modalities; but in addition I have facilitated for others on many occasions, and at times, it was my main profession—though most of my life I have spent in writing, teaching, and research.

Pre- and Perinatal Re-Experience

Re-experience of birth and of the events immediately prior to and after birth are termed perinatal—from the Greek, literally “surrounding birth.” It has been widely described at this point by a number of authors but is most closely associated with the work of Stanislav Grof, Arthur Janov, and Frank Lake.

However, one significant and as yet little explored or understood phenomenon, arising also from the modalities mentioned, is that of prenatal re-experience. In this case, the experiencer reports … and observationally appears to be … experiencing events that happened en utero, sometimes going back as far as sperm, egg, and zygote states (Buchheimer 1987; Farrant 1987; Grof 1976, 1985; Hannig 1982; Janov 1983; Lake 1981, 1982; Larimore 1990a, 1990b; Larimore & Farrant, 1995).

These reports of remembering experiences that occurred before birth are at such variance with Western professional and popular paradigms that they are met with near-universal incredulity and, too often, premature dismissal. Yet the evidence from the mounting numbers of experiential reports and empirical studies attests that something which is at least unique and interesting is going on here.

Nevertheless, much of this prenatal information is thus far unformulated, untheorized, and unintegrated into a coherent structure for making sense of these experiences. This book will go a long way toward doing just that—making sense of prenatal experiences and exploring the implications and prospects of the knowledge gleaned from this fascinating new area of research and which arises from the vision that an exposure to this material induces.

The present work represents an attempt to bring this new information concerning our origins and our earliest experiences into such a coherent structure. After the initial overview of the field to be presented in this chapter, I deepen that review of the current understanding and findings in this area in making a case, in Chapter Two, for the legitimacy of prenatal spirituality.

First, let us take a closer look at what we know about the time before and around birth and what it means for us throughout our lives.

Overview of the Pre- and Perinatal Psychology Field—Early Theorists: Psychoanalysis and Birth

Sigmund Freud — Birth as Prototype for All Anxiety

While Freud (1927) disregarded major effects of birth on personality, he still saw the birth experience as the prototype of all later anxiety. His overall disregard of birth, however, was largely influenced by the belief—although discredited (see Chamberlain, 1988), still common in mainstream psychology and medicine today—that a newborn does not possess the neurological capacity for consciousness at birth.

Otto Rank — Psychoanalysis, Birth Trauma, Foundations of Personality and Some Myth, Separation Anxiety

Other early psychoanalysts disagreed with Freud on this. Otto Rank is the most notable of these. Following Freud’s basic psychoanalytic reasoning for personality patterns in early infancy, he asserted basic patterns of experience and ideas that are rooted in even earlier experience. Rank (1929) claimed the deepest, most fundamental patterns of these personality constructs originated at the time of birth, which Freud thought was not possible. Based upon the dream, fantasy, and other patterns of associations arising in his patients in psychoanalysis, Rank postulated a birth trauma, which he saw as a critical event in laying down in each of us particular patterns of thinking, motivation, and emotion for the rest of our lives. Notable among these prototypes was a feeling of a paradise once known but somehow lost, a separation anxiety caused by the separation at birth, and a resulting futile and lifelong struggle to re-unite with that golden age and that early beloved because of a desire to return to the womb.

Nandor Fodor — Dreamwork, Birth and Prenatal Processing and Relivings, Prenatal Origins of Consciousness and Trauma

Also a psychoanalyst, Nandor Fodor (1949) focused on the reflections of birth and prenatal material in dreams. He also designed interventions in therapy to release the negative effects of birth and to process prenatal memories. He was the first to mention actual relivings of birth, in which veridical memories were recovered. He agreed with Rank on many points, but he stressed the origins of consciousness and of trauma being in the prenatal period.

Donald W. Winnicott — First Primal Therapist? Birth Relivings, Importance of Birth—Negative Imprints but Positive Effects, Too

Another psychoanalyst, and pediatrician as well, Winnicott (1958) also held that birth is remembered and is important. He insisted that the birth trauma is real, but he disagreed with Rank and Fodor that it is always traumatic. He suggested that a normal, nontraumatic, birth has many positive benefits, particularly for ego development. Still, he contended that traumatic birth is permanently etched in memory and leaves a lifetime psychological scar. Winnicott (1958) also suggested the possibility of prenatal trauma.

He has been called the first primal therapist in that he described the first birth primals—actual observable relivings of birth—spontaneously occurring by some of his patients during their sessions with him. Thus he was beginning the trend beyond mere talking association or dream analysis as ways of accessing and integrating this material.

Overview of the Pre- and Perinatal Psychology Field — Later Research and Theorists: Hypnosis, Primal Therapy, and Birth

David Cheek and Leslie LeCron — Hypnosis, Birth Memories and Imprints on Personality and Relation to Psychiatric Disorders

Cheek and LeCron (1968) used hypnosis to retrieve early memories in their patients. They discovered that memories earlier than what they expected, going back to birth, were possible. Importantly, a relief of symptoms seemed to follow from the re-experience of these birth memories. They came to the conclusion that a birth imprint occurs, which is induced by the extreme stress of that time and is resistant to fading from later experience. Further they asserted that this imprint could be the cause of a wide spectrum of psychiatric and psychosomatic disorders.

Leslie Feher — Psychoanalysis, Birth, Cutting of Umbilical Cord, Separation Trauma

Leslie Feher (1980) sought to extend the Freudian tradition farther back into areas that, she asserts, were until only recently unknowable. Thus, she describes a natal theory and therapy that includes experiences of cutting the umbilical cord, birth, and even prebirth. In fact, she considers the cutting of the umbilical cord to be central in her theory of trauma, calling it the “crisis umbilicus,” and echoes Fodor in claiming that it is the true origin of the castration fears made so much of in psychoanalysis. This is so because, according to Feher, the cord and placenta is an object of security and is considered by the fetus to be part of him- or herself. Thus, this cutting represents a supreme threat in being a separation from a total life support system, a major organ, a part of oneself. In these ways, she also brings forward for renewed appreciation Rank’s speculations on the element of separation trauma as a crucial element of the birth trauma.

Arthur Janov — Primal Therapy, Traumas of Birth and Early Life and Healing Them, Empirical Foundations and Neurophysiology of Early Events and Healing

Perhaps the major theorist and popularizer of the phenomenon of re-experience (which he termed primaling), Janov was reluctant to acknowledge the pervasiveness of pre- and perinatal re-experience and trauma. Yet when he did, it was in a major work on birth trauma, which remains as a touchstone in the field in its depth and detail. Imprints: The Lifelong Effects of the Birth Experience, published in 1983, among other things places birth as the determining factor in creating basic personality constructs, called sympathetic and parasympathetic, which roughly coincide with the more common terms introversion and extroversion.

This work is more empirical and neurophysiologically rooted than most in the field. While the book is recognized in the field, Janov and his work have not gotten anywhere near the respect and attention that they deserve. He remains the unfortunate kicking-boy of a movement that is itself scapegoated by the academy and the larger scientific community.

Thomas Verny — Primal Therapy, Birth, Especially Womb Life and Relation to Personality … Prenatal Mother-Infant Bonding

The actual stimulus for a new field of pre- and perinatal psychology and the Association for Pre- and Perinatal Psychology and Health—APPPAH was Thomas Verny’s (1981) The Secret Life of the Unborn Child. His work brought together a good deal of the new empirical research that had opened the doors to us on the events in the womb. While himself a practitioner of “holistic primal therapy,” he integrated the accumulating data from the phenomenon of re-experience with the new information from the more traditional, “objective,” scientific research into the prenatal—made possible by the latest advances in technology.

One of his conclusions from this combination of lines of inquiry was that “birth and prenatal experiences form the foundations of human personality” (1981, p. 118). His other conclusions center around the importance of intrauterine bonding in that his research strongly suggests that the prenate, via pathways hormonal and unknown, picks up on the thoughts, feelings, and attitudes of the mother. More importantly, he asserted, the imprint of these factors on the fetus predetermines the later mother-child relationship. He emphasized that positive thoughts and feelings toward the fetus—”maternal love”—acts to cushion the new individual against the normal stresses and unavoidable harshness inherent in birth and early infancy. Yet all of this cannot be completely avoided. “Birth is like death to the newborn,” writes Verny (1984, p. 48).

David Chamberlain — Hypnosis, Confirmed Validity of Birth Memories

David Chamberlain (1988), for many years the president of APPPAH (the Association for Prenatal and Perinatal Psychology and Health), has further substantiated the claim of consciousness at birth and the accuracy of pre- and perinatal memory in the phenomenon of re-experience. He reported one study he did in which he compared hypnotically retrieved memories of birth from mother and child and found an astonishing degree of conformity in their responses. Of note was the degree of inner consistency and originality in these memories as reported by the former neonate. They often contained technical details of the delivery and labor unlike what would be expected of the medically unsophisticated, a perceptive critique of the way the birth was handled, and other details of the event that could not have been known through normal conscious channels.

Overview of the Pre- and Perinatal Psychology Field — Later Theorists: Societal Implications, Psychohistory, Birth and Prenatal

Lloyd deMause — Psychohistory, Prenatal and Poisonous Placenta, Sociohistorical Implications of Gestational and Birth Events

Lloyd deMause (1982, 1987) was instrumental in establishing the new interdisciplinary field of psychohistory. In his study of historical happenings he discovered that stages in the progression of events related to stages in the progression of gestation and birth … which stages happened to correspond, by the way, remarkably well with Stanislav Grof‘s four stages of birth, his Basic Perinatal Matrices.

He found that natal imagery especially predominates in societies during times of crisis and war, when national purpose and state of affairs are construed as a need to escape or break free from an enclosing and constricting force. He also noted the suffering fetus and the poisonous placenta as sources of these later metaphors and imagery. In fact, in studying the imagery in the national media of various countries he has been able to predict political, social, and economic events such as wars and invasions, recessions, and political downfalls.

His work begins to look at the prenatal influences and imprints and how they related to macrocosmic issues of politics, history, social movements, and issues of war and peace.

Later Theorists — Dream Analysis

Francis Mott — Conception and Gestational Basis of Myth, Archetype, all Patterns of Macrocosmic and Microcosmic Realities and the Nature of Reality, Devolutional Model of Development

Francis Mott’s work is less well known even by this field’s standards, yet it is undeniably impressive. Mott’s (1960, 1964) major contribution lies in his focusing on basic patterns of mind and cosmos that correlate with prenatal feelings and states. He traced consciousness back to events around conception and saw these events as instituting patterns affecting all later experience and conceptual constructions. Through dream analysis he elicited these “configurations,” and he demonstrated their manifestation as seemingly universal archetypes in myths and universal human assumptions about the nature of reality.

In fact, through his study of womb and conception patterns he claimed to have discovered patterns that underlie and unite all of reality at all levels of manifestation—astronomical, social, personal, cellular, and even nuclear. While this may seem rather grandiose, his work was highly regarded and admired by Carl Jung.

Mott also carried forward the intimations of earlier prenatal theoreticians, notably Rank and Fodor, on the gestational basis of archetypes. While he does not address or seek to discredit the range of, supposedly genetic, archetypes postulated by Jung, his work is highly suggestive of an experiential, specifically, pre- and perinatal, as opposed to genetic basis for many of these.

Denial and Incest Taboo

Mott (1960) also helped us to understand why if these prenatal memories are possible they are not more prevalent by suggesting denial is necessary in order to protect against incestuous feelings that might arise around feelings remembered from being inside one’s mother.

Devolutional Model of Consciousness Development

Finally, he made the postulation—hugely relevant to the theme of this work—that our original expanded capacity to feel is diminished, as he says, “divided,” by experience not increased by it. The idea is that there is a reduction in awareness as a result of early traumatic events, beginning around conception and then on, and not the buildup of consciousness and feeling that we assume from the mechanistic paradigm that sees consciousness as a byproduct of increasing physical, specifically brain, activity during our early years. (See, for example, The Doors of Perception: Each of Us Is Potentially Mind At Large… When Perception Is Cleansed, All Kinds of Nonordinary Things Happen and Occupy Science … A Call for a Scientific Awakening: In Tossing Away Our Species Blinders, We Approach a Truth Far Beyond Science.)

Later Theorists — Breathwork

Stanislav Grof — Breathwork, LSD, Birth and Prenatal, Myth and Archetype, Spiritual and Consciousness

A pioneer in this prenatal area is Stanislav Grof (1976, 1980, 1985, 1990, to name a few). His many works, providing a framework for conceptualizing perinatal and transpersonal experiences, are a profound and useful starting point for an investigation into this area.

In his use of LSD beginning in 1956 for psychotherapy, called psycholytic therapy, he discovered four levels of experience of the unconscious: the sensory, the biographical, the perinatal, and the transpersonal. He noted a tendency for growth and healing to occur in a progressive way through these levels. The sensory band is the level of expanded sensory awareness and is usually initially encountered by participants. The biographical band is the realm of the personal unconscious wherein unintegrated and traumatic memories and material from childhood and one’s personal history are retrieved, often relived, and integrated. The perinatal level of experience usually follows after dealing with the biographical material and involves the remembering, re-experiencing, and integrating of material that is related to the time prior to and surrounding birth. The transpersonal band, the level of spiritual experience, is usually reached after dealing with the other three levels.

Four Modes of Experiencing—the Basic Perinatal Matrices

Grof has also delineated four matrices of experience, four general experiential constructs, which he called basic perinatal matrices (BPMs). He discovered that experiences at all levels of the unconscious often group themselves in four general ways that are roughly related to the four stages of birth. Thus, Basic Perinatal Matrix I (BPM I) is related to the generally blissful or “oceanic” feelings that often characterize the fetus’s state in the womb in early and middle pregnancy. BPM II is characterized by “no exit,” hellish feelings that are related to the situation of the fetus in late pregnancy when the confines of the womb become ever more apparent but there is as yet no indication of any possibility of relief. BPM III relates to the birth process itself, the birth struggle, which is still characterized by feelings of compression and suffering but in which there is movement and change and thus hope of relief through struggle. If BPM II can be compared to hell, where there is no hope, BPM III is more like purgatory. Finally, BPM IV relates to the actual entry into the world, the termination of the birthing process, and is characterized by feelings of triumph, relief, and high, even manic, elation.

In his descriptions of the levels of experience and the matrices of perinatal experience, Grof has provided useful maps of the unconscious and experience in nonordinary states, which have incredible heuristic value in our understanding of cross-cultural religious and spiritual experience, psychopathology, personal growth, and consciousness and personality in general. And they have been utilized successfully in providing a context and guide for many tens of thousands of participants in his psycholytic and holotropic therapies.

However, while Grof is exhaustive in his descriptions of fetal and perinatal experience, he says less about the earlier experiences in the womb—the first trimester—and even less about conception and the experiences of sperm and egg—what is known as cellular consciousness. Still, this area is beginning to be discussed among his followers. And through his current nondrug modality, called holotropic breathwork, people are accessing these areas and beginning to give word to them (e.g., Carter, 1993).

Frank Lake—Breathwork, First Trimester, Early Experience as Foundation for Myths

Frank Lake, though less well-known again, has probably been the premier theoretician on the topic of prenatal events during the first three months of gestation. Just prior to his death in the early eighties, he wrote a culmination of his thirty-year investigation into pre- and perinatal influence in two works titled Tight Corners in Pastoral Counselling and The First Trimester. In these works he goes beyond his other works (for example, 1966) in placing the roots of all later experience, and in particular, distress, at the first three months of physical existence.

Lake began his investigation of re-experience in 1954. Like Stanislav Grof, he did this using LSD, initially, in the psycholytic therapy that was being developed at that time to facilitate therapeutic abreaction. Later he, again like Grof, developed a nondrug modality to accomplish the same thing. His method of “primal therapy” employed a type of fast breathing—again, like Grof’s later technique—to access theta-wave brain levels, which are levels of consciousness that he saw as crucial to accessing and integrating these memories.

His thirty-year research led him to the realization of the importance of ever earlier experience. Thus his earlier stress on the importance of birth gave way to his later emphasis on the first trimester in 1981 (Tight Corners in Pastoral Counselling) and in 1982 (The First Trimester).

He stressed the maternal-fetal distress syndrome, beginning at around implantation, as a major time of trauma. He also described a blastocystic stage of relative bliss just prior to that.

His one other major disagreement with Grof was his belief that the mythological and symbolical elements described by Grof were a product of LSD and that the first trimester events were the actual roots of much of such symbolism and supposed transpersonal/mythological scenarios (1981, p. 35).

Later Theorists — Myth and Sacred Text/Mysticism

S. Giora Shoham — Devolutional Model of Development, Falls from Grace

While not strictly a pre- and perinatal psychologist, I include this too little-known theoretician and criminologist because of the close relationship and influence his work has had upon my own work regarding these Falls from Grace. Falls from Grace and other devolutional models of consciousness postulate that during life and over time, beginning at conception, we actually are reduced in consciousness and awareness, not increased in it, and it corresponds to a “brain as reducing valve” theory of consciousness. (Again, See The Doors of Perception and Occupy Science.)

While I initially constructed and wrote down my devolutional theory of consciousness—Falls from Grace—without the benefit of Shoham’s work, upon discovering it I could not help but be both confirmed and reinspired by the astounding resonance his understanding has with my own.

Shoham (1979, 1990) starts his devolutional model in the womb and carries it through birth, weaning, and the oedipal periods of development. Though, as I delineate in Part Two, I disagree with his model by beginning mine at the creation of sperm and egg—as does other devolutional theorists like Francis Mott and David Wasdell—in virtually all other major instances his model corresponds to my own if one simply … in keeping with a normal trend in child development in general as it begins to integrate the new pre- and perinatal evidence … places everything back a little farther in time—in this case, specifically, one stage back.

Later Prenatal Psychology Theorists — Cellular Memory and Conception, Foundations of Myth and Personality, Spirituality and Soul

Lietaert Peerbolte — Conception and Cellular Memory, Soul, Spirituality

Peerbolte (1954) was one of the earliest theorists to relate spirituality to conception and sperm/egg dynamics. In addition to claiming that a regression to conception is the inevitable result of all prenatal states, he traced the sense of “I” — the “I-function” — back to the egg, existing even in the mother’s ovaries. He further postulated that the spiritual self was invisibly present within the field of attraction between the egg and the sperm. Correspondingly, he was the first to point out that the existence of conception, preconception, and even ovulation symbolism in dreams indicates the existence of a soul. For, he asked, what mind records these events otherwise?

I wrote the article, “A Primal Perspective on Spirituality,” which later became the next chapter in this book before I knew about Peerbolte’s work. Yet, once again the conclusions I came to, especially about the existence of soul being established by the fact of these memories and especially those at the cellular levels of sperm and egg existence, are very much in line with his.

Michael C. Irving — Primal Therapy, Birth, Sperm, Egg, Myth, Dragon Symbolism, Prehistoric Cult and Ritual

Michael C. Irving is a primal therapist whose contributions include his relation of these earliest events from sperm and egg through the birth experience to fundamental mythological motifs and images across cultures. The originator of a way of interpretation that he calls natalism, he has brought together a host of artistic and artifactual images from a wide range of time periods and cultures which relate, with an astonishing degree of accuracy, to actual pre- and perinatal events.

In particular, he has traced the universal serpent/dragon motifs and mythology to birth and sperm experience, noting, among other things, that the serpent/dragon shape represents the birth canal or tunnel, that the fire-spewing characteristics of dragons relate to consuming pain, and that the constricting characteristics of snakes correspond to the constriction of the birth canal. Of great interest is his deduction that the widely prevalent snake and dragon cults, which were especially popular in prehistory, indicate an attempt to deal with such unfinished birth trauma material as we are only now, in modern times, rediscovering the importance of doing.

Graham Farrant — Primal Therapy; Sperm, Egg, Cellular Consciousness; Soul and Spirituality

Graham Farrant (1987; Buchheimer 1987), a psychiatrist and primal therapist from Australia, is probably the most influential and well-known of those discussing the phenomena that occur at the earliest times of our lives. In addition to echoing Frank Lake in describing fetal, implantation, and blastocyst feelings, he has been able to elicit and describe sperm and egg imprints. He has found trauma from these earliest events to influence lifelong patterns of personality and behavior. He produced a notable video in which segments from the widely acclaimed movie “The Miracle of Life,” which shows actual footage of gamete and zygote events, are juxtaposed via a split-screen with actual footage of a person reliving the exact same events in primal therapy, which occurred before such cellular events were ever able to be seen and recorded. The effect is astounding in the detail in which the relivings replicate the actual cellular happenings.

In addition to his emphasis on cellular consciousness, Farrant has stressed the spiritual aspects of these earliest events. He relates incidents of spiritual trauma at the cellular level in which the individual splits off from Divinity—thus setting up a lifelong feeling of loss and yearning and a desire to return to Unity and the Divine.

Paul Brenner — Sperm, Egg, Cellular Consciousness and Biological Foundations of Myths

Paul Brenner (1991), a biologist and obstetrician, has been presenting at conferences and in workshops on the idea of the biological foundations of myth. For example, he relates basic biological, cellular events to biblical events described in Genesis.

He also relates male and female adult behavior to basic patterns of sperm and egg behavior and to events prior to and surrounding conception. He has said that male and female behavior are just sperm and egg activity grown up!

Elizabeth Noble — Cellular Consciousness and Spirituality, Empirical Underpinnings

Elizabeth Noble (1993) is an educator in the field of pregnancy and childbirth and is a student of Farrant’s. She published a comprehensive overview of this new field, titled Primal Connections, in which she doesn’t hesitate to stress the issues of cellular consciousness and the spirituality that appears to coincide with the re-experience of these earliest events. She provides empirical and theoretical avenues for understanding how memory can occur at such early times. Some of these are consistent with mainstream physicalist science while others coincide with the cutting-edge, new-paradigm discoveries in fields such as biology, physics, and neuroscience.

David Wasdell — Sperm/Egg and First Trimester Imprints, Devolutional Model of Development, Social and Historical Implications

One of the more recent theoreticians in this area is David Wasdell. Wasdell’s (1979, 1985a, 1985b, 1990) major contribution lies in his relating these earliest events to social and cultural patterns. He describes a process of devolution of consciousness beginning at around conception and proceeding through other reductions caused by traumas at implantation, in the womb, and at birth.

Most importantly, he delineates how the result of this diminution of potentiality is projected outwards into the problems and crises of violence, wars, and the mediocrity of modern personality on the scale of the masses and the macrocosms of the group, society, and global events.

In describing the problems of “normality” as rooted in a deprivational and deformational series of traumas from our earliest biological history, Wasdell emphasizes that this gives us the possibility to change that tragic social and personality outcome by focusing on the prevention and healing of such traumas. Thus, he holds out the vision of a new person and new society as an outcome of the efforts directed at the earliest laying down of human experience.

The Importance of the Intrauterine for Understanding Our Times and the Goal of This Book

Despite this long legacy of work and thought in this pre- and perinatal area, much of it, especially the prenatal, remains ignored by mainstream psychology and is largely unavailable to the public. Within the field itself, in addition, the prenatal information, in relation to the more widely accepted and circulated perinatal evidence, seems to be analogous to Otto Rank’s (1929) ideas of birth trauma were to Sigmund Freud’s concerning early infancy in that they are cast under an extra cloud of suspicion and disbelief and disregarded accordingly. Yet, like Rank’s findings also, their main problem may lie with unfamiliarity and prejudice rather than validity or scientific viability; and these findings, like his were, may end up harkening the outlines of future endeavors and being confirmed by subsequent research.

Thus, I believe that this prenatal area in particular is ripe for reaping what it can teach us about what is human, about “human nature.”

Therefore, this book will put forth the possible relationship between our earliest ontogenetic experiences as humans and the structure of human consciousness and stages of human “development.”

I build a model that seeks an initial formulation of this information, teasing out its implications, and integrating it with relevant thinking and theoretical perspectives in anthropology, philosophy, psychology, and others.

However, before proceeding, it seems important to establish this pursuit within the logical-empirical framework that validates it. To do this, let us now turn to the re-experience movement I am most familiar with and feel to be the most important, primal therapy, and discuss its relation to the phenomenon of prenatal re-experience and spirituality.

Continue with How Valid Are Spiritual Experiences? Psychedelic Research and Deep Experiential Psychotherapy Have Intensified the Exploration of Spiritual Aspects of the Unconscious

Return to Falls from Grace, Introduction — The Radical Rational View of Us and It: “Normal” Truth Is Convenient Truth … and Is Anything But True

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

Projecting the Perinatal Zeitgeist: Everything You’ve Managed to Forget About Being Born

Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!

 

Wounded Deer and Centaurs, Chapter Two: Everything You’ve Forgotten About Birth … Projecting the Perinatal Zeitgeist

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize twenty-first century life.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds … And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time — ”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and were overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention. [Footnote 1]

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course, sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

This sequence of pics from an episode of The Outer Limits is a rather good depiction of this. Notice that at the point the object emerging from the mouth is most visible it takes on the form of a vagina dentata. This links the images with birth and indicates the aggressive character of the feelings being depicted, that is, we have repressed anger feelings left over inside us from what was done to us. It is also more than just coincidence that the person to whom this is happening is in a hospital room and is dressed in a hospital gown; the plot is about this woman carrying a baby and this scene happens just after the birth. This is significant for the reason following, which states that this image has its roots in an event that indeed happened right after birth..

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection — the ungentle mouth cleaning of birth fluids — I can personally validate from my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence the popularity of such images in the media of recent decades.

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing.

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carrey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boats, especially submarines; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out above, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles … with mad scientists, no less — obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see subsequent chapters, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

Central to this book is the idea that we need to face the ultimate and horrible truths if we are to save ourselves. Wounded Deer are those people who suffer from closeness to these perinatal truths. Centaurs are those wounded ones who have accepted these facts of life; they have accepted the fact that fundamentally they, as all of us, are wounded. And in embracing it this way they become healers for those who cannot face their truth or who are struggling with doing so.

For not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, whether they will they lead to the armageddon that many are predicting or to a consciousness evolution and a new Earth—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

To Be Continued with Wounded Deer and Centaurs, Chapter Three: The Perinatal Furniture of Everyday Living

Return to Wounded Deer and Centaurs, Chapter One: We Are a Fever

Enjoy your own virtual emergence by following the pics below:

Now add a blissful period and go back around again; that’s the way it works in life.

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

The Vision of Ourselves Arising from This New Research Is the Most Important One for Understanding Our Humanicidal, Ecocidal Plunge and for Doing Something to Reverse It

We Are a Fever, Part One: Perinatal Psychology, the Phenomenon of Re-Experience, and my Personal Involvement with This Research into Our Actual “Human Nature”

How do we go about changing the patterns of millennia? How do we change, and change radically … and soon? How do we bring about the consciousness transformation that will allow us to avert the humanicidal, indeed ecocidal, scenario we are currently bringing about at breakneck speed.

Well, it is pretty clear that it is ignorance pushing these trends, along with unconscionable doses of denial and ignore-ance. So, reversing this means learning why it is humans can be so self-destructive. Ignorance must be replaced with awareness and understanding. Looking at our problems must be happening more than our current denial is. And we must trace our current ecocidal tendencies to their roots, and we must do something about them there.

This is something I have been doing for over forty years. I sought the answers to our most important questions. I did not know that someday these questions would be as pressing as they are currently. I thought we would have turned the corner on these problems a long time ago, as indeed we should have done if we were to give ourselves any real chance.

Be that as it may, I have researched and studied in this area. I have undergone many years of deep experiential psychotherapy to trace the roots of these human tendencies within my own mind and psyche. (See, for example, Wounded Deer and Centaurs, Prologue: Sure It’s Hard).

And I have studied humanity—it’s mind and it’s culture—in depth.

What I have discovered is that our current humanicidal tendencies are rooted in a particular birth that characterizes humans. Elsewhere  I have delineated how we humans, among all species, have come to be unique in this manner. In another book, I have laid out how and why these unconscious traumas from our birth—our perinatal unconscious—are rising more than ever before, whether to our detriment or in some uncanny method of healing.

In this book, Wounded Deer and Centaurs: The Perinatal Zeitgeist of Postmodern Times and the Necessary Hero, we look deeper. We trace those tendencies further, to even deeper roots. We find patterns even more profound; we see possibilities even more promising.

But before going deeper even than birth, in teasing out our patterns and predilections, we need understand birth. We must review the perinatal imprints on our personality and remember how we are affected, indeed, pushed and pulled by forces those early events have set in motion.

Pre- and Perinatal Psychology and the Phenomenon of Re-Experience

Pre- and perinatal psychology is the field that deals with the effects of events occurring prior to (prenatal) and surrounding the time of birth (perinatal) upon later life and personality. An ever increasing amount though certainly not all of the information we have about these periods of our lives and their effects is derived through the later and vivid remembering of these events in a phenomenon known as re-experience. Correspondingly, the two most frequently asked questions about this relatively new field, put by those initially encountering it, are those concerning the specific meanings of the terms perinatal and re-experience.

At the outset, I wish to present an explanation of these two terms and of my unique personal relation to this topic as well as some of my background in exploring it. I will follow this with an historical overview of the field of prenatal and perinatal psychology, which will reveal the key concepts and understandings employed throughout this book.

Re-Experience and Reliving

For over forty years, beginning in 1972 when I was a senior undergraduate in college, I have been involved both personally and professionally in a comprehensive investigation into the phenomenon of re-experience. Also called reliving, this phenomenon is reported to consist of a full somato-cognitive remembering of previous events in a person’s life. Reliving involves experiential but also observable and measurable components, such as brain wave changes, characteristic physiological and neurological changes, and typical observable body movements.

This phenomenon can occur, to varying degrees, in many consciousness-altering modalities—including hypnosis, LSD psychotherapy, primal therapy, rebirthing, and holotropic breathwork; to a considerable degree in re-evaluation co-counseling and treatment for post-traumatic stress disorder; and, occasionally and spontaneously, even in mainstream forms of psychotherapy, counseling, and “growth seminars.”

Re-experience is a more vivid and more completely somatic catharsis than what has been described in psychotherapy in terms of “abreaction.” It is in such contrast to normal abreaction that when these seemingly bizarre yet healing events have spontaneously erupted in traditional or mainstream Western contexts they have usually been mistakenly labeled psychotic, been intervened upon, and then aborted—via drugs and other highly coercive measures—by the attending therapeutic authorities.

However, with an increasing appreciation for their therapeutic value, these events are gradually becoming understood and accepted in therapeutic contexts and thus allowed to complete themselves and to instruct the participants and observers in their meanings. Therefore, they appear to represent something new in our culture in terms of both a way of approaching knowledge and in terms of the kinds of information that are discovered (Grof 1976, 1985; Hannig 1982; Janov 1971; Lake 1966/1986; Noble, 1993; Stettbacher, 1992).

My Relationship to the Phenomenon of Re-Experience

My interest in the phenomenon of reliving began forty-three years ago at Franklin and Marshall College in Lancaster, Pennsylvania. As an undergraduate there I was most inspired by a course in religious studies titled “Religious and Psychological Approaches To Self-Understanding.” I was so inspired by the course that I constructed my major around its topic and initially even used the same title for my program’s name. This major in “self-understanding” would lead me, in a few years, to a profound interest in and exploration of primal therapy, as presented by Arthur Janov (1970) in his much-publicized book, The Primal Scream: Primal Therapy: The Cure for Neurosis.

By 1972, I had completed all but the one final semester for a B.A. That semester was to include the cumulative project—required of such a Special Studies (individually structured) major. However, since my project would focus on primal therapy and one of primal therapy’s basic premises is that knowledge cannot really be known except through experience, I could not in good conscience turn in a project describing primal therapy without first experiencing it. Consequently I withdrew from college, for what was supposed to be only a semester, with the intention of “going through” primal therapy and then returning to school to write my cumulative project on it. In those days, the entire process of primal therapy was reputed to take only three to six months.

But a lot was unknown about that modality in those early days. As it turned out, I would not return to school to complete that final project until 1978—at which point I had five years’ experience of primal therapy behind me and was living in Denver, Colorado.

In addition to these experiences, I have amassed a broad array of other experience and training over the years that have contributed to my understanding of re-experience and of this field in general. Besides my two decades and more of primal therapy … both formally and in “the buddy system” … I have received training as a primal therapist. I am also a trained rebirther, having explored that modality since 1986. I have been experientially exploring the modality of holotropic breathwork since 1987 and did training with Stanislav and Christina Grof in that technique.

Finally, I have been facilitating people in their journeys into deep inner primal and holotropic states since 1975. I’ve given individual sessions in all three modalities of primal therapy, rebirthing, and holotropic breathwork. And with my wife, Mary Lynn Adzema, I conducted three day workshops in something we called primal breathwork. I’ve conducted two-day group workshops in this modality at conferences, which were attended by as many as 60 experiencers at a time.

Thus, I have experience in my own process in these modalities; but in addition I have facilitated for others on many occasions, and at times, it was my main profession—though most of my life I have spent in writing, teaching, and research.

Pre- and Perinatal Re-Experience

Re-experience of birth and of the events immediately prior to and after birth are termed perinatal—from the Greek, literally “surrounding birth.” It has been widely described at this point by a number of authors but is most closely associated with the work of Stanislav Grof, Arthur Janov, and Frank Lake.

However, one significant and as yet little explored or understood phenomenon, arising also from the modalities mentioned, is that of prenatal re-experience. In this case, the experiencer reports … and observationally appears to be … experiencing events that happened en utero, sometimes going back as far as sperm, egg, and zygote states (Buchheimer 1987; Farrant 1987; Grof 1976, 1985; Hannig 1982; Janov 1983; Lake 1981, 1982; Larimore 1990a, 1990b; Larimore & Farrant, 1995).

These reports are at such variance with Western professional and popular paradigms that they are met with near-universal incredulity and, too often, premature dismissal. Yet the evidence from the mounting numbers of experiential reports and empirical studies attests that something which is at least unique and interesting is going on here.

Nevertheless, much of this prenatal information is thus far unformulated, untheorized, and unintegrated into a coherent structure for making sense of these experiences. This book will go a long way toward doing just that—making sense of prenatal experiences and exploring the implications and prospects of the knowledge gleaned from this fascinating new area of research and which arises from the vision that an exposure to this material induces.

Indeed, the earliest indications are that the implications from including the prenatal and primal perspective are vast—one might even say revolutionary, in the true sense of the word. For indeed this new perspective, this new information seems to call for an overthrow, or at least a reversal, of many of the aspects of the dominant paradigms in child-caring, child development, psychotherapy, and spiritual growth. Not the least important, these findings and insights have direct bearing on our current ecocidal and humanicidal plunge to oblivion. So, the vision is the most important one for understanding why we are doing what we are doing and then how we might do something to actually reverse our course.

To begin, then, let us review what has so far been conceived in relation to our life and our worldview in the arena of pre- and perinatal psychology.

Continue with We Are a Fever, Part Two — The Evidence That Life’s Blueprint Is Written at Birth: Prenatal and Perinatal Psychology Overview — Early Theorists, Psychoanalysis, and Birth

Return to The Sins of the Fathers: I have This Sense of Brother/ Sisterhood — That We Are Engaged in an Immense Undertaking … Necessary for the Survival of This Planet.

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

Everything You Always Wanted to Know About Being Born But Were Afraid to Ask: Birthing Into the Media and the Perinatal Veil

Apocalypse No! Chapter Eight: The Perinatal Media

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds…And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable

Newborns and Monsters and Hells, Oh My!–Of Time Travel, Claustrophobia, Cesarean Births, and Death by Vegetable

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.

Becoming Thingified – Modern Birth Tells the Baby, “Welcome to the World, Now Screw You!”

“Welcome to the World, Now Go to Hell!” – A Baby Becomes Thingified Through Modern Birth

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape

All in All, It’s Just Another Face in the Wall – Enclosing, Threatening Things That One Wishes to Push Out or Escape From

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians

Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons … and Their Obstetricians

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Through the Looking Glass Into Parallel Universes … But “There’s No Place Like Home”

Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Aliens, Abductions, Hell … Birth and Death: Freedom Is Just a Membrane Away

Aliens, Abductions, Hell, and Fear: Freedom Is Just a Membrane Away

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see in the next chapter, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

And this book is primarily about that necessity to face the ultimate and horrible truths if we are to save ourselves. Not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, Earth rebirth or apocalypse—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life –
Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Enjoy your own virtual emergence by following the pics below:

Now add a blissful period and go back around again; that’s the way it works in life.

Continue with Apocalypse No! Chapter Nine: Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Perinatal Media, Part 1

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the sky with diamonds…and oh, the shark has pretty teeth, dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A hundred monkeys and counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial rapists and killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s not the Fourth of July, however….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Continue with Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable: Perinatal Media, Part 2

Return to “We Ain’t Born Typical”: A Closer Look at the “Human Nature” Pushing Us to Humanicide – The Perinatal Unconscious

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spirit website: “‘Independence Day’: Pre- and Perinatal Adventure in Film.” [return to text]

2. The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm
Birthing, Forgetting – a short story by SillyMickel Adzema

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm
Image of Birthing, Forgetting – a short story by SillyMickel Adzema

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below. [return to text]

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh
Some Primal History & Prologue to Birthing, Forgetting

Copyright © 1999, 2011, 2012 by Michael Derzak Adzema

Continue with Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable: Perinatal Media, Part 2

Return to “We Ain’t Born Typical”: A Closer Look at the “Human Nature” Pushing Us to Humanicide – The Perinatal Unconscious

Invite you to join me on Twitter:
http://twitter.com/sillymickel

friend me on Facebook: https://www.facebook.com/sillymickel