In the Seventh Prasad, The Planetmates Reveal the Root of All Our Evils: Ego, Water Foraging, Standing, Narrow Pelvis, 20-Month Gestation, Pain (updated)

Bipedalism and Birth Pain: How Humans Managed to Become so Different … and Tragic — It All Began with Water-Foraging…

The Great Reveal from the Planetmates, The Seventh Prasad: Becoming Human, Bipedalism Caused Birth Pain

Planetmates Release The Seventh Prasad

Ego, Water Foraging, Standing, Bipedalism, Narrow Pelvis, 20-Month Gestation, Pain

Turtle Is First Consciousness at The Seventh Prasad.

“[T]he caretakers...parents...become both the models and the delivery systems for this diminishment and perfect wrongness of Consciousness.”

The Seventh Prasad – Becoming Human, Bipedalism Caused Birth Pain

Instrumental in creating this Ego are the caretakers, the fully growns, often but not always the parents, especially the mother initially. The fully growns become both the models and the delivery systems for this diminishment and perfect wrongness of Consciousness.

Of course, humans were not humans for millions of years; your predecessors were Planetmates and Earth Citizens like us. There came a time when small groups of your forebears, living near swamps and oceans and gathering their food in the shallow waters, spent long periods of time in that water and found it easy and beneficial to lift themselves up on their hind legs, more and more. Over hundreds of thousands of years, this activity led to bipedalism on land as well.

Unfortunately, this supposed benefit over time created narrower pelvic bones and narrower pelvic/vaginal openings in your females. There was a time preceding this when your females had pelvic bones that were wide enough to give birth to twenty-month old newborns. These newborns were as ready as Earth Citizens for physical existence when they were born, and they were born without the difficulties and pain that characterizes human birth, for both mothers and fetuses.

Video Commentary by SillyMickel Adzema

What follows is a video of a reading of The Seventh Prasad, with commentary, elaboration, and context, by SillyMickel Adzema.

“The Seventh Prasad” From The Great Reveal by The Planetmates – the audiocast

The link above takes you to the audio-only version of my commentary on The Seventh Prasad, exactly as is in the video. Click on the link to go the the audio site, or you can listen to it here using the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=tjgqynnjxr
Image of The Seventh Prasad, Of “The Great Reveal” By The Planetmates

Paraphrase/Elaboration of “The Seventh Prasad” — by SillyMickel Adzema

Now, the way that this actually happens is this: You not only are removed of your divine connection through these early experiences of pain and deprivation, you not only are left desperate and needing of something to cling to and prop you up lest you fall into a dire despair, but your fully growns — having helped, through inability to be as nurturing as Nature in satisfying your biological and emotional needs at and after birth — help in giving you that thing to which to cling. So, your adult caretakers contribute to your deprivation and loss of divine self — to your diminishment and perfect wrongness of consciousness — as well as are most influential in the construction of something to take its place. However unconsciously they help in the distancing of self from Divinity, they consciously aid in the crafting of its replacement. They wish to instill in your newborns and very young something along the lines of the artificial construction of self they were “helped” to create when they were the same age, however unconscious that memory is. So these fully growns are the delivery systems of the artificial construction of self.

Beyond that, who they are — their personalities, as you say — cannot help but be the starting place for the desperate new ego. In interaction with the caregiver, the new ego would have the only information from which to build, so the caregiver(s) would become the original template, if you will, for lack of anything else, in being that upon which the new ego will be fashioned. The newborn or very young one is left, after the pain and deprivations of birth and right after, with a huge hole or blank slate where there once had been (and there is for us) a divine pattern or construction of self. So, that hole will seek to be filled, that blank slate will pull to it to be written on. These severe lacks and incompletions of self will create intense needs and cravings to be filled and completed, however artificially. And the major focus of that early consciousness, the main item in its world, the caregiver — usually the mother — will become the model for what will be created to fill that lack or to imprint upon that emptiness. The other caregivers and the father, to the degree that they arise within the world of that newborn, will also contribute to the patterns the new consciousness will use to write upon itself a new “narrative” to replace the old one; they also will become part of the model the newborn will use to create its ego.

So these are the origins of the human ego and the manner of its construction. This has been a description of what is basically the difference between humans and all other beings in Nature and how it is created in an individual life.

But how did humans become this different to begin with? We have described how you are different and the way it is done, but why did it happen? Why did it need to happen in the first place? Why humans, of all beings? These are questions that might come to mind and will now be addressed.

For, naturally, you did not start out as humans. You were once planetmates like the rest of us. You enjoyed the benefits of connection with Nature and the All That Is, and you did not have this alien consciousness construct … like us, you did not need it. For millions of years your earliest forebears lived, like us, in harmony with Nature. But something happened.

What happened was that a climate change, a raising of the temperature of the environment in which your forebears lived, created increasing discomfort in living in the manner that you had been as well as it changed the vegetative and other surroundings in your environment in ways that were less conducive to your former ways. Your earliest progenitors moved themselves in accordance to where their lives would be best sustained. With rising temperatures and diminishing vegetative food sources in the continent’s interior and its dry lands, this would mean that they would find themselves increasingly drawn to water environments — shorelines, lakesides, and marshlands provided the most relief from the heat as well as they served up lush vegetation and new food sources from sea, stream, lake, and swamp.

So, in these environs your kind increasingly found themselves. It was only small groups of them making these changes at first, but they thrived in doing so and increased their numbers, whereas the others of their kind who had not made these changes would dwindle in numbers because of their increasingly inhospitable environs and eventually die out.

Your forebears were still planetmates and Earth citizens in the beginning and for a long time, while in that new environment. But in a water environment it of course would be advantageous, while foraging in the shallow waters, to raise oneself up on one’s hind legs more and more to go further out in the water and increase one’s success in acquiring food. Doing so added to the survivability of any who did that. Over time, over hundreds of thousands of years, your kind came more and more to be upright and standing on two legs not four, at all times — on land as well as in the water.

This in itself did not make you human, though being upright is extremely rare among Earth citizens for it is highly disadvantageous in a myriad of ways. But in a water environment, the advantages outweighed the disadvantages. Your earliest ancestors would spend more and more time in their water environment; they would become increasingly bipedal … and their bodies would change in a multitude of other ways to adapt. Again, that is not unusual, for other planetmates have made the transition over the course of eons of going from water to land as well as from land to water. Your mammals of the seas — your walruses, dolphins, seals, and whales — were originally land dwellers. But their bodies, over the course of eons, changed as they became increasingly aquatic until they became what they are today, suited for a fully aquatic life. Well, your earliest ancestors began having comparable changes in their bodies. They began to look less and less like their fully terrestrial brother and sister apes and more like aquatic beings. But again, those changes did not make you human.

What did was an outgrowth of your bipedalism. For your bone structure needed to change to accommodate increasing bipedalism. And a crucial aspect of that was the way your pelvic bones changed. When you were like other apes, you, like them, had wide pelvic bones which allowed for the females of your kind to have relatively easy births. But with bipedalism, births became more difficult with the changing pelvic structure. For with a different angle of connection between torso and legs, there would be a different angle of the plane of the pelvis. With an advantage to a thinner pelvis for the purposes of ambulation, there would be increasingly more narrow pelvic/vaginal openings through which to birth your babies. Your bodies changed in a number of ways to adapt to these factors.

For a while your pelvic bones became wider and more assistive in birth. But with birth even then still being more painful than the rest of us, your brains increased in size to accommodate that pain, to help in keeping it repressed and blocked from disrupting survivability.

That increasing brain size pushed two new developments: increasing birth pain along with a need for a longer gestation to accomplish the additional growth of the brain.

Well, for a long time these forces were at play and competing with and influencing each other. Your brain and skull size continued to grow with increasing birth pain to such an extent that it would have been necessary to stay in the womb for twenty-one months to be comparable to the development of your nearest relatives when they were born … in regard to the size of the brain, that is where you are at today. Of course the wideness of the pelvic bone would have had to increase substantially to make sure a large brained fetus to easily be born.

Indeed, at one point, your pelvic bones expanded to a size that they would be conducive to the birth of a twelve-month gestated newborn, with ease comparable to your brothers and sister species in Nature, or a twenty-month gestated birth — nearly the length of time that you and your brain would need to develop in the womb for you to be at the level of development we are when we are born — with the amount of difficulty you have currently. The length of your gestations and the time of your births and the amount of pain at birth for mother and newborn was in between that; relative to today, you had longer gestations, but not quite long enough for full development, and moderate, but increasing, birth pain.

But these longer gestations (longer than today) had their own disadvantages. It meant that your females would be incapacitated or hindered in their ability to procure food for a relatively long period of time. The time would be between twelve and twenty months, but even at the minimum of twelve months, that is a long time for a female to be less able to care for herself. So, such a gestation longer than nine months was not as conducive to the survival of those females. Increasingly, then, mothers who had shorter gestations, and who could thus attend to their survival needs better, would become greater in number. There was a push for shorter gestations but the needs for longer gestations — the increasing brain size with its longer development time — still existed.  Furthermore, the demands of bipedalism were not met as well with a wider, twelve-month, pelvis than a narrower one. So in that case there were survival advantages and hence an evolutionary push toward narrower pelvises, despite the increasing birth pain.

Over millions of years your forebears’ bodies developed the compromise between all these elements that you have today, where roughly half of the brain development occurs in the womb — under the direction of perfect Nature — and half outside the womb, with the disadvantage of it being under the direction of increasingly variable human adults. So this prematurity was part of the compromise, and it meant that your newborns require a longer time of dependency after birth to make up for the time in the womb that it had given up. It meant that you would be more helpless at birth than any of us and needing a longer time of and a greater expertise in nurturing after birth than us. But your mothers would get to return to full functioning sooner than if that extra growth of the brain happened in the womb and entailed a longer gestation.

But the other part of the compromise was the crucial one: Having so much brain development after birth at the mercy of the personal predilections and proclivities of human adults would mean there would be the kind of pain and deprivation we have been describing, which had led to the creation of human Ego. And since any additional pain means a need for a larger brain to deal with it, to defend against that pain to survive, there would still be pain at birth with such a skull size, with such a narrower pelvis, despite the adjustment of being born premature.

All in all, with more pain at birth; with more pain in early infancy after birth; with increasing brain size and more of it used for repression of pain; with increasing separation from divinity because of that increasing repression and thus the loss of and forgetting of divine self and the need for a substitute one and with the outer environment the only source of information upon which to build it; with increasing helplessness and longer periods of dependency and vulnerability after birth and under the direction of as well as at the mercy of greatly varied personalities and their predilections and with this period being the time during which the substitute self, the Ego, would be constructed; we have the elements of humanness. It explains how you are different, how you become different in the course of your individual lives, and with aquatic environs and bipedalism as factors unique to you and different from the factors of other species, why you as a species had to become different in the course of it all.

Continue with The Great Reveal from the Planetmates, The Eighth Prasad: Straying from Nature – Prosperity Won Out Over Happiness for Early Humans

Return to The Great Reveal from the Planetmates, The Sixth Prasad: Ego as Opiate

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Projecting the Perinatal Zeitgeist: Everything You’ve Managed to Forget About Being Born

Everything You Always Wanted to Know About Being Born … Playing Now, in Theaters Near You!

 

Wounded Deer and Centaurs, Chapter Two: Everything You’ve Forgotten About Birth … Projecting the Perinatal Zeitgeist

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize twenty-first century life.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds … And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time — ”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and were overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention. [Footnote 1]

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course, sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

This sequence of pics from an episode of The Outer Limits is a rather good depiction of this. Notice that at the point the object emerging from the mouth is most visible it takes on the form of a vagina dentata. This links the images with birth and indicates the aggressive character of the feelings being depicted, that is, we have repressed anger feelings left over inside us from what was done to us. It is also more than just coincidence that the person to whom this is happening is in a hospital room and is dressed in a hospital gown; the plot is about this woman carrying a baby and this scene happens just after the birth. This is significant for the reason following, which states that this image has its roots in an event that indeed happened right after birth..

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection — the ungentle mouth cleaning of birth fluids — I can personally validate from my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence the popularity of such images in the media of recent decades.

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing.

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carrey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carrey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boats, especially submarines; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out above, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles … with mad scientists, no less — obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see subsequent chapters, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

Central to this book is the idea that we need to face the ultimate and horrible truths if we are to save ourselves. Wounded Deer are those people who suffer from closeness to these perinatal truths. Centaurs are those wounded ones who have accepted these facts of life; they have accepted the fact that fundamentally they, as all of us, are wounded. And in embracing it this way they become healers for those who cannot face their truth or who are struggling with doing so.

For not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, whether they will they lead to the armageddon that many are predicting or to a consciousness evolution and a new Earth—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

To Be Continued with Wounded Deer and Centaurs, Chapter Three: The Perinatal Furniture of Everyday Living

Return to Wounded Deer and Centaurs, Chapter One: We Are a Fever

Enjoy your own virtual emergence by following the pics below:

Now add a blissful period and go back around again; that’s the way it works in life.

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“

Continue with The Primal Screen: The Doors of Perception Stormed and The Perinatal Rising — A Kaleidoscope of Postmodern Life

Return to We Are a Fever, Part Five, The Perinatal Unconscious: Why We Are Committing Ecocide and Seeking Species Suicide

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Everything You Always Wanted to Know About Being Born But Were Afraid to Ask: Birthing Into the Media and the Perinatal Veil

Apocalypse No! Chapter Eight: The Perinatal Media

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the Sky with Diamonds…And Oh, the Shark Has Pretty Teeth, Dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A Hundred Monkeys and Counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial Rapists and Killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s Not the Fourth of July, However….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable

Newborns and Monsters and Hells, Oh My!–Of Time Travel, Claustrophobia, Cesarean Births, and Death by Vegetable

Monsters, Vaginas, and Hairs, Oh My!

Recurring themes of monsters that eat one, for example, The Alien movie series, indicate the feelings of fear of death in the mother’s womb. This is often portrayed as a huge, threatening mouth surrounded by teeth and, sometimes, hair. This is a symbol found throughout the world. Social scientists refer to it as a vagina dentata “mouth.”

One most obvious portrayal of this was Steven King’s 1995 miniseries, “The Longoliers.” The monsters, shown at the end, turned out to be flying, ball-shaped vagina dentatas, complete with hair covering, as in pubic hair. Though Steven King meant this to be frightening, from the perinatal perspective these flying, attacking vaginas are absolutely hilarious.

Time Travel Equals Age Regression

Interestingly, the appearance of the Longoliers is caused by the characters going back in time. Though King has them going back only fifteen minutes, and not age regressing to birth, I thought the fact of time regression was telling in the extreme.

Time travel in general is indicative of the need to go back and fix the trauma of these early events. The Back to the Future series is merely one example. We all know many others.

We have Ever Increasing Cesarean Births

The perinatal roots of these movies are indicated in other ways, e.g., the baby alien, in “Alien,” being “born” out of the abdomen.

While a “baby” emerging from a person’s midsection is obviously indicative of birth, the fact that it comes bursting out of the belly, rather than the vagina, might also relate to the ever increasing use of cesarean section as a means of birthing in this century.

“Noah, How Long Can You Tread Water?”

Important perinatal influences are evident in the frequency of scenes of death by suffocation, in water or otherwise.

We are immersed in water before birth, placental fluid. Near the end of gestation, the mother, when standing, constricts blood vessels to the fetus. This reduces the blood supply to the fetus and thus less oxygen is received. It is called fetal malnutrition. Prior to birth we humans experience suffocation and claustrophobic feelings—we “can’t get enough air”!—which seem deadly and unending.

Aw, Hell

The timelessness of prenatal experience at this point—when not getting enough air—feels horrific, an unending nightmare. This part contributes to human ideas of places of forever, endless suffering, for example, hell.

Death by Vegetable

“I Agree, But I don’t Like Having It Shoved Down my Throat!”

Very interestingly, a more recent addition to this complex has something being forced aggressively down the throat of the victim.

I have noticed an increasing frequency of this version of suffocation in the visual media ever since I first remember seeing it in a scene from the movie Alien, where a rolled-up magazine is used as a murder weapon by being forced into the victim’s mouth. It seems to be becoming a writer/director’s fad, as increasingly creative ways are being imagined to play it out in scripts.

Told You I Didn’t Like Vegetables!

Another common variation is when the suffocating item comes out of the person’s mouth.

In this frequent scenario, the victim is “infected” with some kind of alien spore which grows inside of him or her and comes thrusting up from inside of the person’s body and out of the mouth, lodging itself there. Often this alien extrusion looks something like a huge asparagus emerging. The perverse sexual aspect of the image also has roots in perinatal, specifically, BPM III experience.

This “vegetable” eruption always happens suddenly and climactically, and almost always it results in death. Scenes like this I have observed in the movie “Jacob’s Ladder,” several times on the hit show The X Files, and in many, many other shows.

Gag Me With a Toxin.

This version of suffocation probably has its roots in the force-feeding of toxic elements to the fetus in the womb through the umbilical cord, and is more definitely related —the symbol is probably an amalgamation of both feelings—to the ungentle clearing of fluids from the neonate’s mouth by the attendants immediately after birth.

This latter connection—the ungentle mouth cleaning of birth fluids—I can personally validate through my own primal experiences. Apparently I was not alone in being treated this way as a newborn in the 1940s and 1950s in America…hence its popularity.

Becoming Thingified – Modern Birth Tells the Baby, “Welcome to the World, Now Screw You!”

“Welcome to the World, Now Go to Hell!” – A Baby Becomes Thingified Through Modern Birth

Treated Like a “Piece of Meat”

This practice of ungentle mouth clearing—performed by hurried or insensitive, and uninformed, medical personnel, unaware of the consciousness and keen feeling awareness of the neonate—can leave one with lifelong feelings of being treated like a “thing.”

Many report having overwhelming feelings of being dealt with mechanically and without respect. It is common for folks to have feelings of “not being seen.” People can have lifelong body memories of having one’s mouth stretched wide.

These feelings, while they may be reinforced by later life events, oftentimes have roots that go back to a time immediately after birth. At this time, too frequently, the jaw is pulled down for the insertion of fingers and suction devices. It is done in a manner that is excruciatingly painful for a being that has spent his or her entire life—nine months—previous to that in a relatively placid environment with its mouth closed.

This ungentle procedure is also felt as an assault in that it occurs, usually, as the first event a baby is confronted with upon release from the womb. Its tiny mouth—never before fully opened—is often the first focus of attention, as large fingers (relatively) reach in, stretching the previously unopened and unstretched (virgin) mouth…breaking the metaphorical oral hymen of the neonate in a way that is felt to the infant to be comparable in pattern and violation to oral sexual assault.

Did you ever wonder why so many folks have such terror of seeing a dentist? Did you ever wonder what is the fascination with water-boarding and torture in recent years?

Victims Du Jour

By the way, I might mention that while genuine sexual assault and child sexual abuse is a reality that has long been with us and is only now really coming to light (thankfully), the similarity of this early perinatal experience of ungentle mouth clearing to sexual assault may have something to do with the epidemic of reports of infant sexual abuse that are coming out of counselor’s therapy rooms.

Confused interpretations of these reports can happen because most counselors and psychotherapists are ignorant of birth and perinatal trauma and yet more and more of them are allowing bits and pieces of regressive techniques into their standard professional arsenals.

In addition, they throw in these techniques, most often, without qualification or experience with these techniques, and oftentimes out of knowledge gained solely from books or second-handedly…not to mention rarely, because of professional arrogance, having experienced or undergone these regressions themselves.

Combine this inexperienced dredging up of perinatal material with the fact, as I will be continually reiterating throughout this book, that people these days are closer to their perinatal unconscious, to their birth trauma. One can see how it can easily happen that when feelings of being orally assaulted after birth begin arising within the counseling rooms, they can be interpreted, by therapist or client or both, as early sexual assault—that being the interpretation du jour, so to speak, and because of course both are ignorant of the fact of birth trauma—its having systematically been resisted and purged from mainstream professional and lay common knowledge, beginning with Freud’s rejection of Otto Rank’s discovery of it, right down to the present. (But let’s not get into that just here.)

Welcome to the World … Now f u

Regardless, the ungentle mouth cleaning is felt not just as a physical assault, it is an outrage to the infant’s tender psyche as well—leaving a lifelong and fundamental imprint undergirding and helping to sculpt all later experience—in that it is the first “welcome” to this world. That is to say, the birth struggle ends, there is release… (finally!) … then, “Welcome, baby” — yank! stretch, feel manipulated and used, treated like an object and with no sense that one is a living aware being.

With this in mind—that this “Hello–fuck you!” experience can be the primal (first) experience of this world, of other people, of society — it may be easier to understand the profound fear and anxiety toward other people that resides inside many of us—for example, as in the book title: I’d Rather Die Than Give a Speech!

This also sheds light on the seemingly “mindless” violence and rage that is directed back against anonymous people and society in general by certain types of criminals. They can be seen to be acting out their “fuck you” welcome into the world by attacking back and outwardly, rather than this early rage energy being channeled into some of the other, more healing or at least not harmful, responses possible to early assault.

All in All, It’s Just Another Face in the Wall – Threatening Enclosures From Which One Wishes to Push Out or Escape

All in All, It’s Just Another Face in the Wall – Enclosing, Threatening Things That One Wishes to Push Out or Escape From

Faces Coming Out of the Walls

I would like to refer to one final perinatal indicator in the visual media, which has been capturing my attention of late…seeming to be coming out of the very walls at me! This is—what appears to me to be—a recent and new sort of perinatal symbolism, at least in Western culture.

We have had, over and over again, the image of the “evil fetus” erupting from the abdomen, as in the classic scene from “Alien” as well as that of it emerging from the mouth—as examples, the “volcano-new-species” episode of The X Files and the dance hall scene in “Jacob’s Ladder”—indicating fetal emergence mixed with ungentle neonatal mouth clearing (see the previous section titled, “Gag Me With Asparagus“).

Membrane Walls

But this new variation of “fetal emergence” has human faces pushing through membrane-like elastic walls!

Ventura Out of the Womb

A good example of this occurs in the movie, “Ace Ventura, Pet Detective, When Nature Calls.” In the Ace Ventura movie, Jim Carey emerges from inside a mechanical rhino with virtually all birth elements evident.

He is holed up in a hot and suffocating “womb”—that is, he is inside the rhino.

He becomes engaged in a desperate need to get out. Interestingly, the fan—the source of comfort in the rhino (womb)—stops working after a while. This is exactly analogous to the way, when we are fetuses, the nurturing elements of the mother’s womb “turn off,” in the last stage of gestation, making the womb quite an uncomfortable place indeed.

We see him pushing his face against the elastic, membrane surface of the rhino’s posterior in a way graphically suggesting perinatal emergence. The tourists watching this explicitly state that they see it as the rhino giving birth.

We witness the actual “birth”: Jim Carey (Ace Ventura) struggles to make the opening larger and to come out. Finally, he falls, naked wet and curled up fetal- or baby-like, to the ground. The hilarious—and outrageous to the tourists—part is this image of a rhino giving birth to a full-grown naked adult human “baby.”

Couldn’t Fight Your Way Out of a Plastic Bag!

Other examples of this element of human features pushing through membranes has individuals completely covered and suffocated in membrane-like elastic sheets from which they cannot escape and in which they appear agonized and struggling. A good example of this was in a scene from “Fire In the Sky” that was shown repeatedly on TV to hype the movie when it came out.

Even the invention and use of straight jackets shows our preoccupation with the perinatal, especially as concerns our mental health or well-being. For the message there is that if you “get out of control” you will be put back in a place where you will be forced to comply and will have to learn to deal, as all the rest of us do, with the “existential fact” of needing to conform to the dictates of an overwhelming, dominating, and pervasive other world.

Existential fact is in quotes to point out that this is not an essential fact of existence; rather they seem to be facts to humans because of the experience we share of being in constricting wombs which become uncomfortable and suffocating increasingly near the end. This is an example of what I have termed elsewhere, biologically constituted realities.

Of course a similar thing—forcible “re-education”—could be said for the use of jail cells, solitary confinement, and enclosures like “The Hole” during incarceration. Simply the fact that we have a much greater percentage of our population in prisons than any time previously points to our mania of trying to control this aspect of our feelings from our origins…and of an emerging perinatal unconscious triggering the reaction. In former times, torture devices often employed devices of compression, suffocation, constriction…of the entire body or just the head…and often added the element of prenatal discomfort by adding torture while so enclosed. The Iron “Maiden” is such a device. Note the feminine being employed in the name itself. Could that be any more clear that it is meant to be a painful, tortuous re-creation of being inside one’s mother?

Modern movies showing such devices or procedures are indicative of these perinatal elements coming to the surface obviously. One example is “The Man in the Iron Mask.” In a similar respect, I have already mentioned our current preoccupation with water-boarding style torture. In employing suffocation, it is an effective and brutally inhuman way of stimulating people’s perinatal pain, just as straight jackets and jail cells are intended to.

This House Will Eat You Alive!

I saw a most potent portrayal of this new perinatal element in the 1996 movie by Peter Jackson, with Michael J. Fox, “The Frighteners.”

This movie’s plot involved a house being somewhat alive and gobbling people up into the walls. The ingested people would try to emerge from the house’s walls. The walls being like elastic when they would do this, the features of their faces could be seen pushing through to the point even of the individuals being identifiable.

These swallowed people could not get out of the walls. And they would be the next ones trying to lure their loved ones and friends into being gobbled up by the house, the same having been done to them, which had resulted in their being taken into the walls initially. Sounds like a modern, very perinatal variation on the Pied Piper theme.

But the former victims who, once pulled into the walls, themselves become perpetrators also is a powerful metaphor of the way primal trauma and child abuse of all kinds—including genital mutilation—is passed from one generation to the next. Vampirism has this telling quality as well: Once you are “bitten,” you are compelled to do it to others. In the same way all child abusers were abused themselves as children, as any psychologist will tell you.

Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians

Worse Homes and Gardens – Houses, Prisons, UFOs and Spaceships, Dungeons … and Their Obstetricians

House, Cave, Squids

Anyway, this portrayal of a house that gobbles up its victims, bizarre as it sounds and as it looked, can only be explained by looking into our perinatal imprints; and it is rife with such elements.

To start with, a house — being an enclosure in which humans protect, nurture, and take care of themselves once born into the world—is perhaps the most prevalent womb symbol that exists. It is right up there in importance with caves, oceans, swallowing beasts—especially beasts of the ocean like whales (Jonah), sharks (Jaws), and octopi or giant squids.

There was a recent movie of this squid variation. Its plot development was of the “Jaws” genre. But in adding tentacles, it added elements of pubic hair and umbilical strangulation to the normal aspects of womb torture such as simple compression and suffocation.

House; cave; water; devouring dragon, as in Harry Potter; whale or shark; automobile, especially buses or motorhomes; boat, especially a submarine; indeed all vehicles of transition, nonmechanical as well as mechanical as in trains and airplanes; the deep forest, as in Avatar—anything in fact with elements of being surrounding and engulfing of one and as nurturing or threatening one, or both, are womb symbols, as we have known for a long time.

Prison, Jail Cell, Schoolroom = Womb

In the category of womb symbols that are places that enclose or “house” one that are uncomfortable, constricting, limiting of one’s ability to move around and in which one is made to suffer, even be tortured, we need to add prisons, dungeons, jail cells, and schoolrooms. Breaking out of prisons, being rescued from tight, enclosing places or situations in which one is not free—that is, can not “move freely”—are specific portrayals of the birth process itself. Contemporary film is flooded with plots and scenes depicting such escapes and/or rescues. Any constricting surround is a womb symbol, including oppressive social and political conditions from which one cannot escape and under which one is not able to move freely, to enjoy “freedom”; especially regimented ones under which one is tortured, processed, and treated anonymously and in an unfeeling, insensitive manner.

Schools and schoolrooms are especially strong womb symbols for they are places in which a person is supposedly nurtured and helped along in one’s development, exactly as was the purpose and situation in the womb. Libraries are the benign version of womb-like “schooling” in that the element of volition or choice in the matter exists. When they depict being constricted or made to suffer, it becomes even more obvious, depicting as that does the later stages in the womb which are uncomfortable and often hellacious.

The Wall

In the school sequences in the movie, “The Wall,” there are other perinatal elements potentiating some of the scenes. We have anonymity, indicating not being seen in the womb; fetal faces; tortuous “development” and passage from one state to another especially as in being shoved through a wringer or meat grinder; and faces coming out of walls or having an appearance similar to that.

Houses and Spaceships Are Real “Mothers”

One lengthy explanation of this kind of symbolism as it is connected with “the Mother” is the classic work by the Jungian, Erich Neumann, titled, The Origins and History of Consciousness, which he himself based on other even earlier analyses of mother symbolism and its association with enclosing and enveloping sorts of thing.

At any rate, among all these, the house is probably the most popular symbol today. It would seem to be used more in the visual media as a womb symbol than any other, currently. With the increased interest in science fiction, the spaceship is perhaps coming in second, but even that distantly.

Being spaceships, UFOs are obviously womb symbols. Carl Jung once speculated in writing that the upsurge of UFO sightings indicated a rising urge for psychic unity in humans. While this is true on one level, on a deeper level, they are symbols of reintegration with our repressed traumatic womb experiences. Space travel is transition from one world to another in general. And the vehicle of passage is a UFO or spaceship … in which one’s needs are taken care of and one is involved in passage or transition … It is not surprising that often in the course of this transition, space travel, the space voyagers of the silver screen encounter odd and horrifying developments.

Notice how we say “mother ship.” UFO type spaceships are so often depicted as round or spherical. Indeed, we have elaborate developments of these themes in the Death Star depiction of Star Wars–a round enclosed place and habitat associated with dread and death …

“You Will Be Assimilated.”

The variations on this are themselves telling. We have one instance of a cubical habitat in space…a square, not round, spaceship. What better way to show how terrifyingly different the inhabitants are from natural, biological beings. For womb equals round, flowing lines as in Nature, products of a physical or biological world, one of life and dealing with living and animate things. Whereas to indicate that these beings are mechanical, unnatural, robotic…products of a mental world only, one of death and dealing with inanimate, non-living things…machines…straight lines are employed, implying the worlds of engineering, mathematics, geometry…of the mind only, not of the physical or biological worlds or the worlds of feeling and experience. Implying a world of non-feeling and non-experience is horrifyingly akin to implying a death-like existence.

Star Trek aficionados will have picked up by now I am referring to the Borg and to their cubical spaceships/habitats. We have to make the connection that the appearance of symbols of machines, robots, androids, and such with womb symbols–increasingly prevalent in modern and postmodern times–is easily attributable to the fact of our ever increasing mechanization of birth…in which, as I was pointing out in the previous post/section, humans are “thingified” and turned into “human robots.” And, yes, these are horrifying and death-like experiences that we undergo at our beginnings and subject our incoming members to.

Worse Homes and Gardens. Is It Any Wonder It Is Haunted?

I remember watching an old movie from the “Amityville” series. As most people are aware, in any of these movies, it is the evil house that is the source of the horror. This goes back at least to Edgar Allen Poe’s “The House of Usher.”

Yet this plot idea of an evil house, which must, in the end, come crashing down in flames—indicating the explosive and fiery birth, BPM III, which signals the release from the evil forces—was boringly evident in films in the Twentieth Century.

Mad Doctor Frankenstein, the obstetrician

Related to this, taking this theme back in time, is the ideas of dungeons or castles…with mad scientists, no less—obstetricians, perhaps?

At any rate, in this idea of a house that “gobbles” one up, as in “The Frighteners,” we have the bringing together of two of the most predominant birth elements in film—an evil house and a devouring beast. That fact of a doubling of perinatal elements alone is indicative of a plot saturated with perinatal influence.

Through the Looking Glass Into Parallel Universes … But “There’s No Place Like Home”

Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Aliens, Abductions, Hell … Birth and Death: Freedom Is Just a Membrane Away

Aliens, Abductions, Hell, and Fear: Freedom Is Just a Membrane Away

Love, Fear Relationship

To put it another way, considering, as we now are, how imbued with death, fear, and pain is this time of our life, we are capable of seeing that there are good reasons why otherwise logical people would at all costs resist the idea of birth trauma and perinatal influences, the evidence be damned. We are fascinated by this time of our life. We play it out endlessly in our imaginations and collective dreams and, as we shall see in the next chapter, in our everyday lives. But we are utterly terrified of it. Indeed it is, as Janov once put it, the only time for most people that in life we come so close to death, other than our actual demise.

To Hell With It…

So to acknowledge birth is to face death and an inner memory of horror and a hell-like experience. These aspects of it are not going to lend to its being readily accepted among our intellectual currency.

Clients in the therapy rooms only face their perinatal memories when all other interpretations, memories, and early experiences have been made and integrated. The perinatal is the last and most gruesome of truths to face. It is faced only when all other options are gone and the truth alone will do.

In the same way—since it is not easy truth—its acceptance into the arena of our common knowledge has awaited its necessity to be known and acknowledged. It has required our species survival being at stake for us to consider the deepest roots of our problems. [Footnote 3]

Face Me, or You’re Mine!

And this book is primarily about that necessity to face the ultimate and horrible truths if we are to save ourselves. Not only are we closer to our perinatal unconscious these days, we are—because of the precarious nature of our times, which our ignorance and denial of the perinatal heretofore has set up for us—required to face the perinatal “monster” or we are doomed. It is now the time to uncover the truth, to get to the root of the problem, or there will simply, eventually, be no problem, because there will be no people to have a problem or to recognize a truth or root of a problem.

Fear and Freedom … Only a Membrane Away

Be that as it may, this recent development in perinatal imagery involving a membrane barrier between us and the perinatal realm is closer to our actual perinatal reality than any of the previous symbols put out in earlier times which showed a barrier between us and the perinatal. So this membrane depiction of the perinatal suggests an increasing closeness to the perinatal unconscious.

Perinatal Spamming

We have progressed in our collective consciousness beyond hard walls or mirrors separating us from our perinatal memories (and horror), now they are just a membrane away. They are only a thin, elastic membrane away. And from the other side this part of ourselves calls out to us, pushing its face through—like the computer push technology, with all its annoying pop-up consoles and screens that won’t go away. Our births come spamming through to tell us what we need and to call us back to a realization of the truths we need to hear to save ourselves.

Getting back to the membrane symbol itself, the perinatal elements of this new depiction are rife. Obviously the late stages of pregnancy have one in an enclosed elastic, membrane container—the womb—from which one cannot escape. Also, the fetus’s features in the latest stages are somewhat evident, can be seen and felt, on the surface of the mother’s belly, something like faces pushing out of elastic walls. And one struggles agonizingly during birth and endures intense suffocation through a great deal of it, just like those in movies who are surrounded by elastic sheets.

All of this is then, in Western civilization, compounded after birth with tight swaddling. The newborn, curiously, is wrapped like a tamale in a way that he or she cannot move freely. So rather than remember the earlier womb experience of blissful freedom and euphoria, it has its most recent hellish experience of the late stages of gestation and birth reinforced. There is no doubt that we are letting our newest members know they will not be able to move freely in life, have freedom, or express themselves freely. It is no wonder that depression is a pandemic in modern society and antidepressants are sprinkled over the masses like holy water.

Baby Abductees and Masked Medical Aliens

Finally, a later perinatal element is inserted in the “Fire In the Sky” scene in that the struggling abductee, covered in the elastic membrane sheet, is lying on an alien’s medical table. In the same way a baby, right after birth, endures the struggle for breath, caused by premature umbilical cutting, as it lies on the medical table and receives “processing” by medical personnel who to the fetus are alien-looking—that is, they have prominent eyes and lower face not pronounced because covered with surgical mask.

The point of bringing out the occurrence of these media images is that the projective systems of our culture—our art—are reflecting our collective changes in consciousness: Specifically, the evolution of our consciousness as it is confronted by this unconscious pre- and perinatal material…or, as some psychohistorians would have it, the “collapsing” of our “ego strength” as we are “threatened” by these “dangerous” perinatal elements.

Birthing Into Everyday Life

Whether these images are indicative of a healing crisis or are the opening of a Pandora’s box—that is to say, Earth rebirth or apocalypse—will be something for us to consider further on.

Meanwhile, let us look at how these elements, not only show up in our collective media dreams, but fashion the very furniture of our everyday reality.

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life –
Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Enjoy your own virtual emergence by following the pics below:

Now add a blissful period and go back around again; that’s the way it works in life.

Continue with Apocalypse No! Chapter Nine: Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spiritwebsite: “‘Independence Day’: Pre- and Perinatal Adventure in Film.”

2.The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh

3. See Stanislav Grof on this at “Planetary Survival and Consciousness Evolution: Psychological Roots of Human Violence and Greed“

Continue with Apocalypse No! Chapter Nine:
Twenty-First Century Life – Table of DisContents

Return to Apocalypse – No! Chapter Seven: “We Ain’t Born Typical”

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“We Ain’t Born Typical”: A Closer Look at the “Human Nature” Pushing Us to Humanicide – The Perinatal Unconscious

Apocalypse – No! Chapter Seven:
“We Ain’t Born Typical””

Apocalypse, Human Nature, and the Perinatal Imprint: “We Are a Fever … We Ain’t Born Typical”

“Perinatal” = “Surrounding Birth”

“We Are a Fever”

How are we to characterize these strangest of days and the current unprecedented global condition? As I have said, they are driven by what I call an emerging perinatal unconscious. As The Kills sang it, most aptly, “We ain’t born typical.” [Footnote 1]

Perinatal Unconscious

Why perinatal? First, let us remind ourselves that perinatal means, literally, “surrounding birth.” As a one-time university instructor of pre- and perinatal psychology and as an editor of a professional journal concerned with perinatal psychology— as well as a psychohistorian, let me explain what might be considered elements of a perinatal unconscious. [Footnote 2]

Unconscious Matrices = “Human Nature”

The elements I will describe are near universally accepted among perinatal psychologists as unconscious forces, factors, matrices that exist in us all as a result of a human birth that is unique, by comparison to all other species, in its degree of trauma and hence of its impact or imprint on what we might call—dare I say the word—our “human nature.”

These perinatal elements have come to our understanding through the efforts of both the inner explorations of experiential pioneers into the perinatal, as well as the hard empirical work of pre- and perinatal researchers. I might also point out that I, myself, have forty years of experiential exploration into these perinatal elements, in addition to my scholarly work and research in this field. My experiences confirm, in my own mind, their absolute validity, as well as validating for myself the theoretical constructs put forth by others to describe and explain them.

Pre- and Perinatal Psychology, Experiential Voyagers

Be that as it may, these perinatal elements in the unconscious have been described most thoroughly be three figures in particular: Stanislav Grof, Arthur Janov, and Lloyd deMause. It might help, also, to keep in mind that entire new fields of pre- and perinatal psychology, primal psychology, and to some extent, transpersonal psychology have grown up around the existence of these perinatal factors. Entire modalities of healing tap in to and are based on the existence of this perinatal unconscious, including primal therapy, holotropic breathwork, and rebirthing, to name just the few that I happen to be trained in. These unconscious perinatal elements have, at this point, been confirmed by thousands of researchers and hundreds of thousands, if not millions, of experiential voyagers into the perinatal unconscious.

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“The Perinatal Unconscious“
– audiocast by SillyMickel Adzema

For the author’s reading, with elaboration, of this chapter, click on the link to the audio site above or click the audio player here:

http://cdn.hark.com/swfs/player_fb.swf?pid=rfrhsmtjnm
Apocalypse, or New Dawn? Chapter 2: “The Perinatal Unconscious” by SillyMickel Adzema

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Elements of Birth Experience

Based upon all this, then, let us look at some of the elements, in general, that characterize this perinatal unconscious.

Perinatal Matrix ~ Societal Matrix

Stanislav Grof describes basic perinatal matrices (BPMs)—in other words, typical experiential constellations related to our births. These happen to be very much akin to deMause’s perinatal schema, with some slight differences in emphasis, and more elaboration on the part of Grof. So let us use Grof’s schema as a basis. [Footnote 3]

All Needs Met . . . With Luck – Matrix 1

Grof’s Basic Perinatal Matrix I, or BPM I, involves the experiences and feelings related to the sometimes, or at least relatively, undisturbed prenatal period. The prenatal period is that time in the womb sometimes characterized by feelings of peace, complete relaxation, and a feeling of all needs met, or “oceanic bliss.”

BPM I corresponds to deMause’s societal periods of “prosperity and progress,” which he claims are accompanied by feelings and fears of being “soft” and “feminine” — understandably here, for in BPM I, that is, prenatally, the fetus is largely identified with his or her mother and is very much “soft,” i.e., undefended.

Since the time in the womb may also be disturbed by toxic substances that the mother ingests—drugs, chemical additives, and so on—as well as by disturbing emotions that the mother experiences, which release stress hormones into the mother’s bloodstream, which then cross the placental barrier and affect the fetus, BPM I is also sometimes characterized as feelings of being surrounded by a polluted environment and being forced to ingest noxious substances, toxins, and poisons, which sickens the fetus.

No-Exit Despair – Matrix 2

In Grof’s schema, BPM I is followed by BPM II—that is, Basic Perinatal Matrix II—which are experiences and feelings related to the time of “no exit” in the womb and claustrophobic -like feelings occurring to nearly all humans in the late stages of pregnancy and especially with the onset of labor, when the cervix is not yet dilated. Since there does not seem to be any “light at the end of the tunnel”—metaphorically speaking—it is characterized by feelings of depression, guilt, despair, and blame, and a characterization of oneself as being in the position of “the victim.”

It is very much like DeMause’s period of collective feelings of entrapment, strangulation, suffocation, and poisonous placenta, which he has found to precede the actual outbreak of war or other violence. [Footnote 3]

Birth Wars – Matrix 3

This of course is followed by BPM III (Basic Perinatal Matrix III), which involves feelings and experiences of all-encompassing struggle and is related to the time of one’s actual birth. Characterized also by intense feelings of aggression and sexual excess—in the position, now, of “the aggressor”—it is related directly, in DeMause’s schema, to a time of actual war.

Hallelujah! . . (I think. . . . ) – Matrix 4

Basic Perinatal Matrix IV (BPM IV) follows this; it corresponds to the time of emergence from the womb during the birth process and is characterized by feelings of victory, release, exultation.

But also sometimes, after that initial relief of depression — when the struggle does not bring the expected rewards, as when, during modern obstetrical births, the neonate is harshly treated and then taken away from the mother, disallowing the bonding which should occur, naturally, immediately after birth.

In my own experience, the exultation and relief of release was replaced suddenly by feelings of being assaulted by the attendants at my birth (which of course they thought of as “attending” to me) as they went about roughly removing mucous from my mouth; prematurely cutting my umbilical cord to leave me struggling for breath; scrubbing, weighing, measuring, and otherwise probing me; and wrapping me like a tamale and taking me away from all I had previously known…i.e., my mother. This felt like ritual abuse to me, and I have often likened it, after the intense period of compression and crushing before birth, to a situation of “going from the frying pan into the fire.”

At any rate, this experience of actual emergence or birth coincides, societally, with deMause’s period of the ending of a war.

Heaven and Hell

In summary, we have euphoric, oceanic, blissful feelings, sometimes feelings of being poisoned or being in a toxic or polluted environment; followed by crushing, no-exit, depression, claustrophobia, compression, strangulation, suffocation, and being force-fed by a poisonous placenta; followed by struggle, violence, war scenarios, birth/death fantasies, sexual excess; and finally release, triumph, feeling of renewal or rebirth and a new golden age, but also possibly of being abandoned, tortured, ritually sacrificed, probed medically, and assaulted by sensations. These are some of the elements that characterize the experience of the perinatal unconscious.

For Dreaming Out Loud! Projecting the Perinatal Zeitgeist

In the next chapter, Perinatal Media, we will take a look at how these elements have erupted into our collective dreams in recent history. By this I mean, we will see how our artists and creative people have projected them into the media, movies, and TV–in which we all participate–and how our fascination with them, because these artists are reflecting things that exist deep inside of ourselves as well, has caused them to grow, creating the dominant underlying zeitgeist of our time.

Continue with Apocalypse No! Chapter Eight:
The Perinatal Media

Return to Apocalypse No! Chapter Six:
Strange Days

Footnotes

1. Chapter titled with appreciation and admiration to The Kills for their recording, U R A Fever. The lyrics go, “I am a fever, you are a fever, we ain’t born typical….” and so on. The music video produced is similarly brilliant. Together, it is a production bordering on genius. The video contains levels of meaning that are only obvious on subsequent viewings. I reproduce it for the second time in this book, above in this chapter, for the convenience of the reader.

Lyrics – U.R.A. Fever – The Kills

Walk you to the counter
What do you got to offer
Pick you out a solder
Look at you forever

Walk you to the water
Your eyes like a casino
We ain’t born typical

Find a piece of silver
Pretty as a diagram
And go down to the Rio

Put it in my left hand
Put it in a fruit machine
Everyone’s a winner
Laughing like a seagull

You are a fever
You are a fever
You ain’t born typical

You are a fever
You are a fever
You ain’t born typical

Living in a suitcase
Meet a clown, fall in love
went down to have you over

Going ’round a break up
Take you to a jukebox
That’s the situation
Pick you out a number
And that’s our arrangement

Dancing on the legs of a new-born pony
Left right left right
Keep it up son

Go ahead and have her
Go ahead and leave her
You only ever had her
When you were a fever

I am a fever
I am a fever
I ain’t born typical

I am a fever
I am a fever
I ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

2. In the Pre- and Perinatal Psychology Newsletter I was applauded for being the first person in the United States to teach the subject of pre- and perinatal psychology at the university level and—as it was said, remarkably—for doing it while still a student. I did this at Sonoma State University, in Rohnert Park, California, in the years 1994 and 1995, beginning while I was a graduate student there.

My graduate thesis became the book, Falls From Grace: Spiritual and Philosophical Perspectives of Prenatal and Primal Experience, which is listed in Wikipedia as a reference under the topic of prenatal and perinatal psychology.

Subsequently, I became the editor of the professional journal, Primal Renaissance: The Journal of Primal Psychology, formerly published by the International Primal Association. Much of the contents of its issues were later posted to my website, Primal Spirit, where they can still be viewed.

I have had my writings published in The Journal of Psychohistory, including some that later became part of this book. In fact, I presented the material of this book originally at an Institute for Psychohistory Association convention; and its earliest publications were in The Journal of Psychohistory under the title, “”The Scenery of Healing: Commentary On DeMause’s ‘Restaging Prenatal and Birth Trauma’s in War and Social Violence’”” 23/4, 395-405.

These are among my many credentials in this field of pre- and perinatal psychology, where I have studied and trained from 1972 till this day.

3. Stanislav Grof, Realms of the Human Unconscious: Observations from LSD Research. New York: Viking Press, 1975; LSD Psychotherapy. Pomona, CA: Hunter House, 1980; Beyond the Brain: Birth, Death, and Transcendence in Psychotherapy. Albany, NY: State University of New York Press, 1985; The Adventure of Self-Discovery: Dimensions of Consciousness and New Perspectives in Psychotherapy and Inner Exploration. Albany, NY: State University of New York Press, 1988; The Holotropic Mind: The Three Levels of Human Consciousness and How They Shape Our Lives. San Francisco: HarperSanFrancisco, 1993.

4. Lloyd deMause, “Restaging Early Traumas in War and Social Violence.” The Journal of Psychohistory 23 (1995): 344-391. (Reprinted, with permission, on the Primal Spirit website as “Restaging Prenatal and Birth Traumas in War and Social Violence“)

Continue with Apocalypse No! Chapter Eight:
The Perinatal Media

Return to Apocalypse No! Chapter Six:
Strange Days

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Something’s Happening Here – Strange Days: Facing Square Our Apocalypse — For the Heroic and Most Caring Only

Apocalypse No! Chapter Six: Strange Days

Wtf? Strange Days, The End Being Nigh … Facing Square Our Apocalypse—For the Heroic and Most Caring Only

Something’s Happening Here

“Nobody Told Me There’d Be Days Like These” – John Lennon

Nobody Told Me There’d Be Days Like These–John Lennon

We live in unprecedented times—times in which the possibility of ending our species in our lifetime, even eliminating all life on this planet, are very real possibilities. No other time has been like this. And the effect of this possibility of the actual end of days, so to speak—while so horrifying that we are in denial of it and hardly speak it—hangs over us and affects us in ways unique and fantastic.

We will either heroically, somehow, save our species and our planet, which will require a change of our human nature unlike anything that has been asked of our species ever before, or we will be witnesses to the elimination of life on this planet in some way that we cannot imagine but can only be horrific in the extreme. This book is about facing, not denying, the uniquely dire character of our times and finding out what it says about us and requires of us. But it is also about what it is about our species that we—of all the other species here—are the ones, the only ones, who would bring about such a possibility. [continued after video]

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Strange Days. Apocalypse? Or Earth Rebirth?
by SillyMickel Adzema

For the author’s reading of this chapter click on the link to youtube above or click the video player here:

Strange Days. Apocalypse? Or Earth Rebirth?–Michael Adzema

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Why Do We Poop Where We Sleep?

Just what is it about us that could allow us to so violate our home as to make the death of us all possible? This is something that somebody should be addressing, don’t you think? I will begin that here. Come along, if you dare.

But this is not for those who would prefer to keep their heads in the sand and to sleepwalk through life. Certainly that is part of the reason we could get to this pass But it is doubtful that such people, in such deep denial of the signs around them, would be able to hear what is here being brought to light. If instead you are of the type that would wish to look fiercely at the truth, no matter how horrifying it might be, and to truly witness and be awake in these most fantastic of times, then listen up.

Gaia’s Calling You.

There is much here to see, and so much of it the mainstream would never touch for fear of creating a panic. Still, to survive our species must face our problems, not look away. And there is a nobility in doing that, which is unlike any kind of nobility or heroism that has been asked of our species before. I hope, for the sake of us all, that you are one of those heroes. For we will need many noble souls to reverse our current downslide into oblivion.

“Strange Days, Indeed. Most Peculiar, Mama!” – John Lennon

Something’s Happening Here

What it is ain’t exactly clear.

“Something’s happening here. What it is ain’t exactly clear.” So goes a hugely popular song from the sixties by Buffalo Springfield. Meanwhile Jim Morrison of the rock group The Doors sang, “Break on through to the other side.” [Footnote 1]

For What It’s Worth–Buffalo Springfield

A decade later John Lennon sang “Strange days, indeed…most peculiar, mama!” That was in the late seventies; not long afterwards Lennon was murdered. In the nineties, the group R.E.M. enjoyed enormous success singing, “It’s the end of the world, as we know it”; then, singing parenthetically, “and I feel fine.” [Footnote 2]

It’s the End of the World–R.E.M.

Break On Through to the Other Side.

My point is that there is something happening here…something unprecedented in the entire history of this planet, as far as we are able to know. There are powerful factors and influences at work in our world now that have the capacity to change us and our world in radical ways…for good or ill. My point also is that this unprecedented situation, like the “break on through to the other side” lyric indicates, has something to do with birth feelings, birth trauma—an emerging perinatal unconscious. [Footnote 3]

Break on Through to the Other Side–The Doors

What I have in mind in the ensuing parts on this topic is to attempt to reawaken you to the unique character of our times. Then I expect to persuade you that this unprecedented era in history is rife with the perinatal, that is, with things having to do with the time around our births.

“We Ain’t Born Typical.”

This contemporary age is permeated by perinatal symbolism, elements, evidence, behavior, rituals, and situations—in other words, I expect to show that the events of these “strange days” are being sculpted by an emerging perinatal unconscious—an unconscious that was created out of the trauma of our entering into this world, our birth trauma. The Kills, with their release in 2008, enjoyed huge success singing, “You are a fever. You ain’t born typical.” That’s what I’m talking about. [Footnote 4]

Finally, I intend to say a few words about what might be the outcome of these emerging perinatal trends—Earth rebirth or apocalypse.

Wtf? The End Being Nigh – Strange Days

The End Being Nigh – Strange Days

Strange Days

For most people, I would assume I am not saying anything new in pointing out that our times are unique. For that matter, all times are unique—unlike any other. But what no other time has seen is the actual—not imagined—possibility, even likelihood, of the “end of the world.” That is to say, we are facing the end of our species and maybe all life on this planet along with us. Considering just one scenario, we have the capacity, with only a minuscule amount of our nuclear weapons, to wipe out all life on this planet. We all know this.

“The End Is Nigh!”

I used the phrase, just now, “end of the world,” deliberately. For I expect that it will evoke in some a reaction that what I am going to say from here on will be a drawn-out verbal version of a familiar cartoon, depicting a bearded and bedraggled man on a street corner, carrying a sign or wearing a clapboard proclaiming, “The end is near!” and that what I will say will have just about as much credibility as that man’s would.

I take that chance to make my first point…which is: The fact that we can so easily dismiss, ridicule, and smugly deride such ideas of apocalypse points to our complacency with these strangest and most precarious of days. In fact, we have lived with this unprecedented situation—dangling on a thread, as it were, above the abyss of nuclear annihilation, to name just one of the possible forces of extinction…we’ve lived with it for so long as for it to seem commonplace—as part of the normal and familiar furniture of our daily lives.

Wtf?

Heads in the Sand

It has become so much a part of our daily lives, in fact, that we hardly give it any thought anymore. But for a moment, let us just imagine a person from a previous time in history being somehow transported into this time and being made to understand the impending forces: environmental collapse, species extinction, nuclear threat, population explosion, virulent epidemic, possibly human-created earthquakes and thus tsunamis, planet poisoning, and so on.

Unless this person was Nostradamus, we can imagine this person would be hugely alarmed, to say the least. This person might well wonder at our nonchalance, or should we say apathy, in the face of such likely, not just potential, apocalypse. [Footnote 5]

So I won’t waste time pointing out the statistics that prove the premise that the current trends we are following are apocalyptic.

We need simply to look to our daily headlines. Need I remind of the dangers from catastrophes like Fukushima and the Gulf Oil Spill? [Footnote 6]

Care for Some Radiation with that Milk?

We have radiation mixing into the world ecosystem as I write. Fukushima alone is spreading radiation that’s off the charts into food, air, oceans, and has made it to the East Coast of the U.S. and beyond in just a short time. We also know that nuclear waste needs to be guarded for 25,000 years because of its toxicity…it is still deadly for 250,000 years. Yet we continue to excrete massive amounts of it into our globe and even after the Fukushima meltdowns to push for building more plants. [Footnote 7]

Dead Zones and Dolphins

We have watched baby dolphins by the hundreds washing up on Gulf coasts and the creation of hundred mile dead zones in our seas. BP stupidly used toxic chemicals to disperse the oil rather than to collect it. The dispersants themselves are toxic, but the much bigger crime was to make sure the even more toxic oil, which depletes the oxygen in the water and thus creates the dead zones, would be spread far and wide throughout the global water. Good for BP shares looking like they could fix it, bad for survival of oxygen-breathers on Earth.

So BP’s egregiously criminal move was the equivalent of sweeping dirt under the rug to clean up. Unfortunately there is no “away” in which it can “go.” So we have, in this incident alone, precipitated greatly the dying off of the life of the oceans—the oxygen-producing plankton—and, hence, the basis of all life on this planet.

*Cough, Cough*

To this ravaging of the lungs of the planet add worldwide runaway deforestation, already in full swing. I am practically choking as I think how we then stink up the air with industrial emissions and auto exhausts. Living in the LA area, I can tell you that I feel my mouth is sealed to the end of an exhaust pipe most of the time. So to the dangers bringing on our demise we need to add globally increasing air pollution.

Forget Your Sunscreen, We’re All Gonna Fry.

Environmentally also, we have the greenhouse effect—global climate change or warming—the depletion of the ozone layer, and so on. [Footnote 8]

Al Gore is owed the gratitude of the world informing us of climate change in his book and documentary of the same name, Inconvenient Truth.

Meanwhile lots of folks think we have solved the ozone layer problem. We banned fluorocarbons, and we don’t hear much about this problem anymore in the media. Environmental nay-sayers are arguing that we “fixed” this problem, as part of their stance that we need not worry about what we’re doing to the planet. But not long ago—April 2011—CNN broadcast the news that the ozone had been depleted by 40% in the last two months alone! They immediately then turned to an item of dire importance—a snake had gotten loose in New York! [Footnote 9]

Only One Earth, Don’t Blow It!

Nor need I elaborate on the the nuclear threat–whether precipitated by terrorists, rogue nations, or accident. We know, but don’t want to, of the possibility of any one or more of these mad actors employing weapons of mass destruction, possibly leading to ever-mounting rounds of retaliation with eventually no one left standing. Relatedly we push out of our minds the threat of other kinds of weapons–such as biological weapons–getting out of control and creating a worldwide epidemic or holocaust.

Eight billion and Counting…Now Let’s Attack Planned Parenthood! *sarcasm*

Need I mention the continuing explosion of the world’s population leading to likely famine, wars, diseases, and so on? We have twice as many people alive now as the combined total of all humans who have ever lived! We are no different from bacteria who overrun their petri dish only to die off. We certainly aren’t showing ourselves to be any smarter than that. [Footnote 10]

Outbreak

How about the possibility of virulent epidemic that cannot be cured? Does that catch your fancy? Strains of micro-organisms are evolving that are immune to our much-touted antibiotics.

You Sure You Should Be Reading This?

What Island Were You Stranded On?

But why go on? If you are not aware of these things, you are from some other planet. If you are dismissing these facts, you are in actual psychological denial of your dire situation. If you are not paying attention, you are spending your life desperately running away.

No, I won’t go into stats and figures to support the premise. The evidence and statistics are there for all to see, crying for attention, put out, published, and promulgated by the best scientists of our time, mixed in with the more mundane messages of our daily newspapers and nightly newscasts, though we mostly turn our ears from them.

We’ll Try to Save You, Too.

In fact, if you are not already aware of the global crisis that besets us, I do not think you will get much out of reading further in this book and would probably better spend your time doing something else. There will always be those that will have their heads in the sand and will be cast about like flotsam upon the waters by the events swirling around them–impotent in the face of them and dependent upon other’s actions for the result. If you are one, know we’re trying to save you, too.

Facing Foursquare the Darkness – Not for Cowardly or Uncaring Humans – Strange Days

Facing Square Our Apocalypse—For the Heroic and Most Caring Only

There will always be those that will have their heads in the sand and will be cast about like flotsam upon the waters by the events swirling around them – impotent in the face of them and dependent upon others’ actions for the result. If you are one, know we’re trying to save you, too.

Assuming you are not one of them–a good bet, if you’ve managed to get to this paragraph–there is much to say about the current apocalyptic trends.

Facing Foursquare

But even those of us aware of this crisis hardly think of it. Of course it is our normal psychic defenses that operate to keep this huge awareness out of our daily minds; we must do this in order to be able to function.But perhaps, for some of us, our defenses work too well–so much so that we unthinkingly participate in and contribute to our own demise. This is classic neurotic self-sabotaging, self-destruction on a macro scale.

However, psychologists, historians, psychohistorians, and scholars and the educated public claim not to be like that. It is their job, or their claim, to be looking squarely into the face of these forces of denial and potential apocalypse and to be seeking to understand the human condition and human psychology in light of them. It is their duty then to inform the rest of us about what they see so that we might have a chance of reversing our self-destructive tendencies.

If You’re Not Alarmed, You’re Not Paying Attention.

Whether the educated public and the multitude of scholars actually are fulfilling their mission in these times is debatable. Regardless, my thesis is that when we do this, when we look foursquare into the face of the global crisis and its accompanying denial, we find that these unprecedented global factors contribute to a unique and unprecedented human condition and psychology. I have seen a bumper sticker around, in California where I live, that proclaims, “If you’re not angry, you’re not paying attention!” It could as easily say, however, “If you’re not alarmed,” fearful, anxious, depressed . . . you name it, “You’re not paying attention!”

To Face These Maddest of Days and Minds

So then let us pay attention. This book is about facing foursquare into the fantastic circumstances and situation in which we find ourselves, watching, like a photograph emerging in solution, as the face of these times slowly comes into view, and then waking up to the meaning of the message, perhaps the warning, it brings us, so that we might live most fully and take up our roles consciously amid these unprecedented unfoldings. What is required of us now, then, having turned to receive the message, is to look deep into the features of our age. Let us begin.

Continue with Apocalypse – No! Chapter Seven:
“We Ain’t Born Typical””

Return to Apocalypse No! Chapter Five: Death Wish – Thanatos Walking

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Strange Days. Apocalypse? Or Earth Rebirth?
by SillyMickel Adzema

For the author’s reading of a version of this chapter, click on the link to youtube above or click the video player here:

Strange Days. Apocalypse? Or Earth Rebirth?–Michael Adzema

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Footnotes

1. Stop, Children, What’s That Sound – Buffalo Springfield – Lyrics

There’s something happening here
What it is ain’t exactly clear
There’s a man with a gun over there
Telling me i got to beware

I think it’s time we stop, children, what’s that sound
Everybody look what’s going down

There’s battle lines being drawn
Nobody’s right if everybody’s wrong
Young people speaking their minds
Getting so much resistance from behind

I think it’s time we stop, hey, what’s that sound
Everybody look what’s going down

What a field-day for the heat
A thousand people in the street
Singing songs and carrying signs
Mostly say, hooray for our side

It’s time we stop, hey, what’s that sound
Everybody look what’s going down

Paranoia strikes deep
Into your life it will creep
It starts when you’re always afraid
You step out of line, the man come and take you away

We better stop, hey, what’s that sound
Everybody look what’s going down
Stop, hey, what’s that sound
Everybody look what’s going down
Stop, now, what’s that sound
Everybody look what’s going down
Stop, children, what’s that sound
Everybody look what’s going down

2. It’s the End of the World as We Know It – R.E.M. – Lyrics

That’s great, it starts with an earthquake, birds,
snakes, an aeroplanes, Lenny Bruce is not afraid.
Eye of a hurricane, listen to yourself churn – world
serves its own needs, dummy serve your own needs. Feed
it off an aux speak, grunt, no, strength, Ladder
start to clatter with fear fight down height. Wire
in a fire, representing seven games, a government
for hire and a combat site. Left of west and coming in
a hurry with the furies breathing down your neck. Team
by team reporters baffled, trumped, tethered cropped.
Look at that low playing! Fine, then. Uh oh,
overflow, population, common food, but it’ll do. Save
yourself, serve yourself. World serves its own needs,
listen to your heart bleed dummy with the rapture and
the revered and the right, right. You vitriolic,
patriotic, slam, fight, bright light, feeling pretty
psyched.

[Chorus:]

It’s the end of the world as we know it.
It’s the end of the world as we know it.
It’s the end of the world as we know it, and I feel fine.

Six o’clock – TV hour. Don’t get caught in foreign
towers. Slash and burn, return, listen to yourself
churn. Locking in, uniforming, book burning, blood
letting. Every motive escalate. Automotive incinerate.
Light a votive, light a candle. Step down, step down.
Watch your heel crush, crushed, uh-oh, this means no
fear cavalier. Renegade steer clear! A tournament,
tournament, a tournament of lies. Offer me solutions,
offer me alternatives and I decline.

[Chorus 2x]

The other night I dreamt of knives, continental
drift divide. Mountains sit in a line, Leonard
Bernstein. Leonid Brezhnev, Lenny Bruce and Lester
Bangs. Birthday party, cheesecake, jelly bean, boom! You
symbiotic, patriotic, slam book neck, right? Right.

[Chorus 2x]

3. Break on Through to the Other Side – The Doors – Lyrics

You know the day destroys the night,
Night divides the day
Tried to run, tried to hide,
Break on through to the other side,
Break on through to the other side,
Break on through to the other side, yeah.

We chased our pleasures here,
Dug our treasures there,
But can you still recall the time we cried?
Break on through to the other side,
Break on through to the other side.

Yeah!
C’mon, yeah.

Everybody loves my baby,
Everybody loves my baby.
She gets
She gets
She gets
She gets higghhhh!

I found an island in your arms,
A country in your eyes,
Arms that chained us, eyes that lied.
Break on through to the other side,
Break on through to the other side,
Break on through, wow, oh yeah!

Made the scene week to week,
Day to day, hour to hour,
The gate is straight, deep and wide,
Break on through to the other side,
Break on through to the other side,
Break on through,
Break on through,
Break on through,
Break on through,
Break, break, break, break,
Break, break, break, break,
Break.

4. U.R.A. Fever – The Kills – Lyrics

Walk you to the counter
What do you got to offer
Pick you out a solder
Look at you forever
Walk you to the water
Your eyes like a casino
We ain’t born typical
Find a piece of silver
Pretty as a diagram
And go down to the Rio
Put it in my left hand
Put it in a fruit machine
Everyone’s a winner
Laughing like a seagull
You are a fever
You are a fever
You ain’t born typical
You are a fever
You are a fever
You ain’t born typical
Living in a suitcase
Meet a clown, fall in love
went down to have you over
Going ’round a break up
Take you to a jukebox
That’s the situation
Pick you out a number
And that’s our arrangement
Dancing on the legs of a new-born pony
Left right left right
Keep it up son
Go ahead and have her
Go ahead and leave her
You only ever had her
When you were a fever
I am a fever
I am a fever
I ain’t born typical
I am a fever
I am a fever
I ain’t born typical
We are a fever
We are a fever
We ain’t born typical
We are a fever
We are a fever
We ain’t born typical
We are a fever
We are a fever
We ain’t born typical
We are a fever
We are a fever
We ain’t born typical

5. An example of what we should be doing. These are the kind of public figures and pundits we need.

If the bees disappeared, then man would only have four years of life left. No more bees, no more pollination, no more plants, no more animals, no more man. – Albert Einstein

Vanishing bees is “just a sign” of what is going on, as they point out. The canary has died, and we cannot just leave the coal mine.

So we owe gratitude to Ellen Page and Bill Maher for setting an example for the kind of discourse we could and should be having in the media.

6. Gulf Oil Spill, Fukushima meltdowns, nuclear radiation, toxic nuclear waste, HAARP, killing off of the ocean–destroying oxygen in it, dead zones with no oxygen, dolphins washing up, birds falling out of the sky, bees disappearing, ozone depletion at the rate of 40% in the last two months alone, and a massive 50% species extinction in the next few decades, i.e., in our lifetimes! (now, enjoy your hamburger.)

7. Helen Caldicott compares our complacency in the face of these dire happenings to the parents who respond emotionless when she has to tell them their child has leukemia. She says, “Get mad. Get emotional.” She urges us to take back our governments from these mad perpetrators of the darkest doom imaginable. And, in the least, occupy! She proclaims,

It’s time you took your country back…. Use your bodies like they did in Wisconsin. Do a Tahrir Square here. Take back New York. Take back the Congress. Invade the Congress! Those people belong to you. They are your representatives, and you are their leaders. But you’ve got to have some guts! And stop being so goddamn polite all the time! And don’t need approval. Step up to the plate….

We’ve got to be emotional…. It’s time we used our emotions and become incensed! Otherwise we’re not going to make it.

8. “We’re all gonna fry.” With appreciation to Scout Niblett, “We’re All Gonna Die/ Your Beat Kicks Back Like Death”

9. “We Lost 40% of Ozone Layer Last 3 Months” proclaimed CNN in April, 2011 — “Ozone Depletion Over Arctic ‘Unprecedented’ This Winter“
My take on this: CNN reported this month that 40% of the ozone layer over the Arctic was depleted from December 21st, 2010 to March 31st, 2011–roughly three months. I heard a CNN anchor report this, with some alarm. I also watched as this anchor continued, after a few sentences on this, to another news item–about a snake getting loose in New York, if memory serves me. Guess life on this planet not as big a deal.

Btw, if you want to dismiss this by consoling yourself that it is “only” happening over the Arctic, consider what is happening in parts of the globe that aren’t being actively monitored. Seems to me if the lake goes down on the other side, the water is lower on my side as well. [return to text]

10. John Leslie, The End of the World.

Continue with Apocalypse – No! Chapter Seven:
“We Ain’t Born Typical””

Return to Apocalypse No! Chapter Five: Death Wish – Thanatos Walking

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Kaleidoscope of Postmodern Life, Part Seventeen: Fetal Malnutrition and Politics: Prenatal Roots of Greed, Sycophancy, Class War, and Revolution

Hunger Games: Prenatal Oxygen Hunger and Its Political Imprints – Greed, Oppression, Sycophancy, Class War, Revolution: 21st Century and Its Discontents, Part 17

Prenatal Roots of War

In a previous section I mentioned how our human tendency to warring has its roots in the uncomfortable crowdedness we experience in the late stages of gestation—a pain and trauma that stays with us for life and drives us to act it out in trying to push back lines and make more room (womb) for ourselves in many areas of our lives, including politically. I said our psychological state preceding wars, in line with deMause’s work in this area, is akin to feeling stifled and wanting to “breathe free.”

Hunger Games – War and Aggression

Can’t Move

So of course our aggressions against others are connected to the long period of difficult immovability in the womb, but we can already see it is related to the reduction of oxygen at that time as well.

Looking into the feelings of latent oxygen panic rooted in fetal oxygen hunger, we see it has many more political implications, even, than war and aggressions toward others over space…over lines and perimeters and rooted in the feelings of being hemmed in—that constellation of “crowded” feelings I’ve previously teased out.

Can’t Breathe

In the “gasping” or oxygen deprivation trauma of late stage gestation, we can’t get enough oxygen, we feel suffocated…suppressed, stifled, repressed, oppressed. It is out of these feelings carried over and restimulated again and again as adults that we create class wars, revolution, and culture wars. For we feel there to be an oppressive force inhibiting our self-expression, keeping us from “breathing freely.”

Hunger Games—Greed and Oppression

But more: On the other side of those panicky feelings of suffocation we are driven to gobbling up more resources than we need—greed. We experienced oxygen poverty in the womb, so poverty and reductions in finances feel stifling and suffocating. It is less desirable to not have money, of course. My point is that this prospect drives us to overreact and build our lives around major act outs of it, as so:

Suppression, Oppression, “Sucking” From

(1) Being politically oppressed, we feel we can’t move freely (the crowded feeling), but, interestingly, we feel we can’t “breathe freely.” We act this out on both sides of class war and revolution: One side always feels this lack because it has roots in the unconscious and cannot be satisfied and so over overcompensates and in doing so “sucks” up all possible resources (oxygen) from those lower on the totem pole…it “suppresses” the “masses”…it “sucks from” the masses.

Liberals hearts may “bleed” but not conservatives. For releasing blood is losing oxygen and conservatives have a prenatal “knowing” that you need every smidgen you can get to survive. You may even go so far as to try to “squeeze blood from a stone” (the aging placenta).

Sycophancy, Conformity, “Sucking Up”

(2) From another side of this discomfort we have a prenatal sycophancy showing itself. Conforming underlings, in a country’s economic array, act out their prenatal oxygen panic by investing all their energy in “sucking up” to those above them … seeking to insure a steady supply of resources (money, oxygen) by sucking from the rich stream (blood stream) of money “circulating” among those on rungs above them on the economic ladder.

Suffocation, Starvation, Being “Sucked” From

(3) And the other component in this political triangle—those poor and working class directly opposed to the greedy forces “sucking up” from the masses—feels this suppression as suffocation, starvation, and stifling unto death. So it wants to “overthrow” or “throw off” the forces weighing down upon and suppressing/suffocating them.

Basically, if you’re not “sucking” resources (oxygen) from below, you are either “sucking up” to those above you or being “sucked from” and wanting to “overthrow” them to “breathe more freely.”

Hunger Games—Freedom and Revolutionaries

Injustice, Inequity, Struggle – Throwing Off

This does not mean that revolutionary forces are act outs of early trauma and not real. It does not mean that oppression does not actually exist; it does not mean that struggles for economic justice are overcompensations. No. It is no more true that these are unreal than that struggles to save the environment are act outs. For we must remember that the prenatal forces drive us to actually manifest conditions that re-create our womb states. And just as we are driven to despoil our air and waters as act outs of our fetal malnutrition, so also our fetal oxygen panic causes us to create situations of dire inequity by pushing unnecessary greedy acts creating gross economic injustice. And these greedy forces are aided in their suppression by their sycophantic underlings, driven by their underlying panic of resource loss. Between the two, they are able to create human societies of economic inequality, suppression, and oppression which mirror the conditions of resource lack in the womb for the majority of folks throughout history and virtually everyone on the planet in these strange days.

Free Speech – Stifled, Inspire, Expire, Express…To Breathe Free

Interesting aspects of this oppression-revolution dynamic rooted in the fetal dynamic is the focus on free speech: The one side wants to suppress expression (expiration—release of air) of inspiration (to inspire—to take in air), thus directly slowing down the masses’ political equivalent of breathing, “stifling” its expression (its ability to “breathe out”). The revolutionary side of this wants the opposite: Folks want freedom of speech. They want to be able to speak freely (breathe freely), to be inspired (take in air or spirit), and to express this uninhibitedly (expire, let air out). These same dynamics apply to freedom of religion as well.

The oppressed masses feel they are deprived, can’t get enough of what they need (oxygen), want to “breathe freely,” and so need to assert self-expression, to expire (express) one’s inspiration freely as part of that “struggle.”

Hunger Games—Sycophancy and Conservatism

Reactionary and Conservative Thinking = Prenatal Conformity – Don’t Move Too Much, Don’t Stand Out, Maybe You’ll Get More (Oxygen)

But the basic dynamic is about resources: One side out of oxygen panic wants to suck up resources from everywhere around and wants to keep those resources from others. And the other side wants to take theirs back. And that third part is the conforming fetus hoping to get more resources from “above”…to “suck up”…by not moving too much, by staying compliant with outside forces, by not being too obvious or “standing out,” and if moving to do so only in ways remembered as safe…strictly prescribed, ritualistic ways.

For our prenatal memory tells us that doing so is the way of getting a little more in the way of resources (oxygen). We experienced that by not struggling, by not moving around too much…and further complicating and constricting the blood flow through the arteries to the placenta (the bank)…more oxygen (money) seemed to flow. Also, by not moving too much, by “conserving” our energy, “holding our breath” as it were, we might be able to survive…that being too “radical” and free risked death.

Hunger Games—Culture War

Oppressors Orchestrate a Panicked Population for Their Profits

One final aspect to this prenatal dynamic acted out politically is the culture war that comes of it: The greedy forces manipulate the latent panic of the masses in order to suck more resources by telling each segment of the masses that another sector of the population is actually the part that is sucking all their resources, stealing all their benefits and money (oxygen). So we have the creation of minorities and scapegoats out of this interplay. But the reason it happens unerringly in societies is because it works so well. And it works so well because the forces of manipulation are orchestrating powerful drives and forces within the masses—tendencies of people born of desperation and panic, which have roots in the earliest months of one’s individual existence.

Next: Hunger Games—Human Rights and Racism

More Mass Manipulation Around Bigotry and Anti-Semitism … Vampires and Blood Libel, Too

In the next section we look more deeply into this manipulation of the masses, this scapegoating of minorities. We see how racism, bigotry, and anti-Semitism are themselves constructed out of prenatal pushes and pulls. We find out why we look at others the way we do, so that our errant ideas can be further used against us by the greedy ones. And we stumble upon the underpinnings of some of the most curious of human concoctions of thought—as in the ideas of vampires and blood libel.

Continue with Hunger Games – Vampires and Culture Wars … Fetal Roots of Racism, Bigotry, Anti-Semitism … Blood Libel: 21st Century and Its Discontents, Part 18

Return to How We Look to the Gods and Prometheus Redux … Building More Nukes and Drilling More Holes – Icarus Keeps Flapping and the Gods Can’t Stop Laughing: 21st Century and Its Discontents, Part 16

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Through the Looking Glass Into Parallel Universes…But “There’s No Place Like Home”: Perinatal Media, Part 6

Perinatal Media, Part Six: Through the Looking Glass Into Parallel Universes, But “There’s No Place Like Home”

Origins of Parallel Universes

But this idea of something coming through the walls, membrane walls, is both fascinating and telling in the extreme. It speaks to other perinatal elements and feelings.

I might start by pointing out the element of there being another realm into which people go and from which people are rescued (with luck). There is a barrier between the two realms—a permeable, elastic barrier. Anytime you have this other realm you are talking about either birth or death or both. Oftentimes it is both, for it is felt that to go back to the time of being in the womb (“regression”) is akin to death.

Of course we get this idea that birth is death, for one thing, because of the fact that at that time—in the late stages of pregnancy with fetal malnutrition, lack of sufficient oxygen, suffocation, and so on—there was a sense of impending death, and oftentimes actual vital life threat to the fetus. We see our beginnings as dire, for another thing, because the actual time of being born is analogous to a dying to one state in order to be born into another. Actual birth, BPM III, has most often been related to feelings of death/rebirth.

So of course, for these reasons, anything having to do with going across or back into that other realm is going to be associated with death.

“There’s No Place Like Home.”

But death is not the only aspect of crossing some kind of barrier into another realm. Related to the house theme we see how going through a membrane into another realm can take one into another place where one has adventures and rediscovers important understandings or is transformed or matured in some way.

In this category we have Alice going through a looking glass to go into Wonderland; Dorothy and Toto in “The Wizard of Oz” being transported — in their house, naturally — to another realm; and the back of the wardrobe opening up into the other land of Narnia in the classic children’s series by C. S. Lewis titled, The Lion, The Witch, and the Wardrobe. In Howl’s Moving Castle, a floating, traveling house takes the occupants to different places and into various adventures and scenes, like some kind of animated version of Sliders.

Through the Looking Glass

And of course this is only the tip of the iceberg of works of literature, film, and TV that could be given: the magic mirror, often an antique one (of course), which opens up to another horrible or wonderful place or to a time in the past; or the secret passageway in a wall that opens, by means of some magical or technical maneuver and takes one into secret places—both wondrous and hideous.

The hearth that spins around is particularly telling in that the hearth may be considered the “heart” or center of the maternal in the house, the prime source of heat and nourishment—as when in previous times it was the place in which the food was actually cooked. There are many other examples.

The movie “Jumanji” with Robin Williams employed this idea laboriously and dramatically, with people going through walls into other times and places.

But the movie also included perinatal elements such as stampedes of gigantic jungle animals and even floods. Here again we see beasts that can devour or crush one, but also enveloping waters. In fact, when the flooding waters came through the wall, to accompany this element there was even the “mandatory” fight with a toothy beast!

This “Dark” Unknown

In this movie, “Jumanji,” as in too many others, the “other side” is depicted as a dangerous and often deathly place. This points to the vital life threat that we go through at the times of our birth, leaving an imprint of fear of it for a lifetime.

This depiction of it and fear of it are both understandable and unfortunate. For, as I alluded to earlier, this idea of birth trauma has been vigorously resisted in our culture ever since it was first presented by Otto Rank. And we can attribute that resistance to accepting its reality to the fact that it triggers so much fear in people to even consider these perinatal influences.

Continue with Apocalypse – No! Chapter Eight: Perinatal Media

Return to Worse Homes and Gardens – Houses, Prisons, Schools, Dungeons, UFOs and Spaceships…and Their Obstetricians: Perinatal Media, Part 5

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ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Perinatal Media, Part 1

With these elements of birth experience in mind, let us look at some of the forces and elements, unprecedented and otherwise, that characterize our times.

Baby and Fetal Projections on the Silver Screen

Fetus in the sky with diamonds…and oh, the shark has pretty teeth, dear…

In these strange days, movies, TV shows, and books are rife with perinatal themes: From the famous ending image of the movie “2001,” where the fetus is pictured against the blackness of space as a newborn star…to some of the most popular and lucrative movies of all time—”Jaws,” for example, with its huge vagina dentata shark mouth lurking in the depths of the unconscious (the ocean), signifying the trauma we have around the mother’s vagina, the mouth ringed with teeth—the ferocious looking teeth symbolizing the pain and death elements of birth experience.

Other examples of perinatal imagery in the media include those in the movie “Brazil”—the main character being haunted by hordes of infant/fetal faces in particular; “The Abyss”; “Jacob’s Ladder,” and “Close Encounters of the Third Kind”—large-headed fetal looking aliens again.

ET, Phone Mom!

Psychodynamic as well as perinatal sequences are displayed in “The Wall” and “Brainstorm.” There is the fascinating womb and fetal symbolism in UFO movies like “Cocoon”; “Cocoon: The Return!”; and “E.T.”—with the fetal-looking alien wanting to “phone home.” And of course, we have seen obvious perinatal symbolism in “Independence Day,” “Fire in the Sky,” “Jacob’s Ladder,” “Joe Vs. The Volcano,” “Nothing But Trouble”; and in a recurring way on weekly TV series The X Files, Star Trek, Heroes, and The 4400, among many others.

“Avatar” is a near perfect depiction of a BPM I state that is interrupted by the later stages of pregnancy and threatened by a mechanized-technological birth. Everything is there as in the womb state: a perfect harmony with Nature…a world tree symbolizing the life-giving placenta…harmony with the Mother, who is the World Mother, a Goddess.

In the Narnia series, the children find a “secret” doorway at the back of a wardrobe (womb symbol) and go from their normal realm into another magical realm. In this—as in many other depictions, such as “Alice in Wonderland,” “The Matrix,” and “The Wizard of Oz”—we can see both a re-creation of the birth sequence but also the message (from our unconscious selves) that one needs to go back through and re-experience that sequence, as it was left incomplete. This magical realm is thus the womb. And in it lie many of the spiritual truths that we forgot when we came into the world and was overloaded with the pain of birth, which pushed our connection with Nature and the Universe into unconscious memory.

There is a plethora of more recent films rife with perinatal elements: Notable are the Matrix series, “Total Recall,” the Star War series, “Dark City,” “The Lathe of Heaven,” the Alien series, “The Tree of Life,” “Ace Ventura: When Nature Calls,” the Batman series, the Hannibal Lector series, “Suckerpunch,” and the Star Trek series. There are too many more to mention.

In addition to its prevalence in science fiction movies, it is replete in the symbolism of horror movies. When you understand this symbolism, you find it saturates the silver screen, popular television, music video and imagery, and the electronic media and arts

Everything You Always Wanted to Know About Being a Baby

Other movies indicating the interest emerging around pre- and perinatal themes are “Look Who’s Talking” and “Look Who’s Talking Too,” which demonstrate a belief in sperm and egg, womb, and infantile consciousness far beyond what mainstream psychology wants to believe.

Also, there is the hilarious sperm sequence in Woody Allen’s “Everything You Always Wanted to Know About Sex” in which he and a slew of others are dressed as individual sperm and dialogue about their upcoming great adventure.

This idea that sperm and ovum have consciousness can also be heard occasionally in comedic monologues on television and elsewhere.

Boob Tube With a View

Speaking of television, there was that very interesting and much heralded episode of the Moonlighting series in the late Eighties which—coincidentally employing an article and book title of mine, “A Womb With a View”—showed Bruce Willis in a womb-like enclosure as a fetus viewing, with the help of a higher spiritual ally, the upcoming events of his life. This plot idea was also an amazing, perhaps synchronistic, mirror image of a short story I wrote in 1979 titled “Birthing, Forgetting.” [Footnote 2]

A hundred monkeys and counting

I point out the personal synchronicities because they speak of a “morphic resonance” phenomenon indicating ideas whose time has come. Be that as it may, the episode of Moonlighting is further proof of the growing belief in womb consciousness and interest in perinatal events.

Perinatal Faces Poking Out Everywhere

Other perinatal elements that are currently manifesting include:

Satanic Cult Abuse

Reports of Satanic cult abuse graphically depict BPM II perinatal elements. We hear of children and others being immobilized, tied up, and otherwise disempowered. Oftentimes they relate being forced to spend extensive periods of time trapped in tight places and/or symbolically or literally buried under ground.

BPM III elements in cult abuse include the sexual excess/abuse and bloodletting or blood use as in its being poured or used in “anointing.”

Cult abuse in film, as well as in real life, especially depict BPM IV elements: Cutting, hurting, torturing, sexually and ritually abusing and “sacrificing” are all very much like an infant’s perception/feelings of its experience of its being “attended” to after birth.

The fact that cult rituals often involve a number of other people focusing on an individual who is strapped or held down—the immobilization prior to birth, as well as the helplessness after birth—on something raised, like an altar or table, and then “worked upon” in some way or other is a particularly graphic expression of a neonate’s experience of being on a medical table after birth, watched by a number of others and worked on.

The ritualists’ use of robes and costumes, especially if they involve covering the face or the wearing of masks, is also not that much different from the way a baby in modern times perceives its welcoming into the world among masked and robed medical personnel.

Serial rapists and killers

One can hardly turn on the tube without finding some movie or TV show that is depicting a serial killer or rapist. I do not need to belabor the flooding of news programs with the same kind of material.

But the number of reports relative to victims and harm involved is far less than victims and suffering involved with other horrific events, such as hurricane, earthquake, nuclear radiation, ozone loss, or flood catastrophes, which have less or no perinatal charge about them. This preoccupation with serial violence, torture, and rape indicates BPM III elements of struggle, violence, sexual perversion and excess, as well as the death and torture aspects of being born.

Tube and Cinematic Violence Galore

Simply the amount of violence on television and in movies is a perinatal indicator. These depictions simulate, and stimulate, perinatal feelings in plot elements which are repeated to death.

Matters of Life and Death

We see clichéd regurgitations of being in life and death situations from which one is saved in the “nick of time.” This is exactly how it seemed when one was “miraculously” born, suddenly, after what seemed an endless time of suffering in which death was felt to be the only possible outcome.

It’s not the Fourth of July, however….

You do not seem to be able to see a story that does not have explosions galore.

Such “fireworks” are examples of extreme compression suddenly becoming immense expansiveness and thus symbolize the sudden perinatal change of state from compression inside the womb to previously unknown expansiveness outside the womb as well as the sudden release of tension and compression upon being born.

Explosions also symbolize the immediate assault of sensation upon coming out of the sensorally “muffled” womb.

XXX

There is lots of violence, and of course also sex. Such extreme degrees of sexual explicitness and especially sexual perversity point to strong BPM III influences.

Continue with Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable: Perinatal Media, Part 2

Return to “We Ain’t Born Typical”: A Closer Look at the “Human Nature” Pushing Us to Humanicide – The Perinatal Unconscious

Footnotes

1. For an analysis of the pre- and perinatal elements of “Independence Day,” see Anne Marquez’s article on the Primal Spirit website: “‘Independence Day’: Pre- and Perinatal Adventure in Film.” [return to text]

2. The text for “Birthing, Forgetting” can be found at “My Beginning, At Least the Part Anyone Could See: Birthing…Forgetting (a short story) on my site, SillyMickel Adzema’s Life – Autobiography. It was originally published in – Michael D. Adzema, “Birthing, Forgetting (a story).” Primal Renaissance: The Journal of Primal Psychology, 2(1), Spring 1996, pp. 65-76

Birthing, Forgetting (a short story)

An audio reading by the author of Birthing, Forgetting, can be heard by following the link above to the audio site or by clicking the audio player below.

http://cdn.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm
Birthing, Forgetting – a short story by SillyMickel Adzema

http://ecdn0.hark.com/swfs/player_fb.swf?pid=zgxsgyzhkm
Image of Birthing, Forgetting – a short story by SillyMickel Adzema

For background and elaboration of “Birthing, Forgetting” listen to the audio,

Some Primal History and Prologue to “Birthing, Forgetting”

The audiocast of “Prologue to Birthing, Forgetting” can be heard by following the link above to the audio site or by clicking the audio player below. [return to text]

http://cdn.hark.com/swfs/player_fb.swf?pid=hwvpxzhffh
Some Primal History & Prologue to Birthing, Forgetting

Copyright © 1999, 2011, 2012 by Michael Derzak Adzema

Continue with Gag Me With Asparagus – Of Time Travel, Claustrophobia, Hell, Cesarean Births, and Death by Vegetable: Perinatal Media, Part 2

Return to “We Ain’t Born Typical”: A Closer Look at the “Human Nature” Pushing Us to Humanicide – The Perinatal Unconscious

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“We Ain’t Born Typical”: A Closer Look at the “Human Nature” Pushing Us to Humanicide – The Perinatal Unconscious

“We Are a Fever…We Ain’t Born Typical”: Apocalypse and the Perinatal Unconscious

“Perinatal” = “Surrounding Birth”

“We Are a Fever”

How are we to characterize these strangest of days and the current unprecedented global condition? As I have said, they are driven by what I call an emerging perinatal unconscious. As The Kills sang it, most aptly, “We ain’t born typical.” [Footnote 1]

Perinatal unconscious

Why perinatal? First, let us remind ourselves that perinatal means, literally, “surrounding birth.” As a one-time college instructor of pre- and perinatal psychology and as an editor of a professional journal concerned with perinatal psychology— as well as a psychohistorian, let me explain what might be considered elements of a perinatal unconscious. [Footnote 2]

Unconscious Matrices = “Human Nature”

The elements I will describe are near universally accepted among perinatal psychologists as unconscious forces, factors, matrices that exist in us all as a result of a human birth that is unique, by comparison to all other species, in its degree of trauma and hence of its impact or imprint on what we might call—dare I say the word—our “human nature.”

These perinatal elements have come to our understanding through the efforts of both the inner explorations of experiential pioneers into the perinatal, as well as the hard empirical work of pre- and perinatal researchers. I might also point out that I, myself, have nearly forty years of experiential exploration into these perinatal elements. My experiences confirm, in my own mind, their absolute validity, as well as validating for myself the theoretical constructs put forth by others to describe and explain them.

Pre- and Perinatal Psychology, Experiential Voyagers

Be that as it may, these perinatal elements in the unconscious have been described most thoroughly be three figures in particular: Stanislav Grof, Arthur Janov, and Lloyd deMause. It might help, also, to keep in mind that entire new fields of pre- and perinatal psychology, primal psychology, and to some extent, transpersonal psychology have grown up around the existence of these perinatal factors. These unconscious perinatal elements have, at this point, been confirmed by thousands of researchers and hundreds of thousands, if not millions, of experiential voyagers into the perinatal unconscious.

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“The Perinatal Unconscious“
– audiocast by SillyMickel Adzema

For the author’s reading, with elaboration, of this chapter, click on the link to the audio site above or click the audio player here:

http://cdn.hark.com/swfs/player_fb.swf?pid=rfrhsmtjnm
Apocalypse, or New Dawn? Chapter 2: “The Perinatal Unconscious” by SillyMickel Adzema

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Elements of Birth Experience

Based upon all this, then, let us look at some of the elements, in general, that characterize this perinatal unconscious.

Perinatal Matrix ~ Societal Matrix

Stanislav Grof describes basic perinatal matrices (BPMs)—in other words, typical experiential constellations related to our births. These happen to be very much akin to DeMause’s perinatal schema, with some slight differences in emphasis, and more elaboration on the part of Grof. So let us use Grof’s schema as a basis. [Footnote 3]

All Needs Met . . . with luck – Matrix 1

Grof’s Basic Perinatal Matrix I, or BPM I, involves the experiences and feelings related to the sometimes, or at least relatively, undisturbed prenatal period. The prenatal period is that time in the womb sometimes characterized by feelings of peace, complete relaxation, and a feeling of all needs met, or “oceanic bliss.”

BPM I corresponds to deMause’s societal periods of “prosperity and progress,” which he claims are accompanied by feelings and fears of being “soft” and “feminine”—understandably here, for in BPM I, that is, prenatally, the fetus is largely identified with his or her mother and is very much “soft,” i.e., undefended.

Since the time in the womb may also be disturbed by toxic substances that the mother ingests—drugs, chemical additives, and so on—as well as by disturbing emotions that the mother experiences, which release stress hormones into the mother’s bloodstream, which then cross the placental barrier and affect the fetus, BPM I is also sometimes characterized as feelings of being surrounded by a polluted environment and being forced to ingest noxious substances, toxins, and poisons, which sickens the fetus.

No-Exit Despair – Matrix 2

In Grof’s schema, BPM I is followed by BPM II—that is, Basic Perinatal Matrix II—which are experiences and feelings related to the time of “no exit” in the womb and claustrophobic-like feelings occurring to nearly all humans in the late stages of pregnancy and especially with the onset of labor, when the cervix is not yet dilated. Since there does not seem to be any “light at the end of the tunnel”—metaphorically speaking—it is characterized by feelings of depression, guilt, despair, and blame, and a characterization of oneself as being in the position of “the victim.”

It is very much like DeMause’s period of collective feelings of entrapment, strangulation, suffocation, and poisonous placenta, which he has found to precede the actual outbreak of war or other violence. [Footnote 3]

Birth Wars – Matrix 3

This of course is followed by BPM III (Basic Perinatal Matrix III), which involves feelings and experiences of all-encompassing struggle and is related to the time of one’s actual birth. Characterized also by intense feelings of aggression and sexual excess—in the position, now, of “the aggressor”—it is related directly, in DeMause’s schema, to a time of actual war.

Hallelujah! . . (I think. . . . ) – Matrix 4

Basic Perinatal Matrix IV (BPM IV) follows this; it corresponds to the time of emergence from the womb during the birth process and is characterized by feelings of victory, release, exultation.

But also sometimes, after that initial relief of depression—when the struggle does not bring the expected rewards, as when, during modern obstetrical births, the neonate is harshly treated and then taken away from the mother, disallowing the bonding which should occur, naturally, immediately after birth.

In my own experience, the exultation and relief of release was replaced suddenly by feelings of being assaulted by the attendants at my birth (which of course they thought of as “attending” to me) as they went about roughly removing mucous from my mouth; prematurely cutting my umbilical cord to leave me struggling for breath; scrubbing, weighing, measuring, and otherwise probing me; and wrapping me like a tamale and taking me away from all I had previously known…i.e., my mother. This felt like ritual abuse to me, and I have often likened it, after the intense period of compression and crushing before birth, to a situation of “going from the frying pan into the fire.”

At any rate, this experience of actual emergence or birth coincides, societally, with DeMause’s period of the ending of a war.

Heaven and Hell

In summary, we have euphoric, oceanic, blissful feelings, sometimes feelings of being poisoned or being in a toxic or polluted environment; followed by crushing, no-exit, depression, claustrophobia, compression, strangulation, suffocation, and being force-fed by a poisonous placenta; followed by struggle, violence, war scenarios, birth/death fantasies, sexual excess; and finally release, triumph, feeling of renewal or rebirth and a new golden age, but also possibly of being abandoned, tortured, ritually sacrificed, probed medically, and assaulted by sensations. These are some of the elements that characterize the experience of the perinatal unconscious.

For Dreaming Out Loud!

In the next chapter we will take a look at how these elements have erupted into our collective dreams in recent history. By this I mean, we will see how our artists and creative people have projected them into the media, movies, and TV–in which we all participate–and how our fascination with them, because these artists are reflecting things that exist deep inside of ourselves as well, has caused them to grow, creating the dominant underlying mythos of our time.

Continue with ET, Phone Mom – Of Aliens, Toothy Vaginas, Satanic Cults, and Explosions: Everything You Always Wanted to Know About Being Born

Return to Facing Foursquare the Darkness – Not for Cowardly or Uncaring Humans: Strange Days, Pt 3

Footnotes

1. Chapter titled with appreciation and admiration to The Kills for their recording, U R A Fever. The lyrics go, “I am a fever, you are a fever, we ain’t born typical….” and so on. The music video produced is similarly brilliant. Together, it is a production bordering on genius. The video contains levels of meaning that are only obvious on subsequent viewings. I reproduce it for the second time in this series, above in this part, for the convenience of the reader.

Lyrics – U.R.A. Fever – The Kills

Walk you to the counter
What do you got to offer
Pick you out a solder
Look at you forever

Walk you to the water
Your eyes like a casino
We ain’t born typical

Find a piece of silver
Pretty as a diagram
And go down to the Rio

Put it in my left hand
Put it in a fruit machine
Everyone’s a winner
Laughing like a seagull

You are a fever
You are a fever
You ain’t born typical

You are a fever
You are a fever
You ain’t born typical

Living in a suitcase
Meet a clown, fall in love
went down to have you over

Going ’round a break up
Take you to a jukebox
That’s the situation
Pick you out a number
And that’s our arrangement

Dancing on the legs of a new-born pony
Left right left right
Keep it up son

Go ahead and have her
Go ahead and leave her
You only ever had her
When you were a fever

I am a fever
I am a fever
I ain’t born typical

I am a fever
I am a fever
I ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

We are a fever
We are a fever
We ain’t born typical

2. In the Pre- and Perinatal Psychology Newsletter I was applauded for being the first person in the United States to teach the subject of pre- and perinatal psychology at the university level and—as it was said, remarkably—for doing it while still a student. I did this at Sonoma State University, in Rohnert Park, California, in the years 1994 and 1995, beginning while I was still a graduate student.

Subsequently, I became the editor of the professional journal, Primal Renaissance: The Journal of Primal Psychology, formerly published by the International Primal Association. Much of the contents of its issues were later posted to my website, Primal Spirit, where they can still be viewed.

I have had my writings published in The Journal of Psychohistory, including some that later became part of this book. In fact, I presented the material of this book originally at an Institute for Psychohistory Association convention; and its earliest publications were in The Journal of Psychohistory under the title, “”The Scenery of Healing: Commentary On DeMause’s ‘Restaging Prenatal and Birth Trauma’s in War and Social Violence’”” 23/4, 395-405.

These are among my many credentials in this field, where I have studied and trained from 1972 till this day. [return to text]

3. Stanislav Grof, Realms of the Human Unconscious: Observations from LSD Research. New York: Viking Press, 1975; LSD Psychotherapy. Pomona, CA: Hunter House, 1980; Beyond the Brain: Birth, Death, and Transcendence in Psychotherapy. Albany, NY: State University of New York Press, 1985; The Adventure of Self-Discovery: Dimensions of Consciousness and Ne